{"id":4251,"date":"2018-09-10T11:21:22","date_gmt":"2018-09-10T09:21:22","guid":{"rendered":"https:\/\/sbunker.org\/?p=4251"},"modified":"2024-12-20T11:32:14","modified_gmt":"2024-12-20T09:32:14","slug":"timbuktu-nje-film-mbi-jeten-nen-sundimin-terroristik","status":"publish","type":"post","link":"https:\/\/sbunker.org\/en\/kritike\/timbuktu-nje-film-mbi-jeten-nen-sundimin-terroristik\/","title":{"rendered":"“Timbuktu”: Nj\u00eb film mbi jet\u00ebn n\u00ebn sundimin terroristik"},"content":{"rendered":"
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Filmi Timbuktu t\u00eb Abderrahmane Sissako.<\/p>\n

“Timbuktu” \u00ebsht\u00eb filmi i vet\u00ebm i imi q\u00eb m\u00eb b\u00ebn t\u00eb qaj. Kam qar\u00eb disa her\u00eb duke e shikuar. – A. Sissako<\/p>\n<\/div>\n

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T\u00eb thuash q\u00eb Abderrahmane Sissako \u00ebsht\u00eb nj\u00eb nga regjisor\u00ebt jo vet\u00ebm m\u00eb t\u00eb mir\u00eb afrikan\u00eb, por edhe bot\u00ebror\u00eb, nuk \u00ebsht\u00eb aspak nj\u00eb mbivler\u00ebsim. I lindur n\u00eb vitin 1961, n\u00eb Mauritania (sikurse Med Hondo, nj\u00eb tjet\u00ebr regjisor Mauritaniez, q\u00eb \u00ebsht\u00eb b\u00ebr\u00eb gjer\u00ebsisht i njohur n\u00eb saj\u00eb t\u00eb filmave t\u00eb tij \u201cSoleil O\u201d (1965) dhe \u201cSarraounia\u201d (1986). I rritur n\u00eb Mali, n\u00eb vendlindjen e dikurshme t\u00eb babait t\u00eb tij, ku mbaron dhe shkollimin fillor e t\u00eb mes\u00ebm. Dhe i shkolluar, sikund\u00ebr shum\u00eb regjisor\u00eb t\u00eb tjer\u00eb, n\u00eb Institutin e Filmit n\u00eb Mosk\u00eb (VGIK), Sissako, s\u00eb bashku me Ousmane Semb\u00e8ne, Souleymane Ciss\u00e9, Djibril Diop Mamb\u00e9ty, Mahamt-Saleh Haroun, Djo Tunda Wa Munga, Med Hondo, Idrissa Ou\u00e9draogo, etj., konsiderohet sot me t\u00eb drejt\u00eb si nj\u00eb nga regjisor\u00ebt m\u00eb t\u00eb spikatur t\u00eb k\u00ebsaj pjese t\u00eb bot\u00ebs.<\/p>\n

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Personalisht, emrin e k\u00ebtij regjisori e kam hasur para ca vitesh dhe, qysh at\u00ebher\u00eb, jam munduar q\u00eb, koh\u00eb mbas kohe, t\u2019i shikoj filmat e tij. Meq\u00eb deri m\u00eb tani nuk kam arritur t\u2019i shikoj t\u00eb gjith\u00eb, sidoqoft\u00eb, por vet\u00ebm kat\u00ebr prej tyre \u2013 \u201cTimbuktu,\u201d \u201cBamako,\u201d \u201cWaiting for Happiness,\u201d \u201cLife on Earth\u201d \u2013 do t\u00eb doja q\u00eb n\u00eb k\u00ebt\u00eb seri t\u00eb shkrimeve t\u00eb flisja p\u00ebr secilin film ve\u00e7 e ve\u00e7, me shpres\u00ebn se lexuesi q\u00eb nuk ka d\u00ebgjuar p\u00ebr k\u00ebt\u00eb regjisor briliant do t\u00eb njihet me krijimtarin\u00eb e tij.<\/p>\n

Fillimisht, propozoj t\u00eb flasim p\u00ebr \u201cTimbuktu,\u201d nj\u00eb film q\u00eb nuk duhet humbur kurrsesi, dhe p\u00ebr t\u00eb cilin do t\u00eb b\u00ebj fjal\u00eb n\u00eb vijim. Pastaj n\u00eb shkrimin e dyt\u00eb, t\u00eb tret\u00eb dhe t\u00eb kat\u00ebrt, t\u00eb flasim p\u00ebr \u201cBamako,\u201d \u201cWaiting for Happiness,\u201d dhe \u201cLife on Earth\u201d respektivisht.<\/p>\n

\u201cTimbuktu\u201d<\/strong><\/p>\n

N\u00eb k\u00ebt\u00eb film, si\u00e7 mund t\u00eb kuptohet dhe nga vet\u00eb titulli, b\u00ebhet fjal\u00eb p\u00ebr Timbuktu, nj\u00eb qytet n\u00eb Mali t\u00eb Afrik\u00ebs Per\u00ebndimore i cili, mjerisht, bie n\u00eb duart e terrorist\u00ebve t\u00eb vet\u00ebquajtur islamik\u00eb. P\u00ebr habin\u00eb e shum\u00ebkujt, n\u00eb k\u00ebt\u00eb film, Sissako nuk ndjek nj\u00eb linj\u00eb klasike narrative, por nj\u00eb linj\u00eb non-lineare (ose, si\u00e7 njihet ndryshe n\u00eb anglisht, disjointed narrative), t\u00eb p\u00ebrb\u00ebr\u00eb nga disa rr\u00ebfime t\u00eb ndryshme por komplementare me nj\u00ebra tjetr\u00ebn.<\/p>\n

K\u00ebshtu, n\u00eb fillim t\u00eb filmit, shohim disa terrorist\u00eb t\u00eb hipur n\u00eb karrocerin\u00eb e hapur t\u00eb nj\u00eb (lloj) kamionete, duke ndjekur nj\u00eb gazel\u00eb t\u00eb bukur dhe duke sht\u00ebn\u00eb n\u00eb drejtim t\u00eb saj. \u00c7udit\u00ebrisht, q\u00ebllimi i terrorist\u00ebve nuk \u00ebsht\u00eb p\u00ebr ta vrar\u00eb gazel\u00ebn e bukur, por thjesht p\u00ebr ta rraskapitur at\u00eb, duke e ndjekur nga pas. Si\u00e7 d\u00ebgjohet nj\u00eb z\u00eb terroristi: \u201cLodheni! Mos e vritni! Lodheni!\u201d Sepse lodhja, t\u00eb dashur lexues, qenka m\u00eb e tmerrshme se vdekja. Ja nj\u00eb m\u00ebsim i vlefsh\u00ebm \u2013 ose, m\u00eb mir\u00eb akoma, nj\u00eb varg poetik q\u00eb mund t\u00eb nxjerrim nga filmi.<\/p>\n

Menj\u00ebher\u00eb pas k\u00ebsaj skene, n\u00eb nj\u00eb sekuenc\u00eb tjet\u00ebr gjat\u00eb filmit shohim terrorist\u00ebt duke q\u00ebruar hesapet edhe me veprat kulturoro-artistike, t\u00eb cilat i shkat\u00ebrrojn\u00eb nj\u00eb nga nj\u00eb. Si\u00e7 mund t\u00eb shihet dhe nga klipi m\u00eb posht\u00eb:<\/p>\n

https:\/\/www.youtube.com\/watch?v=V4bmgyQSMvo<\/a><\/p>\n

N\u00ebp\u00ebrmjet k\u00ebtyre dy sekuencave t\u00eb shkurtra, gj\u00eb q\u00eb nuk \u00ebsht\u00eb tipike p\u00ebr universin e Sissako-s, m\u00ebsojm\u00eb se filmi b\u00ebn fjal\u00eb p\u00ebr okupimin e nj\u00eb lokaliteti nga ana e terrorist\u00ebve. Kjo, posa\u00e7\u00ebrisht, b\u00ebhet m\u00eb e qart\u00eb pas pak, kur n\u00eb nj\u00eb moment tjet\u00ebr shohim nj\u00eb terrorist duke u b\u00ebr\u00eb me dije banor\u00ebve lokal\u00eb rregullat e reja q\u00eb duhet t\u00eb zbatojn\u00eb. \u201cV\u00ebmendje! Njoftim me r\u00ebnd\u00ebsi! Pirja e duhanit \u00ebsht\u00eb e ndaluar. Muzika \u00ebsht\u00eb e ndaluar. [\u2026] Grat\u00eb duhet t\u00eb veshin \u00e7orape dhe dor\u00ebza. [\u2026] Burrat duhet t\u00eb mbajn\u00eb pantollonat mbi zogun e k\u00ebmb\u00ebs!\u201d Jan\u00eb vet\u00ebm disa nga urdhrat q\u00eb d\u00ebgjohen nga megafoni i nj\u00eb terroristi. \u00c7udit\u00ebrisht, teksa terroristi po kumtonte rregullat edhe n\u00eb gjuh\u00ebn Bambara (i.e., gjuh\u00eb komb\u00ebtare n\u00eb Mali), dy terrorist\u00eb t\u00eb tjer\u00eb ve\u00e7 i shohim duke duke urdh\u00ebruar nj\u00eb kalimtar t\u00eb moshuar q\u00eb t\u2019i ngrej\u00eb pantollonat sip\u00ebr zogut t\u00eb k\u00ebmb\u00ebs. I shkreti, duke mos pasur zgjidhje tjet\u00ebr \u2013 meq\u00eb pantollonat q\u00eb mbante, nuk i rrinin sip\u00ebr zogut t\u00eb k\u00ebmb\u00ebve \u2013 detyrohet q\u00eb t\u2019i heq n\u00eb nj\u00eb stil bukowskian dhe t\u00eb ec\u00eb vet\u00ebm n\u00eb t\u00eb shkurtra.<\/p>\n

Mir\u00ebpo nuk jan\u00eb vet\u00ebm kafsh\u00ebt, kultura dhe njer\u00ebzit q\u00eb b\u00ebhen subjekt i dhun\u00ebs s\u00eb terrorist\u00ebve (si\u00e7 \u00ebsht\u00eb rasti, bie fjala, i mbytjes barbare s\u00eb dy t\u00eb dashuruarve t\u00eb pamartuar. Nj\u00eb fat t\u00eb till\u00eb, kuptueshm\u00ebrisht, e p\u00ebrjeton edhe vet\u00eb religjioni t\u00eb cilin terrorist\u00ebt pretendojn\u00eb se e p\u00ebrfaq\u00ebsojn\u00eb. K\u00ebtu, kam parasysh ve\u00e7an dy momente. S\u00eb pari, kur, teksa besimtar\u00ebt jan\u00eb duke u lutur n\u00eb xhami, terrorist\u00ebt hyjn\u00eb t\u00eb mbathur e t\u00eb armatosur aty, duke ngjallur zem\u00ebrim tek imami \u2013 i cili, n\u00eb mes t\u00eb tjerash, i pyet but\u00ebsisht: \u201c\u00c7far\u00eb ju sjell k\u00ebtu? [\u2026] E dini q\u00eb \u00ebsht\u00eb e ndaluar t\u00eb hysh me k\u00ebpuc\u00eb dhe arm\u00eb n\u00eb sht\u00ebpin\u00eb e Zotit? Nuk \u00ebsht\u00eb e lejuar.\u201d<\/p>\n

\u201cPor ne mundemi. Jemi duke b\u00ebr\u00eb luft\u00eb t\u00eb shenjt\u00eb,\u201d- i p\u00ebrgjigjet k\u00ebrc\u00ebnuesh\u00ebm nj\u00eb nga terrorist\u00ebt.<\/p>\n

\u201cJeni duke b\u00ebr\u00eb luft\u00eb t\u00eb shenjt\u00eb? Dhe k\u00ebt\u00eb doni ta b\u00ebni k\u00ebtu? N\u00eb sht\u00ebpin\u00eb e Zotit?\u201d \u2013 u thot\u00eb imami.<\/p>\n

P\u00ebr t\u00eb shtuar edhe k\u00ebt\u00eb:<\/p>\n

\u201cTek ne, n\u00eb Tambuktu, secili q\u00eb menj\u00ebmend i p\u00ebrkushtohet fes\u00eb, e p\u00ebrdor kok\u00ebn, e jo arm\u00ebt.\u201d<\/p>\n

Po k\u00ebshtu, n\u00eb nj\u00eb sken\u00eb tjet\u00ebr, imami qorton dhe nj\u00eb terrorist tjet\u00ebr, me fjal\u00ebt: \u201cNdaloni \u00e7far\u00eb jeni duke b\u00ebr\u00eb. Jeni duke e d\u00ebmtuar Islamin dhe musliman\u00ebt [\u2026].\u201d M\u00eb gjer\u00ebsisht:<\/p>\n

https:\/\/www.youtube.com\/watch?v=VtqDO1fMrr8<\/a><\/p>\n

Sikur Sissako t\u00eb tregonte vet\u00ebm p\u00ebr praktikat barbarike t\u00eb terrorrist\u00ebve, sidoqoft\u00eb, nuk besoj se do t\u00eb tregonte ndonj\u00eb gj\u00eb t\u00eb re rreth tyre, meq\u00eb k\u00ebt\u00eb e dim\u00eb nga mediat dhe filmat e Hollywood-ian\u00eb. Ajo q\u00eb e b\u00ebn k\u00ebt\u00eb film t\u00eb mrekulluesh\u00ebm, n\u00eb mendimin tim, jan\u00eb dy komponente t\u00eb r\u00ebnd\u00ebsishme. S\u00eb pari, ironia q\u00eb Sissako p\u00ebrdor p\u00ebr t\u00eb v\u00ebn\u00eb n\u00eb dukje hipokrizin\u00eb e terrorist\u00ebve. K\u00ebtu, kam parasysh disa momente t\u00eb r\u00ebnd\u00ebsishme. S\u00eb pari, kur terroristi Abdelkarim, nj\u00eb nga terrorist\u00ebt kryesor\u00eb n\u00eb film, fshihet p\u00ebr t\u00eb pir\u00eb cigare, megjith\u00ebse tymosja konsiderohej haram dhe e d\u00ebnueshme. S\u00eb dyti, kur s\u00ebrish n\u00eb kund\u00ebrshtim me rregullat n\u00eb fuqi, terroristi Abdelkarim provokon seksualisht Satima-n, gruan e Kidane-s, e cila e kupton shum\u00eb mir\u00eb k\u00ebt\u00eb gj\u00eb. Si\u00e7 mund t\u00eb shihet dhe nga klipi m\u00eb posht\u00eb:<\/p>\n

https:\/\/www.youtube.com\/watch?v=Ls8XQRd8SDY<\/a><\/p>\n

S\u00eb treti, kur nj\u00eb terrorist tjet\u00ebr fshihet tek vendq\u00ebndrimi i gruas s\u00eb \u00e7mendur, q\u00eb \u00ebsht\u00eb nj\u00eb personazh mjaft intrigues, dhe vall\u00ebzon n\u00eb kund\u00ebrshtim me rregullat e imponuara nga sundimi i tyre.<\/p>\n

https:\/\/www.youtube.com\/watch?v=XHBaisvfM2Y<\/a><\/p>\n

S\u00eb kat\u00ebrti, kur disa terrorist\u00eb t\u00eb tjer\u00eb, p\u00ebrkund\u00ebr faktit q\u00eb sporti konsiderohej haram, flasin p\u00ebr lojtar\u00eb t\u00eb famsh\u00ebm (i.e., Messi e Zidane), ekipet e tyre t\u00eb preferuara (i.e., Barcelona e Real Madrid), si dhe ekipet komb\u00ebtare t\u00eb Franc\u00ebs e Brazilit. Dhe, s\u00eb fundmi, kur disa terrorist\u00eb duan t\u00eb b\u00ebjn\u00eb nj\u00eb video propagandistike, mir\u00ebpo nuk arrijn\u00eb p\u00ebr shkak se terroristi q\u00eb ishte menduar t\u00eb shfaqej n\u00eb video kishte qen\u00eb m\u00eb par\u00eb reper dhe, p\u00ebr k\u00ebt\u00eb shkak, nuk tregohej mjaft bind\u00ebs. Kjo ngjall zem\u00ebrim tek kameramani \u2013 i cili, n\u00eb mes t\u00eb tjerash, i t\u00ebrheq dhe v\u00ebrejtjen ish-reperit: \u201cNuk ka m\u00eb \u201cYoooo, man. Jemi n\u00eb pun\u00eb t\u00eb fes\u00eb tash.\u201d<\/p>\n

https:\/\/www.youtube.com\/watch?v=o_mvcluWfII<\/a><\/p>\n

Dhe, komponenti i dyt\u00eb q\u00eb mendoj se e b\u00ebn filmin \u201cTimbuktu\u201d nj\u00eb film t\u00eb mrekulluesh\u00ebm, jan\u00eb momentet dhe aktet e rezistenc\u00ebs kund\u00ebr sundimit terroristik. K\u00ebtu, kam parasysh kat\u00ebr skena briliante. S\u00eb pari, kur terrorist\u00ebt urdh\u00ebrojn\u00eb nj\u00eb grua q\u00eb t\u2019i mbuloj\u00eb duart, por ajo refuzon kategorikisht. Si\u00e7 mund t\u00eb shihet dhe nga videoja m\u00eb posht\u00eb:<\/p>\n

https:\/\/www.youtube.com\/watch?v=-0BpIXNYhhY<\/a><\/p>\n

S\u00eb dyti, kur disa banor\u00eb lokal\u00eb, p\u00ebrkund\u00ebr faktit q\u00eb muzika qe e ndaluar, i bien kitar\u00ebs dhe k\u00ebndojn\u00eb k\u00ebng\u00ebn e mrekullueshme \u201cTimbuktu Fassso.\u201d Pritshm\u00ebrisht, si k\u00ebng\u00ebtarja, si kitaristi, arrestohen dhe, m\u00eb pas, nd\u00ebshkohen me nga 80 k\u00ebrba\u00e7\u00eb: 40 p\u00ebr shkak t\u00eb k\u00ebndimit, dhe 40 t\u00eb tjer\u00eb p\u00ebr shkak t\u00eb shoq\u00ebrimit. Mir\u00ebpo kjo nuk i tremb aspak. P\u00ebrkundra, edhe n\u00eb momentin e goditjeve nga k\u00ebrba\u00e7i, si\u00e7 \u00ebsht\u00eb rasti me personazhen grua, nuk ndalen s\u00eb k\u00ebnduari. (Ky moment i guximsh\u00ebm m\u00eb rikujton nj\u00eb sentenc\u00eb t\u00eb bukur, q\u00eb e kam hasur tek nj\u00eb film tjet\u00ebr (nga nj\u00eb regjisor i mrekulluesh\u00ebm), q\u00eb thot\u00eb se muzika, p\u00ebrkund\u00ebr bindjes s\u00eb p\u00ebrgjithshme, nuk \u00ebsht\u00eb nj\u00eb form\u00eb e protest\u00ebs, por \u00ebsht\u00eb (thjesht) protest\u00eb.<\/p>\n

https:\/\/www.youtube.com\/watch?v=gWxiZdrFBxQ \u00a0\u00a0\u00a0\u00a0<\/a><\/p>\n

S\u00eb treti, kur nj\u00eb terrorist, mbasi e takon shortas nj\u00eb vajz\u00eb t\u00eb re dhe t\u00eb bukur, shkon tek sht\u00ebpia e saj dhe e k\u00ebrc\u00ebnon n\u00ebn\u00ebn e saj q\u00eb, n\u00ebse jo me hat\u00ebr, do t\u2019ia grabis\u00eb vajz\u00ebn e saj me zor. Kurse n\u00ebna, pa u frikur fare, i thot\u00eb p\u00ebrkthyesit q\u00eb t\u2019i thot\u00eb terroristit se \u201cnuk ia ka frik\u00ebn aspak.\u201d<\/p>\n

Dhe, e fundit, kur, pa marr\u00eb parasysh q\u00eb futbolli konsiderohej haram, t\u00eb rinjt\u00eb lokal\u00eb vendosin t\u00eb luajn\u00eb pa top \u2013 thjesht duke imagjinuar goditjet e topit, pasimet, golat, penalltit\u00eb\u2026:<\/p>\n

https:\/\/www.youtube.com\/watch?v=HM077frVB6Y<\/a><\/p>\n

Pa asnj\u00eb m\u00ebdyshje, nj\u00eb nga momentet m\u00eb monumentale kinematografike q\u00eb kam par\u00eb ndonj\u00ebher\u00eb.<\/p>\n

Mjafton vet\u00ebm ky moment, p\u00ebr t\u00eb mos p\u00ebrmendur pastaj instancat e tjera q\u00eb nuk u jam referuar n\u00eb k\u00ebt\u00eb shkrim modest, p\u00ebr t\u2019ia kushtuar 1 or\u00eb e 37 minuta k\u00ebtij filmi t\u00eb mrekulluesh\u00ebm.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Filmi Timbuktu t\u00eb Abderrahmane Sissako. “Timbuktu” \u00ebsht\u00eb filmi i vet\u00ebm i imi q\u00eb m\u00eb b\u00ebn t\u00eb qaj. Kam qar\u00eb disa her\u00eb duke e shikuar. – A. Sissako T\u00eb thuash q\u00eb Abderrahmane Sissako \u00ebsht\u00eb nj\u00eb nga regjisor\u00ebt jo vet\u00ebm m\u00eb t\u00eb mir\u00eb afrikan\u00eb, por edhe bot\u00ebror\u00eb, nuk \u00ebsht\u00eb aspak nj\u00eb mbivler\u00ebsim. I lindur n\u00eb vitin 1961, […]<\/p>","protected":false},"author":559,"featured_media":11487,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[2167,957,958,2166],"ppma_author":[2156],"class_list":["post-4251","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-abderrahmane-sissako","tag-film","tag-kinema","tag-timbuktu"],"authors":[{"term_id":2156,"user_id":559,"is_guest":0,"slug":"armend-mazreku","display_name":"Armend Mazreku","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/12\/avatar_user_495_1606093936-200x200-1.jpg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/12\/avatar_user_495_1606093936-200x200-1.jpg"},"user_url":"","last_name":"Mazreku","first_name":"Armend","description":""}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/4251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/users\/559"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/comments?post=4251"}],"version-history":[{"count":5,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/4251\/revisions"}],"predecessor-version":[{"id":11489,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/4251\/revisions\/11489"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media\/11487"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media?parent=4251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/categories?post=4251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/tags?post=4251"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/ppma_author?post=4251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}