{"id":7788,"date":"2022-10-26T15:54:10","date_gmt":"2022-10-26T13:54:10","guid":{"rendered":"https:\/\/sbunker.org\/?p=7788"},"modified":"2024-09-19T16:02:24","modified_gmt":"2024-09-19T14:02:24","slug":"sasha-jeton-letra-x","status":"publish","type":"post","link":"https:\/\/sbunker.org\/en\/analize\/sasha-jeton-letra-x\/","title":{"rendered":"Sasha & Jeton: Letra X"},"content":{"rendered":"

Rr\u00ebfimi i yt mbi takimin e kolonist\u00ebve dhe autokton\u00ebve t\u00eb mo\u00e7\u00ebm p\u00ebrskaj \u201cvorreve t\u00eb llatinve\u201d n\u00eb Kosov\u00eb v\u00ebrtet e ka potencialin t\u00eb b\u00ebhet tem\u00eb e ndonj\u00eb romani apo, edhe m\u00eb mir\u00eb, drame t\u00eb cil\u00ebn do t\u00eb mund ta vendoste n\u00eb sken\u00eb ndonj\u00eb regjisor. Mendoj se ky rr\u00ebfim jo vet\u00ebm q\u00eb na m\u00ebson di\u00e7ka, por edhe ka vler\u00eb t\u00eb madhe sepse na ballafaqon me at\u00eb q\u00eb gjith\u00eb k\u00ebta dhjet\u00ebvit\u00ebsha ishte e ndaluar dhe e mbuluar nga stivat e politik\u00ebs ditore, e kjo \u00ebsht\u00eb historia e bashkjetes\u00ebs s\u00eb serb\u00ebve dhe shqiptar\u00ebve n\u00eb t\u00eb kaluar\u00ebn. Nj\u00ebher\u00eb ndoshta do t\u00eb mund t\u2019i rr\u00ebfehet ndokujt rr\u00ebfimi mbi Festivalin Polip p\u00ebrball\u00eb shkoll\u00ebs \u201cXhemail Mustafa\u201d n\u00eb Dardani, apo n\u00eb Ki\u00e7ma [Kurriz], si\u00e7 e quanin m\u00eb heret serb\u00ebt at\u00eb vend. Do t\u00eb doja ta ndiqja at\u00eb shfaqje mbi \u201cKalin e Troj\u00ebs\u201d, si\u00e7 pahiri e pat\u00ebm quajtur n\u00eb k\u00ebt\u00eb let\u00ebrk\u00ebmbim, pra shfaqjen e cila e ka fuqin\u00eb e shpirtbut\u00ebsis\u00eb dhe transformimit. Q\u00eb kali i Troj\u00ebs n\u00eb fund shnd\u00ebrrohet n\u00eb festival t\u00eb let\u00ebrsis\u00eb, e pastaj q\u00eb n\u00eb krejt k\u00ebt\u00eb nuk b\u00ebhet fjal\u00eb p\u00ebr ndonj\u00eb lloj konspiratash bot\u00ebrore, as p\u00ebr dhuratat vdekjepruese t\u00eb cilat na i p\u00ebrkujton nj\u00eb fjal\u00eb e urt\u00eb greke, as p\u00ebr politik\u00ebn e lig\u00eb, po p\u00ebr njer\u00ebzit q\u00eb, n\u00eb kushte tejet t\u00eb pap\u00ebrshtatsh\u00ebm, kan\u00eb vendosur t\u2019ia lexojn\u00eb njeri tjetrit rr\u00ebfimet, t\u00eb p\u00ebrkthejn\u00eb, dhe t\u00eb debatojn\u00eb mbi t\u00eb kaluar\u00ebn e af\u00ebrme, si dhe t\u00eb ardhmen q\u00eb vjen pashmangsh\u00ebm.<\/span><\/p>\n

Ajo dram\u00eb do t\u00eb mund t\u00eb konceptohej edhe si fragment i teatrit metafizik: n\u00eb sken\u00eb \u00ebsht\u00eb nj\u00eb kal\u00eb i drunjt\u00eb, aty jan\u00eb dy bredh\u00ebs q\u00eb t\u2019i sjellin nd\u00ebrmend pala\u00e7ot n\u00eb tesha qytetare. E kan\u00eb nj\u00eb valixhe me tekste t\u00eb ndrysh\u00ebm t\u00eb cil\u00ebn e kishin gjetur at\u00eb dit\u00eb n\u00eb hendek dhe, mbasi q\u00eb d\u00ebshirojn\u00eb t\u2019u kaloj\u00eb koha m\u00eb shpejt, lexojn\u00eb, improvizojn\u00eb, qeshin e qajn\u00eb. N\u00eb fakt ata e presin dit\u00ebn e Liris\u00eb e cila kursesi nuk vjen. N\u00eb nd\u00ebrakt u vin\u00eb n\u00eb vizit\u00eb dy gra nga publiku t\u00eb cilat ua z\u00ebn\u00eb vendin pran\u00eb kalit t\u00eb Troj\u00ebs dhe vazhdojn\u00eb aty ku kishin mbetur k\u00ebta dy. N\u00eb prapavi ndihen: britma e mbytur e demonstrant\u00ebve, t\u00eb sht\u00ebnat nga pushk\u00ebt, sirenat e automjeteve, dritat rrotullore t\u00eb policis\u00eb, zhurma e qytetit dhe politik\u00ebs. N\u00eb aktin e fundit ata dy kthehen dhe njoftojn\u00eb se sot Liria nuk mund t\u00eb vij\u00eb por nes\u00ebr do t\u00eb vij\u00eb gjithsesi. Ata t\u00eb kat\u00ebr mbesin n\u00eb sken\u00eb duke e deshifruar letr\u00ebn e nj\u00eb m\u00ebrgimtari nga Ukraina, ose Siria, ose Afganistani, ose Iraku, ose nga Ballkani, dhe e kuptojn\u00eb se vet q\u00ebndrimi i tyre n\u00eb at\u00eb qerthull, n\u00eb at\u00eb sken\u00eb, ku jan\u00eb t\u00eb lidhur me njer\u00ebzit tjer\u00eb t\u00eb bot\u00ebs mbi t\u00eb cil\u00ebt lexojn\u00eb, e p\u00ebrfaq\u00ebson at\u00eb q\u00eb e kishin pushtuar ata vet, dhe q\u00eb nuk jan\u00eb t\u00eb detyruar ta presin t\u00eb vij\u00eb vetvetiu nj\u00eb dit\u00eb. N\u00eb vazhdim e fillojn\u00eb para nesh \u00e7montimin e kalit t\u00eb Troj\u00ebs, nga d\u00ebrrasat e t\u00eb cilit i improvizojn\u00eb nj\u00eb pal\u00eb dyer me mbistreh\u00eb\u2014ajo \u00ebsht\u00eb hyrja e Qendr\u00ebs s\u00eb Vjet\u00ebr. Nga lart, zbrazet n\u00eb ta nga tavani nj\u00eb kov\u00eb uj\u00eb, ndihet nj\u00eb klithm\u00eb jasht sken\u00ebs, se dikush nga nd\u00ebrtesa ankohet p\u00ebr shamat\u00eb. Trimat ton\u00eb pastaj n\u00eb at\u00eb uj\u00eb t\u00eb derdhur fillojn\u00eb ta mbarojn\u00eb nj\u00eb let\u00ebr n\u00eb t\u00eb cil\u00ebn i vendosin simbolet e nj\u00eb kohe, fjal\u00ebt e disa vjershave n\u00eb gjuh\u00eb t\u00eb ndryshme, dhe nga kjo e p\u00ebrgatisin nj\u00eb ekspozit\u00eb. N\u00eb fund vjen publiku teatral n\u00eb sken\u00eb, e viziton ekspozit\u00ebn, dhe lexon mbi koh\u00ebn e Polipit n\u00eb afishet e p\u00ebrgatitur paraprakisht dhe tani t\u00eb ngjitur n\u00eb mure t\u00eb err\u00ebt. Ndihet muzik\u00eb e Ah Ahilejt dhe z\u00ebri i Edona Reshitajt.<\/span><\/p>\n

Disi k\u00ebshtu do t\u00eb dukej nj\u00eb dit\u00eb angazhimi arekeologjik rreth Polipit vet\u00ebm se nuk e di se a do t\u00eb gjindet publik p\u00ebr teat\u00ebr t\u00eb atill\u00eb. P\u00ebrvoja ma t\u00ebrheq\u00eb v\u00ebrejtjen se publik do t\u00eb ket\u00eb gjithnj\u00eb e m\u00eb pak, po t\u00eb mos jet\u00eb shfaqja e bulevardeve dhe arg\u00ebtuese; po t\u00eb mos ket\u00eb shfaqja humor halbak t\u00eb s\u00eb p\u00ebrditmes. \u00c7do lloj i p\u00ebrmbajtjes pak m\u00eb \u201cangazhuese\u201d i n\u00ebnshtrohet cenzurimit ose ignorimit, k\u00ebshtu q\u00eb edhe \u00e7\u00ebshtjet e p\u00ebrgjegj\u00ebsis\u00eb s\u00eb letrar\u00ebve p\u00ebr p\u00ebrkrahje t\u00eb tyre t\u00eb regjimeve \u00e7far\u00eb ishte ai i Millosheviqit, n\u00eb fakt, rradhiten si \u201cangazhuese\u201d ose \u201ct\u00eb panevoja\u201d, ose, si\u00e7 \u00ebsht\u00eb e r\u00ebndomt\u00eb, \u201ckund\u00ebrshtet\u00ebrore\u201d.<\/span><\/p>\n

A ishte Festivali Polip i p\u00ebrmbajtjes \u201ckund\u00ebrshtet\u00ebrore\u201d, do ta pyeste veten ndonj\u00eb gazetar i rubrik\u00ebs mbi kultur\u00ebn n\u00eb Beograd ose Prishtin\u00eb. Ata do t\u00eb gjurmojn\u00eb se kush e kush e p\u00ebrkrahu Polipin dhe n\u00eb baz\u00eb t\u00eb asaj do t\u00eb vin\u00eb gjer te p\u00ebrfundimi mbi interesat e fuqive t\u00eb jashtme, t\u00eb cilat aq i p\u00ebrkushtohen pun\u00ebs n\u00eb terren, sa q\u00eb,\u00a0 gjoja, e kan\u00eb dirigjuar \u00e7do segment t\u00eb programit, lexuar \u00e7do vjersh\u00eb t\u00eb p\u00ebrkthyer, marr\u00eb n\u00eb shqyrtim \u00e7do debat dhe moderues. Mendja e cila mendon ashtu, e q\u00eb sot \u00ebsht\u00eb n\u00eb shumic\u00eb n\u00eb medje dhe n\u00eb agjencit\u00eb qeveritare, \u00ebsht\u00eb e ngarkuar me autoritarizmin si form\u00eb t\u00eb kundrimit t\u00eb bot\u00ebs. N\u00eb dit\u00eb t\u00eb kaherta e shkroi Dushan Kova\u00e7eviqi [Du\u0161an Kova\u010devi\u0107], i cili n\u00eb rini ishte rrebel kurse n\u00eb pleq\u00ebri monarkist, dram\u00ebn \u201cSpiuni ballkanik\u201d [Balkanski \u0161pijun]. Kush ishte, v\u00ebrtet, spiuni ballkanik? Ai nuk \u00ebsht\u00eb nj\u00eb njeri i cili n\u00eb dram\u00ebn e p\u00ebrmendur ka em\u00ebr konkret, Illija \u00c7voroviq [Ilija \u010cvorovi\u0107].<\/span><\/p>\n

P\u00ebrkundrazi, \u00ebsht\u00eb nj\u00eb tip i prodhuar nga sistemi nj\u00ebpartiak, i m\u00ebsuar t\u2019i dalloj\u00eb n\u00eb \u00e7do gj\u00eb shenjat e ndonj\u00eb konspirate, t\u00eb lexoj\u00eb mes rreshtash, ta p\u00ebrvjel\u00eb \u00e7do fjali s\u00eb m\u00ebng\u00eb, dhe t\u00eb shoh\u00eb tek \u00e7dokush rrezik potencial p\u00ebr rendin shoq\u00ebror. Dikur, n\u00eb sistemin nj\u00ebpartiak t\u00eb Jugosllavis\u00eb, kishte p\u00ebrqindje t\u00eb caktuar t\u00eb spiun\u00ebve t\u00eb k\u00ebtill\u00eb t\u00eb Ballkanit. Luft\u00ebrat dhe shp\u00ebrb\u00ebrja e shtetit ndikuan q\u00eb t\u00eb rritet duksh\u00ebm p\u00ebrqindja e tipave t\u00eb atill\u00eb n\u00eb shtetet e posaformuar. T\u00eb atill\u00ebt e kan\u00eb st\u00ebrbmushur fush\u00ebn politike, kulturore, dhe t\u00eb medjeve. Ata jan\u00eb mysafir\u00eb t\u00eb programeve televiziv\u00eb (gjith\u00eb dit\u00ebn e analizojn\u00eb luft\u00ebn n\u00eb Ukrain\u00eb, kriz\u00ebn ekonomike, konspiratat nga t\u00eb gjitha an\u00ebt e bot\u00ebs), gjersa brezi i tyre i ri, i mshefur prapa nofkave n\u00eb internet, i b\u00ebn luft\u00ebrat e veta p\u00ebr nj\u00ebfar\u00eb rendi t\u00eb vet bot\u00ebror. Ka pas\u00eb menduar dikur Dushan Kova\u00e7eviqi se do t\u00eb vij\u00eb gjer te sh\u00ebrimi i njeriut socialist me transformimin demokratik t\u00eb shoq\u00ebris\u00eb por njeriu kapitalist ia kaloi dhe tregoi kapacitete t\u00eb \u201cspiunll\u00ebkut\u201d q\u00eb n\u00eb Jugosllavi t\u00eb vjet\u00ebr nuk kishin mundur as t\u00eb paramendohen. Dikur ishte Ilija \u00c7oforviqi p\u00ebrjashtim e tash \u00ebsht\u00eb b\u00ebr\u00eb rregull. Hapeni der\u00ebn e banes\u00ebs, ai \u00ebsht\u00eb n\u00eb mesore. E shikoni ndonj\u00eb portal n\u00eb internet, atje ka me mij\u00ebra si ai. Ndezeni televizorin\u2014ai ju pret n\u00eb program t\u00eb lajmeve. Hyni n\u00eb automobil\u2014lajm\u00ebrohet nga radioja. Hapeni konserv\u00ebn, kur aty, ai \u00ebsht\u00eb strofullosur nd\u00ebrmjet sardeleve, ju shikon me ata sy t\u00eb m\u00ebdhej dhe thot\u00eb se do t\u00eb duhej t\u00eb kishit kujdes sepse \u00e7do gj\u00eb q\u00eb b\u00ebhet n\u00eb kuad\u00ebr t\u00eb bashkpunimit kulturor paraqet dredhi dhe rrezik.<\/span><\/p>\n

Iredenta. Mason\u00ebt. Troglodit\u00ebt. Templar\u00ebt. Asasin\u00ebt. Pentagramor\u00ebt. Bukstagramor\u00ebt. Krokodil\u00ebt. Polip\u00ebt. Shkalar\u00ebt. Sicilian\u00ebt. Antkirst\u00ebt. Dramaturg\u00ebt. Mercenar\u00ebt e huaj. Prozaist\u00ebt. Zhabar\u00ebt. Poet\u00ebt. E dyshimt\u00eb \u00ebsht\u00eb, or v\u00eblla, e t\u00ebra kjo!<\/span><\/p>\n

Mik i im, m\u00eb duhet t\u00eb ta rr\u00ebfej edhe nj\u00eb epizod\u00eb nga Vra\u00e7ari: sot e piva kafen n\u00eb nj\u00eb kafene t\u00eb vog\u00ebl, jolarg shtatores s\u00eb Handkes t\u00eb cil\u00ebn ta pata p\u00ebrmendur. Gjersa rri ulur, e shikojm\u00eb nj\u00ebri-tjetrin ndonj\u00ebher\u00eb, un\u00eb e ai. Ai b\u00ebn me sy, un\u00eb e gjerb nj\u00eb g\u00ebll\u00ebnk\u00eb kafe. U v\u00eb vesh z\u00ebrave rreth meje. Pran\u00eb tavolin\u00ebs m\u00eb t\u00eb af\u00ebrt rri ulur nj\u00eb \u00e7ift, vasha me kuk\u00ebza t\u00eb mb\u00ebshtetura, dhe nj\u00eb fetar n\u00eb xhaket\u00eb dimri, sikur t\u00eb ishte nj\u00ebzet grad\u00eb n\u00ebn zero, ndon\u00ebse \u00ebsht\u00eb tetor dhe dit\u00eb me diell. Gjahtoj fragmente t\u00eb bised\u00ebs s\u00eb tyre e cila ve\u00e7ohej me frekuenc\u00ebn e saj monotone. \u2014 Dhe do t\u00eb vij\u00eb dita, thot\u00eb fetari, kur antikrist\u00ebt do t\u00eb qeverisin. Dhe at\u00ebher\u00eb ne ortodoks\u00ebt do t\u00eb jemi tre vite n\u00eb rob\u00ebri dhe t\u00eb gjith\u00ebve do t\u00eb na p\u00ebrz\u00ebjn\u00eb n\u00ebp\u00ebr t\u00ebr\u00eb bot\u00ebn. Dhe ajo dit\u00eb \u00ebsht\u00eb af\u00ebr, ashtu thot\u00eb Zbulesa. Vet\u00ebm sa nuk ka\u2026 \u2014 Por mua m\u00eb duket se ajo dit\u00eb tash ka mb\u00ebrritur, e nd\u00ebrpren vasha, n\u00eb m\u00ebngjes e takova n\u00eb tregun e Bajllonit nj\u00eb njeri p\u00ebr \u00e7udi\u2026 U gjun\u00ebzua para meje, ma preku gipsin dhe m\u00eb pyeti se a besoj n\u00eb mrekulli t\u00eb sh\u00ebrimit\u2026 Besoj, si jo, thash\u00eb, e ai filloi t\u00eb ma p\u00ebrdridhte k\u00ebmb\u00ebn. Kisha dhimbje dreqnore por vendosa ta duroj\u2026 \u2014 K\u00ebt\u00eb e paske pas\u00eb nj\u00ebfar\u00eb demoni, v\u00ebren fetari, un\u00eb nga t\u00eb till\u00ebt ik si nga zgjeba\u2026 E si dukej? pyet. Vasha v\u00ebshtron mbrapa, m\u00eb shikon s\u00eb pari mua dhe p\u00ebrtej supit tim e shikon vitrin\u00ebn e asaj atelies\u00eb artistike, ku i bie n\u00eb sy koka e Handkes. \u2014 E, mu si ai atje, thot\u00eb vasha, hund\u00ebn dhe syzet i kishte mu si t\u00eb tij, dhe i pic\u00ebrronte syt\u00eb, zg\u00ebrdhihej gjersa ma p\u00ebrdredhte k\u00ebmb\u00ebn\u2026 \u2014 Ore, e pamundur, thot\u00eb fetari, se demon\u00ebt nuk kan\u00eb syze. Vet\u00ebm kur t\u00eb vejn\u00eb maska. Dhe at\u00eb atje e ke Handken, ai kurr\u00eb nuk do t\u00eb b\u00ebnte gj\u00ebra t\u00eb atilla\u2026 \u2014 Kush na qenka kyfar\u00eb Handke?, pyet vasha me huti. \u2014 \u00cbsht\u00eb mik i yn\u00eb, qytetar nderi i Beogradit, i do pyjet dhe k\u00ebrpudhat, njeriun e r\u00ebndomt\u00eb, e donte edhe Sllob\u00ebn\u2026 Ta them un\u00eb, njeri i yn\u00eb. Vet\u00ebm u paraqit nj\u00eb dit\u00eb dhe na p\u00ebrqafoi t\u00eb gjith\u00ebve k\u00ebshtu me krah\u00ebt e tij t\u00eb m\u00ebdhenj. \u2014 Edhe k\u00ebshtu shkruan n\u00eb Zbules\u00eb?, pyet vasha, serioze gjer n\u00eb vdekje. Fetari mendohet pak dhe thot\u00eb: \u2014 Po, shkruan, por duhet t\u00eb dish t\u00eb lexosh. E ke lexuar Zbules\u00ebn ndonj\u00ebher\u00eb? \u2014 Si s\u2019e kam lexuar?, p\u00ebrgjegjet vasha, prejse mundohen rus\u00ebt n\u00eb Ukrain\u00eb, \u00e7do nat\u00eb para fjetjes\u2026Vet\u00ebm se nuk gjeta gj\u00eb mbi at\u00eb mrekullib\u00ebr\u00ebsin, Handken\u2026 \u2014 E, bukur thua \u2014 mrekullib\u00ebr\u00ebsin. Edhe \u00ebsht\u00eb. E shnd\u00ebrroi ujin n\u00eb ver\u00eb n\u00eb Ho\u00e7\u00eb t\u00eb Madhe. E sh\u00ebroi Shoqat\u00ebn e shkrimtar\u00ebve nga murtaja dhe e ngriti n\u00eb nam t\u00eb bot\u00ebs. E p\u00ebrshkroi nj\u00eb kafene buz\u00eb lumit t\u00eb Morav\u00ebs n\u00eb librin t\u00eb cilin tani e lexon bota e t\u00ebr\u00eb, edhe Bajdeni, edhe Putini, edhe Markoni, edhe Kurti\u2026 Nejse, Vu\u00e7iqi nuk e ka at\u00eb detyrim, se ishte atje me Handken, pra p\u00ebrse ta lexoj\u00eb\u2026 E k\u00ebndoi me at\u00eb shkrimtarin ton\u00eb t\u00eb vjet\u00ebr at\u00eb k\u00ebng\u00ebn mbi zdjergien e \u00e7etnik\u00ebve nga bjeshka e Romanis\u00eb [af\u00ebr Sarajev\u00ebs, v.p.]\u2026 P\u00ebr k\u00ebte sigurisht nuk ke ndi. Mua m\u2019u g\u00ebzua zemra kur e pash\u00eb in\u00e7izimin. Tash e kam si hajmali e cila e shporr\u00eb \u00e7do t\u00eb lig\u00eb. E l\u00ebshoj n\u00eb mbr\u00ebmje n\u00eb telefon mobil af\u00ebr shtratit dhe flej si foshnje. Nj\u00eb njeri i till\u00eb nuk mund t\u00eb jet\u00eb demon. Ai \u00ebsht\u00eb shenjtor. Dhe kushdo q\u00eb e p\u00ebrbalt\u00eb \u00ebsht\u00eb n\u00eb an\u00ebn e demon\u00ebve. K\u00ebt\u00eb ta dish\u2026 \u2014 Uh, mir\u00eb, i rrudh\u00eb vasha supet, por ai nga Bajlloni ishte mu si ky, kur t\u00eb them\u2026 \u2014 Ishte armiku i yn\u00eb, i maskuar si ai, q\u00eb t\u00eb na largoj\u00eb nga rruga e drejt\u00eb\u2026<\/span><\/p>\n

Di\u00e7ka m\u00eb thot\u00eb, mik i im, se nuk do t\u00eb dalim leht nga balta dhe se Polipi edhe shum\u00eb vite do t\u00eb p\u00ebrmendet si fest\u00eb e Liris\u00eb n\u00eb koh\u00ebn e \u00e7nder\u00ebsis\u00eb dhe \u00e7menduris\u00eb. Ajo q\u00eb e ndiva n\u00eb kafene \u00ebsht\u00eb vet\u00ebm nj\u00eb fragment i diskursit publik i cili gufon n\u00eb t\u00eb gjitha an\u00ebt, e rrjedh para s\u00eb gjithash nga qeveria dhe ngat\u00ebrres\u00ebtar\u00ebt e saj t\u00eb tabloid\u00ebve.\u00a0 Kur njeriu e sheh dhe ndin k\u00ebt\u00eb, e kupton se jemi n\u00eb balt\u00eb gjer mbi gju, e pi espreson e vet dhe ngadal\u00eb drejtohet kah zyra, si un\u00eb, prapa p\u00ebr bibliotek\u00eb, nd\u00ebr minj gjirizi, kush\u00ebrinj t\u00eb mi, ku e kaloj pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb jet\u00ebs. Detar\u00ebt e vjet\u00ebr shkruanin se miu i gjirizit (latinisht Rattus) \u00ebsht\u00eb qenje e ndjeshme e cila katastrof\u00ebn e parandjen shum\u00eb para njeriut. Por n\u00eb fakt puna q\u00ebndronte n\u00eb at\u00eb se i kishin aq m\u00eb t\u00eb zhvilluara ndjenjat e nd\u00ebgjimit dhe nuhatjes, sa ta ndjenin zhurm\u00ebn e cila ishte duke ardhur dhe e cila fillon nga zhurm\u00ebt e vogla, g\u00ebrvima nga hambari e cila strofujt e t\u00ebr\u00eb t\u00eb minj\u00ebve t\u00eb gjirizit i b\u00ebnte rr\u00ebmuj\u00eb. Ndjenja e ime e miut t\u00eb gjirizit m\u00eb thot\u00eb se k\u00ebta tinguj t\u00eb mbytur t\u00eb n\u00ebntok\u00ebs q\u00ebmoti jan\u00eb b\u00ebr\u00eb alarmant\u00eb dhe q\u00eb duhet t\u00eb b\u00ebjm\u00eb di\u00e7ka rreth kultur\u00ebs. Nj\u00eb nga k\u00ebta potez\u00ebt ishte edhe puna rreth Festivalit Polip, t\u00eb cilin e organizova s\u00eb bashku me ty dhe me miqt\u00eb ton\u00eb, me shpres\u00ebn se njer\u00ebzit do t\u2019i dallojn\u00eb z\u00ebrat fantastik\u00eb t\u00eb d\u00ebshmis\u00eb dhe t\u00eb alarmimit mbi gjendjen e nj\u00eb bote n\u00eb kriz\u00eb t\u00eb thell\u00eb. Nuk jam i sigurt\u00eb se shumica e autor\u00ebve dhe autoreve q\u00eb kan\u00eb dh\u00ebn\u00eb shfaqje n\u00eb sken\u00eb t\u00eb Qendr\u00ebs e ka kuptuar kuptimin e v\u00ebrtet\u00eb t\u00eb Polipit, por vet\u00ebm kan\u00eb p\u00ebrfituar nga rasti p\u00ebr ta sh\u00ebnuar edhe nj\u00eb festival n\u00eb biografi, dhe kan\u00eb vazhduar tutje n\u00eb rrug\u00ebt e tyre t\u00eb let\u00ebrsis\u00eb. Megjithat\u00eb, ekziston edhe ajo pakica e cila p\u00ebrvoj\u00ebn e vet n\u00eb let\u00ebrsi e ka murosur n\u00eb at\u00eb festival. Besoj s\u00eb kjo u \u00ebsht\u00eb kthyer shum\u00ebfish sepse t\u00eb jesh n\u00eb k\u00ebto zona t\u00eb shk\u00ebmbimit t\u00eb ideve v\u00ebrtet paraqet privilegj. D\u00ebshiroj t\u00eb besoj se vendimet e caktuara t\u00eb s\u00eb ardhmes do t\u00eb ken\u00eb pik\u00ebmb\u00ebshtetje n\u00eb k\u00ebta njer\u00ebz, e jo n\u00eb shumic\u00ebn e pamend.<\/span><\/p>\n

 <\/p>\n

Mirupafshim. N\u00eb t\u00eb ardhmen.<\/span><\/p>\n

Miq\u00ebsisht t\u00eb p\u00ebrsh\u00ebndet\u00eb,<\/span><\/p>\n

Sasha<\/span><\/p>\n

Beograd, 19 tetor, 2022<\/span><\/p>\n

<\/h3>","protected":false},"excerpt":{"rendered":"

Rr\u00ebfimi i yt mbi takimin e kolonist\u00ebve dhe autokton\u00ebve t\u00eb mo\u00e7\u00ebm p\u00ebrskaj \u201cvorreve t\u00eb llatinve\u201d n\u00eb Kosov\u00eb v\u00ebrtet e ka potencialin t\u00eb b\u00ebhet tem\u00eb e ndonj\u00eb romani apo, edhe m\u00eb mir\u00eb, drame t\u00eb cil\u00ebn do t\u00eb mund ta vendoste n\u00eb sken\u00eb ndonj\u00eb regjisor. Mendoj se ky rr\u00ebfim jo vet\u00ebm q\u00eb na m\u00ebson di\u00e7ka, por edhe […]<\/p>","protected":false},"author":420,"featured_media":7789,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[1198],"ppma_author":[898],"class_list":["post-7788","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analize","tag-sasha-jeton"],"authors":[{"term_id":898,"user_id":420,"is_guest":0,"slug":"sasa-ilic","display_name":"Sa\u0161a Ili\u0107","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/12\/SasaIlic.png","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/12\/SasaIlic.png"},"user_url":"","last_name":"Ili\u0107","first_name":"Sa\u0161a","description":"Sasha Iliq [Sa\u0161a Ilic] u lind n\u00eb vitin 1972 n\u00eb Jagodin\u00eb, diplomoi n\u00eb Fakultetin e Filologjis\u00eb n\u00eb Beograd. Gjer tani i ka botuar tre libra me rr\u00ebfime: Parandjenja e luft\u00ebs qytetare [Predosezanje graxhanskog rata](2000), Dushanovc. Posta [Du\u0161anovac. Po\u0161ta] (2015), Gjahu n\u00eb iriq\u00eb [Lov na je\u017eeve] (2015) dhe tre romane: Dritarja e Berlinit [Berlinsko okno] (2005), R\u00ebnja e Kolumbis\u00eb [Pad Kolumbije] (2010) edhe Qeni dhe kontrabasi [Pas i kontrabas] (2019) p\u00ebr t\u00eb cilin e fitoi shp\u00ebrblimin e revist\u00ebs NIN. \u00cbsht\u00eb nj\u00eb nd\u00ebr nism\u00ebtar\u00ebt dhe redaktor i shtojc\u00ebs Beton t\u00eb revist\u00ebs Danas, nga themelimi n\u00eb vitin 2006 e gjer n\u00eb tetor t\u00eb vitit 2013. N\u00eb dhjetor t\u00eb poatij viti e themelon s\u00eb bashku me Alida Bremerin fletushk\u00ebn Beton International, q\u00eb periodikisht del n\u00eb gjuh\u00eb gjermane si shtojc\u00eb n\u00eb Tageszeitung dhe Frankfurter Rundschau. \u00cbsht\u00eb nj\u00eb nd\u00ebr redaktor\u00ebt e Festivalit Nd\u00ebrkomb\u00ebtar t\u00eb Let\u00ebrsis\u00eb, POLIP, t\u00eb Prishtin\u00ebs. Proza e tij mund t\u00eb gjindet e Proza e tij mund t\u00eb gjindet e p\u00ebrkthyer shqip, frengjisht, maqedonisht, dhe gjermanisht."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/7788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/users\/420"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/comments?post=7788"}],"version-history":[{"count":2,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/7788\/revisions"}],"predecessor-version":[{"id":7791,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/posts\/7788\/revisions\/7791"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media\/7789"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/media?parent=7788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/categories?post=7788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/tags?post=7788"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/en\/wp-json\/wp\/v2\/ppma_author?post=7788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}