{"id":2171,"date":"2022-05-22T15:58:51","date_gmt":"2022-05-22T14:58:51","guid":{"rendered":"https:\/\/sbunker.org\/?p=2171"},"modified":"2023-12-13T10:15:26","modified_gmt":"2023-12-13T09:15:26","slug":"anmiq-skam-se-nuk-rrnoj-ne-te-kaluemen-une","status":"publish","type":"post","link":"https:\/\/sbunker.org\/en\/kritike\/anmiq-skam-se-nuk-rrnoj-ne-te-kaluemen-une\/","title":{"rendered":"Anmiq s\u2019kam, se nuk rrnoj n\u00eb t\u00eb kaluemen un\u00eb"},"content":{"rendered":"

I mir\u00ebnjohuri roman grafik \u201cKthimi n\u00eb Kosov\u00eb\u201d tashm\u00eb n\u00eb shqip<\/strong><\/p>\n

Jan\u00eb nemose dy teste p\u00ebr m\u2019e dallu nji kryevep\u00ebr arti. I pari: i kthehesh mbasi ta kesh p\u00ebrfundu. P\u00ebrjetimi i par\u00eb, i ngjeshur emocionalisht, dikton rip\u00ebrjetimin. I dyti: vepra dep\u00ebrton larg p\u00ebrtej atij q\u00eb lloji i vet i artit ka p\u00ebr publik t\u00eb r\u00ebndomt\u00eb.\u00a0\u201cRetour au Kosovo\u201d<\/em>\u00a0(Kthimi n\u00eb Kosov\u00eb),\u00a0romani grafik nga Gani Jakupi dhe Jorge Gonz\u00e1lez\u00a0<\/a>(Dupuis, Paris 2014) i kalon t\u00eb dyja.<\/p>\n

Pa iu kredh\u00eb fort n\u00eb fabul, k\u00ebnaq\u00ebsia e shpalosjes s\u00eb t\u00eb cil\u00ebs i duhet l\u00ebn\u00eb lexuesit, romani grafik, i disponuesh\u00ebm tashm\u00eb n\u00eb shqip, trajton tem\u00ebn e Kosov\u00ebs n\u00eb m\u00eb t\u00eb fresk\u00ebtat dit\u00eb t\u00eb pasluft\u00ebs. Lexuesit shqiptar i vjen edhe me k\u00ebrsh\u00ebrin\u00eb e k\u00ebtij me pa se si ky segment i historis\u00eb son\u00eb t\u00eb re u paraqitet kulturave europiane n\u00ebp\u00ebrmjet k\u00ebtij p\u00ebrbashkimi t\u00eb shprehjes letrare e grafike. N\u00ebp\u00ebr internet, mes vler\u00ebsimeve e paraqitjeve n\u00eb polonishten, italishten, e spanjishten q\u00eb vepr\u00ebn e p\u00ebrkthejn\u00eb, e shum\u00eb t\u00eb tjerave n\u00eb fr\u00ebngjishten e origjinalit, gjenden nj\u00eb intervist\u00eb n\u00eb\u00a0TV5 Monde,<\/a>\u00a0nj\u00eb tjet\u00ebr p\u00ebr\u00a0RAI3<\/a>, madje nj\u00eb\u00a0dokumentar<\/a>\u00a0kushtu sa k\u00ebtij romani grafik, aq edhe Kosov\u00ebs s\u00eb paspavar\u00ebsimit.<\/p>\n

Rr\u00ebfimtari dhe kryeprotagonisti i\u00a0\u201cKthimi n\u00eb Kosov\u00eb\u201d<\/em>\u00a0kan\u00eb t\u00eb nj\u00ebjt\u00ebn adres\u00eb uni:\u00a0skenaristin<\/a>\u00a0e fabul\u00ebs. T\u00eb varguara si n\u00eb udh\u00ebp\u00ebrshkrim, ngjarjet jan\u00eb episodike. Personazhet parakalojn\u00eb, nj\u00eb grusht sosh ve\u00e7 kthehen, sa me shestu skeletin e nj\u00eb vepre t\u00eb vet\u00ebp\u00ebrmbajtur artistike. Nj\u00ebra nga linjat e rr\u00ebfimtaris\u00eb \u00ebsht\u00eb ajo e Gani Jakupit gazetar, ngarku q\u00eb n\u00eb Barcelon\u00eb, ku jeton me familjen, me i sjell\u00eb reportazh nj\u00eb reviste spanjolle nga pasojat e luft\u00ebs n\u00eb Kosov\u00eb, \u00e7ka b\u00ebn q\u00eb ky roman grafik t\u00eb t\u00ebrheq\u00eb disa momente nd\u00ebrtekstor\u00ebsie me\u00a0nj\u00eb tjet\u00ebr t\u00eb Jakupit<\/a>, ku shtjellohet m\u00eb vete.<\/p>\n

Vepra ka edhe p\u00ebrmas\u00ebn e nj\u00eb historie gojore, e mund t\u00eb lexohet edhe si memoar, sepse jan\u00eb aty edhe kujtimet, rr\u00ebnqethjet, ankthet e vajet e vet\u00eb autorit. Lufta nuk \u00ebsht\u00eb m\u00eb as e kroatit, as e boshnjakut. Ajo \u00ebsht\u00eb tashm\u00eb dhimbje vetjake, \u201ce vetmja q\u00eb mundet me t\u00eb ba me ia ndie tan\u00eb absurditetin\u201d, paralajm\u00ebron pasazhi i shk\u00ebputur n\u00eb kopertin\u00ebn\u00a0e pasme<\/a>.<\/p>\n

Dy arte n\u00eb nj\u00eb<\/strong><\/p>\n

Gjuha ndijore e rr\u00ebfimtaris\u00eb s\u00eb Jakupit mund\u00ebson me e lexu tekstin edhe si vep\u00ebr letrare m\u00eb vete, q\u00eb as nuk ua ka nevoj\u00ebn ilustrimeve thjesht p\u00ebrshkruese, \u00e7far\u00eb r\u00ebndom jan\u00eb ato t\u00eb \u2018stripave\u2019. Megjithat\u00eb, kur jemi te ilustrimet, ndjenjat q\u00eb ato evokojn\u00eb jan\u00eb t\u00eb nj\u00eb atmosfere lufte e paslufte, e cila nuk ka si t\u00eb mos jet\u00eb e trazuar. E jasht\u00ebzakonta tjet\u00ebr e k\u00ebtij romani grafik, q\u00eb e nalton mes t\u00eb rrall\u00ebve, \u00ebsht\u00eb prandaj mish\u00ebrimi i artit t\u00eb fjal\u00ebs s\u00eb Jakupit me artin figurativ t\u00eb Jorge Gonz\u00e1lez-it, maj\u00ebn tjet\u00ebr t\u00eb k\u00ebtij botimi. Gonz\u00e1lez shkon p\u00ebrtej sesa me p\u00ebrs\u00ebdyt\u00eb tekstin e Jakupit, i vet\u00ebdijsh\u00ebm nd\u00ebrkoh\u00eb se \u00e7\u2019stimuj pamor\u00eb me i p\u00ebr\u00e7u lexuesit. N\u00eb artin e tij shohim edhe vij\u00ebzime para se vizatime, piktura abstrakte e jo krejt, fotografi t\u00eb shkrira n\u00eb ilustrime me tipare aq autentike, sa me t\u2019u b\u00eb se ka jetu n\u00eb Kosov\u00eb.<\/p>\n

\"Image\"<\/p>\n

Nj\u00eb fytyr\u00eb e padjall\u00ebzuar vajze, e vetmja n\u00eb gjith\u00eb romanin grafik, me shikimin q\u00eb autori Jakupi nuk ia ka harru as mbas pes\u00ebmb\u00ebdhjet\u00eb vjet\u00ebsh, kur shkruan tekstin, n\u00eb interpretimin e ilustruesit Gonz\u00e1lez kthehet n\u00eb portret sa gjysma e faqes, si nj\u00eb pasqyr\u00eb zmadhuese p\u00ebr mesazhin e autorit para kujtdo q\u00eb ende mund t\u00eb ket\u00eb mbet\u00eb i eg\u00ebr ballas \u2018tjetrit\u2019 n\u00eb k\u00ebt\u00eb gadishull t\u00eb trazuar luftrash, si p\u00ebr t\u2019i th\u00ebn\u00eb:\u00a0qe, kqyru, o m\u00ebri e \u00e7artur njer\u00ebzore<\/em>! Do t\u00eb ishte pun\u00eb e vyet sikur kjo vep\u00ebr t\u00eb p\u00ebrkthehej edhe n\u00eb S\u00ebrbi, nj\u00eb or\u00eb e m\u00eb par\u00eb madje.<\/p>\n

Tjerakund, nd\u00ebrsa lexojm\u00eb p\u00ebr nj\u00ebrin nga m\u00eb \u00e7njerezor\u00ebt prej krimeve k\u00ebtu t\u00eb p\u00ebrshkruara, dekapitimin e nj\u00eb f\u00ebmije kry faqe nj\u00eb miratimi shum\u00ebsisht t\u00eb heshtur, ilustratori na nxjerr, me gjetje krejt origjinale, ve\u00e7 t\u00eb kuqen e m\u00ebrdhezt\u00eb t\u00eb atij tmerri. E, ndon\u00ebse ngjarja zhvillohet von\u00eb n\u00eb kapitullin e dyt\u00eb, skenaristi na e ka paralajm\u00ebru hisen e fajit t\u00eb \u00e7do spektatori t\u00eb nemitur me dy citate qysh n\u00eb nisje t\u00eb kapitullit t\u00eb par\u00eb:\u00a0\u201cN\u00ebse q\u00ebndron neutral p\u00ebrball\u00eb nji rasti padrejt\u00ebsie, ia mban an\u00ebn keqbam\u00ebsit\u201d; \u201cN\u00ebse nuk ia ndal dor\u00ebn keqbam\u00ebsit, p\u00ebr \u00e7ka sakt\u00eb mundesh me u krenue\u201d<\/em>.<\/p>\n

Jorge Gonz\u00e1lez-in redaktor\u00ebt e\u00a0Aire Libre<\/em>\u00a0me t\u00eb drejt\u00eb e cil\u00ebsojn\u00eb si artist q\u00eb di me i nd\u00ebrthur\u00eb m\u00eb intimen me gjeografiken. Rastis madje q\u00eb m\u00eb intimja t\u00eb jet\u00eb m\u00ebnyra se si ilustrohet hapja e romanit grafik, me makthet e gjumit cop\u00eb-cop\u00eb t\u00eb autorit n\u00eb nisje t\u00eb luft\u00ebs, kurse gjeografikja, e p\u00ebrdorur me shkatht\u00ebsi sidomos kur ilustrohen d\u00ebbimet n\u00eb mas\u00eb t\u00eb popullsis\u00eb, t\u00eb jet\u00eb edhe pamja p\u00ebrmbyll\u00ebse e tij.<\/p>\n

\"Image\"<\/p>\n

Nj\u00eb rokad\u00eb n\u00eb linj\u00ebn kronologjike<\/strong><\/p>\n

\u00cbsht\u00eb fort e guximshme nj\u00eb shk\u00ebputje n\u00eb linj\u00ebn kronologjike t\u00eb rr\u00ebfimtaris\u00eb, q\u00eb gjat\u00eb leximit t\u00eb par\u00eb mundet me u p\u00ebrvjedh\u00eb e pav\u00ebn\u00ebre. Protagonisti, fillimisht n\u00eb Barcelon\u00eb, merr rrug\u00eb p\u00ebr n\u00eb Kosov\u00eb pak dit\u00eb mbasi k\u00ebtu hyjn\u00eb forcat tok\u00ebsore t\u00eb NATO-s. Kapitullin e par\u00eb e mbyll avioni n\u00eb fluturim nga Barcelona drejt Ballkanit. I dyti \u00e7elet me protagonistin rrug\u00ebve t\u00eb boshatisura t\u00eb Prishtin\u00ebs p\u00ebr te shpia e f\u00ebminis\u00eb, n\u00eb nj\u00ebfar\u00eb idile nokturne t\u00eb cil\u00ebn ia nd\u00ebrpret nj\u00eb tog ushtar\u00ebsh t\u00eb huaj q\u00eb, ndesh me pritshm\u00ebrit\u00eb e tij, e p\u00ebrsh\u00ebndesin, n\u00eb shqip madje. Mbas k\u00ebtij, autori nxjerr episodin tjet\u00ebr: nj\u00eb grua vendase q\u00eb ec me hap t\u00eb shpejtuar, t\u00eb cilin e ngadal\u00ebson sapo ndeshet me ushtar\u00ebt e NATO-s. Episodi, i ilustruar bardhezi, n\u00eb fund kuptojm\u00eb se vjen nga kronika e lajmeve q\u00eb protagonisti sheh n\u00eb ekran. Kronologjikisht, ky episod i prin pararend\u00ebsit me protagonistin rrug\u00ebve t\u00eb Prishtin\u00ebs, e madje edhe sken\u00ebs me avionin n\u00eb fluturim, meq\u00eb p\u00ebrmendja e ekranit aludon se protagonisti ngjarjen po e d\u00ebshmon nga shpia n\u00eb Barcelon\u00eb, ende pa marr\u00eb udh\u00eb.<\/p>\n

Ani pse protagonistin e kishim l\u00ebn\u00eb rrug\u00ebve t\u00eb Prishtin\u00ebs p\u00ebr te shpia e f\u00ebminis\u00eb, episodi vijues na kthen te ardhja e tij n\u00eb Ballkan:\u00a0as a \u201c<\/em>Aeroplani na uli n\u00eb Greqi. Pjes\u00ebn e mbetun t\u00eb rrug\u00ebs duhemi m\u2019e ba me taksi, n\u00ebp\u00ebr Maqedoni”<\/em>. Shkurt, kat\u00ebr episode q\u00eb kronologjikisht do t\u00eb vargoheshin si 1-2-3-4, vijn\u00eb k\u00ebtu me renditjen 2-4-1-3. Megjithat\u00eb, rr\u00ebfimi jo vet\u00ebm nuk stonon, por ve\u00e7 k\u00ebshtu arrin efektin e krahasv\u00ebnies s\u00eb dy p\u00ebrvojave t\u00eb autorit me t\u00eb uniformuarit e huaj, krejt t\u00eb ndryshme nga ato me Ushtrin\u00eb Jugosllave gjat\u00eb viteve 1990.<\/p>\n

G\u00ebrshet<\/strong><\/p>\n

Nuk luhet ve\u00e7 me renditjen e skenave. N\u00eb nisje t\u00eb kapitullit tre, n\u00eb tri kutiza rr\u00ebfyese p\u00ebrmbi tri ilustrime lexojm\u00eb narratorin q\u00eb sqaron:<\/p>\n

– Korrik. Prap n\u00eb Kosov\u00eb, shoqnue nga nji delegacion OJQ-sh. Jemi tre: Davidi, kryesuesi i Federat\u00ebs (logjike!), un\u00eb (p\u00ebrfaq\u00ebsuesi i vendasve)…
\n– …dhe Eva. [ilustrohet portreti i saj]
\n– Nji veprimtare. [portreti nga m\u00eb af\u00ebr]<\/em><\/p>\n

\u201cNuk e kuptoj pranin\u00eb e privilegjueme t\u00eb k\u00ebsaj vajze. Ka pas\u00eb veprimtar\u00eb fort ma t\u00eb p\u00ebrfshim\u00eb nga OJQ t\u00eb ndryshme!\u201d<\/em>\u00a0rr\u00ebfen kutiza e radh\u00ebs. Ilustrimet e m\u00ebtejme cop\u00ebzohen si fraktale, e me to, renditja e kutizave rr\u00ebfyese, deri k\u00ebtu goxha lineare, koklavitet. P\u00ebr m\u00eb shum\u00eb, Jakupi n\u00ebp\u00ebr to shtron dy linja rr\u00ebfimi: e para, biseda me p\u00ebrfaq\u00ebsuesin nga OJQ-t\u00eb; e dyta, sqarimet q\u00eb ia jep Davidi, kryesuesi i Federat\u00ebs, rreth pranis\u00eb s\u00eb Ev\u00ebs. M\u00eb e bukura q\u00eb t\u00eb pap\u00ebrudhurve n\u00eb k\u00ebt\u00eb lloj arti mundet me u ndodh\u00eb n\u00eb k\u00ebt\u00eb faqe \u00ebsht\u00eb me u shp\u00ebrudh\u00eb, duke i lexu kutizat bash duke kap\u00ebrthur\u00eb t\u00eb dy linjat e rr\u00ebfimtaris\u00eb me secil\u00ebn fjali vijuese. Lexojm\u00eb prandaj:<\/p>\n

– Takojm\u00eb gjith\u00eb ata njer\u00ebz.
\n– Asht serioze, e zellshme edhe pun\u00ebtore shembullore.
\n– Her\u00eb-her\u00eb, duhet me sqarue se q\u00ebllimi yn\u00eb nuk asht me financue \u201cnisma private\u201d.
\n– Davidi m\u00eb tregon arsyen pse Eva asht e pranishme.
\n– Por, s\u2019asht dramatike; Kosova po vlon prej organizatave q\u00eb k\u00ebrkojn\u00eb me ba pun\u00eb t\u00eb mira.
\n– Premtimi p\u00ebr k\u00ebt\u00eb rrug\u00eb ka qen\u00eb e vetmja m\u00ebnyr\u00eb me e bind\u00eb mos me ia m\u00ebsy me hy vet\u00eb n\u00eb Kosov\u00eb n\u00eb mes t\u00eb luft\u00ebs.<\/em><\/p>\n

Sfid\u00eb kjo teknikisht v\u00ebshtir\u00eb e p\u00ebrftueshme p\u00ebr artin e let\u00ebrsis\u00eb, e q\u00eb ofron p\u00ebrjetim t\u00eb rrall\u00eb leximi: \u00a0nj\u00ebfar\u00eb\u00a0\u2018<\/strong>g\u00ebrsheti\u2019 narrativ me fjalin\u00eb p\u00ebr nj\u00ebsi.<\/p>\n

N\u00eb nj\u00eb intervist\u00eb<\/a>\u00a0for\u00a0\u201cKthimi n\u00eb Kosov\u00eb\u201d<\/em>, Jakupi kritikon skenarist\u00ebt e romaneve grafike q\u00eb kridhen r\u00ebndsh\u00ebm n\u00eb atin letrar, sidomos \u201cfranko-belg\u00ebt, q\u00eb jan\u00eb m\u00eb t\u00eb vet\u00ebdijsh\u00ebm p\u00ebr fuqin\u00eb e fjal\u00ebs e q\u00eb veten e marrin p\u00ebr Maupassant dhe nxjerrin shfrime t\u00eb gjata n\u00eb vend t\u00eb dialog\u00ebve t\u00eb efektsh\u00ebm<\/em>\u201d. E v\u00ebrteta \u00ebsht\u00eb se dialogut, fatmir\u00ebsisht, i ik edhe vet\u00eb n\u00eb k\u00ebt\u00eb shmangie prej norm\u00ebs s\u00eb k\u00ebtij arti. Dialogu do t\u2019ia ulte regjistrin e gjuh\u00ebs n\u00eb bisedor, k\u00ebshtu n\u00eb d\u00ebm t\u00eb shprehjes e t\u00eb p\u00ebrjetimit letrar.<\/p>\n

Vlerat\u00a0<\/strong><\/p>\n

\u00cbsht\u00eb relativisht e leht\u00eb, n\u00eb nj\u00eb mbasluft\u00eb krejt t\u00eb fresk\u00ebt, me mbledh\u00eb d\u00ebshmi mizorish majtas e djathtas, prej p\u00ebrvojash t\u00eb d\u00ebshmuara a t\u00eb d\u00ebftuara. Dhe n\u00eb k\u00ebt\u00eb\u00a0arti-shk\u00ebrben-jet\u00ebn<\/em>\u00a0t\u00eb Jakupit, k\u00ebsosh ka mjaft: vrasje, varreza masive, djegie pronash, bag\u00ebti t\u00eb cofta, nj\u00eb akt dekapitimi madje. Tmerre, absurditete, ndeshtrasha, n\u00eb nj\u00eb koh\u00eb aq t\u00eb brisht\u00eb p\u00ebr krejt nj\u00eb shoq\u00ebri, gjenden k\u00ebtu me boll\u00ebk.<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\"Image\"<\/div>\n

Larg m\u00eb e v\u00ebshtir\u00eb \u2013 prandaj pik\u00eb kulmore p\u00ebr vepr\u00ebn \u2013 \u00ebsht\u00eb me i q\u00ebmtu, n\u00eb at\u00eb zallamahi t\u00eb gjithkahshme, fijet e pak\u00ebputura t\u00eb t\u00eb njer\u00ebzishmes. Ato, n\u00eb t\u00eb cilat pozicionimet identitare si shqiptar e s\u00ebrb (nj\u00eb \u2018un\u00eb\u2019 e nj\u00eb \u2018tjet\u00ebr\u2019 pra), meq\u00eb t\u00eb p\u00ebrkohshme p\u00ebr qenien, as dyt\u00ebsore nuk jan\u00eb. Ato q\u00eb deg\u00ebzohen ve\u00e7 nga nj\u00eb shpirt aq i d\u00eblir\u00eb, sa i predispozuar me i pikas\u00eb edhe te t\u00eb tjer\u00ebt. \u00c7far\u00eb sh\u00ebmb\u00eblltyrash t\u00eb kulmimit t\u00eb njer\u00ebzores shohim n\u00eb thjeshtin\u00eb e p\u00ebrvujt\u00eb t\u00eb personazheve q\u00eb ve\u00e7 parakalojn\u00eb, si baba, Neza (i kusheriri), spanjollja Eva, komshiu s\u00ebrb, ose edhe t\u00eb tjera, q\u00eb p\u00ebrmenden pa u pa: i biri polic i komshiut s\u00ebrb, jase plaku q\u00eb shp\u00ebrndan uj\u00eb.<\/p>\n

as a \u201cKthimi n\u00eb Kosov\u00eb\u201d<\/em>\u00a0mbetet gjat\u00eb n\u00eb kujtes\u00eb, jo ve\u00e7 p\u00ebr faktimin e ngjarjeve, por p\u00ebr vlerat universale q\u00eb ng\u00ebrthen. Shi p\u00ebr k\u00ebto fiton p\u00ebrmendje t\u00eb ve\u00e7ant\u00eb n\u00eb Panairin e Librit\u00a0Cognito<\/em>\u00a0n\u00eb Bruksel m\u00eb 2015 dhe \u00e7mim t\u00eb ve\u00e7ant\u00eb t\u00eb juris\u00eb nga festivali\u00a0Romix<\/em>\u00a0i Rom\u00ebs n\u00eb kategorin\u00eb e romanit grafik po at\u00eb vit.<\/p>\n

Priremi t\u2019u p\u00ebrshkruajm\u00eb, t\u00eb rrall\u00ebve q\u00eb e arrijn\u00eb k\u00ebt\u00eb pik\u00eb \u00e7ilt\u00ebrsie t\u00eb paanuar, aft\u00ebsi t\u00eb ve\u00e7anta arsyetimi, e t\u2019i cil\u00ebsojm\u00eb si mendje t\u00eb mprehta intelektuale. Kjo, sado e v\u00ebrtet\u00eb, nuk \u00ebsht\u00eb tabloja e plot\u00eb. Ka, n\u00eb t\u00eb p\u00ebrbashk\u00ebt\u00ebn karakterizuese t\u00eb k\u00ebtyre t\u00eb rrall\u00ebve, di\u00e7ka aq f\u00ebminore, q\u00eb u mund\u00ebson me e pa bot\u00ebn me syt\u00eb p\u00ebrher\u00eb k\u00ebrsh\u00ebror\u00eb prej t\u00eb rishtardhurve n\u00eb t\u00eb, sa me ia dal\u00eb aq me pat\u00ebkeq me rr\u00ebfy gjith\u00e7ka cok si\u00e7 ka ndodh\u00eb, jo prej optik\u00ebs s\u00eb mirakandjeve personale, as asaj t\u00eb stereotipizimit t\u00eb individit n\u00eb baz\u00eb t\u00eb nj\u00eb elementi rrethanor.<\/p>\n

I vet\u00ebdijsh\u00ebm, Jakupi e mshel rr\u00ebfimin bukur me citatin e v\u00ebn\u00eb n\u00eb titull t\u00eb k\u00ebtij artikulli.<\/p>\n

P\u00ebrkthimi n\u00eb shqip u mendu fillimisht me iu prezentu publikut n\u00eb\u00a0<\/em>Gran Fest Kosova<\/a>, festivalin nd\u00ebrkomb\u00ebtar t\u00eb romanit grafik q\u00eb Gani Jakupi e bie n\u00eb Prishtin\u00eb m\u00eb 20-22 maj sivjet, p\u00ebr t\u00eb tret\u00ebn her\u00eb me radh\u00eb, k\u00ebsi shtegu me artist\u00eb prej Kube, Japonie e Barcelone nd\u00ebr t\u00eb tjer\u00eb, n\u00eb p\u00ebrpjekjen p\u00ebr t\u2019i mbjell\u00eb far\u00ebn k\u00ebtij arti edhe nd\u00ebr artist\u00ebt shqiptar\u00eb. Jakupi m\u00eb von\u00eb vendosi q\u00eb\u00a0<\/em>\u201cKthimi n\u00eb Kosov\u00eb\u201d\u00a0t\u00eb paraqitet si ngjarje e ve\u00e7ant\u00eb n\u00eb fillim t\u00eb qershorit, si ardhje e nj\u00eb vepre t\u00eb shquar t\u00eb romanit grafik n\u00eb truallin e rr\u00ebfimit t\u00eb vet. Lexuesit, q\u00eb gjat\u00eb festivalit do t\u00eb gjejn\u00eb mjaft romane grafike t\u00eb mir\u00ebnjohura nd\u00ebrkomb\u00ebtarisht, do t\u00eb ken\u00eb, kur\u00a0<\/em>\u201cKthimi n\u00eb Kosov\u00eb\u201d\u00a0t\u2019u prezentohet n\u00eb qershor, nj\u00eb baz\u00eb t\u00eb gjer\u00eb p\u00ebr krahasimin e saj p\u00ebrbrenda llojit.<\/em><\/p>","protected":false},"excerpt":{"rendered":"

I mir\u00ebnjohuri roman grafik \u201cKthimi n\u00eb Kosov\u00eb\u201d tashm\u00eb n\u00eb shqip Jan\u00eb nemose dy teste p\u00ebr m\u2019e dallu nji kryevep\u00ebr arti. I pari: i kthehesh mbasi ta kesh p\u00ebrfundu. P\u00ebrjetimi i par\u00eb, i ngjeshur emocionalisht, dikton rip\u00ebrjetimin. I dyti: vepra dep\u00ebrton larg p\u00ebrtej atij q\u00eb lloji i vet i artit ka p\u00ebr publik t\u00eb r\u00ebndomt\u00eb.\u00a0\u201cRetour au […]<\/p>","protected":false},"author":186,"featured_media":2172,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[664,693,714,673],"ppma_author":[215],"class_list":["post-2171","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-kosovo","tag-literature","tag-war","tag-western-balkans"],"authors":[{"term_id":215,"user_id":186,"is_guest":0,"slug":"gazmend-berlajolli","display_name":"Gazmend B\u00ebrlajolli","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/10\/download-2-11-e1727870699594.jpg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/10\/download-2-11-e1727870699594.jpg"},"user_url":"","last_name":"B\u00ebrlajolli","first_name":"Gazmend","description":"Gazmend B\u00ebrlajolli \u00ebsht\u00eb i lindur n\u00eb Pej\u00eb. Studimet themelore p\u00ebr Gjuh\u00ebsi i ka mbaru n\u00eb UCL t\u00eb Londr\u00ebs, kurse studimet Master, po p\u00ebr Gjuh\u00ebsi, n\u00eb Universitetin e Prishtin\u00ebs. Punon si redaktor tekstesh, p\u00ebrkthyes dhe interpret i pavarur."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/2171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/users\/186"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/comments?post=2171"}],"version-history":[{"count":1,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/2171\/revisions"}],"predecessor-version":[{"id":2173,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/2171\/revisions\/2173"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media\/2172"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media?parent=2171"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/categories?post=2171"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/tags?post=2171"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/ppma_author?post=2171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}