{"id":5122,"date":"2016-03-30T16:15:15","date_gmt":"2016-03-30T14:15:15","guid":{"rendered":"https:\/\/sbunker.org\/?p=5122"},"modified":"2024-12-13T16:20:38","modified_gmt":"2024-12-13T14:20:38","slug":"mbi-teatrin","status":"publish","type":"post","link":"https:\/\/sbunker.org\/en\/kritike\/mbi-teatrin\/","title":{"rendered":"Mbi teatrin"},"content":{"rendered":"<div class=\"news-up\">***<\/div>\n<div class=\"news-down\">\n<div class=\"news-left\">\n<p>Tani ka kaluar koha. Dhe m\u00eb vjen keq nga kjo gj\u00eb. Ngase kujtesa ime ka nisur ta humbas\u00eb fort\u00ebsin\u00eb e saj. Por ama meq\u00eb para ca dit\u00ebsh ishte Dita Nd\u00ebrkomb\u00ebtare t\u00eb Teatrit, do t\u00eb mundohem t\u00eb zhbiroj\u00eb mbi t\u00eb kaluar\u00ebn n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb p\u00ebrballem me trishtimin e koh\u00ebs. Duhej t\u00eb isha kat\u00ebrmb\u00ebdhjet\u00eb vje\u00e7ar kur jam ngjitur p\u00ebr t\u00eb par\u00ebn her\u00eb n\u00eb sken\u00eb (n\u00eb ballkonin e shkoll\u00ebs fillore kisha dalur moti koh\u00eb dhe ajo p\u00ebr mua nuk p\u00ebrb\u00ebnte ndonj\u00eb arritje). Nuk do t\u00eb thoja q\u00eb ishte gj\u00ebja m\u00eb e bukur gjat\u00eb jet\u00ebs sime. Asesi. Ishte shum\u00eb e thjesht\u00eb. Madje ishte pak e frikshme. T\u00eb jesh mbi nj\u00eb shum\u00ebsi kokash q\u00eb ngulin syt\u00eb n\u00eb ty dhe t\u00eb jesh n\u00ebn v\u00ebshtrimin e tyre kritik gjat\u00eb t\u00ebr\u00eb koh\u00ebs. Duhet t\u00eb jet\u00eb e sikletshme. T\u00eb pakt\u00ebn k\u00ebshtu ishte p\u00ebr mua. Gjithmon\u00eb kam besuar se njer\u00ebzit b\u00ebjn\u00eb at\u00eb q\u00eb b\u00ebjn\u00eb n\u00eb jet\u00ebrat e tyre, shtyr\u00eb nga presioni i ekzistenc\u00ebs. Dhe nga m\u00ebrzia e vazhdueshme q\u00eb ju paloset n\u00eb ball\u00eb. Becketti i err\u00ebt kishte t\u00eb drejt\u00eb, kishte arsye t\u00eb mendonte se gjith\u00e7ka brenda jet\u00ebs son\u00eb \u00ebsht\u00eb e zbraz\u00ebt. Ai e pa pritjen si kuptim. Megjith\u00ebse kishte koh\u00eb q\u00eb sharra kishte hasur n\u00eb gozhd\u00eb. Qenien njer\u00ebzore e pa tragjikisht t\u00eb pezulluar. Prandaj kisha zgjedhur teatrin krahas vjersh\u00ebs. Si mjet p\u00ebr ta p\u00ebrmbushur veten. Di\u00e7ka duhej t\u00eb b\u00ebja. K\u00ebshtu ishte renditja e gj\u00ebrave. M\u00eb von\u00eb do ta kuptoj se her\u00eb do t\u00eb p\u00ebrmbushem nga kjo gj\u00eb e her\u00eb do ta p\u00ebrbuz\u00eb. Kam nj\u00eb bindje t\u00eb thell\u00eb se teatri nuk ndryshon jet\u00ebra. Nuk \u00ebsht\u00eb e v\u00ebrtet\u00eb se arti n\u00eb p\u00ebrgjith\u00ebsi. Ndryshon jet\u00ebra njer\u00ebzish. Kjo \u00ebsht\u00eb nj\u00eb g\u00ebnjesht\u00ebr e madhe aq sa vet\u00eb ne, jemi t\u00eb m\u00ebdhenj\u00eb. Di\u00e7ka tjet\u00ebr \u00ebsht\u00eb ajo se \u00e7far\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb \u00ebsht\u00eb. Bota gjendet n\u00ebn ethet e teatrit t\u00eb bombave. N\u00ebn ethet e teatrit t\u00eb terrorit. Dhe n\u00ebn regjin\u00eb e centralit b\u00ebrthamor. Duket se nd\u00ebr shekuj teatri n\u00eb ve\u00e7anti dhe arti n\u00eb p\u00ebrgjith\u00ebsi (ta themi prap\u00eb k\u00ebt\u00eb) nuk kishin arritur ta p\u00ebrmir\u00ebsonin rrjedh\u00ebn e gj\u00ebrave kudo mbi faqe t\u00eb dheut. Me t\u00eb drejt\u00eb beatniku i gjall\u00eb Lawrence Ferlinghetti, ul\u00ebrin Fuck art, let\u2019s dance. Duket se ai e kishte kuptuar q\u00eb arti gjithnj\u00eb e m\u00eb shum\u00eb po i sh\u00ebrbente politik\u00ebs. Dhe rrjedhimisht kishte vendosur mask\u00ebn e hipokrizis\u00eb n\u00eb fytyr\u00ebn e shenjt\u00eb. Kund\u00ebr sentimentit t\u00eb v\u00ebrtet\u00eb njer\u00ebzor.<\/p>\n<p>***<\/p>\n<p>P\u00ebrfundimisht qenia e shkret\u00eb njer\u00ebzore mbetet shpesh peng i solemniteteve. P\u00ebr \u00e7far\u00eb mund t\u00eb festojm\u00eb n\u00eb lidhje me teatrin k\u00ebndejpari kur pun\u00ebt jan\u00eb p\u00ebrzier dhe jan\u00eb b\u00ebr\u00eb lesh. Me nj\u00eb teat\u00ebr n\u00eb qend\u00ebr q\u00eb mezi mbahet gjall\u00eb. Me disa teatro tjera private praktikisht t\u00eb shuara. Nuk \u00ebsht\u00eb q\u00eb po k\u00ebnaqem kur e them k\u00ebt\u00eb. Me teatro n\u00eb qendrat tjera q\u00eb jan\u00eb t\u00eb sakatuar. Me nj\u00eb var\u00ebsi totale ndaj politikave qeveris\u00ebse dhe interesit. P\u00ebr m\u00eb shum\u00eb se kaq. Teatri i v\u00ebrtet duhet ta kap\u00ebrcej\u00eb vet\u00ebk\u00ebnaq\u00ebsin\u00eb. Dhe ta mposht lakmin\u00eb artistike. T\u00eb jet\u00eb m\u00eb i ndersh\u00ebm sesa djajt\u00eb brenda nesh. Dhe m\u00eb korrekt ndaj s\u00eb v\u00ebrtet\u00ebs.<\/p>\n<p>Teatri i v\u00ebrtet\u00eb duhet t\u00eb jet\u00eb angazhim social. M\u00eb n\u00eb fund. Duhet t\u00eb jet\u00eb mbi \u00e7do ideologji. Dhe t\u2019i sh\u00ebrbej\u00eb nj\u00ebher\u00eb e mir\u00eb vet\u00ebm asaj p\u00ebr \u00e7far\u00eb \u00ebsht\u00eb krijuar, mir\u00ebqenies s\u00eb njeriut. Kudo n\u00eb bot\u00eb. Pa njohur asnj\u00eb konstrukt shoq\u00ebror. Asnj\u00eb konstrukt religjioz. Apo komb\u00ebtar. Teatri n\u00eb fund fare nuk \u00ebsht\u00eb aspak m\u00eb magjik se konstruktuesi i nj\u00eb ure q\u00eb lidh dy fshat\u00ebra apo dy qytete t\u00eb ndara. Askush mos t\u00eb \u00e7ohet pesh\u00eb. Natyrshm\u00ebria \u00ebsht\u00eb cil\u00ebsi e lakmueshme. Dhe teatri \u00ebsht\u00eb thjesht\u00eb nj\u00eb mjet shpreh\u00ebs n\u00eb t\u00eb mir\u00ebn e p\u00ebrbashk\u00ebt. Kaq.<\/p>\n<p>***<\/p>\n<p>Po rilexoja nj\u00eb lib\u00ebr t\u00eb Charles Bukowskit mbi udh\u00ebtimin e tij n\u00eb Evrop\u00eb. Gjithmon\u00eb rikthehem koh\u00eb pas kohe tek ai. P\u00ebr ata q\u00eb duan ta din\u00eb. Libri quhet ,,K\u00ebt\u00eb nuk e ka b\u00ebr\u00eb as Shakespeare,, dhe dikund n\u00eb mes faqesh mund ta lexosh edhe k\u00ebt\u00eb. Artisti e di se nuk i p\u00ebrket pavdek\u00ebsis\u00eb m\u00eb shum\u00eb sesa i p\u00ebrket jet\u00ebs. Ky pohim i mjafton nd\u00ebrsa t\u00eb tjer\u00ebt le ta k\u00ebrkojn\u00eb ku t\u00eb duan fatin e tyre. Meq\u00eb arrit\u00ebm t\u00eb Shakespeare ta p\u00ebrmendim edhe intervist\u00ebn e tij me Sean Penn. Kur personazhi fantastik i Lumit Mistik e pyet mbi Shakespearen, ai thot\u00eb k\u00ebt\u00eb q\u00eb e ka th\u00ebn\u00eb; Ai \u00ebsht\u00eb i palexuesh\u00ebm dhe i mbivler\u00ebsuar. Por, njer\u00ebzit nuk duan ta d\u00ebgjojn\u00eb k\u00ebt\u00eb. E kupton, nuk mund t\u2019i sulmosh shenjt\u00ebror\u00ebt. Shakespeare \u00ebsht\u00eb ngulur n\u00ebp\u00ebr shekuj. Mund t\u00eb thuash ,,Filan fisteku \u00ebsht\u00eb aktor i keq,,. Por nuk mund t\u00eb thuash se Shakespeare \u00ebsht\u00eb mut. Sa m\u00eb gjat\u00eb q\u00eb ndonj\u00eb gj\u00eb gjendet k\u00ebndejpari, snob\u00ebt fillojn\u00eb t\u2019i ngjiten, si ndalk. Kur snob\u00ebt ndiejn\u00eb se di\u00e7 \u00ebsht\u00eb e sigurt\u2026 ata t\u00eb ngjiten. N\u00eb \u00e7astin q\u00eb ua thoni t\u00eb v\u00ebrtet\u00ebn, ata harlisen. Nuk mund ta durojn\u00eb. Kjo ua sulmon procesin e tyre t\u00eb t\u00eb menduarit. Ata m\u00eb neverisinin*.<\/p>\n<p>*sipas p\u00ebrkthimit t\u00eb Fadil Bajraj.<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>*** Tani ka kaluar koha. Dhe m\u00eb vjen keq nga kjo gj\u00eb. Ngase kujtesa ime ka nisur ta humbas\u00eb fort\u00ebsin\u00eb e saj. Por ama meq\u00eb para ca dit\u00ebsh ishte Dita Nd\u00ebrkomb\u00ebtare t\u00eb Teatrit, do t\u00eb mundohem t\u00eb zhbiroj\u00eb mbi t\u00eb kaluar\u00ebn n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb p\u00ebrballem me trishtimin e koh\u00ebs. Duhej t\u00eb isha kat\u00ebrmb\u00ebdhjet\u00eb vje\u00e7ar [&hellip;]<\/p>","protected":false},"author":511,"featured_media":11094,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[1322,1101,1544],"ppma_author":[1403],"class_list":["post-5122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-kritike","tag-letersi","tag-teatri"],"authors":[{"term_id":1403,"user_id":511,"is_guest":0,"slug":"shpetim-selmani","display_name":"Shp\u00ebtim Selmani","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/12\/shpetim-selmani.jpg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/12\/shpetim-selmani.jpg"},"user_url":"","last_name":"Selmani","first_name":"Shp\u00ebtim","description":"Shp\u00ebtim Selmani \u00ebsht\u00eb nj\u00eb shkrimtar dhe aktor kosovar. Ka studiuar n\u00eb Universitetin e Prishtin\u00ebs. Ai ka luajtur n\u00eb sken\u00eb brenda dhe jasht\u00eb vendit."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/5122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/users\/511"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/comments?post=5122"}],"version-history":[{"count":3,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/5122\/revisions"}],"predecessor-version":[{"id":11095,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/5122\/revisions\/11095"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media\/11094"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media?parent=5122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/categories?post=5122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/tags?post=5122"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/ppma_author?post=5122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}