{"id":4356,"date":"2015-08-15T11:40:10","date_gmt":"2015-08-15T09:40:10","guid":{"rendered":"https:\/\/sbunker.org\/?p=4356"},"modified":"2026-02-02T13:13:21","modified_gmt":"2026-02-02T11:13:21","slug":"recension-oh-oh-oh-droge-dhe-rocknroll","status":"publish","type":"post","link":"https:\/\/sbunker.org\/en\/kritike\/recension-oh-oh-oh-droge-dhe-rocknroll\/","title":{"rendered":"Recension: Oh, Oh, Oh, Drog\u00eb dhe Rock’n’Roll"},"content":{"rendered":"
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Gjith\u00e7ka fillon n\u00eb form\u00eb konvencionale: ritmi i kitar\u00ebs, linja e basit dhe e baterive, tingulli i mbreht\u00eb por i kapsh\u00ebm. Madje edhe fjal\u00ebt me t\u00eb cilat nis\u00eb albumi i The Bloody Foreigners duken t\u00eb zakonshme, t\u00eb pakt\u00ebn p\u00ebr nj\u00eb \u00e7ast: \u201cSa rrishe n\u2019shpi, para televizorit, pse s\u2019vishe te un\u00eb me ma ly ti korridorin…\u201d Ndalu pak! \u00c7ka tha? Me ia ly korridorin? Me tu ndalur p\u00ebr t\u00eb analizuar fjal\u00ebt, ndalet edhe e zakonshmja. Albumi i dyfisht\u00eb \u201cOh Oh Oh\u201d dhe \u201cJadec\u201d n\u00eb fakt \u00ebsht\u00eb gjith\u00e7ka tjet\u00ebr pos i zakonsh\u00ebm; prej vet\u00eb em\u00ebrtimit, titujve t\u00eb k\u00ebng\u00ebve, tekstit dhe muzik\u00ebs, e deri t\u00eb ndjenja q\u00eb p\u00ebr\u00e7ojn\u00eb tek secili d\u00ebgjues.<\/p>\n

Muzika e tyre \u00ebsht\u00eb rock. Por klasifikimi i m\u00ebtejm\u00eb n\u00eb subzhanre \u00ebsht\u00eb thuajse i pamundsh\u00ebm. The Bloody Foreigners, rockun e tyre s\u00eb bashku me elemente t\u00eb (post) punk-ut, por edhe t\u00eb blues-it e melosit popullor shqiptar, sikur e kan\u00eb futur n\u00eb nj\u00eb mikser gjigant urban, mikser ky q\u00eb nuk \u00ebsht\u00eb as i Prishtin\u00ebs, as i Vushtrris\u00eb, as i Londr\u00ebs. Kjo e b\u00ebn muzik\u00ebn e tyre sa t\u00eb r\u00ebndomt\u00eb aq edhe t\u00eb ve\u00e7ant\u00eb; sa globale, aq m\u00eb shum\u00eb shqip. Identiteti shqiptar nuk e mbajn\u00eb n\u00eb improvizim duke e shnd\u00ebrruar kitar\u00ebn elektrike n\u00eb \u00e7ifteli, si\u00e7 b\u00ebjn\u00eb shum\u00eb bende tjera, apo thjesht duke riinstrumentalizuar k\u00ebng\u00ebt popullore. \u00a0K\u00ebt\u00eb e b\u00ebjn\u00eb ndryshe, duke p\u00ebrbrend\u00ebsuar n\u00eb tingull tyre, rr\u00ebnj\u00ebsisht, gjith\u00eb karakterin e muzik\u00ebs burimore. K\u00ebsisoj, muzika e tyre del t\u00ebr\u00ebsisht origjinale, duke mbetur – natyrsh\u00ebm – ndryshe, alternative, dhe, mbi t\u00eb gjitha, shqip.<\/p>\n

K\u00ebng\u00ebt e tyre mund t\u2019i keni d\u00ebgjuar n\u00eb Youtube. Dy Fatosat, Ardin e Josephin, ky i fundit i vetmi anglez n\u00eb bend, mund t\u2019i keni par\u00eb duke performuar n\u00eb Prishtin\u00eb, apo edhe n\u00eb Lond\u00ebr. Dhe fillimisht mund t\u2019iu ken\u00eb ting\u00eblluar si nj\u00eb bend mock rock. Di\u00e7ka si Tenacious D apo Bloodhood Gang. Kjo meq\u00eb tekstet e tyre jan\u00eb p\u00ebrplot shprehje eksplicite, sarkastike dhe vazhdimisht qesharake. N\u00eb to p\u00ebrmblidhen fragmente t\u00eb realitetit t\u00eb p\u00ebrditsh\u00ebm n\u00ebp\u00ebr gjith\u00eb shtresat shoq\u00ebrore dhe pasqyrohen me shum\u00eb sarkaz\u00ebm, her\u00eb me ciniz\u00ebm, e her\u00eb me ironi. T\u00eb k\u00ebnduara p\u00ebrgjat\u00eb melodive q\u00eb dalin nga mikseri i tyre prej muzikant\u00ebsh, k\u00ebto k\u00ebng\u00eb i \u00e7esin djemt\u00eb e The Bloody Foreigners p\u00ebrtej Mock Rockut, meq\u00eb n\u00eb to, p\u00ebrmes \u00e7araveshjes leksikore e instrumentale, del n\u00eb pah talenti i tyre i pashoq dhe i patjet\u00ebrsuesh\u00ebm i kreativitetit artistik.<\/p>\n

Ni\u2019n familja fjal\u00eb i \u00e7on, pse k\u00ebt\u00eb drog\u00eb pe p\u00ebrdoron
\nmbledhi mendt ti, a je n\u2019veti, \u00e7ona pare me shku n\u2019deti…
\nS\u2019jom bo tok\u00eb po jom bo dhe, nuk e marr un\u00eb po t\u2019boj be
\nE merr djali i Hamdis\u00eb, o me pare t\u2019kulmit t\u2019shpis\u00eb
\n(Po pe merr)<\/em><\/p>\n

Personazhi i k\u00ebng\u00ebve t\u00eb The Bloody Foreigners \u00ebsht\u00eb tipik mashkullor: ai shfryen epshin e tij n\u00eb m\u00ebnyr\u00eb eksplicite, shan\u00eb e shahet, dehet, k\u00ebrcen, dalldiset, g\u00ebzohet e feston, ankohet e vajton. Dhe t\u00eb gjitha k\u00ebto i vizaton p\u00ebrmes shprehjeve m\u00eb t\u00eb thjeshta, m\u00eb autoktone, q\u00eb i tejkalojn\u00eb ndarjet gjeografike e shoq\u00ebrore . Ai \u00ebsht\u00eb p\u00ebrplot kontradikta: i do shok\u00ebt, i urren grat\u00eb, por n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb i dashuron ato, han sallat\u00eb t\u2019mishit, merr kredi (p\u00ebr t\u00eb shkuar n\u00eb deti p.sh.), dhe flet p\u00ebr seks. Flet shum\u00eb p\u00ebr seks. Aq shum\u00eb, sa e gjith\u00eb tematika e muzik\u00ebs s\u00eb tyre \u00ebsht\u00eb p\u00ebrplot alegori t\u00eb \u2018pista\u2019: lyma korridorin;\u00a0 mos i jep vetes siklet;\u00a0 lyma se po m\u2019shkon ma leht\u00eb \u2013 \u00e7itja ti do sherbet; a e bojna tre p\u00ebr qin – mos ta nin\u00eb se ka ku hin; qysh t\u2019kisha ngreh\u00eb, s\u2019ki ide, kuku \u00e7ka t\u2019kisha bo; ia ke shti brinin, qe dy jav\u00eb po ia myt\u00eb minin…<\/p>\n

E kom nji gajle shok\u00ebt e mi, kush po nin\u00eb po m\u2019ka lakmi
\nJam harxhu s\u2019po kom fuqi, dit\u2019e\u2019nat\u2019 s\u2019po muj me ngi
\nNuk po muj me mush\u00eb k\u00ebt\u00eb shpell\u00eb, edhe n\u2019deshta s\u2019hin ma fell\u00eb,
\nGujt\u00eb mu dridh\u00ebn u bona holl\u00eb kur u\u2019m tha q\u00eb njo s\u2019osht boll
\n(Tre P\u00ebr Qin)<\/em><\/p>\n

T\u00eb dy albumet e lansuar p\u00ebrnj\u00ebher\u00eb mund t\u00eb klasifikohen si nj\u00eb pasqyr\u00eb e nj\u00eb shp\u00ebrthimi seksual, q\u00eb her\u00eb p\u00ebrshkruhet drejtp\u00ebrdrejt e her\u00eb p\u00ebrmes alegorive. Alegorit\u00eb jan\u00eb t\u00eb kapshme, t\u00eb kuptueshme, t\u00eb njohura p\u00ebr d\u00ebgjuesin shqiptar. Narratori i storjeve t\u00eb trajtuara n\u00ebp\u00ebr k\u00ebng\u00eb, \u00ebsht\u00eb vet\u00eb pjes\u00eb e rrjedh\u00ebs s\u00eb pist\u00eb seksuale, duke i v\u00ebn\u00eb n\u00eb pah shum\u00eb dukuri banale t\u00eb asocuara me seksin, duke i p\u00ebrqeshur e duke i kritikuar ato me nj\u00eb sarkaz\u00ebm t\u00eb holl\u00eb, t\u00eb mb\u00ebshtetur gjithnj\u00eb n\u00eb motive popullore, her\u00eb rurale e her\u00eb m\u00eb urbane.<\/p>\n

P\u00ebrkund\u00ebr natyr\u00ebs s\u00eb tij t\u00eb nj\u00eb djali goj\u00ebf\u00eblliqur, ai\u00a0 ruan nj\u00eb doz\u00eb t\u00eb kujdesit autokton. K\u00ebsisoj, edhe n\u00ebse interpretohet tekstualisht, leksikoni i tij e prek\u00eb por nuk e kalon vij\u00ebn q\u00eb ndan\u00eb frustrimin dhe seksizmin. \u00a0P\u00ebrqeshja e b\u00ebn at\u00eb edhe kritikues edhe pjes\u00ebmarr\u00ebs n\u00eb aktet e kritikuara, andaj diskursi komik i teksteve mund t\u00eb interpretohet si autokritik\u00eb shoq\u00ebrore. K\u00ebsisoj, The Bloody Foreigners arrijn\u00eb t\u00eb pakt\u00ebn dy q\u00ebllime. S\u00eb pari, na b\u00ebjn\u00eb t\u00eb qeshin, duke spikatur momentet m\u00eb tragjikomike, si dashuria e nj\u00ebanshme, vuajtja, k\u00ebnaq\u00ebsia, telashet familjare, aventurat n\u00eb deti, n\u00eb skijim, n\u00eb ar\u00eb, seksi mes dy apo tre personave, etj. S\u00eb dyti, na b\u00ebjn\u00eb t\u00eb mendojn\u00eb m\u00eb thell\u00eb p\u00ebr t\u00eb gjitha k\u00ebto tablo t\u00eb sikletshme, t\u00eb shtyra nga fenomene e probleme t\u00eb cilat si shoq\u00ebri zakonisht preferojm\u00eb t\u2019i fusim n\u00ebn tepih m\u00eb p\u00ebrpara sesa t\u00eb merremi me to.<\/p>\n

Asnji pare nuk e ki, s\u2019i kan\u00eb met\u00eb as nan\u00ebs n\u2019gji…
\np\u00ebr kredi i ke mush\u00eb kushtet, del n\u2019pijac i blen papuqet…
\nnat\u00ebn shkon e del n\u2019muzik\u00eb, Gjyste Vulaj gjerenik\u00eb
\nemrin ty kur ta p\u00ebrmend, t\u2019doket vetja supermen
\n(n\u2019Deti)<\/em><\/p>\n

Nj\u00eb gj\u00eb q\u00eb mund t\u2019ua vraj\u00eb veshin tek The Bloody Foreigners \u00ebsht\u00eb nj\u00eb munges\u00eb konsistence sa i p\u00ebrket p\u00ebrdorimit t\u00eb gjuh\u00ebs; her\u00eb gegnisht e her\u00eb standard, her\u00eb me paskajore e her\u00eb pa t\u00eb, prej t\u00eb shquar\u00ebs n\u00eb t\u00eb pashquar\u00ebn, etj. Nj\u00eb jokonsistenc\u00eb e till\u00eb edhe do mund t\u00eb tolerohej pa p\u00ebrmendur, po q\u00eb se nuk do ta hasnim brenda nj\u00eb k\u00ebnge, madje, edhe brenda nj\u00eb vargu t\u00eb vet\u00ebm, gj\u00eb p\u00ebr t\u00eb cil\u00ebn nuk ka fort arsye, madje as arsye rimore. Megjithat\u00eb, \u00e7ka e arsyeton, deri diku, munges\u00ebn e konsistenc\u00ebs \u00ebsht\u00eb fakti se ata jetojn\u00eb q\u00eb prej koh\u00ebsh n\u00eb Angli.<\/p>\n

T\u00eb vepruarit n\u00eb m\u00ebrgim, po ashtu, sjell nj\u00eb element tjet\u00ebr n\u00eb muzik\u00ebn e tyre, q\u00eb i b\u00ebjn\u00eb k\u00ebng\u00ebt e tyre t\u00eb ting\u00ebllojn\u00eb sa t\u00eb af\u00ebrta, po aq t\u00eb larg\u00ebta, sa tonat, aq t\u00eb huaja, sa t\u00eb vjetra, aq edhe t\u00eb reja. Kjo shkaktohet nga nj\u00eb distersion kohor n\u00eb tekstet e tyre, p\u00ebrmes p\u00ebrdorimit t\u00eb shprehjeve t\u00eb cilat kan\u00eb qen\u00eb m\u00eb shum\u00eb t\u00eb p\u00ebrdorshme n\u00eb nj\u00eb koh\u00eb tjet\u00ebr \u2013 koh\u00ebn n\u00eb t\u00eb cil\u00ebn ata jan\u00eb larguar nga Kosova \u2013 e q\u00eb jo domosdoshm\u00ebrisht e mbajn\u00eb t\u00eb nj\u00ebjt\u00ebn frekuenc\u00eb t\u00eb p\u00ebrdorimit t\u00eb p\u00ebrgjithsh\u00ebm sot. Termet si si \u2018cakum pakum\u2019 apo \u2018prevarant\u2019 nuk \u00ebsht\u00eb se jan\u00eb zhdukur nga diskursi i p\u00ebrgjithsh\u00ebm n\u00eb Kosov\u00eb, por megjithat\u00eb jan\u00eb m\u00eb t\u00eb rralla n\u00eb p\u00ebrdorim. K\u00ebsisoj, kur ato nxirren si t\u00eb r\u00ebndomta n\u00eb tekste, zgjojn\u00eb nj\u00eb ndjenj\u00eb t\u00eb ve\u00e7ant\u00eb.<\/p>\n

Albumi \u201cOh, oh, oh..\u201d ka dymb\u00ebdhjet\u00eb k\u00ebng\u00eb q\u00eb jan\u00eb m\u00eb ritmike, m\u00eb t\u00eb zhurmshme. N\u00eb \u201cJadec\u201d jan\u00eb gjasht\u00eb k\u00ebng\u00eb tjera, m\u00eb t\u00eb vjetra, m\u00eb t\u00eb qeta n\u00eb rit\u00ebm dhe n\u00eb ton. Nuk mund t\u00eb thuhet qart\u00eb n\u00ebse ishte natyra e k\u00ebng\u00ebve q\u00eb b\u00ebri albumin t\u00eb ndahet n\u00eb dysh, apo n\u00ebse ndarja b\u00ebn q\u00eb k\u00ebng\u00ebt tash t\u00eb ting\u00ebllojn\u00eb m\u00eb ndryshe. P\u00ebrfshirja e tyre n\u00eb nj\u00eb disk t\u00eb vet\u00ebm, megjithat\u00eb, do ishte leht\u00eb e realizueshme dhe p\u00ebr ndarjen e tyre nuk \u00ebsht\u00eb se ka fort arsye.<\/p>\n

Albumet mund t\u2019i blini n\u00eb librarin\u00eb Dit\u2019 e Nat\u2019 si dhe n\u00eb t\u00eb gjitha platformat elektronike si iTunes, Amazon, Google Play, Spotify, etj.<\/p>\n

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Gjith\u00e7ka fillon n\u00eb form\u00eb konvencionale: ritmi i kitar\u00ebs, linja e basit dhe e baterive, tingulli i mbreht\u00eb por i kapsh\u00ebm. Madje edhe fjal\u00ebt me t\u00eb cilat nis\u00eb albumi i The Bloody Foreigners duken t\u00eb zakonshme, t\u00eb pakt\u00ebn p\u00ebr nj\u00eb \u00e7ast: \u201cSa rrishe n\u2019shpi, para televizorit, pse s\u2019vishe te un\u00eb me ma ly ti korridorin…\u201d Ndalu […]<\/p>","protected":false},"author":277,"featured_media":10417,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[1857,1856],"ppma_author":[275],"class_list":["post-4356","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-rock-n-roll","tag-the-bloody-foreigners"],"authors":[{"term_id":275,"user_id":277,"is_guest":0,"slug":"krenar-gashi","display_name":"Krenar Gashi","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/1562950980845.jpg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/1562950980845.jpg"},"user_url":"","last_name":"Gashi","first_name":"Krenar","description":"Krenar Gashi \u00ebsht\u00eb studiues i shkenc\u00ebs sociale, aktualisht doktorant n\u00eb shkenc\u00eb politike n\u00eb Universitetin e Gentit n\u00eb Belgjik\u00eb. Fokus i studimeve t\u00eb tij jan\u00eb diskursi, pushteti dhe demokracia, mir\u00ebpo si ish aktivist dhe ekspert i medias, ai poashtu kontribuon n\u00eb studimet e medias dhe kritik\u00ebn e sfer\u00ebs publike."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/4356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/users\/277"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/comments?post=4356"}],"version-history":[{"count":3,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/4356\/revisions"}],"predecessor-version":[{"id":10418,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/4356\/revisions\/10418"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media\/10417"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media?parent=4356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/categories?post=4356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/tags?post=4356"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/ppma_author?post=4356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}