{"id":2115,"date":"2023-01-17T12:56:38","date_gmt":"2023-01-17T11:56:38","guid":{"rendered":"https:\/\/sbunker.org\/?p=2115"},"modified":"2023-12-12T13:03:32","modified_gmt":"2023-12-12T12:03:32","slug":"provinca-e-iluzioneve","status":"publish","type":"post","link":"https:\/\/sbunker.org\/en\/kritike\/provinca-e-iluzioneve\/","title":{"rendered":"Provinca e iluzioneve"},"content":{"rendered":"
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Kritik\u00eb Shfaqjes “Tri Motrat”<\/p>\n<\/div>\n

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P\u00ebrmes liftit tavolina e madhe e mbushur me tr\u00ebndafil\u00eb u ngjit n\u00eb podium. P\u00ebrreth saj q\u00ebndrojn\u00eb t\u00eb gjith\u00eb aktor\u00ebt. Skena gjigante dhe e thell\u00eb e teatrit t\u00eb Shkupit nxjerr n\u00eb pah madh\u00ebshtin\u00eb karshi vog\u00eblsis\u00eb s\u00eb aktor\u00ebve n\u00eb t\u00eb. Tat\u00ebpjeta e vendosur n\u00eb fund s\u00eb sall\u00ebs krijon imazhin e nj\u00eb kodre t\u00eb but\u00eb dhe jep nj\u00eb efekt tjet\u00ebr larg\u00ebsie dhe e zmadhon akoma m\u00eb shum\u00eb podiumin e teatrit. Kostumografia p\u00ebrkat\u00ebse e shekullit XIX-XX, moda e shtresave t\u00eb kamura, ushtarak\u00ebve, viktorianizmi, mimikat e ngrira t\u00eb aktor\u00ebve, q\u00eb n\u00eb fillim t\u00eb shfaqjes, emuluan emocionet dhe p\u00ebrjetimin e viteve depresive dhe t\u00eb fundit t\u00eb nj\u00eb sistemi monarkik.<\/p>\n

\u00c7ehovi n\u00eb k\u00ebt\u00eb drame paraqet ngujimin e nj\u00eb familjeje n\u00eb nj\u00eb vend provincial, gjedjen e shoq\u00ebris\u00eb e katandisjen e mbret\u00ebris\u00eb dhe depresionin e p\u00ebrgjithsh\u00ebm shoq\u00ebror.\u00a0 Sado q\u00eb ecejaket individuale t\u00eb personazheve jan\u00eb t\u00eb ndryshme, megjithat\u00eb, ata ndajn\u00eb di\u00e7ka thell\u00ebsisht t\u00eb p\u00ebrbashk\u00ebt:\u00a0arratisjen<\/strong>. P\u00ebr dallim nga ikja, arratisja \u00ebsht\u00eb p\u00ebrpjekje p\u00ebr t\u00eb shp\u00ebtuar nga nj\u00eb gjendje e ndrydhur\u00a0rob\u00ebrie apo privimi lirie. Arratisje do t\u00eb thot\u00eb \u00e7lirim dhe kthim n\u00eb gjendjen e origjin\u00ebs. Ajo gjendje \u00ebsht\u00eb situata e shprehur n\u00eb form\u00eb alegorike nga Eric Fromm, bazuar n\u00eb tregimin biblik ku burri dhe gruaja e par\u00eb pas nj\u00eb vendimi t\u00eb vullnetsh\u00ebm lirie ishin p\u00ebrjashtuar nga parajsa. Ai dhe ajo ishin shprangosur dhe t\u00eb zhytur n\u00eb \u00ebmb\u00eblsin\u00eb e ankthit t\u00eb liris\u00eb. P\u00ebr Ollg\u00ebn (Amernis Nokshiqi), realiteti \u00ebsht\u00eb p\u00ebrsosm\u00ebri dhe racionalitet n\u00eb p\u00ebrllogaritjen p\u00ebrfundimtare t\u00eb veprimeve, kurse arratisja \u00ebsht\u00eb parashikim dhe shmangie nga devijimet e pandreqshme. P\u00ebr Mash\u00ebn (Xaka Jonuzi), arratisja drejt liris\u00eb \u00ebsht\u00eb nj\u00eb dashuri e re, nj\u00eb prehje e ngroht\u00eb dhe mund\u00ebsi e re p\u00ebrmbushjeje. P\u00ebr Irin\u00ebn (Sabina Memishi) arratisja \u00ebsht\u00eb kap\u00ebrcim i dashuris\u00eb s\u00eb d\u00eblir\u00eb f\u00ebminore ose amnore n\u00eb p\u00ebrjetim t\u00eb nj\u00eb dimensioni m\u00eb subjektiv dhe vet\u00ebreflektiv p\u00ebr jet\u00ebn. I v\u00ebllai Andrei (Arben Rasimi) \u00ebsht\u00eb karakteri i gjeniut, i cili duke besuar n\u00eb gjenialitetin e vet dhe jo n\u00eb pun\u00ebn p\u00ebr t\u2019u b\u00ebr\u00eb akademik, ngec n\u00eb histori duke iu dh\u00ebn\u00eb qejfit e k\u00ebnaq\u00ebsive. Shpagimin shpirtnor, p\u00ebr \u00ebndrr\u00ebn e k\u00ebputur t\u00eb tij, p\u00ebrpiqet ta mbuloj\u00eb p\u00ebrmes arratisjes n\u00eb dehje dhe arritjes n\u00eb nj\u00ebfar\u00eb pushteti n\u00eb nivel lokal, t\u00eb cilin synon ta arrij\u00eb p\u00ebrmes gruas e cila shkon me kryetarin e komun\u00ebs.<\/p>\n

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Personazhe si Kyligini (Hamdi Rashidi), Natasha (Sara bajrami) dhe \u00c7ebytikin (Adem Karaga) jan\u00eb personazhe t\u00eb gjall\u00eb q\u00eb mund t\u2019i rastisim n\u00eb rrethet tona sociale. Kyligini \u00ebsht\u00eb nj\u00eb person i mahnitur me pushtetin e tij t\u00eb dijes dhe lidhjet me t\u00eb parin e komun\u00ebs. \u00c7ebytikin \u00ebsht\u00eb nj\u00eb mjek i verb\u00ebr dhe pothuajse i braktisur nga jeta dhe rrethi shoq\u00ebror. Neglizhenca e shfaqur ndaj tij e ka zbritur posht\u00eb n\u00eb pragun e ekzistenc\u00ebs njer\u00ebzore. Erudicioni i tij \u00ebsht\u00eb produkt i k\u00ebsaj shp\u00ebrfilljeje dhe m\u00ebshirimi q\u00eb i b\u00ebhet. Natasha, nj\u00eb grua e bukur, e cila favoret e saj p\u00ebr veten dhe heshtjen e burrit i blen\u00a0duke i sh\u00ebrbyer t\u00eb fuqishm\u00ebve politik. Aleksand\u00ebr Vershinini (Fisnik Zeqiri) \u00ebsht\u00eb nj\u00eb ushtarak i cili \u00e7do dit\u00eb p\u00ebrballet me dram\u00ebn e jet\u00ebs familjare, por q\u00eb karakteri i tij i fort\u00eb dhe shpresa p\u00ebr nj\u00eb \u2018dashuri t\u00eb v\u00ebrtet\u00eb\u2019 gjithmon\u00eb e mban\u00a0t\u00eb gjall\u00eb.<\/p>\n

Kjo shfaqje ka enterier dhe eksterier. Ajo luhet sa brenda dhe jasht\u00eb teatrit. V\u00ebmendje t\u00ebrheq \u00a0l\u00ebshimi i kostumeve nga pllafoni i teatrit me lift posht\u00eb n\u00eb podium dhe nd\u00ebrrimi i kostumeve n\u00eb shfaqje, simoblizmi i balonave dhe asocimi i tyre me sperm\u00ebn, gjeneratat e reja dh\u00eb f\u00ebmij\u00ebt. L\u00ebvizja e nj\u00eb pjese t\u00eb sken\u00ebs n\u00eb form\u00eb qarkore apo ruleti dhe v\u00ebrtitja e aktor\u00ebve brenda saj paraqet nj\u00eb alegori t\u00eb q\u00eblluar n\u00eb kumtimin e k\u00ebrkimit t\u00eb vazhduesh\u00ebm ontologjik si pluskim mbi shpresat e rreme p\u00ebr nj\u00eb t\u00eb ardhme q\u00eb nuk shihet gj\u00ebkundi n\u00eb optik\u00ebn e \u00c7ehovit.<\/p>\n

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N\u00eb aktin e tret\u00eb qytetin e merr flaka. Lajm\u00ebtari l\u00ebshohet nga podiumi p\u00ebr ta lajm\u00ebruar trup\u00ebn e teatrit se po digjet teatri. Ai th\u00ebrret publikun ta liroj\u00eb sall\u00ebn. Tym gjithandej. Alarmi dhe sirenat bien pa pushiml. N\u00ebn p\u00ebrkujdesjen e zjarr\u00ebfik\u00ebsve regjisori zhvendos publikun nga brend\u00ebsia e teatrit n\u00eb ballkonin e tij. Nga enterieri kalohet n\u00eb eksterier. P\u00ebrfshirja e regjisorit n\u00eb mesazhin e \u00c7ehovit ndodh n\u00eb k\u00ebt\u00eb pik\u00eb. Zhvendosja e publikut jasht\u00eb teatrit mund t\u00eb shihet si kontekstualizim i ikjes s\u00eb rinis\u00eb drejt per\u00ebndimit. Mbase flaka ishte nj\u00eb paralajm\u00ebrim profetik dhe eskatologjik i \u00c7ehovit n\u00eb parashikimin e revolucionit dhe nj\u00eb p\u00ebrmbyesjeje pingule t\u00eb sistemit dhe rendit politik. K\u00ebtu v\u00ebrehet edhe madh\u00ebshtia e \u00c7ehovit dhe pohimi i sakt\u00eb i \u00c7esllav Milloshit se shtresa intelektuale cariste punoi n\u00eb t\u00eb mir\u00eb t\u00eb revolucionit duke shkruar p\u00ebr madhshtin\u00eb e kombit t\u00eb vet dhe ndjekjen e\u00a0nj\u00eb trajektoreje karshi asaj t\u00eb per\u00ebndimit. N\u00eb kontekst t\u00eb shfaqjes, regjisori ka ng\u00ebrthyer mesazhin tij n\u00eb form\u00ebn e nj\u00eb proteste estetike dhe thirrjeje p\u00ebr reflektim mbi fatin individual si pjes\u00eb t\u00eb pashmangshme t\u00eb sistemit dhe trajektores kolektive.<\/p>\n

P\u00ebrformanca \u00ebsht\u00eb e gjall\u00eb dhe mbres\u00ebl\u00ebn\u00ebse, por megjithat\u00eb eklipsohet nga ideja dhe mesazhi i shfaqjes. Shfaqja d\u00ebnon indiferenc\u00ebn dhe fton p\u00ebr vigjilenc\u00eb ndaj p\u00ebrfundimit fatal t\u00eb saj. Indiferenca e jon\u00eb shp\u00ebrfaqet n\u00eb v\u00ebshtrimin indiferent t\u00eb ngjarjeve politike dhe sociale. Gjersa fundi i nj\u00eb shoq\u00ebrie vjen si pasoj\u00eb e intrigave dhe loj\u00ebrave t\u00eb ulta p\u00ebr pak pushtet, konformizmit intelektual dhe shp\u00ebrfilljes elitare. P\u00ebrshpejtimi i k\u00ebsaj entropie vjen si rezultat i akter\u00ebve pasiv\u00eb, t\u00eb cil\u00ebt, t\u00eb mb\u00ebshtjell\u00eb n\u00eb rahatin\u00eb e privacis\u00eb s\u00eb tyre, v\u00ebzhgojn\u00eb n\u00eb qet\u00ebsi kataklizmin e madh t\u00eb vendit.<\/p>\n

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Tri motrat<\/em>\u00a0\u00ebsht\u00eb nj\u00eb profetizim i p\u00ebrs\u00ebritur. Ajo ngre alarmin p\u00ebr nj\u00eb m\u00ebsim t\u00eb pa m\u00ebsuar q\u00eb mund t\u00eb shnd\u00ebrrohet n\u00eb l\u00ebvizje ciklike ku shpresat e m\u00ebdha mund t\u00eb kthehen n\u00eb vrer e m\u00ebri dhe njeriut i duhet t\u00eb notoj\u00eb n\u00eb akuj q\u00eb nj\u00eb dit\u00eb do t\u00eb shkrihen t\u00ebr\u00ebsisht.<\/p>\n

Shfaqja \u201cTri Motrat\u201d e \u00c7ehovit me regji t\u00eb Q\u00ebndrim Rijanit, \u00ebsht\u00eb shpallur shfaqja m\u00eb e mir\u00eb n\u00eb festivalin e teatrit shqiptar \u201cMoisiu\u201d n\u00eb Shkup. Festivali organizohet \u00e7do vit nga Teatri Komb\u00ebtar i Shqip\u00ebris\u00eb, Teatri Komb\u00ebtar i Kosov\u00ebs, Teatri Shqip\u00ebtar n\u00eb Shkup dhe Teatrit eksperimental \u201cKujtim Spahivogli\u201d. Ky festival do t\u00eb organizohet n\u00eb rotacion n\u00eb Prishtin\u00eb, Shkup dhe Tiran\u00eb, nj\u00ebherit ka mb\u00ebshtetjen e ministrive t\u00eb kultur\u00ebs t\u00eb shteteve p\u00ebrkat\u00ebse.<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Kritik\u00eb Shfaqjes “Tri Motrat” P\u00ebrmes liftit tavolina e madhe e mbushur me tr\u00ebndafil\u00eb u ngjit n\u00eb podium. P\u00ebrreth saj q\u00ebndrojn\u00eb t\u00eb gjith\u00eb aktor\u00ebt. Skena gjigante dhe e thell\u00eb e teatrit t\u00eb Shkupit nxjerr n\u00eb pah madh\u00ebshtin\u00eb karshi vog\u00eblsis\u00eb s\u00eb aktor\u00ebve n\u00eb t\u00eb. Tat\u00ebpjeta e vendosur n\u00eb fund s\u00eb sall\u00ebs krijon imazhin e nj\u00eb kodre t\u00eb […]<\/p>","protected":false},"author":136,"featured_media":2116,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[878,695,855],"ppma_author":[164],"class_list":["post-2115","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-anton-cehov","tag-philosophy","tag-theatre"],"authors":[{"term_id":164,"user_id":136,"is_guest":0,"slug":"latif-mustafa","display_name":"Latif Mustafa","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/download-1-8.jpg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/download-1-8.jpg"},"user_url":"","last_name":"Mustafa","first_name":"Latif","description":"Latif Mustafa ka p\u00ebrfunduar studimet n\u00eb fush\u00ebn e filozofis\u00eb pran\u00eb Universitetit t\u00eb Prishtin\u00ebs. Ai, po ashtu, ka qen\u00eb asistent hulumtues n\u00eb kuad\u00ebr t\u00eb Institutit t\u00eb Aleanc\u00ebs s\u00eb Qytet\u00ebrime n\u00eb Stamboll. Ka qen\u00eb autor i emisionit filozofik Pik\u00ebPamje, autor dhe publicist i analizave socio-politike t\u00eb botuara n\u00eb shtypin e Maqedonis\u00eb s\u00eb Veriut. S\u00eb fundi, ai \u00ebsht\u00eb angazhuar si kritik n\u00eb revist\u00ebn p\u00ebr teorin\u00eb, historin\u00eb dhe kultur\u00ebn e filmit \u2013 Kinopis, e cila botohet n\u00eb kuad\u00ebr t\u00eb Kinotek\u00ebs t\u00eb Republik\u00ebs s\u00eb Maqedonis\u00eb s\u00eb Veriut. Ai, \u00ebsht\u00eb aktivist dhe ligj\u00ebrues n\u00eb fush\u00ebn e edukimit mediatik n\u00eb kuad\u00ebr t\u00eb projekteve t\u00eb shoq\u00ebris\u00eb civile n\u00eb Maqedonin\u00eb e Veriut."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/2115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/users\/136"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/comments?post=2115"}],"version-history":[{"count":1,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/2115\/revisions"}],"predecessor-version":[{"id":2117,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/2115\/revisions\/2117"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media\/2116"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media?parent=2115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/categories?post=2115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/tags?post=2115"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/ppma_author?post=2115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}