{"id":4237,"date":"2018-07-31T12:39:26","date_gmt":"2018-07-31T10:39:26","guid":{"rendered":"https:\/\/sbunker.org\/?p=4237"},"modified":"2024-12-10T12:41:33","modified_gmt":"2024-12-10T10:41:33","slug":"nje-rishikim-i-filmit-syri-magjik","status":"publish","type":"post","link":"https:\/\/sbunker.org\/en\/kritike\/nje-rishikim-i-filmit-syri-magjik\/","title":{"rendered":"Nj\u00eb rishikim i filmit Syri Magjik"},"content":{"rendered":"
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Ka di\u00e7ka shum\u00eb t\u00eb shqet\u00ebsuese dhe \u00e7udit\u00ebrisht terapeutike n\u00eb filmin Syri Magjik; kjo struktur\u00eb\u00a0e pazakont\u00eb e kund\u00ebrv\u00ebnieve, e cila b\u00ebhet e dukshme q\u00eb nga sekuenca e par\u00eb e cila kontraston sigurin\u00eb e vendit privat me rrezikun e vendit publik, \u00ebsht\u00eb e p\u00ebrhapur p\u00ebrgjat\u00eb filmit, duke e b\u00ebr\u00eb at\u00eb nj\u00eb rr\u00ebfim p\u00ebr sendet q\u00eb e b\u00ebjn\u00eb jet\u00ebn: dashuria dhe urrejtja, humbja dhe shpresa, \u00e7ilt\u00ebrisa dhe korrupsioni, dhimbja dhe vdekja, besimi dhe tradh\u00ebtia, frika dhe liria. \u00cbsht\u00eb nj\u00eb rr\u00ebfim i festimit p\u00ebrmes vajtimit; ai spikat njer\u00ebzoren n\u00eb jonjer\u00ebzoren, bukurin\u00eb n\u00eb sh\u00ebmtin\u00eb e bot\u00ebs, \u00e7ilt\u00ebrsin\u00eb n\u00eb lig\u00ebsi. Filmi \u00ebsht\u00eb plot pamje t\u00eb dhunshme konflikti e traume (trazirat e viteve ’97 n\u00eb rrug\u00ebt e Shqip\u00ebris\u00eb, vrasjet, gjuajtjet me arm\u00eb, ndjekja me vetura) t\u00eb kombinuara me \u00e7aste but\u00ebsie e dashurie (pamje bardh\u00eb e zi nga fantazma e jet\u00ebs s\u00eb kaluar, akti intim i \u00e7iftit t\u00eb ri, shpallja e dashuris\u00eb t\u00eb fsheht\u00eb, shfaqja e filmit t\u00eb protagonistit e cila p\u00ebrfundon filmin Syri Magjik), t\u00eb gjitha k\u00ebto t\u00eb g\u00ebrshetuara me nj\u00eb ndjesi melankolie p\u00ebr at\u00eb q\u00eb ka ndodhur, nostalgji p\u00ebr at\u00eb q\u00eb mund t\u00eb kishte ndodhur dhe shpres\u00eb p\u00ebr at\u00eb q\u00eb mund t\u00eb ndodh\u00eb, e krejt kjo p\u00ebrcillet me nj\u00eb melodi magjepsese dhe melodramatike t\u00eb interpretuar nga violon\u00e7elisti mbi kulm (Guljejm Radoja). Muzika e tij paraqitet n\u00eb momente kryesore p\u00ebrgjat\u00eb filmit dhe i jep atij nj\u00eb ton dramatik: skena e hapjes me pamjen panoramike t\u00eb qytetit t\u00eb Gjirokastr\u00ebs e cila kap n\u00eb koh\u00eb imazhin e qytetit, djegia e nj\u00eb kinemaje bashk\u00eb me gjith\u00e7ka brenda saj q\u00eb kujton historin\u00eb e filmit, momenti kur Zana (Rajmonda Bulku) ia rr\u00ebfen dashurin\u00eb e fsheht\u00eb motr\u00ebs s\u00eb saj, Leonor\u00ebs (Mirjana Deti), bashk\u00ebshortes s\u00eb Petros, nj\u00eb moment ky q\u00eb shfaq nj\u00eb lloj romance e cila i p\u00ebrket lavdis\u00eb s\u00eb brezit t\u00eb Rrajmonda Bulkut.<\/p>\n

M\u00eb 6 qershor, 2018 Shoqata Anglo-Shqiptare organizoi shfaqjen e filmit Syri Magjik (2005),\u00a0nj\u00eb bashk\u00ebproduksion i Elsani Film, Orafilm dhe Paradigma Entertainment, me regji\u00a0t\u00eb regjisorit Kujtim \u00c7ashku.<\/p>\n

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Ky \u00ebsht\u00eb nj\u00eb film interesant i cili tregon historin\u00eb e nj\u00eb fotografi, Petro (Bujar Lako), i cili rast\u00ebsisht filmon nj\u00eb vrasje aksidentale e cila q\u00ebllimisht ishte raportuar nga mediat si vrasje tragjike e nj\u00eb f\u00ebmije nga gjyshi i tij n\u00eb nj\u00eb moment d\u00ebshp\u00ebrimi n\u00eb\u00a0vrullin e trazirave sociale dhe politike t\u00eb vitit 1997 n\u00eb Shqip\u00ebri, pas kolapsit t\u00eb skemave\u00a0piramidale. Filmi ndjek Petron n\u00eb udh\u00ebtimin e tij n\u00eb Tiran\u00eb, n\u00eb t\u00eb cilin ai rast\u00ebsisht takohet me reporterin cili e kishte filmuar vrasjen, Bertin (Alban Ukaj), dhe t\u00eb fejuar\u00ebn e tij, Viol\u00ebn (Arta Dobroshi), dhe e p\u00ebrcjellim n\u00eb udh\u00ebtimin e tij n\u00eb Tiran\u00eb dhe mbrapa n\u00eb Gjirokast\u00ebr n\u00eb p\u00ebrpjekjet e tij p\u00ebr t’i zbuluar g\u00ebnjeshtrat e medias duke e sjell\u00eb t\u00eb v\u00ebrtet\u00ebn n\u00eb ekranin e madh q\u00eb at\u00eb ta shoh\u00eb \u00e7dokush. \u00cbsht\u00eb ky nj\u00eb udh\u00ebtim plot tronditje e befasi, zem\u00ebrim e dhimbje, q\u00eb rr\u00ebfehet n\u00eb m\u00ebnyr\u00ebn m\u00eb t\u00eb ndjeshme duke kombinuar film narativ me nj\u00eb stil q\u00eb kujton dokumentarin. Filmi portretizon nj\u00eb moment historik n\u00eb jet\u00ebn e nj\u00eb populli t\u00eb caktuar, duke transfuzuar historit\u00eb personale t\u00eb personazheve kryesore me gjendjen politike dhe duke pasqyruar marr\u00ebdh\u00ebnien komplekse t\u00eb lokales me globalen.<\/p>\n

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Mbi t\u00eb gjitha, Syri Magjik \u00ebsht\u00eb nj\u00eb produkt artistik me nj\u00eb mesazh t\u00eb fuqishme rreth natyr\u00ebs politike t\u00eb aktit t\u00eb shikimit, \u00e7far\u00eb do t\u00eb thot\u00eb t\u00eb shoh\u00ebs dhe se si akti i t\u00eb shikuarit mund t\u00eb jet\u00eb nj\u00eb akt politik i rezistenc\u00ebs kund\u00ebr tiranis\u00eb s\u00eb mediave dhe natyr\u00ebs s\u00eb tyre t\u00eb kalbur. \u2018Syri magjik\u2019 i kamer\u00ebs \u00ebsht\u00eb i pranish\u00ebm gjat\u00eb gjith\u00eb filmit, funksioni i tij dramatizohet bukur n\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb elaboruar, duke i marr\u00eb shikuesit p\u00ebr dore, dhe duke u treguar se si nd\u00ebrtohet realiteti dhe e v\u00ebrteta dhe se si pamjet mediale t\u00eb realitetit jan\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb imitim i jet\u00ebs, z\u00ebvend\u00ebsimi i vet\u00eb jet\u00ebs, si\u00e7 \u00ebsht\u00eb skena e burrit dhe e gruas s\u00eb tij q\u00eb detyrohet ta imitoj\u00eb\u00a0dram\u00ebn e jet\u00ebs s\u00eb saj p\u00ebrpara kamerave t\u00eb reporter\u00ebve n\u00eb k\u00ebmbim t\u00eb 100 dollar\u00ebve.<\/p>\n

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Drama e v\u00ebrtet\u00eb \u00ebsht\u00eb ajo q\u00eb shohim pasi reporter\u00ebt largohen, dhe \u00e7ifti burr\u00eb e grua tani m\u00eb kan\u00eb mbetur t\u00eb pashpres\u00eb n\u00eb ekzistenc\u00ebn e tyre t\u00eb rraskapitur.<\/p>\n

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Me ekspozimin e natyr\u00ebs mediatike t\u00eb realitetit p\u00ebrmes mediave sociale, filmi na sjell n\u00eb mend se pas \u00e7do lajmi t\u00eb p\u00ebrpiluar mir\u00eb q\u00ebndrojn\u00eb njer\u00ebz t\u00eb nj\u00ebmendt\u00eb; kjo nuk \u00ebsht\u00eb nj\u00eb vrasje\u00a0pashpres\u00eb e nj\u00eb viktime t\u00eb gjor\u00eb e pa em\u00ebr nga duart e nj\u00eb t\u00eb \u00e7menduri anonim \u2013 kjo \u00ebsht\u00eb vrasje aksidentale me arm\u00eb e mbes\u00ebs t\u00eb fqinjit nga gjyshi i saj. Filmi po ashtu nxjerr n\u00eb pah vler\u00ebn e jasht\u00ebzakonshme t\u00eb filmit si medium i komunikimit dhe natyr\u00ebn e tij artistike superiore. Rr\u00ebfimi orvatet t\u00eb negocioj\u00eb potencialin dysor t\u00eb filmit\/kamer\u00ebs si potencial artistik dhe propagandistik, nj\u00eb konflikt i cili arrin kulmin dhe zgjidhet n\u00eb \u00e7astet e fundit t\u00eb filmit p\u00ebrmes v\u00ebshtrimeve t\u00eb shumta t\u00eb njer\u00ebzve q\u00eb jan\u00eb mbledhur p\u00ebr ta par\u00eb shfaqjen e filmit t\u00eb Petros:\u00a0ky film do tregoj\u00eb se \u00e7ka ndodhur n\u00eb t\u00eb v\u00ebrtet\u00eb\u00a0se \u00e7ka ndodhur n\u00eb t\u00eb v\u00ebrtet\u00eb n\u00eb at\u00eb incident t\u00eb vrasjes s\u00eb f\u00ebmij\u00ebs.<\/p>\n

Ky \u00ebsh\u00eb nj\u00eb moment agresivisht zbulues q\u00eb \u00ebsht\u00eb nd\u00ebrtuar n\u00eb m\u00ebnyr\u00eb progresive, me nj\u00eb projektor n\u00eb mes t\u00eb sheshit si nj\u00eb gurthemel dhe me secilin v\u00ebshtrim drejt ekranit si nj\u00eb tull\u00eb, me nj\u00eb p\u00ebrfundim q\u00eb nxjerr n\u00eb pah nj\u00eb rr\u00ebfim t\u00eb v\u00ebrtet\u00eb. Tanim\u00eb secili e ka par\u00eb, secili e di. E v\u00ebrteta pra k\u00ebrkon publik p\u00ebr t’u gjetur e p\u00ebr t’u konsoliduar, pik\u00ebrisht n\u00eb aktin e v\u00ebshtrimit drejt ekranit e v\u00ebrteta b\u00ebhet e v\u00ebrtet\u00eb, dhe procesi terapeutik m\u00eb n\u00eb fund mund t\u00eb filloj\u00eb.\u00a0Ky \u00ebsht\u00eb nj\u00eb p\u00ebrfundim shpres\u00ebdh\u00ebn\u00ebs i cili sugjeron se \u00e7do gj\u00eb q\u00eb kemi par\u00eb deri aty mund t\u00eb shihet si nj\u00eb pamje kalimtare e\u00a0nj\u00eb populli n\u00eb nj\u00eb moment t\u00eb caktuar n\u00eb nj\u00eb vend t\u00eb caktuar i cili tani m\u00eb mund ta shikoj\u00eb bot\u00ebn me m\u00eb shum\u00eb vet\u00ebdije dhe optimiz\u00ebm. Ky v\u00ebshtrim i anasjellt\u00eb ka potencial t\u00eb sjell\u00eb ndryshime radikale t\u00eb m\u00ebnyr\u00ebs se si ne e shohim bot\u00ebn dhe si besojm\u00eb n\u00eb t\u00eb: nj\u00eb m\u00ebnyr\u00eb e re e t\u00eb v\u00ebshtruarit dhe t\u00eb kuptuarit.<\/p>\n<\/div>\n

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Filmi t\u00eb krijon p\u00ebrshtypje \u00e7liruese, sidomos p\u00ebr dik\u00eb me p\u00ebrvoj\u00eb personale t\u00eb incidenteve n\u00eb at\u00eb periudh\u00eb historike. Imazhet e pahijshme dhe reale t\u00eb qytetit, njer\u00ebzit e rraskapitur me trupat e tyre t\u00eb lodhur, banaliteti i t\u00eb shikuarit t\u00eb nj\u00eb kufome n\u00eb rrug\u00eb, shkelja e kufom\u00ebs e pastrimi i k\u00ebpuc\u00ebve nga gjaku i tij dhe trajtimi i k\u00ebtij incidenti si di\u00ebka e zakonshme, e gjith\u00eb kjo ma sjell p\u00ebrnj\u00ebher\u00eb n\u00eb kujtes\u00eb nj\u00eb p\u00ebrvoj\u00eb tashm\u00eb t\u00eb njohur. Nganj\u00ebher\u00eb p\u00ebr t’u ikur fantazmave t\u00eb s\u00eb kaluar\u00ebs duhet vet\u00ebm t\u00eb zhytesh plot\u00ebsisht n\u00eb tregimet e tyre.<\/p>\n

Filmi shtjellon nj\u00eb tem\u00eb t\u00eb v\u00ebshtir\u00eb por n\u00eb nj\u00eb m\u00ebnyr\u00eb tejet elokuente, duke kombinuar k\u00ebt\u00eb retorik\u00eb t\u00eb jasht\u00ebzakonshme vizuele me nj\u00eb performanc\u00eb realiste nga aktor\u00ebt (sado t\u00eb ndrysh\u00ebm q\u00eb mund t\u00eb jen\u00eb p\u00ebr sa i takon joshjes bind\u00ebse) karakter\u00ebt e t\u00eb cil\u00ebve tregojn\u00eb t\u00eb gjitha simptomat klasike e njer\u00ebzve t\u00eb d\u00ebmtuar n\u00eb cep t\u00eb shk\u00ebmbit \u2013 k\u00ebta jan\u00eb njer\u00ebz t\u00eb cil\u00ebve busulla morale nganj\u00ebher\u00eb jep drejtime t\u00eb gabuara p\u00ebr t\u00eb gjitha arsyet e drejta: p\u00ebrpjekja e Viol\u00ebs p\u00ebr ta vrar\u00eb Petron pasi ai refuzon ta shkat\u00ebrroj\u00eb fimin i cili e inkriminon Bertin, paaft\u00ebsia e Zan\u00ebs t’i rezistoj\u00eb dashuris\u00eb p\u00ebr violon\u00e7elistin p\u00ebrkund\u00ebr faktit se \u00ebsht\u00eb e martuar, vendimi i Leonor\u00ebs t’i q\u00ebndroj\u00eb besnike bashk\u00ebshortit t\u00eb saj t\u00eb cilin e do me gjith\u00eb zem\u00ebr p\u00ebrkund\u00ebr faktit q\u00eb e di obsesionin e tij me dashurin\u00eb e tij rinore, Edithin. Ajo q\u00eb i mban t\u00eb gjitha elementet bashk\u00eb \u00ebsht\u00eb elementi impresionist i violi\u00e7elistit; muzika e tij b\u00ebhet pika m\u00eb e spikatur e shprehjes s\u00eb di\u00e7kaje t\u00eb pashprehur; mbase nuk do t\u00eb ishte e tep\u00ebrt t\u00eb thuhet se dialogu nganj\u00ebher\u00eb duket i paplot\u00eb, apo i cop\u00ebtuar p\u00ebr shkak t\u00eb pamund\u00ebsis\u00eb s\u00eb shprehjes s\u00eb nj\u00eb p\u00ebrvoje traumatike e cila mund t\u00eb komunikohet vet\u00ebm me nj\u00eb gjuh\u00eb t\u00eb cil\u00ebn e kupton secili, muzik\u00ebn. Muzika n\u00eb film komunikon at\u00eb q\u00eb fjal\u00ebt nuk munden.<\/p>\n

P\u00ebrderisa filmi merret me gjendjen njer\u00ebzore n\u00eb t\u00eb gjitha t\u00eb metat dhe lavdit\u00eb e saj, m\u00ebnyrat e tij p\u00ebr t\u00eb komunikuar tematik\u00ebn me publikun prodhon nj\u00eb rr\u00ebfim me nj\u00eb shum\u00ebsi n\u00ebnrr\u00ebfimesh, t\u00eb cilat k\u00ebrkojn\u00eb v\u00ebmendjen ton\u00eb, t\u00eb cilat k\u00ebrkojn\u00eb hap\u00ebsir\u00eb t\u00eb vet\u00ebn p\u00ebr t’u treguar e p\u00ebr t’u d\u00ebgjuar \u2013 dhe Kujtim \u00c7ashku u ka gjetur vend t\u00eb gjithave.<\/p>\n

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*Nj\u00eb sh\u00ebnim: ky tekst \u00ebsht\u00eb botuar n\u00eb anglisht n\u00eb GAZETTA e Shoqat\u00ebs Anglo-Shqiptare n\u00eb Lond\u00ebr n\u00eb Korrik 2018 dhe \u00ebsht\u00eb p\u00ebrpunuar dhe p\u00ebrkthyer n\u00eb shqip me lej\u00ebn e autores p\u00ebr tu botuar dhe n\u00eb Sbunker.<\/p>\n<\/div>\n

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Ka di\u00e7ka shum\u00eb t\u00eb shqet\u00ebsuese dhe \u00e7udit\u00ebrisht terapeutike n\u00eb filmin Syri Magjik; kjo struktur\u00eb\u00a0e pazakont\u00eb e kund\u00ebrv\u00ebnieve, e cila b\u00ebhet e dukshme q\u00eb nga sekuenca e par\u00eb e cila kontraston sigurin\u00eb e vendit privat me rrezikun e vendit publik, \u00ebsht\u00eb e p\u00ebrhapur p\u00ebrgjat\u00eb filmit, duke e b\u00ebr\u00eb at\u00eb nj\u00eb rr\u00ebfim p\u00ebr sendet q\u00eb e b\u00ebjn\u00eb […]<\/p>","protected":false},"author":414,"featured_media":10832,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[1987],"ppma_author":[773],"class_list":["post-4237","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-filmi-syri-magjik"],"authors":[{"term_id":773,"user_id":414,"is_guest":0,"slug":"fjoralba-miraka","display_name":"Fjoralba Miraka","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/11\/Fjoralba1575446931.jpg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/11\/Fjoralba1575446931.jpg"},"user_url":"","last_name":"Miraka","first_name":"Fjoralba","description":"Fjoralba Miraka \u00ebsht\u00eb nj\u00eb studjuese e filmit t\u00eb Hollivudit n\u00eb vitet e Rilindjes (n\u00eb fund t\u00eb viteve 1960 \u2013 mesi i viteve 1970) n\u00eb Fakultetin e Medias, Gjuh\u00ebs, dhe Kultur\u00ebs t\u00eb Universitetit Roehampton n\u00eb Lond\u00ebr. Ajo mban nj\u00eb Master n\u00eb Let\u00ebrsin\u00eb dhe Kultur\u00ebn Amerikane si dhe nj\u00eb Bachelor n\u00eb Gjuh\u00ebn Angleze, t\u00eb dy dimploma nga Universiteti Aristotel i Selanikut, Greqi. N\u00eb 2021 studimi i saj The Great Shift in Hollywood Cinema: Men, Women, and Genre Revisionism of the American New Wave u botua nga sht\u00ebpia botuese Bloomsbury Academic, kurse n\u00eb 2020 kapitulli i saj Historia e Teoris\u00eb Feministe s\u00eb Filmit u botua n\u00eb Enciklopedin\u00eb e par\u00eb Nd\u00ebrkomb\u00ebtare t\u00eb Gjinis\u00eb, Medias, dhe Komunikimit nga Wiley Blackwell. N\u00eb 2019 studimi i saj Gender, Genre, and Class Politics in Barbara Loden\u2019s Wanda (1970) u botua n\u00eb portali akademic MAI: Feminism and Visual Culture (https:\/\/maifeminism.com\/gender-genre-and-class-politics-in-barbara-lodens-wanda-1970\/). Studimi i saj i par\u00eb Performing Otherness for the Monstrous Gaze: Racial and Sexual Fantasies in the Allegoric Orgies of Venus Noir and Black Swan u botua n\u00eb 2014 (https:\/\/brill.com\/view\/book\/edcoll\/9781848884076\/BP000020.xml?lang=en). Gjithashtu, ajo ka p\u00ebrkthyer n\u00eb gjuh\u00ebn angleze kujtime t\u00eb regjisor\u00ebs Xhanfize Keko dhe t\u00eb protagonist\u00ebve t\u00eb filmave Beni ec\u00ebn vet\u00eb (botuar n\u00eb 2020) dhe Mimoza Llastica (botuar n\u00eb 2021). Pasioni i saj \u00ebsht\u00eb puna dhe jeta e regjizores Xhanfize Keko. P\u00ebrve\u00e7 pun\u00ebs dhe studimeve, ajo \u00ebsht\u00eb edhe n\u00ebn\u00eb e p\u00ebrkushtuar n\u00eb dy f\u00ebmij\u00ebt t\u00eb saj (lindur n\u00eb 2019 & 2021)."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/4237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/users\/414"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/comments?post=4237"}],"version-history":[{"count":3,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/4237\/revisions"}],"predecessor-version":[{"id":10833,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/4237\/revisions\/10833"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media\/10832"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media?parent=4237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/categories?post=4237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/tags?post=4237"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/ppma_author?post=4237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}