{"id":1094,"date":"2023-03-09T15:01:15","date_gmt":"2023-03-09T14:01:15","guid":{"rendered":"https:\/\/sbunker.org\/?p=1094"},"modified":"2025-03-26T11:17:29","modified_gmt":"2025-03-26T09:17:29","slug":"fushate-e-koordinuar-lincuese-serbe-kunder-jeton-nezirajt","status":"publish","type":"post","link":"https:\/\/sbunker.org\/sr\/disinfo\/fushate-e-koordinuar-lincuese-serbe-kunder-jeton-nezirajt\/","title":{"rendered":"Fushat\u00eb e koordinuar lin\u00e7uese serbe kund\u00ebr Jeton Nezirajt"},"content":{"rendered":"
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Qeveria e Serbis\u00eb dhe mediat e af\u00ebrta me pushtetin n\u00eb Beograd nd\u00ebrmor\u00ebn nj\u00eb fushat\u00eb t\u00eb koordinuar lin\u00e7imi ndaj dramaturgut kosovar Jeton Neziraj, pas publikimit n\u00eb Sbunker t\u00eb artikullit me titull <\/span>\u201cTeatri si maqineri e propagand\u00ebs politike\u201d <\/a>, i cili \u00ebsht\u00eb i botuar n\u00eb dy pjes\u00eb si nj\u00eb kritik\u00eb p\u00ebr shfaqjen <\/span>LIFT: Sllobodan Shou<\/a>, q\u00eb u shfaq n\u00eb Gra\u00e7anic\u00eb m\u00eb 6 mars 2018. N\u00eb k\u00ebt\u00eb shkrim Neziraj shp\u00ebrfaq q\u00ebllimet ideologjike t\u00eb qeveris\u00eb serbe, e cila e p\u00ebrdor teatrin paralel si mjet n\u00eb sh\u00ebrbim t\u00eb interesave hegjemoniste, n\u00eb ve\u00e7anti n\u00eb raport me Kosov\u00ebn.<\/span><\/p>\n<\/div>\n

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N\u00eb at\u00eb artikull, Neziraj argumenton nd\u00ebr t\u00eb tjerash se: \u201cKy teat\u00ebr (teatri serb) \u00ebsht\u00eb themeluar si p\u00ebrpjekje p\u00ebr t\u00eb krijuar vazhdim\u00ebsi t\u00eb \u2018institucioneve serbe\u2019 q\u00eb kan\u00eb qen\u00eb para luft\u00ebs n\u00eb Kosov\u00eb, n\u00eb \u2018krahin\u00ebn e tyre t\u00eb dikurshme\u2019. Synimi i tyre, s\u00eb paku simbolik, \u00ebsht\u00eb q\u00eb k\u00ebto institucione (pra, edhe ky teat\u00ebr i zhvendosur p\u00ebrkoh\u00ebsisht n\u00eb Beograd) nj\u00eb dit\u00eb t\u00eb kthehen dhe t\u00eb vendosen s\u00ebrish n\u00eb Kosov\u00eb\u201d.<\/em><\/p>\n

N\u00eb p\u00ebrpjekje p\u00ebr t\u2019iu kund\u00ebrv\u00ebn\u00eb argumenteve t\u00eb Nezirajt, disa media pro qeveritare dhe ruse n\u00eb Serbi shp\u00ebrndan\u00eb dezinformata duke i keqlexuar dhe keqinterpretuar q\u00ebllimisht mesazhet dhe argumentet e tij. P\u00ebr disa dit\u00eb me radh\u00eb, \u201cNovosti<\/a> e \u201cSputnik\u201d<\/a> publikuan artikuj propagandues me protagonist\u00eb t\u00eb fushave t\u00eb ndryshme q\u00eb sulmonin personin e Nezirajt.<\/p>\n

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Fushat\u00ebs s\u00eb mediave serbe e ruse iu bashkua edhe Ministria e Kultur\u00ebs e Serbis\u00eb, duke e akuzuar Nezirajn se ka p\u00ebr q\u00ebllim \u201cshkat\u00ebrrimin e kultur\u00ebs serbe n\u00eb Kosov\u00eb\u201d.<\/p>\n

\u201cTa quash nj\u00eb institucion t\u00eb till\u00eb (teatrin serb) arm\u00eb e propagand\u00ebs hegjemoniste t\u00eb Serbis\u00eb s\u00eb Madhe \u00ebsht\u00eb edhe e tmerrshme, edhe jasht\u00ebzakonisht e rrezikshme p\u00ebr sigurin\u00eb e serb\u00ebve n\u00eb Kosov\u00eb\u201d,<\/em> shkruhet n\u00eb reagimin e Ministris\u00eb s\u00eb Kultur\u00ebs Serbe.<\/a><\/p>\n

Krahas qeveris\u00eb e mediave, akuza n\u00eb drejtim t\u00eb Nezirajt drejtuan edhe artist\u00eb e punetor\u00eb teatri nga Kosova e nga Serbia. Shoqata e Teatrove Profesioniste t\u00eb Serbis\u00eb ka akuzuar Nezirajn se p\u00ebrmes artikullit n\u00eb Sbunker p\u00ebrpiqet \u201ct\u00eb shkat\u00ebrroj\u00eb teatrin dhe t\u00eb sulmoj\u00eb artist\u00ebt\u201d.<\/a><\/p>\n

Kurse, Predrag Radonjiq<\/a> \u2013 drejtor i t\u00eb ashtuquajturit \u201cTeatri Popullor i Prishtin\u00ebs\u201d \u2013 tha se q\u00ebndrimi i Nezirajt \u00ebsht\u00eb \u201ci ngjash\u00ebm me at\u00eb t\u00eb elit\u00ebs intelektuale shqiptare, q\u00eb p\u00ebr synim ka v\u00ebshtir\u00ebsimin e jetes\u00ebs s\u00eb serb\u00ebve\u201d.<\/p>\n

Nd\u00ebrkaq, Jelena Bogavac \u2013 dramaturge e shfaqjes LIFT: Sllobodan Shou<\/a> \u2013 ka deklaruar p\u00ebr t\u00eb p\u00ebrditshmen Danas<\/a> se ky artikull \u201ce ka befasuar\u201d dhe se tash e ka kuptuar qart\u00eb \u201cagjend\u00ebn politike t\u00eb Jeton Nezirajt\u201d dhe se \u201cpo punohet p\u00ebr mbylljen e Teatrit Popullor n\u00eb Gra\u00e7anic\u00eb\u201d. M\u00eb tej, ajo ka th\u00ebn\u00eb se shfaqja mbi jet\u00ebn e Millosheviqit \u201cflet p\u00ebr vete\u201d<\/a> dhe se \u00ebsht\u00eb e bazuar \u201cvet\u00ebm n\u00eb t\u00eb dh\u00ebna t\u00eb dokumentuara, ato q\u00eb jan\u00eb publikuar n\u00eb media, studime\u2026\u201d. N\u00eb ket\u00eb menyr\u00eb, dramaturgia Bogavac e rikonfirmon kritikat e Nezirajt lidhur prirjen e qart\u00eb t\u00eb autor\u00ebve t\u00eb shfaqjes p\u00ebr t\u00eb relativizuar krimet e Millosheviqit n\u00eb Kosov\u00eb dhe n\u00eb ish Jugosllavi n\u00eb vitet 1990.<\/p>\n

Nd\u00ebr z\u00ebrat e rrall\u00eb q\u00eb i doli n\u00eb mbrojtje Nezirajt \u00ebsht\u00eb shkrimtari dhe kritiku Sasha Iliq<\/a>, i cili tha se teatri n\u00eb Serbi ka vdekur. \u201cN\u00eb k\u00ebt\u00eb rast, b\u00ebhet fjal\u00eb p\u00ebr nj\u00eb sulm t\u00eb p\u00ebrbashk\u00ebt ndaj dramaturgut prishtinas Jeton Neziraj, p\u00ebrndryshe mysafir i preferuar i teatrit t\u00eb Beogradit n\u00eb koh\u00eb paqeje. Megjithat\u00eb, kur bie err\u00ebsira politike, gj\u00ebrat ndryshojn\u00eb rr\u00ebnj\u00ebsisht\u201d, <\/em>shkruan Iliq n\u00eb reagimin e tij.<\/p>\n

Edhe drejtoresha e Fondit p\u00ebr t\u00eb Drejt\u00ebn Humanitare Natasha Kandiq, ka th\u00ebn\u00eb se Teatri n\u00eb Gra\u00e7anic\u00eb \u00ebsht\u00eb \u201cnj\u00eb manipulim politik q\u00eb nuk ka lidhje me artin\u201d. Ajo i ka b\u00ebr\u00eb thirrje artist\u00ebve q\u00eb t\u00eb ngrisin z\u00ebrin n\u00eb mb\u00ebshtetje t\u00eb Nezirajt dhe t\u00eb dalin kund\u00ebr mediave luft\u00ebnxit\u00ebse si \u201cNovosti\u201d<\/p>\n

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Pas fushat\u00ebs lin\u00e7uese serbe, e cila zgjati disa dit\u00eb, erdhi edhe reagimi i Nezirajt. Ai deklaroi p\u00ebr Sbunkerin se t\u00ebr\u00eb histeria e orkestruar e reagimeve \u00ebsht\u00eb nxitur nga nj\u00eb besim i rrem\u00eb q\u00eb shkrimi \u00ebsht\u00eb shkruar me q\u00ebllim q\u00eb t’i hap\u00eb rrug\u00eb shuarjes s\u00eb \u201cTeatrit Popullor t\u00eb Prishtin\u00ebs\u201d (\u041d\u0430\u0440\u043e\u0434\u043d\u043e \u043f\u043e\u0437\u043e\u0440\u0438\u0448\u0442\u0435 \u041f\u0440\u0438\u0448\u0442\u0438\u043d\u0430), \u201cp\u00ebrkoh\u00ebsisht i zhvendosur n\u00eb Beograd\u201d, si\u00e7 i referohen n\u00eb Serbi.<\/p>\n

Neziraj konsideron se sulmet ndaj tij jan\u00eb personale dhe demonizuese.<\/p>\n

\u201cGati n\u00eb secilin prej shkrimeve pyetja q\u00eb shtrohej ishte \u201cp\u00ebrse pik\u00ebrisht tani ky shkrim\u201d, dhe at\u00ebher\u00eb kur nuk e thoshin, p\u00ebrgjigjja n\u00ebnkuptohej, pra gjoja se \u201cshkrimi ishte shkruar si pjes\u00eb e nj\u00eb komploti politik kund\u00ebr serb\u00ebve t\u00eb Kosov\u00ebs\u201d. N\u00eb k\u00ebto shkrime un\u00eb p\u00ebrshkruhem si \u201carmiku i Prishtin\u00ebs\u201d, nj\u00eb njeri me superfuqi, q\u00eb paskam n\u00eb dor\u00eb hi\u00e7 m\u00eb pak sesa fuqin\u00eb p\u00ebr ta shuar at\u00eb teat\u00ebr\u201d.<\/p>\n

Neziraj gjithashtu u shpreh i habitur se si me nj\u00eb shpejt\u00ebsi marramend\u00ebse ai u shnd\u00ebrrua n\u00eb \u201cPrishtina\u2019\u201d, apo n\u00eb \u201cShqiptar\u00ebt\u201d. \u201cPra, ngadal\u00eb, u zhvesha nga atributet e nj\u00eb dramaturgu dhe nj\u00eb individi dhe m\u2019u vesh\u00ebn atribute p\u00ebrfaq\u00ebsuese nacionale, respektivisht qeveritare. Dhe, n\u00eb fakt, ata shpesh, duke zmadhuar pesh\u00ebn time si dramaturg, synonin ta zmadhonin edhe pesh\u00ebn time dhe fuqin\u00eb ekzekutive p\u00ebr vendime t\u00eb tilla kaq t\u00eb r\u00ebnd\u00ebsishme\u201d, shtoi Neziraj.<\/p>\n

Duke iu referuar reagimeve t\u00eb teatrove, individ\u00ebve, artist\u00ebve, shoqatave e grupeve joformale e Ministris\u00eb s\u00eb Kultur\u00ebs s\u00eb Serbis\u00eb, Neziraj thot\u00eb se u ndez nj\u00eb alarm komb\u00ebtar n\u00eb Serbi, si rrall\u00eb m\u00eb par\u00eb.<\/p>\n

\u201c\u201cIntelektuali liberal\u201d apo \u201cshqiptari m\u00eb liberal i Kosov\u00ebs\u201d, si\u00e7 m\u00eb quanin p\u00ebrnj\u00ebher\u00eb, u shnd\u00ebrrua n\u00eb \u201carmikun e teatrit serb\u201d. P\u00ebrderisa dikur m\u00eb 2004, kur me shkrime t\u00eb tilla u p\u00ebrgatit\u00ebn ngjarjet e marsit, tani un\u00eb qenkam ai q\u00eb p\u00ebrgatitkam \u201cshfarosjen e kultur\u00ebs serbe\u201d n\u00eb Kosov\u00eb\u201d, shprehet Neziraj.<\/p>\n

Gjithnj\u00eb sipas tij, histeria n\u00eb Serbi u nxit nga cop\u00ebzat e marra jasht\u00eb kontekstit, nga riinterpretimet dhe nga leximi i shtremb\u00ebruar i atyre q\u00eb kisha shkruar. Dhe kjo flet edhe p\u00ebr peizazhin e kontaminuar mediatik n\u00eb Serbi, por edhe p\u00ebr mjedisin kulturor t\u00eb kontaminuar, q\u00eb kurdo q\u00eb e k\u00ebrkon \u201ckauza komb\u00ebtare\u201d, reagon, vajton e sulmon n\u00eb grup, si llav\u00eb ujq\u00ebrish\u201d, thot\u00eb Neziraj.<\/p>\n

Ai ka ritheksuar se themelimi i nj\u00eb teatri \u00ebsht\u00eb gjithmon\u00eb akt emancipues, por ky i Gra\u00e7anic\u00ebs nuk \u00ebsht\u00eb themeluar nga qeveria serbe mbi k\u00ebto parime artistike e shoq\u00ebrore, si nj\u00eb nd\u00ebrmarrje artistike p\u00ebr emancipim social e kulturor, por \u00ebsht\u00eb themeluar me q\u00ebllime politike-hegjemoniste, sepse qasja hegjemoniste ka qen\u00eb dhe ngelet akoma politik\u00eb zyrtare serbe ndaj Kosov\u00ebs. Por, k\u00ebt\u00eb gj\u00eb, shum\u00eb njer\u00ebz n\u00eb Serbi, p\u00ebrfshir\u00eb krijuesit n\u00eb teat\u00ebr, nuk mund ta kuptojn\u00eb.<\/p>\n

\u201cAta kritikat e mia i zhvendosin jasht\u00eb kontekstit shoq\u00ebror e politik t\u00eb vendeve tona. Prandaj, ajo \u00e7far\u00eb them, atyre u ting\u00ebllon e \u00e7uditshme. Nuk jam kund\u00ebr teatrit… Kurr\u00eb nuk kam qen\u00eb… Kurr\u00eb nuk mund t\u00eb jem. Jam kund\u00ebr teatrit q\u00eb p\u00ebrdoret si mash\u00eb ideologjike. Jam kund\u00ebr atij teatri q\u00eb n\u00eb vend se t\u00eb sh\u00ebroj\u00eb, krijon plag\u00eb t\u00eb reja, krijon m\u00eb shum\u00eb dhimbje\u201d, thekson Neziraj.<\/p>\n

LIFT: Sllobodan Shou<\/a> flet p\u00ebr Millosheviqin dhe raportet e tij me familjen gjat\u00eb periudh\u00ebs s\u00eb bombardimeve t\u00eb NATO-s. Shfaqjet si ajo n\u00eb Gra\u00e7anic\u00eb, sipas Nezirajt, nuk i sh\u00ebrbejn\u00eb publikut por krijohen p\u00ebr t\u00eb riprodhuar trauma, fyejn\u00eb viktimat dhe kujtimin e njer\u00ebzve t\u00eb pafajsh\u00ebm q\u00eb kan\u00eb p\u00ebsuar nga Millosheviqi dhe regjimi i tij.<\/p>\n

Ky artikull publikohet n\u00eb kuad\u00ebr t\u00eb Iniciativ\u00ebs Rajonale t\u00eb Ballkanit Per\u00ebndimor kund\u00ebr dezinformimit. <\/em>\u201cQendra kund\u00ebr dezinformatave n\u00eb Ballkanin Per\u00ebndimor: ekspozimi i ndikimeve keqdash\u00ebse p\u00ebrmes gazetaris\u00eb mbik\u00ebqyr\u00ebse.\u201d<\/a><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Qeveria e Serbis\u00eb dhe mediat e af\u00ebrta me pushtetin n\u00eb Beograd nd\u00ebrmor\u00ebn nj\u00eb fushat\u00eb t\u00eb koordinuar lin\u00e7imi ndaj dramaturgut kosovar Jeton Neziraj, pas publikimit n\u00eb Sbunker t\u00eb artikullit me titull \u201cTeatri si maqineri e propagand\u00ebs politike\u201d\u00a0, i cili \u00ebsht\u00eb i botuar n\u00eb dy pjes\u00eb si nj\u00eb kritik\u00eb p\u00ebr shfaqjen\u00a0LIFT: Sllobodan Shou, q\u00eb u shfaq n\u00eb […]<\/p>","protected":false},"author":18,"featured_media":2238,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[363,1242],"tags":[654,11,12],"ppma_author":[28],"class_list":["post-1094","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-disinfo","category-in-depth-story","tag-coordinated-lynching-campaign","tag-kosova","tag-serbia"],"authors":[{"term_id":28,"user_id":18,"is_guest":0,"slug":"disinfo","display_name":"Disinfo","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/Sbunker_FAKE_NEWS_001-min1647858578.jpg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/Sbunker_FAKE_NEWS_001-min1647858578.jpg"},"user_url":"","last_name":"","first_name":"Disinfo","description":""}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/1094","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/comments?post=1094"}],"version-history":[{"count":4,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/1094\/revisions"}],"predecessor-version":[{"id":6588,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/1094\/revisions\/6588"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media\/2238"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media?parent=1094"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/categories?post=1094"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/tags?post=1094"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/ppma_author?post=1094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}