{"id":4306,"date":"2018-12-13T12:24:00","date_gmt":"2018-12-13T10:24:00","guid":{"rendered":"https:\/\/sbunker.org\/?p=4306"},"modified":"2024-11-22T12:26:01","modified_gmt":"2024-11-22T10:26:01","slug":"udhetim-poetik","status":"publish","type":"post","link":"https:\/\/sbunker.org\/en\/kritike\/udhetim-poetik\/","title":{"rendered":"Udh\u00ebtim Poetik"},"content":{"rendered":"
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Nj\u00eb nga shfaqjet m\u00eb t\u00eb \u00e7uditshme t\u00eb k\u00ebtyre viteve t\u00eb fundit ka qen\u00eb d\u00ebshira p\u00ebr t\u00eb \u00e7mitizuar kultur\u00ebn, gj\u00eb q\u00eb n\u00eb vetvete m\u00eb ngjan si nj\u00eb vetkund\u00ebrshtim qesharak. Kultura vet\u00eb \u00ebsht\u00eb nj\u00eb grumbull mitesh i tejzgjatur n\u00eb koh\u00eb. Mitet nuk \u00e7mitizohen, por vet\u00ebm z\u00ebvend\u00ebsohen.<\/p>\n

Mitet jan\u00eb themelet e nj\u00eb bot\u00ebkuptimi. Bot\u00ebkuptimi \u00ebsht\u00eb marr\u00ebdh\u00ebnia q\u00eb ne kemi me gjjth\u00ebsin\u00eb. Marr\u00ebdh\u00ebnia q\u00eb ne kemi me gjith\u00ebsin\u00eb shfaqet n\u00eb t\u00ebr\u00ebsin\u00eb e ligj\u00ebrimit. Por edhe ligj\u00ebrimi ka kufijt\u00eb e vet. Ligj\u00ebrimi do t\u00eb p\u00ebrfundoj\u00eb diku, pasi njeriu nuk mund t\u00eb pyesi pse pafund\u00ebsisht. Arsyeja e arsyes diku p\u00ebrfundon: buz\u00eb heshtjes s\u00eb paarsyeshme. Mes heshtjes dhe ligj\u00ebrimit fshihet miti. Mes paarsyeshm\u00ebris\u00eb dhe arsyes fshihet miti.<\/p>\n

E nis k\u00ebt\u00eb shqyrtim t\u00eb librit Shtrati i Prokrustit t\u00eb Alket \u00c7anit me nj\u00eb sqarim t\u00eb domosdosh\u00ebm t\u00eb mitit, pasi vet\u00eb libri n\u00eb thelb \u00ebsht\u00eb n\u00eb k\u00ebrkim t\u00eb mitizimit t\u00eb p\u00ebrvoj\u00ebs. Para se t\u00eb futem m\u00eb thell\u00eb n\u00eb shqyrtimin e librit, dua t\u00eb them me plot goj\u00ebn se ky \u00ebsht\u00eb nj\u00eb nd\u00ebr librat m\u00eb t\u00eb mir\u00eb me poezi t\u00eb shkruar ndonj\u00ebher\u00eb n\u00eb gjuh\u00ebn shqipe. Nj\u00eb lexim i domosdosh\u00ebm. M\u00eb pas do shikojm\u00eb edhe librin e m\u00ebvonsh\u00ebm t\u00eb \u00c7anit, Memento Mori, ku v\u00ebmendja kalon nga miti tek kujtesa.<\/p>\n

Si fillim duhet t\u00eb sqarohet nj\u00eb her\u00eb vet\u00eb titulli i librit: Shtrati i Prokrustit. N\u00eb mitologjin\u00eb e lasht\u00eb greke Prokrusti ishte nj\u00eb fark\u00ebtar, i cili i ftonte udh\u00ebtar\u00ebt t\u00eb flinin te shtrati i tij prej hekuri. Prokrusti ose i zgjatonte ose i gjymtonte udh\u00ebtar\u00ebt, pasi asnj\u00ebri prej tyre nuk e kishte mas\u00ebn e duhur p\u00ebr shtratin.<\/p>\n

Shtrati i Prokrustit \u00ebsht\u00eb nj\u00eb p\u00ebrfaq\u00ebsim simbolik i vet\u00eb mitit. Te miti, p\u00ebrvoja gjen prehje, por e st\u00ebrzgjatur ose e gjymtuar. P\u00ebrher\u00eb ka nj\u00eb mosp\u00ebrputhje midis mitit dhe p\u00ebrvoj\u00ebs. Te poezia “Shtrati i Prokrustit” gjejm\u00eb vargjet:<\/p>\n

“Koha qe vdekja jon\u00eb, fati yn\u00eb i vet\u00ebm,<\/p>\n

Mund\u00ebsia e vetme, e vetmja port\u00eb e hapur,<\/p>\n

Gjersa gjet\u00ebm m\u00eb n\u00eb fund k\u00ebt\u00eb shtrat t\u00eb \u00ebnd\u00ebrruar,<\/p>\n

Ku kishim qen\u00eb t\u00eb ngujuar gjith\u00eb jet\u00ebn.”<\/p>\n

Shtrati i Prokrustit \u00ebsht\u00eb tejkalimi i koh\u00ebs dhe vdekjes: \u00ebsht\u00eb vet\u00eb trajta mitike e jet\u00ebs. Miti \u00ebsht\u00eb si shtrati i Prokrustit: p\u00ebrvoja flijohet p\u00ebr t’i p\u00ebrshtatur nj\u00eb trajte hyjnore.<\/p>\n

Te poezia “E menduar shpejt”, shikojm\u00eb pik\u00ebrisht k\u00ebt\u00eb k\u00ebrkim t\u00eb mitit te p\u00ebrvoja n\u00eb vargjet fillestare:<\/p>\n

“N\u00eb gjith\u00e7ka t\u00eb lasht\u00eb<\/p>\n

Un\u00eb k\u00ebrkoj mitin,<\/p>\n

Legjend\u00ebn, thelbin e saj gri.”<\/p>\n

Miti \u00ebsht\u00eb thelbi i p\u00ebrvoj\u00ebs dhe historis\u00eb. M\u00eb posht\u00eb, poezia vazhdon:<\/p>\n

“Nuk jan\u00eb pjes\u00ebt q\u00eb b\u00ebjn\u00eb t\u00eb t\u00ebr\u00ebn.<\/p>\n

\u00cbsht\u00eb e t\u00ebra q\u00eb ndahet n\u00eb pjes\u00eb.”<\/p>\n

Mitet nuk jan\u00eb t\u00eb nj\u00ebtrajtshme. Mitet nuk e flijojn\u00eb shum\u00ebllojshm\u00ebrin\u00eb e p\u00ebrvoj\u00ebs p\u00ebr t’u bashkuar n\u00eb nj\u00eb. \u00cbsht\u00eb pik\u00ebrisht e kund\u00ebrta: p\u00ebrvoja q\u00eb shfaqet n\u00eb nj\u00ebtrajtshm\u00ebri t\u00eb pandashme ndahet n\u00eb pjes\u00eb nga mitet.<\/p>\n

Ne jemi n\u00eb k\u00ebrkim t\u00eb nj\u00eb trajte mitike t\u00eb jet\u00ebs ku prehet p\u00ebrvoja. Por pyetja q\u00eb duhet t\u00eb shtrohet tani \u00ebsht\u00eb: Cila \u00ebsht\u00eb trajta mitike e jet\u00ebs? \u00c7far\u00eb ngjyrimi ka kjo trajt\u00eb mitike e jet\u00ebs? P\u00ebrgjigjet e k\u00ebtyre pyetjeve gjenden te poezit\u00eb “K\u00ebnga e Jasonit” dhe “K\u00ebnga e Odiseut”. Trajta mitike e jet\u00ebs \u00ebsht\u00eb jeta si nj\u00eb udh\u00ebtim i pakuptimt\u00eb, nj\u00eb udh\u00ebtim i paq\u00ebllimt\u00eb q\u00eb kund\u00ebrshton vetveten.<\/p>\n

Udh\u00ebtimi i Jasonit p\u00ebr pavdek\u00ebsi shfaqet i pakuptimt\u00eb n\u00ebp\u00ebrmjet pyetjeve t\u00eb shumta brenda poezis\u00eb:<\/p>\n

“Po p\u00ebrse kishim shkuar gjer n\u00eb Kolkid\u00eb?<\/p>\n

…<\/p>\n

P\u00ebrse u desh t\u00eb humbte kaq koh\u00eb?<\/p>\n

P\u00ebrse u desh\u00ebn ikjet, magjit\u00eb, betejat?”<\/p>\n

Nd\u00ebrkoh\u00eb te poezia “K\u00ebnga e Odiseut” e shikojm\u00eb udh\u00ebtimin e paq\u00ebllimt\u00eb te vargu:<\/p>\n

“Vet\u00eb e zgjodh\u00ebm endjen e p\u00ebrjetshme.”<\/p>\n

Udh\u00ebtimi jo vet\u00ebm \u00ebsht\u00eb i pakuptimt\u00eb, por vet\u00ebkund\u00ebrshtues. Pik\u00ebrisht k\u00ebt\u00eb vet\u00ebkund\u00ebrshtim t\u00eb jet\u00ebs si nj\u00eb udh\u00ebtim e shikojm\u00eb te vargjet e fundit e “K\u00ebnga e Jasonit”:<\/p>\n

“Nj\u00eb vdekatar q\u00eb k\u00ebrkoi t\u00eb b\u00ebhej i pavdeksh\u00ebm.<\/p>\n

Vetmitar shkoj aty ku s’m\u00eb pret njeri<\/p>\n

Me anije t\u00eb plakur sa trupi im, t\u00eb vjet\u00ebr<\/p>\n

Sa kjo dhimbje…<\/p>\n

Ti Argo q\u00eb m\u00eb blatove lavdin\u00eb, m\u00eb sill tani<\/p>\n

Edhe vdekjen.”<\/p>\n

Jasoni k\u00ebtu k\u00ebrkon edhe pavdek\u00ebsin\u00eb, edhe vdekjen. Vet\u00eb udh\u00ebtimi kund\u00ebrshton vetveten dhe nuk ka nj\u00eb q\u00ebllim t\u00eb p\u00ebrcaktuar. Nd\u00ebrkoh\u00eb q\u00eb te Rreshpja udh\u00ebtimi poetik ka nj\u00eb trajt\u00eb t\u00eb caktuar, jeta si nj\u00eb udh\u00ebtim i vazhduesh\u00ebm zhg\u00ebnjimesh t\u00eb nj\u00ebpasnj\u00ebshme, te vepra e \u00c7anit udh\u00ebtimi nuk ka kuptim, nuk ka q\u00ebllim.<\/p>\n

Te poezia “Muzg” ku shohim ndryshim nga nj\u00eb gjendje n\u00eb nj\u00eb gjendje tjet\u00ebr, p\u00ebrshkruhet pik\u00ebrisht p\u00ebrjet\u00ebsia e k\u00ebtij udh\u00ebtimi t\u00eb pakuptimt\u00eb:<\/p>\n

“Gjith\u00e7ka: edhe jeta edhe vdekja<\/p>\n

Ndjehen befas t\u00eb mashtruara<\/p>\n

Nga mosp\u00ebrfillja e gj\u00ebrave t\u00eb pap\u00ebrcaktuara.”<\/p>\n

\u00cbsht\u00eb n\u00ebp\u00ebrmjet mosp\u00ebrfilljes, n\u00ebp\u00ebrmjet kalimit t\u00eb vazhduesh\u00ebm mes gj\u00ebrave t\u00eb pap\u00ebrcaktuara q\u00eb udh\u00ebtimi vet\u00ebkund\u00ebrshtues dhe i paq\u00ebllimt\u00eb arrin t\u00eb tejkaloj\u00eb jet\u00ebn dhe vdekjen. Duke tejkaluar vazhdimisht \u00e7do gj\u00eb, tejkalojm\u00eb edhe jet\u00ebn, edhe vdekjen, dhe arrijm\u00eb te trajta hyjnore.<\/p>\n

N\u00eb k\u00ebt\u00eb bot\u00ebkuptim, \u00e7do gj\u00eb p\u00ebrjetohet si nj\u00eb mund\u00ebsi p\u00ebr t\u00eb udh\u00ebtuar. K\u00ebt\u00eb gj\u00eb e shohim te\u00a0 poezia “Gjeografi”:<\/p>\n

“Z\u00ebra t\u00eb thell\u00eb<\/p>\n

T\u00eb detit. Ju d\u00ebgjoj<\/p>\n

Ngado q\u00eb shkoj.”<\/p>\n

\u00c7do p\u00ebrvoj\u00eb kthehet n\u00eb nj\u00eb det ku nuk duhet t\u00eb q\u00ebndrojm\u00eb, por t\u00eb lundrojm\u00eb p\u00ebr ta tejkaluar.<\/p>\n

Te libri i fundit i Alket \u00c7anit, Memento Mori shohim nj\u00eb ndryshim t\u00eb thell\u00eb n\u00eb bot\u00ebkuptim: kemi nj\u00eb largim nga miti dhe nj\u00eb vajtje tek kujtesa. Nj\u00eb lib\u00ebr i t\u00ebr\u00eb mund t\u00eb shkruhet kushtuar shprehjes Memento Mori dhe shpjegimit t\u00eb saj, por k\u00ebtu po ju jap nj\u00eb shpjegim t\u00eb shkurt\u00ebr t\u00eb saj: Memento Mori i referohet nj\u00eb praktike mesjetare fetare ku njer\u00ebzit i rikujtojn\u00eb vetvetes se \u00e7do gj\u00eb n\u00eb k\u00ebt\u00eb bot\u00eb do vdesi nj\u00eb dit\u00eb, n\u00eb m\u00ebnyr\u00eb q\u00eb ata t\u2019i kushtojn\u00eb m\u00eb shum\u00eb r\u00ebnd\u00ebsi gj\u00ebrave t\u00eb p\u00ebrjetshme. Mendimi im \u00ebsht\u00eb se libri i \u00c7anit ka tri poezi t\u00eb shk\u00eblqyera, q\u00eb e p\u00ebrmbledhin vet\u00eb librin: Gjeografika XII, Dit\u00eb Marsi dhe K\u00ebnga e Karontit.<\/p>\n

Gjeorafika XII<\/p>\n

Ti q\u00eb udh\u00ebton.<\/p>\n

Q\u00eb grah pa reshtur drejt horizontesh.<\/p>\n

Q\u00eb sheh majat si l\u00ebkunden p\u00ebrtej xhamit.<\/p>\n

Q\u00eb ec\u00ebn.<\/p>\n

Q\u00eb ndalon.<\/p>\n

Q\u00eb i v\u00eb veshin frym\u00ebmarrjes sate p\u00ebr t’u ndier i gjall\u00eb.<\/p>\n

Q\u00eb del n\u00eb rrug\u00eb me tezga p\u00ebr t\u00eb shitur ide.<\/p>\n

Q\u00eb blen \u00e7ik\u00ebrrima.<\/p>\n

Q\u00eb b\u00ebn marr\u00ebveshje.<\/p>\n

Q\u00eb b\u00ebn sikur.<\/p>\n

Q\u00eb b\u00ebn sikur b\u00ebn sikur.<\/p>\n

Q\u00eb ngre krye.<\/p>\n

Q\u00eb nxehesh.<\/p>\n

Q\u00eb v\u00eb kuj\u00ebn.<\/p>\n

Q\u00eb qet\u00ebsohesh.<\/p>\n

Q\u00eb hesht p\u00ebr t\u00eb provuar pranin\u00eb e bot\u00ebs.<\/p>\n

Q\u00eb m\u00ebson t\u00eb flas\u00ebsh shtruar n\u00eb afshet e asfaltit.<\/p>\n

Q\u00eb rri kot.<\/p>\n

Q\u00eb p\u00ebrton.<\/p>\n

Q\u00eb i thur lavde p\u00ebrtacis\u00eb.<\/p>\n

Q\u00eb, ngaq\u00eb do t\u00eb b\u00ebsh gjith\u00e7ka, nuk b\u00ebn asgj\u00eb.<\/p>\n

Q\u00eb sodit.<\/p>\n

Q\u00eb me v\u00ebshtrime prish ekuilibrin e gj\u00ebrave.<\/p>\n

Q\u00eb i p\u00ebrdor idiomat si iluzionet.<\/p>\n

Q\u00eb kacavaresh n\u00eb jet\u00eb si urthi n\u00eb mur.<\/p>\n

Q\u00eb pret gjith\u00e7ka.<\/p>\n

Q\u00eb s’pret asgj\u00eb.<\/p>\n

Q\u00eb si Herakliti, nuk mbytesh dy her\u00eb n\u00eb t\u00eb nj\u00ebjt\u00ebn pik\u00eb uji.<\/p>\n

Q\u00eb jet\u00ebn e merr si loj\u00eb dhe si ploj\u00eb.<\/p>\n

Q\u00eb ngutesh.<\/p>\n

Q\u00eb ke m\u00ebsuar t\u00eb durosh.<\/p>\n

Q\u00eb num\u00ebron yjet e fundit t\u00eb nat\u00ebs.<\/p>\n

Q\u00eb ke pandehma.<\/p>\n

Q\u00eb pandeh se kupton.<\/p>\n

Q\u00eb rrekesh t’u v\u00ebsh em\u00ebr gj\u00ebrave t\u00eb panjohura.<\/p>\n

Q\u00eb endesh n\u00eb mendjen t\u00ebnde si n\u00eb rrug\u00ebt e qyteteve t\u00eb m\u00ebdha.<\/p>\n

Q\u00eb sheh \u00ebndrra erotike.<\/p>\n

Q\u00eb ke dashur dhe urryer trupin t\u00ebnd dhe t\u00eb tjetrit<\/p>\n

Q\u00eb pret njer\u00ebz.<\/p>\n

Q\u00eb, si Karonti,p\u00ebrcjell njer\u00ebz p\u00ebr n\u00eb bot\u00eb t\u00eb tjera.<\/p>\n

Kujtoji edhe nj\u00eb her\u00eb t\u00eb gjitha k\u00ebto,<\/p>\n

Para se t\u00eb zhdukesh.<\/p>\n

Si\u00e7 e shikojm\u00eb n\u00eb poezin\u00eb e m\u00ebsip\u00ebrme, ajo q\u00eb ngel nga udh\u00ebtimi nuk \u00ebsht\u00eb m\u00eb trajta mitike e jet\u00ebs, por vet\u00ebm vdekja dhe kujtimi. Ngelet vet\u00ebm kujtimi i dikujt q\u00eb ka udh\u00ebtuar t\u00ebr\u00eb jet\u00ebn, kujtimi i nj\u00eb plaku q\u00eb, i lodhur nga jeta, rikthehet tek e kaluara. E kaluara p\u00ebrmbushet brenda kujtimit.<\/p>\n

Edhe kur miti shfaqet te vepra Memento Mori, ai shfaqet thjesht si nj\u00eb kujtim i turbullt. Pik\u00ebrisht k\u00ebt\u00eb gj\u00eb shikojm\u00eb te poezia “Dit\u00eb Marsi”.<\/p>\n

Dit\u00eb Marsi<\/p>\n

N\u00eb Lecco t\u00eb Italis\u00eb,<\/p>\n

m\u00eb 9 mars 2014,<\/p>\n

shqiptarja E.\u00c7.<\/p>\n

theri tri bijat e saj t\u00eb mitura.<\/p>\n

U tha se k\u00ebt\u00eb e b\u00ebri<\/p>\n

p\u00ebr t’u hakmarr\u00eb ndaj t\u00eb shoqit, babait t\u00eb vajzave,<\/p>\n

q\u00eb e kishte braktisur p\u00ebr nj\u00eb grua tjet\u00ebr<\/p>\n

m\u00eb t\u00eb re.<\/p>\n

Kjo ishte ngjarja. Nd\u00ebrsa ne<\/p>\n

kujtuam Medean,<\/p>\n

Jasonin,<\/p>\n

Argonaut\u00ebt.<\/p>\n

Bashk\u00ebn e art\u00eb…<\/p>\n

Si\u00e7 shikojm\u00eb, miti nuk \u00ebsht\u00eb m\u00eb n\u00eb thelb t\u00eb p\u00ebrvoj\u00ebs. Miti nuk \u00ebsht\u00eb duke u jetuar sikurse te Shtrati i Prokrustit. K\u00ebtu miti \u00ebsht\u00eb vet\u00ebm nj\u00eb kujtim i mjegullt, q\u00eb rrjedh si pasoj\u00eb e p\u00ebrvoj\u00ebs.<\/p>\n

Por marr\u00ebdh\u00ebnia midis udh\u00ebtimit dhe kujtes\u00ebs merr nj\u00eb trajt\u00eb edhe m\u00eb t\u00eb qart\u00eb te poezia “K\u00ebnga e Karontit”. Jeta jon\u00eb \u00ebsht\u00eb si udh\u00ebtimi i Karontit: ne p\u00ebrher\u00eb shkojm\u00eb diku tjet\u00ebr duke mbajtur n\u00ebn vete kujtes\u00ebn e gj\u00ebrave t\u00eb shkuara dhe t\u00eb njer\u00ebzve t\u00eb vdekur. N\u00eb k\u00ebt\u00eb kuptim, ne jemi si Karonti: ne shtyjm\u00eb t\u00eb vdekurit diku m\u00eb tej. T\u00eb vdekurit prehen n\u00eb kujtimet tona.<\/p>\n

Vepra e Alket \u00c7anit n\u00eb t\u00ebr\u00ebsi \u00ebsht\u00eb nj\u00eb shqyrtim i gjat\u00eb dhe i bukur poetik i udh\u00ebtimit. Pavar\u00ebsisht se \u00e7far\u00eb ngelet nga udh\u00ebtimi, p\u00ebrplot\u00ebsimi i kujtimit apo trajta mitike e jet\u00ebs, nj\u00eb gj\u00eb \u00ebsht\u00eb e sigurt: jeta mund t\u00eb p\u00ebrfytyrohet vet\u00ebm si nj\u00eb udh\u00ebtim i vazhduesh\u00ebm.<\/p>\n

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Nj\u00eb nga shfaqjet m\u00eb t\u00eb \u00e7uditshme t\u00eb k\u00ebtyre viteve t\u00eb fundit ka qen\u00eb d\u00ebshira p\u00ebr t\u00eb \u00e7mitizuar kultur\u00ebn, gj\u00eb q\u00eb n\u00eb vetvete m\u00eb ngjan si nj\u00eb vetkund\u00ebrshtim qesharak. Kultura vet\u00eb \u00ebsht\u00eb nj\u00eb grumbull mitesh i tejzgjatur n\u00eb koh\u00eb. Mitet nuk \u00e7mitizohen, por vet\u00ebm z\u00ebvend\u00ebsohen. Mitet jan\u00eb themelet e nj\u00eb bot\u00ebkuptimi. Bot\u00ebkuptimi \u00ebsht\u00eb marr\u00ebdh\u00ebnia q\u00eb ne […]<\/p>","protected":false},"author":3,"featured_media":10640,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[1322,1953],"ppma_author":[263],"class_list":["post-4306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-kritike","tag-shtrati-i-prokrustit"],"authors":[{"term_id":263,"user_id":0,"is_guest":1,"slug":"erlind-sulko","display_name":"Erlind Sulko","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/sulko.jpeg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/sulko.jpeg"},"user_url":"","last_name":"","first_name":"","description":"Erlind Sulko ka lindur n\u00eb Tiran\u00eb, Shqip\u00ebri. Ka mbaruar studimet ba\u00e7elor p\u00ebr filozofi n\u00eb Universitetin e Otav\u00ebs, Kanada. Tani merret kryesisht me poezi, hulumtime letrare dhe mbledhje librash t\u00eb vjet\u00ebr e t\u00eb rrall\u00eb."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/4306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/comments?post=4306"}],"version-history":[{"count":3,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/4306\/revisions"}],"predecessor-version":[{"id":10641,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/4306\/revisions\/10641"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media\/10640"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media?parent=4306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/categories?post=4306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/tags?post=4306"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/ppma_author?post=4306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}