{"id":1564,"date":"2020-08-24T14:39:47","date_gmt":"2020-08-24T13:39:47","guid":{"rendered":"https:\/\/sbunker.org\/?p=1564"},"modified":"2023-12-18T15:11:30","modified_gmt":"2023-12-18T14:11:30","slug":"realizmi-dhe-drama-bashkohen-ne-takim-ne-ajer","status":"publish","type":"post","link":"https:\/\/sbunker.org\/en\/analize\/realizmi-dhe-drama-bashkohen-ne-takim-ne-ajer\/","title":{"rendered":"Realizmi dhe Drama Bashkohen n\u00eb \u2018Takim n\u00eb Aj\u00ebr\u2019"},"content":{"rendered":"

Nj\u00eb djal\u00eb i ri, i d\u00ebshp\u00ebruar p\u00ebr t\u00eb emigruar n\u00eb nj\u00eb vend tjet\u00ebr, n\u00eb k\u00ebrkim t\u00eb nj\u00eb jete m\u00eb t\u00eb mir\u00eb; nj\u00eb burr\u00eb i klas\u00ebs pun\u00ebtore i lodhur nga jeta dhe v\u00ebshtir\u00ebsit\u00eb e saj, i bllokuar n\u00eb nj\u00eb vend ku asgj\u00eb nuk ndodh; nj\u00eb n\u00ebn\u00eb e pamartuar jeton me v\u00ebllain e saj; nj\u00eb pronar stacioni televiziv q\u00eb i sh\u00ebrben vet\u00ebm interesit; nj\u00eb shoq\u00ebri ku veprimet dhe sjelljet t\u00eb pamoralshme mbizot\u00ebrojn\u00eb; nj\u00eb dashuri e parr\u00ebfyer, joreciproke, q\u00eb mbetet n\u00eb aj\u00ebr. K\u00ebto jan\u00eb historit\u00eb e nd\u00ebrlidhura t\u00eb filmit \u2018Takim n\u00eb Aj\u00ebr\u2019 me regji dhe skenar nga regjisori i ri Ardit Sadiku.<\/p>\n

Edhe pse historia e Drinit i cili k\u00ebrkon t\u00eb emigroj\u00eb n\u00eb Suedi \u00ebsht\u00eb thelbi i filmit, jan\u00eb t\u00eb gjitha k\u00ebto historit\u00eb e vogla q\u00eb e shoq\u00ebrojn\u00eb at\u00eb q\u00eb n\u00eb fakt ndihmojn\u00eb t\u2019i japin nj\u00eb shpjegim dhe justifikim motivit t\u00eb tij. \u00cbsht\u00eb pik\u00ebrisht ky realitet shoq\u00ebror i thyer dhe d\u00ebshp\u00ebrues, si dhe paaft\u00ebsia p\u00ebr t\u00eb siguruar nj\u00eb mjedis t\u00eb zbatuesh\u00ebm p\u00ebr rinin\u00eb q\u00eb ndikon mbi vendimet e t\u00eb rinjve p\u00ebr t\u00eb ardhmen e tyre dhe i detyron t\u00eb largohen jasht\u00eb vendit.<\/p>\n

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Kjo paaft\u00ebsi p\u00ebr t\u2019i shp\u00ebtuar k\u00ebtij ambienti t\u00eb that\u00eb dhe t\u00eb izoluar b\u00ebhet edhe m\u00eb urgjente nga m\u00ebnyra sesi personazhet l\u00ebvizin rreth tij, megjithat\u00eb ata nuk shkojn\u00eb askund, jan\u00eb t\u00eb m\u00ebrthyer aty. Blerimi dhe shoq\u00ebria e tij jan\u00eb gjithmon\u00eb n\u00eb l\u00ebvizje me makin\u00eb, por ata nuk shkojn\u00eb shum\u00eb larg.<\/p>\n<\/div>\n

K\u00ebshtu krijohet nj\u00eb efekt klaustrofobie dhe nj\u00eb d\u00ebshir\u00eb urgjente p\u00ebr t\u2019u arratisur diku larg, e ngjashme me at\u00eb t\u00eb Drinit. Breshka e kufizuar n\u00eb kafaz funksionon si nj\u00eb metafor\u00eb e p\u00ebrshtatshme p\u00ebr ndjenj\u00ebn e kufizimit q\u00eb personazhet p\u00ebrjetojn\u00eb. Gjithashtu, fakti q\u00eb asgj\u00eb nuk ndodh n\u00eb t\u00eb v\u00ebrtet\u00eb gjat\u00eb koh\u00ebzgjatjes s\u00eb gjith\u00eb filmit, krijon po t\u00eb nj\u00ebjtin efekt.\u00a0 Jemi duke pritur 3 dit\u00eb deri sa intervista e Drinit, t\u00eb cilin Blerimi e xhiron t\u00eb transmetohet n\u00eb televizion, dhe nd\u00ebrsa presim transmetimin e intervist\u00ebs, nd\u00ebrtohet tensioni i potencialit p\u00ebr zhg\u00ebnjim.<\/p>\n

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Filmi pati premier\u00ebn e tij n\u00eb dat\u00ebn 31 korrik 2020 n\u00eb Cobb Film Festival, Georgia, SHBA, ku \u00a0Herton Meta u dekorua me \u00e7mimin aktori m\u00eb i mir\u00eb \u2013 i pari dhe ndoshta \u00a0i vetmi midis aktor\u00ebve t\u00eb tjer\u00eb q\u00eb meriton k\u00ebt\u00eb \u00e7mim.<\/p>\n<\/div>\n

Aktor\u00ebt n\u00eb p\u00ebrgjith\u00ebsi v\u00ebrtet jan\u00eb joimpresionues \u2013 ata japin p\u00ebrshtypjen se jan\u00eb jo aktor\u00eb n\u00eb role t\u00eb ndryshme, por njer\u00ebz t\u00eb thjesht\u00eb dhe t\u00eb p\u00ebrditsh\u00ebm. Por \u00ebsht\u00eb pik\u00ebrisht ky aspekt q\u00eb rrit realizmin e filmit. Kombinuar me dialektin rajonal t\u00eb Shkodr\u00ebs dhe rrethinat natyrore lokale, kjo \u00ebsht\u00eb nj\u00eb dram\u00eb jo shum\u00eb larg tradit\u00ebs neorealiste. Dhe sigurisht puna e operatorit ((Director of Photography) Adi Grishaj ndihmon k\u00ebt\u00eb dimension t\u00eb filmit dhe \u00ebsht\u00eb nj\u00eb aspekt tjet\u00ebr q\u00eb meriton plot\u00ebsisht \u00a0\u00e7mimin e dyt\u00eb q\u00eb filmi fitoi n\u00eb k\u00ebt\u00eb festival.<\/p>\n

—<\/p>\n

Foto:\u00a0Galeria CinePlexx<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Nj\u00eb djal\u00eb i ri, i d\u00ebshp\u00ebruar p\u00ebr t\u00eb emigruar n\u00eb nj\u00eb vend tjet\u00ebr, n\u00eb k\u00ebrkim t\u00eb nj\u00eb jete m\u00eb t\u00eb mir\u00eb; nj\u00eb burr\u00eb i klas\u00ebs pun\u00ebtore i lodhur nga jeta dhe v\u00ebshtir\u00ebsit\u00eb e saj, i bllokuar n\u00eb nj\u00eb vend ku asgj\u00eb nuk ndodh; nj\u00eb n\u00ebn\u00eb e pamartuar jeton me v\u00ebllain e saj; nj\u00eb pronar stacioni […]<\/p>","protected":false},"author":414,"featured_media":1565,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[748,664,695],"ppma_author":[773],"class_list":["post-1564","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analize","tag-cinema","tag-kosovo","tag-philosophy"],"authors":[{"term_id":773,"user_id":414,"is_guest":0,"slug":"fjoralba-miraka","display_name":"Fjoralba Miraka","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/11\/Fjoralba1575446931.jpg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/11\/Fjoralba1575446931.jpg"},"user_url":"","last_name":"Miraka","first_name":"Fjoralba","description":"Fjoralba Miraka \u00ebsht\u00eb nj\u00eb studjuese e filmit t\u00eb Hollivudit n\u00eb vitet e Rilindjes (n\u00eb fund t\u00eb viteve 1960 \u2013 mesi i viteve 1970) n\u00eb Fakultetin e Medias, Gjuh\u00ebs, dhe Kultur\u00ebs t\u00eb Universitetit Roehampton n\u00eb Lond\u00ebr. Ajo mban nj\u00eb Master n\u00eb Let\u00ebrsin\u00eb dhe Kultur\u00ebn Amerikane si dhe nj\u00eb Bachelor n\u00eb Gjuh\u00ebn Angleze, t\u00eb dy dimploma nga Universiteti Aristotel i Selanikut, Greqi. N\u00eb 2021 studimi i saj The Great Shift in Hollywood Cinema: Men, Women, and Genre Revisionism of the American New Wave u botua nga sht\u00ebpia botuese Bloomsbury Academic, kurse n\u00eb 2020 kapitulli i saj Historia e Teoris\u00eb Feministe s\u00eb Filmit u botua n\u00eb Enciklopedin\u00eb e par\u00eb Nd\u00ebrkomb\u00ebtare t\u00eb Gjinis\u00eb, Medias, dhe Komunikimit nga Wiley Blackwell. N\u00eb 2019 studimi i saj Gender, Genre, and Class Politics in Barbara Loden\u2019s Wanda (1970) u botua n\u00eb portali akademic MAI: Feminism and Visual Culture (https:\/\/maifeminism.com\/gender-genre-and-class-politics-in-barbara-lodens-wanda-1970\/). Studimi i saj i par\u00eb Performing Otherness for the Monstrous Gaze: Racial and Sexual Fantasies in the Allegoric Orgies of Venus Noir and Black Swan u botua n\u00eb 2014 (https:\/\/brill.com\/view\/book\/edcoll\/9781848884076\/BP000020.xml?lang=en). Gjithashtu, ajo ka p\u00ebrkthyer n\u00eb gjuh\u00ebn angleze kujtime t\u00eb regjisor\u00ebs Xhanfize Keko dhe t\u00eb protagonist\u00ebve t\u00eb filmave Beni ec\u00ebn vet\u00eb (botuar n\u00eb 2020) dhe Mimoza Llastica (botuar n\u00eb 2021). Pasioni i saj \u00ebsht\u00eb puna dhe jeta e regjizores Xhanfize Keko. P\u00ebrve\u00e7 pun\u00ebs dhe studimeve, ajo \u00ebsht\u00eb edhe n\u00ebn\u00eb e p\u00ebrkushtuar n\u00eb dy f\u00ebmij\u00ebt t\u00eb saj (lindur n\u00eb 2019 & 2021)."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/1564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/users\/414"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/comments?post=1564"}],"version-history":[{"count":1,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/1564\/revisions"}],"predecessor-version":[{"id":1567,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/1564\/revisions\/1567"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media\/1565"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media?parent=1564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/categories?post=1564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/tags?post=1564"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/ppma_author?post=1564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}