{"id":7776,"date":"2022-12-16T15:22:37","date_gmt":"2022-12-16T13:22:37","guid":{"rendered":"https:\/\/sbunker.org\/?p=7776"},"modified":"2024-09-19T15:39:39","modified_gmt":"2024-09-19T13:39:39","slug":"bujrum-me-e-shkrue","status":"publish","type":"post","link":"https:\/\/sbunker.org\/en\/analize\/bujrum-me-e-shkrue\/","title":{"rendered":"Bujrum me (e) shkrue"},"content":{"rendered":"

Mbas disa vjet\u00ebve lexime t\u00eb shpengueme prej merakut me kuptue meselet\u00eb tona identitare, gjuh\u00ebsore, historike apo t\u00eb ndonj\u00eb lloji tjet\u00ebr, e gjeta edhe un\u00eb veten me i shkrue dy fjal\u00eb p\u00ebr pun\u00eb t\u00eb standardit me ftes\u00ebn e Bardh Bakis\u00eb, t\u00eb cilit i falem nder\u00ebs qysh n\u00eb krye t\u00eb her\u00ebs p\u00ebr konsiderat\u00ebn.<\/span><\/p>\n

Asht ba dhjet\u00ebvjetshi i tret\u00eb qysh se u shpreh lirsh\u00ebm nevoja me e k\u00ebqyr\u00eb edhe nj\u00ebher\u00eb <\/span>planifikimin gjuh\u00ebsor <\/span><\/i>tonin, si e quen akademiku Bahri Beci. Me dasht\u00eb me ia marr\u00eb hua disa fjal\u00eb nga nj\u00eb <\/span>interview,<\/span><\/a> \u201c[Un\u00eb] nuk e ndaj gjuh\u00ebsin\u00eb m\u00eb vete, p\u00ebrkundrazi e shoh si pjes\u00ebn m\u00eb organike t\u00eb kultur\u00ebs shqiptare. […]\u201d, sintez\u00eb e mendimit q\u00eb dijetari jon\u00eb e ka shtjellue nd\u00ebr disa vepra se si standardi i dalun nga ujdia e Kongresit t\u00eb Drejtshkrimit mbajtun m\u00eb 1972 qe praktikisht pjes\u00eb organike e planifikimit kulturor t\u00eb epok\u00ebs, frym\u00ebs dhe politik\u00ebs bij\u00eb t\u00eb k\u00ebtyne dyjave. <\/span>Planifikimi gjuh\u00ebsor <\/span><\/i>si shum\u00eb planifikime t\u00eb tjera t\u00eb modelit sovjetik, prodhoi nj\u00eb standardizim t\u00eb centralizuem, gati total(itar), por nuk ka arsye pse me u prit\u00eb q\u00eb me iu kund\u00ebrvu po me <\/span>planifikim <\/b>gjuh\u00ebsor si \u00e7\u2019asht m\u00ebtue deri tash.<\/span><\/p>\n

N\u00ebse gjuh\u00ebn shtetnore, apo n\u00eb rastin q\u00eb neve si komb na ra p\u00ebr hise, nd\u00ebrshtetnore a mbar\u00ebkomb\u00ebtare e p\u00ebrcaktoi nj\u00eb tubim, edhe pse ky tubim u mbajt n\u00eb kushtet e nj\u00eb shteti q\u00eb ishte praktikisht nj\u00eb Kore e Veriut para se t\u00eb kishte harta nj\u00eb t\u00eb till\u00eb, nuk e pengon – at\u00eb q\u00eb Fishta apo Pipa kan\u00eb than\u00eb e shkrue \u2013 \u201cpoetin me e ba gjuh\u00ebn\u201d. Me <\/span>poetin<\/b> mendoj se t\u00eb dy m\u00ebtojn\u00eb <\/span>poetin <\/span><\/i>n\u00eb etimologji, ngaq\u00eb <\/span>poiesis <\/span><\/i>(\u03c0\u03bf\u03af\u03b7\u03c3\u03b9\u03c2) n\u00eb rranj\u00eb domethan\u00eb \u201cme ba, me krijue\u201d, e lexoj pra se i referohen <\/span>b\u00e2sit <\/span><\/i>buzukian apo <\/span>krijuesit<\/span><\/i>.<\/span><\/p>\n

Kap\u00ebrcyelli dhe tranzicioni jon\u00eb mund\u00ebsit\u00eb p\u00ebr <\/span>me krijue <\/span><\/i>i tregoi n\u00eb disa m\u00ebnyra, p\u00ebr kollajll\u00ebk po e thjeshtoj n\u00eb dy: nga paracaktimet e elit\u00ebs kulturore t\u00eb para viteve \u201890 tek ne t\u00eb Shqipnis\u00eb, p\u00ebr nj\u00eb talent si Ervin Hatibi si \u201cvazhdim\u00ebsi dhe e ardhme e let\u00ebrsis\u00eb shqipe\u201d, kur nuk ua kande ma elit\u00ebs me i kultivue si figura po e tregojn\u00eb q\u00eb munden me u shpik\u00eb shkrimtar\u00eb <\/span>t\u00eb rinj<\/span><\/i>. Operacione kulturore q\u00eb vet\u00ebm koha ka me e nxjerr\u00eb ashiqare se sa t\u00eb bereqetshme munden me qen\u00eb. Krijimeve dhe krijuesve n\u00eb gegnisht u kan\u00eb kushtue nj\u00eb rezervat si ata q\u00eb n\u00eb Shtetet e Bashkueme u kushtohen indian\u00ebve, ku promovohen prej njeni-tjetrit dhe v\u00ebmendja mediatike vazhdon me e trajtue si di\u00e7ka ekzotike, tuj i ba k\u00ebshtu n\u00eb fakt i ushtrohet nj\u00ebfar\u00eb ekzorcizmi.<\/span><\/p>\n

Se pse nuk duket se ngjit gegnishtja tek ne t\u00eb Shqipnis\u00eb mjaftuesh\u00ebm sa me prodhue debat p\u00ebrtej ekzotizimit apo alternativ\u00ebs, arsyet m\u00eb duket se jan\u00eb e shumta tri: 1) <\/span>distanca<\/span><\/i>; 2) <\/span>pezmi i keqorientuem<\/span><\/i> [misled resentment] dhe nj\u00eb q\u00eb po e quejm\u00eb 3) <\/span>faktori macaroni<\/span><\/i>.<\/span><\/p>\n

1.<\/span><\/p>\n

Distanca kohore me \u00e7do prodhim letrar me p\u00ebrmbajtje domethan\u00ebse dhe aft\u00ebsi mbrujt\u00ebse, si dhe t\u00eb mb\u00ebshtetun nga botimet me tirazhe disamij\u00eb kopjesh nga entet botuese shtetnore, nga vitet \u201880 riciklimet kryesore ishin ribotimet e veprave t\u00eb plota t\u00eb Ndre Mjed\u00ebs, Migjenit dhe Haki St\u00ebrmillit – t\u00eb pakt\u00ebn k\u00ebto njeh i n\u00ebnshkruemi. Autor\u00ebt e tjer\u00eb q\u00eb shkruenin dhe botoheshin n\u00eb norm\u00ebn e para 1972 ose si libra t\u00eb plot\u00eb, ose n\u00ebp\u00ebr t\u00eb p\u00ebrkohshmet lokale, t\u00eb till\u00eb si Kapllan Resuli, Filip Ndocaj, Shefqet Kelmendi apo Frederik Rreshpja ose u p\u00ebrndoq\u00ebn, u burgos\u00ebn bashk\u00eb me harres\u00ebn represive ndaj vepr\u00ebs s\u00eb tyne, ose u konformuen. Distanca e vetvetishme, ta quejm\u00eb gjeopolitike, me nj\u00eb poet q\u00eb vepr\u00ebn e shkroi kryesisht n\u00eb gurbet si Camaj dhe mbase vlen e nj\u00ebjta lloj distance edhe me veprat e Anton Pashkut a Teki Dervishit. Vakumin e k\u00ebsaj distance e mbushi <\/span>planifikimi <\/span><\/i>i cili kishte nga mbrapa t\u00eb vetmin faktor, totalitar dhe automatikisht dominant, q\u00eb diktoi ritmin e p\u00ebrmbajtjes dhe dora-dor\u00ebs, at\u00eb gjuh\u00ebsor.<\/span><\/p>\n

2.<\/span><\/p>\n

Pezmi i keqorientuem i disa prej dal\u00ebzot\u00ebsve t\u00eb kauz\u00ebs ka kontaminue dhe mjegullue debatin me tym\u00e7e n\u00eb vend t\u00eb argumenteve, me pohime t\u00eb pap\u00ebrgjegjshme dhe jorrall\u00eb populiste. Me nj\u00eb k\u00ebrkim t\u00eb thjesht\u00eb online gjejm\u00eb q\u00eb disa tym\u00e7eve u asht p\u00ebrgjigj\u00eb <\/span>Xhaxhai i Peizazheve<\/span><\/a> k\u00ebtu e para 12 vjet\u00ebve. Dobin\u00eb q\u00eb nxania e dialektit ka n\u2019edukim e arsimim <\/span>tekstet didaktike italiane<\/span><\/a> e kan\u00eb vu n\u00eb dukje qysh para nj\u00eb shekulli, s\u00eb paku. Por as p\u00ebr k\u00ebt\u00eb nuk ka pse me prit\u00eb me u kujtue shteti: tash s\u00eb voni dy arsimtare q\u00eb njoh, Kamila Fjerza dhe Neriman Velija, organizuen n\u00eb Bibliotek\u00ebn e Universitetit t\u00eb Shkodr\u00ebs lexime t\u00eb autor\u00ebve (q\u00eb kan\u00eb shkrue n\u00eb) geg\u00eb p\u00ebr nxan\u00ebsit e tyne. Nijete e nisma t\u00eb k\u00ebtilla, krejt\u00ebsisht personale, nuk kan\u00eb pse mos me u rrok\u00eb prej koleg\u00ebve t\u00eb tyne n\u00ebse e bashk\u00ebndiejn\u00eb.<\/span><\/p>\n

3.<\/span><\/p>\n

Mpleksja e disa prej aktor\u00ebve t\u00eb debatit mbi gjuh\u00ebn me restaurime figurash politike (Mustafa Kruja) dhe p\u00ebr avokatura t\u00eb helm\u00ebta (si debati i parvjetsh\u00ebm p\u00ebr Koliqin e Camajn) i figurave q\u00eb nd\u00ebrlidhen me Italin\u00eb n\u00eb ve\u00e7anti, tue ravij\u00ebzue istikame e barrikada tjera dhe me vigjilenc\u00eb tashma antirevolucionare ruejn\u00eb mos t\u2019ua c\u00ebnojn\u00eb kush aureol\u00ebn e konstruktueme e t\u00eb perceptueme, me trajtime hagjiografike me g\u00eblqere [whitewashing]. Ashtu si standardi qe produkt i politik\u00ebs gjuh\u00ebsore t\u00eb koh\u00ebs, rrjedh natyrsh\u00ebm tek ne ku politika asht e ama e shum\u00eb bijave q\u00eb edhe narrativa alternative, subversive apo n\u00eb k\u00ebrkim t\u00eb nj\u00eb \u201c<\/span>status quo ante bellum<\/span><\/i>\u201d t\u00eb ishte n’mos mot\u00ebr, kunat\u00eb me qasje alternative edhe t\u00eb disiplinave tjera. G\u00ebrshetim nd\u00ebrdisiplinor e gati konjuktural, meq\u00eb si alternativ\u00eb politike nuk ka tak\u00e0t. Peni q\u00eb e nd\u00ebrlidh k\u00ebt\u00eb g\u00ebrshet asht nj\u00ebfar\u00eb <\/span>e prekune italiane<\/span><\/i> (<\/span>un tocco d\u2019Italia<\/span><\/i>, mbas urimin \u201ct\u2019preksha p\u00ebr t\u2019mir\u00eb\u201d) q\u00eb quejta ma sip\u00ebr me humor <\/span>faktori macaroni, <\/span><\/i>q\u00eb dasht\u00eb pa dasht\u00eb e pengojn\u00eb dhe\/apo e damtojn\u00eb di\u00e7ka q\u00eb asht thjesht gjuh\u00ebsore, si gegnishtja a rishikimi i standardit, me axhenda tjera dhe operacione memorieje.<\/span><\/p>\n

U mbajt\u00ebn konferenca gjuh\u00ebsore disa dit\u00eb n\u00eb dhjetorin e vitit 2010 n\u00eb Durr\u00ebs po p\u00ebr rishikimin e element\u00ebve t\u00eb standardit, p\u00ebrfundimet e t\u00eb cilave mundemi me i pa po <\/span>n\u00eb saj\u00eb t\u00eb PTF.<\/span><\/a> Po t\u2019i rikthehemi vepr\u00ebs s\u00eb akademikut Bahri Beci, q\u00eb n\u00eb m\u00ebnyr\u00ebn ma divulgative e gjejm\u00eb n\u00eb v\u00ebllime t\u00eb botueme si n\u00eb Prishtin\u00eb (te <\/span>Dukagjini <\/span><\/i>kryesisht) ashtu edhe n\u00eb Tiran\u00eb (ISKK, <\/span>Princi, SHBLSH e re<\/span><\/i>) kuptohet se sfidat ishin p\u00ebraf\u00ebrsisht po ato si me ndryshime politike t\u00eb fillimviteve \u201890 n\u00eb Shqipni, ashtu edhe n\u00eb 2010, pra n\u00eb 20 vjet larg\u00ebsi ende diskutoheshin t\u00eb nj\u00ebjtat gjana, proceset e avashta t\u00eb karakterizueme nga klima politike e nj\u00eb demokracie t\u00eb brisht\u00eb.<\/span><\/p>\n

Ata q\u00eb kan\u00eb pas\u00eb rastin me ndjek\u00eb ske\u00e7et e Paulin Selimit n\u00eb teat\u00ebr t\u00eb Shkodr\u00ebs, pun\u00ebt e Arian \u00c7uliqit (nj\u00eb pjes\u00eb e mir\u00eb e t\u00eb cilave gjenden ne youtube dhe mundet me u shijue shkodranshja e folun, nd\u00ebrsa te \u00c7uliqi ajo mend\u00ebsore kryesisht), me pa filmat vizatimor\u00eb t\u00eb dubluem nga Gent Pjetri dhe Saimir Kodra ende sot i riciklojn\u00eb n\u00eb bised\u00eb e sip\u00ebr batuta t\u00eb k\u00ebtyne dublimeve p\u00ebr \u00e2m\u00ebn e nj\u00eb gjuhe ndryshe, n\u00eb ve\u00e7anti theksin e t\u00eb folmes popullore t\u00eb Tiran\u00ebs. Gjat\u00eb periudh\u00ebs s\u00eb izolimit nga kovidi, ske\u00e7et e Agon Myftarit ishin jo vet\u00ebm d\u00ebfryese, por edhe informuese mbi mikrokozmoset e Kosov\u00ebs. Nj\u00eb medium i ri, q\u00eb vlen me u p\u00ebrmend\u00eb si interlokutor me rinin\u00eb, asht edhe zhanri i novelave grafike, si p\u00ebrkthimi q\u00eb Gaz B\u00ebrlajolli i ka ba tash s\u00eb mbrami <\/span>novelave grafike t\u00eb Gani Jakupit<\/span><\/a>. Mendoj dhe uroj se Kosova ka tashma qet\u00ebsin\u00eb, resurset, dhe padyshim tabanin shum\u00ebfish ma t\u00eb padamtuem, mos me ndejt\u00eb n\u00eb shpres\u00eb t\u00eb zhvillimeve n\u00eb Shqipni.<\/span><\/p>\n

Ka ba vaki me ndigjue n\u00eb radio reklama nga mediumet kosovare dhe m\u2019ka ba p\u00ebrshtypje p\u00ebrdorimi pa teklif i fjal\u00ebs \u201cmarakli\u201d, pjes\u00eb e nj\u00eb regjistri fjal\u00ebsh q\u00eb tek ne hem i kaloi koha p\u00ebr arsye t\u00eb zhvillimeve politike, shoqnore e ekonomike, hem u tkurr nga purifikimi gjuh\u00ebsor i planifikimit gjuh\u00ebsor t\u00eb naltp\u00ebrmendun, kritere me t\u00eb cilat prodhoi nj\u00eb distancim t\u00eb radh\u00ebs jo vet\u00ebm me let\u00ebrsin\u00eb si\u00e7 <\/span>ka vu n\u00eb dukje Emil Lafe,<\/span><\/a> por edhe distanc\u00eb nd\u00ebrbreznore t\u00eb komunikimit t\u00eb votr\u00ebs t\u00eb nipit me gjyshin. N\u00eb Kosov\u00eb ftohja me k\u00ebt\u00eb p\u00ebrmas\u00eb t\u00eb leksikut asht zhvillim ma i ngadalsh\u00ebm pik\u00ebrisht p\u00ebr shkak t\u00eb tabanit dhe urtis\u00eb t\u00eb vetvetishme me e perceptue ashtu si Faik Konica <\/span>pat sanksionue para nj\u00eb shekulli<\/span><\/a> me shprehjen \u00abAto q\u00eb i honepsi gjuha dhe hyjtin gjer n\u00eb kasolle t\u00eb mal\u00ebsorit, ato fjal\u00eb u-nacionalizuan.\u00bb<\/span><\/p>\n

Neokolonializmi i gjuh\u00ebs me an\u00eb t\u00eb purizmit e damtoi p\u00ebrjetimin e shqipes n\u00eb diakronin\u00eb e saj, futi n\u00eb rezervat nj\u00eb regjist\u00ebr, shpreh\u00ed, fjal\u00eb q\u00eb ishin praktikisht tabani jon\u00eb mbar\u00ebkomb\u00ebtar. Tabani garanton vetvetiu edhe kontekstin ma t\u00eb gjan\u00eb si\u00e7 e kishte shpreh merakun e vet <\/span>Imer Topanica<\/span><\/a> (thell\u00ebsia e p\u00ebrmas\u00ebs nd\u00ebrqytet\u00ebrimore t\u00eb kaligrafis\u00eb meriton tjet\u00ebr v\u00ebmendje), kurse purizmi me an\u00eb t\u00eb artificave apo leksikut t\u00eb hipostazuem ka prodhue dyzime, p\u00ebr\u00e7udnime dhe alienime ndaj tabanit t\u00eb p\u00ebrcaktuem e t\u00eb sanksionuem nga koha. Di\u00e7ka q\u00eb intuitivisht e ka vu re edhe p\u00ebrkthyesi Robert Shvarc, q\u00eb n\u00eb p\u00ebrkthimet e tij fjal\u00ebt e tabanit i p\u00ebrdor lirsh\u00ebm, si i lem\u00eb n\u00eb Sarajev\u00eb dhe \u201cnip\u201d Elbasani me sa duket i ka pa si pjes\u00eb organike t\u00eb gjuh\u00ebs meq\u00eb \u201c<\/span>kan\u00eb hyjtur n\u00eb kasolle t\u00eb mal\u00ebsorit<\/span><\/i>\u201d. Kadareja nga ana tjet\u00ebr ngulmon me inercin\u00eb e purizmit tek rishkrimet e veprave t\u00eb tij, varfnuese kisha than\u00eb, por p\u00ebr ftillime ma elegante dhe me tag\u00ebr i referohem <\/span>k\u00ebtij shkrimi<\/span><\/a> t\u00eb Ardian Vehbiut.<\/span><\/p>\n

P\u00ebrve\u00e7 nismave private si t\u00eb dy arsimtareve shkodrane, krijuesve si Fjolla Spanca, patjet\u00ebr q\u00eb do t\u00eb ishte ndihmes\u00eb e madhe n\u00ebse struktura mbar\u00ebkomb\u00ebtare bashk\u00ebndajn\u00eb merakun me i nxit\u00eb n\u00eb tjet\u00ebr shkall\u00eb, por edhe n\u00ebse nuk kujtohen si Bogdani disa gjana \u201cme i ndreq\u00eb n\u00eb dh\u00e9 t\u00eb Shkodr\u00ebs\u201d nuk ka dert, mjafton mos me djeg\u00eb Shkupin.<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Mbas disa vjet\u00ebve lexime t\u00eb shpengueme prej merakut me kuptue meselet\u00eb tona identitare, gjuh\u00ebsore, historike apo t\u00eb ndonj\u00eb lloji tjet\u00ebr, e gjeta edhe un\u00eb veten me i shkrue dy fjal\u00eb p\u00ebr pun\u00eb t\u00eb standardit me ftes\u00ebn e Bardh Bakis\u00eb, t\u00eb cilit i falem nder\u00ebs qysh n\u00eb krye t\u00eb her\u00ebs p\u00ebr konsiderat\u00ebn. Asht ba dhjet\u00ebvjetshi i […]<\/p>","protected":false},"author":473,"featured_media":7778,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[1197],"ppma_author":[1196],"class_list":["post-7776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analize","tag-shqipja-50-vjet-mbas-kongresit"],"authors":[{"term_id":1196,"user_id":473,"is_guest":0,"slug":"sait-saiti","display_name":"Sait Saiti","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/e31ee193410eaf18d75ce7ddd4f993e2298fe6033984a88658e2acac4bc6c7aa?s=96&d=mm&r=g","user_url":"http:\/\/Saiti","last_name":"Sait","first_name":"","description":""}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/7776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/users\/473"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/comments?post=7776"}],"version-history":[{"count":1,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/7776\/revisions"}],"predecessor-version":[{"id":7779,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/7776\/revisions\/7779"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media\/7778"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media?parent=7776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/categories?post=7776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/tags?post=7776"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/ppma_author?post=7776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}