{"id":1316,"date":"2022-07-01T14:47:28","date_gmt":"2022-07-01T13:47:28","guid":{"rendered":"https:\/\/sbunker.org\/?p=1316"},"modified":"2023-12-18T15:23:36","modified_gmt":"2023-12-18T14:23:36","slug":"i-kujt-eshte-qyteti","status":"publish","type":"post","link":"https:\/\/sbunker.org\/sr\/analize\/i-kujt-eshte-qyteti\/","title":{"rendered":"I kujt \u00ebsht\u00eb qyteti?"},"content":{"rendered":"
\n

Rimarrja e hap\u00ebsir\u00ebs publike n\u00eb Palermo, Marsej\u00eb dhe Prishtin\u00eb<\/span><\/p>\n

Jeta sot duket gjithnj\u00eb e m\u00eb e paparashikueshme dhe diskursi medial i koh\u00ebs tregon p\u00ebr nj\u00eb t\u00eb ardhme t\u00eb kanosur nga polarizimi, kaosi klimatik, rritja e pabarazis\u00eb ekonomike, si dhe impakti i pandemis\u00eb dhe luft\u00ebs n\u00eb Ukrain\u00eb. Po e shkruaj k\u00ebt\u00eb ese n\u00eb koh\u00eb vendimtare, p\u00ebr Manifest\u00ebn, bienal\u00ebn nomade evropiane dhe p\u00ebr qytetin ton\u00eb nikoqir Prishtin\u00ebn, kryeqytetin e Kosov\u00ebs, nj\u00eb prej vendeve sovrane m\u00eb t\u00eb reja t\u00eb Europ\u00ebs. Pse \u00ebsht\u00eb ky moment kaq ky\u00e7 p\u00ebr Manifest\u00ebn dhe Prishtin\u00ebn? Aktualisht, lufta n\u00eb Ukrain\u00eb sh\u00ebnon nj\u00eb moment t\u00eb ve\u00e7ant\u00eb gjeopolitik n\u00eb Europ\u00eb, teksa kalojm\u00eb n\u00ebp\u00ebr nj\u00eb tjet\u00ebr luft\u00eb mizore n\u00eb kontintentin ton\u00eb. Pushtimi i Putinit \u00ebsht\u00eb d\u00ebnuar an\u00ebmban\u00eb globit p\u00ebr dhun\u00ebn m\u00eb t\u00eb tmerrshme n\u00eb Europ\u00eb q\u00eb prej Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore. Megjith\u00ebk\u00ebt\u00eb, duhet t\u00eb kuptojm\u00eb se barbarizma t\u00eb till\u00eb jan\u00eb kryer n\u00eb Bosnje dhe Hercegovin\u00eb para tridhjet\u00eb vjet\u00ebsh, duke b\u00ebr\u00eb k\u00ebrdin\u00eb n\u00eb Sarajev\u00eb e vende t\u00eb tjera. Hi\u00e7 m\u00eb larg se para 23 vjet\u00ebsh, NATO nd\u00ebrhyri n\u00eb Serbi p\u00ebr t\u2019i dh\u00ebn\u00eb fund mizorive n\u00eb Kosov\u00eb. Ky moment s\u2019ka si t\u00eb jet\u00eb m\u00eb ky\u00e7 p\u00ebr t\u00eb p\u00ebrfytyruar edhe nj\u00ebher\u00eb tregimet e s\u00eb kaluar\u00ebs q\u00eb jan\u00eb t\u00eb g\u00ebrsh\u00ebtuara n\u00eb t\u00eb ardhmen e Ballkanit, n\u00eb m\u00ebnyr\u00eb q\u00eb t\u00eb rigjendet kuptimit dhe sensi i s\u00eb tashmes.<\/p>\n

An\u00ebmban\u00eb globit, qytetar\u00ebt dhe administratat publike jan\u00eb kurthuar n\u00eb nj\u00eb p\u00ebrvoj\u00eb shkat\u00ebrrimtare, teksa bota b\u00ebhet gjithnj\u00eb e m\u00eb e fragmentuar p\u00ebr shkak t\u00eb shkat\u00ebrrimit t\u00eb ekologjive dhe lidhjeve shoq\u00ebrore qe u kan\u00eb mund\u00ebsuar njer\u00ebzve q\u00eb t\u00eb lul\u00ebzojn\u00eb n\u00eb k\u00ebt\u00eb planet. Sidoqoft\u00eb, l\u00ebvizjet e protestave t\u00eb koh\u00ebve t\u00eb fundit i b\u00ebjn\u00eb ball\u00eb gjendjes \u00e7orodit\u00ebse dhe pak\u00ebnaq\u00ebsis\u00eb me shkat\u00ebrrimin e natyr\u00ebs, kultur\u00ebs dhe gjith\u00e7ka nd\u00ebrmjet. Q\u00eb nga protestat e\u00a0Extinction Rebellion<\/a>\u00a0dhe\u00a0Black Lives Matter<\/a>\u00a0te l\u00ebvizja franceze Jelek\u00ebt e Verdh\u00eb [Gilets Jaunes], \u00ebsht\u00eb shprehur nj\u00eb ndjenj\u00eb e pak\u00ebnaq\u00ebsis\u00eb dhe frik\u00ebs nga qytetar\u00ebt. Njer\u00ebzit jan\u00eb kritik\u00eb ndaj ekonomis\u00eb s\u00eb paq\u00ebndrueshme\u00a0rritje-dhe-borxh<\/em>\u00a0dhe po rigjall\u00ebrojn\u00eb k\u00ebrkes\u00ebn p\u00ebr bashk\u00ebpunim dhe autonomi t\u00eb p\u00ebrbashk\u00ebt. K\u00ebto beteja p\u00ebr barazi dhe demokraci t\u00eb drejtp\u00ebrdrejt\u00eb sjellin perspektiv\u00ebn historike q\u00eb pretendohej se \u00ebsht\u00eb zhdukur me r\u00ebnien e Murit t\u00eb Berlinit m\u00eb 1989 dhe q\u00eb rastisi me themelimin e Manifest\u00ebs.<\/p>\n

K\u00ebto l\u00ebvizje aktiviste t\u00eb reja m\u00eb rrisin shpres\u00ebn n\u00eb mas\u00eb t\u00eb jasht\u00ebzakonshme. N\u00eb k\u00ebt\u00eb ese dua t\u00eb hulumtoj se si kan\u00eb ndikuar ato n\u00eb edicionet e kaluara t\u00eb Manifest\u00ebs, ashtu si edhe n\u00eb edicionin e ardsh\u00ebm n\u00eb Prishtin\u00eb. Manifesta ka qen\u00eb gjithnj\u00eb e angazhuar n\u00eb shoq\u00ebri, me prodhimin e programeve artistike eksperimentale dhe ngjarjeve publike. E lindur m\u00eb 1996 n\u00eb\u00a0Roterdam<\/a>, menj\u00ebher\u00eb pas p\u00ebrfundmit t\u00eb Luft\u00ebs s\u00eb Ftoht\u00eb q\u00eb ndau kontinentin europian, Manifesta ka zanafill\u00ebn prej nj\u00eb nisme q\u00eb eksploron historit\u00eb e kultur\u00ebs bashk\u00ebkohore n\u00eb Europ\u00ebn paskomuniste. Edicionet pasuese u mbajt\u00ebn n\u00eb\u00a0Luksemburg<\/a>\u00a0(1998);\u00a0Lubjan\u00eb<\/a>\u00a0(2000);\u00a0Frankfurt<\/a>\u00a0(2002);\u00a0Donostia \u2013 San Sebastian<\/a>\u00a0(2004);\u00a0Nikozi<\/a>\u00a0(2006);\u00a0Trentino dhe Tirol i Jugut<\/a>\u00a0(2008);\u00a0Mursia dhe Kartagjen\u00eb<\/a>\u00a0(2010);\u00a0Genk<\/a>\u00a0(2012);\u00a0Sh\u00ebn Pet\u00ebrsburg<\/a>\u00a0(2014);\u00a0Cyrih<\/a>\u00a0(2016);\u00a0Palermo<\/a>\u00a0(2018),\u00a0Marsej\u00eb<\/a>\u00a0(2020) dhe\u00a0Prishtin\u00eb<\/a>\u00a0(2022).<\/p>\n

\"\"<\/div>\n

Prej sinjaleve n\u00eb substanc\u00eb<\/strong><\/p>\n

Nomade p\u00ebr nga zanafilla, Manifesta gjithmon\u00eb \u00ebsht\u00eb p\u00ebrshtatur \u00e7do t\u00eb dytin vit me kontekste t\u00eb reja, duke skicuar korniz\u00ebn gjeopolitike dhe duke ndryshuar modelet e saj organizative dhe artistike p\u00ebr t\u2019u ngulitur n\u00eb realitetet shoq\u00ebrore dhe kulturore t\u00eb qyteteve nikoqire. Manifesta mobilizon aktor\u00eb, organizata dhe inistitucione vendore, hulumton dhe ringjall\u00eb modele t\u00eb reja t\u00eb bashk\u00ebpunimit, bashk\u00ebprodhimit, bashk\u00ebjetes\u00ebs dhe politikb\u00ebrjes kulturore. Protestat e fundit b\u00ebhen n\u00eb nj\u00eb moment t\u00eb posa\u00e7\u00ebm historic, t\u00eb karakterizuar nga muret e reja q\u00eb po nd\u00ebrtohen: mure n\u00eb enklavat europiane n\u00eb Afrik\u00ebn e Veriut, Europ\u00ebn Nordike, republikat baltike dhe Ballkan; mure virtuale, si\u00e7 jan\u00eb sistemet biometrike t\u00eb kontrollit t\u00eb kufive; mure ujore dhe muret mendore, t\u00eb cilat shfaqen si pasoj\u00eb e rritjes s\u00eb ksenofobis\u00eb, politik\u00ebs s\u00eb frik\u00ebs dhe sekuritizimit gjithnj\u00eb e m\u00eb t\u00eb madh t\u00eb Bashkimit Europian.[1]<\/a><\/p>\n

Gjat\u00eb p\u00ebrgatitjeve p\u00ebr Manifesta 10 n\u00eb Muzeun Hermitage t\u00eb Sh\u00ebn Pet\u00ebrburgut m\u00eb 2014, shtypja e disident\u00ebve dhe pakicave ishte rritur n\u00eb m\u00ebnyr\u00eb dramatike kur Vladimir Putini zbatoi\u00a0ligjet<\/a>\u00a0fam\u00ebkeqe t\u00eb propagand\u00ebs s\u00eb homoseksual\u00ebve. N\u00eb pranver\u00eb, disa muaj para se t\u00eb niste Manifesta 10, Revolucioni Ukrainas shkaktoi moment t\u00eb papritur e vendimtar dhe Putini urdh\u00ebroi rianeksimin ilegal t\u00eb Gadishullit t\u00eb Krimes\u00eb n\u00eb Ukrain\u00eb, t\u00eb pasuar nga lufta e paligjshme n\u00eb Donbas. Midis k\u00ebtij p\u00ebrshkall\u00ebzimi t\u00eb dhun\u00ebs, prania e Manifest\u00ebs n\u00eb Sh\u00ebn Pet\u00ebrburg u p\u00ebrfol shum\u00eb sa i p\u00ebrket autonomis\u00eb vendimtare t\u00eb bienal\u00ebve n\u00eb p\u00ebrgjith\u00ebsi. Nj\u00eb grup nd\u00ebrkomb\u00ebtar artist\u00ebsh dhe kurator\u00ebsh b\u00ebn\u00eb thirrje p\u00ebr\u00a0bojkotimin<\/a>\u00a0e Manifesta 10, p\u00ebr t\u00eb cil\u00ebn than\u00eb se nuk do t\u00eb duhej t\u00eb mbahej n\u00eb nj\u00eb shtet gjithnj\u00eb e m\u00eb despotik si Rusia. P\u00ebrkund\u00ebr k\u00ebsaj kritike t\u00eb ve\u00e7ant\u00eb, shumica e aktivist\u00ebve politik\u00eb n\u00eb Sh\u00ebn Pet\u00ebrburg k\u00ebrkonin q\u00eb Manifesta t\u00eb mbahej, t\u00eb bindur se bienalja do t\u00eb ofronte nj\u00eb struktur\u00eb mb\u00ebshtetjeje dhe platform\u00eb kritike p\u00ebr z\u00ebrat disidente t\u00eb Rusis\u00eb dhe madje mund t\u00eb sh\u00ebrbente si strategji p\u00ebr rezistenc\u00eb.<\/p>\n

Gjat\u00eb k\u00ebtij edicioni sfidues t\u00eb Manifesta 10, Leoluca Orlando, kryetari i mir\u00ebnjohur anti-mafia i Palermos, dhe Andrea Cusumano, K\u00ebshilltari p\u00ebr Kultur\u00eb i Palermos, shpreh\u00ebn d\u00ebshir\u00ebn q\u00eb t\u00eb presin Manifest\u00ebn n\u00eb Palermo m\u00eb 2018, si nj\u00eb inkubator p\u00ebr ndryshim shoq\u00ebror. Ata shpresonin se Manifesta mund t\u00eb b\u00ebhej instrument q\u00eb qytetar\u00ebt e Palermos t\u00eb rimarrin qytetin e tyre, i cili po kalbej nga dhuna e sistemeve kriminale dhe korruptive. Nuk isha e sigurt se modeli i Manifest\u00ebs, si organizat\u00eb sh\u00ebtit\u00ebse q\u00eb v\u00eb n\u00eb pun\u00eb krijimtari t\u00eb artit bashk\u00ebkohor n\u00eb hap\u00ebsira t\u00eb ve\u00e7anta, ishte e p\u00ebrgatitur q\u00eb t\u00eb menaxhonte nj\u00eb k\u00ebrkes\u00eb sa t\u00eb nd\u00ebrlikuar aq t\u00eb ndjeshme. P\u00ebrball sfidave n\u00eb Sh\u00ebn Pet\u00ebrsburg dhe ftes\u00ebs p\u00ebr t\u00eb shkuar n\u00eb Palermo, un\u00eb k\u00ebrkova me ngulm transformimin e Manifest\u00ebs, duke e shnd\u00ebrruar nga nj\u00eb varg ekspozitash nj\u00ebdisiplinore dhe t\u00eb kuruar n\u00eb platform\u00eb shum\u00ebdisiplinore q\u00eb prodhon dije dhe k\u00ebrkim, duke u p\u00ebrqendruar m\u00eb shum\u00eb n\u00eb bashk\u00ebkrijimtarit\u00eb vendore se sa te audiencat nd\u00ebrkomb\u00ebtare. Manifesta 12 futi n\u00eb pun\u00eb nj\u00eb metodologji m\u00eb p\u00ebfshir\u00ebse, pragmatike dhe t\u00eb qendrueshme p\u00ebr t\u00eb transformuar Manifest\u00ebn n\u00eb platform\u00eb me substanc\u00eb dhe duke ofruar vler\u00eb p\u00ebr qytetar\u00ebt e qytetit. Pra, prej sinjaleve n\u00eb substanc\u00eb n\u00ebnkupton aspirat\u00ebn e Manifest\u00ebs q\u00eb t\u00eb b\u00ebhet partner kuptimplot\u00eb p\u00ebr t\u00eb pararfytyruar nj\u00eb shoq\u00ebri m\u00eb t\u00eb q\u00ebndrueshme dhe m\u00eb p\u00ebrfshir\u00ebse p\u00ebr qytetar\u00ebt e qyteteve tona nikoqire.<\/p>\n

\"\"<\/p>\n

Atlaset, \u2018Puzzle\u201d dhe t\u00eb P\u00ebrbashk\u00ebtat: Hapja e horizonteve europiane<\/strong><\/p>\n

Si i ktheu n\u00eb fakt Maifesta sinjalet n\u00eb substanc\u00eb? Manifesta mund t\u00eb p\u00ebrshkruhet m\u00eb s\u00eb miri si ekuilib\u00ebr mes beniales autonome artistike ku nd\u00ebrhyrjet simbolike, n\u00eb koh\u00eb reale dhe shprehjet estetike prodhohen kundrejt nism\u00ebs shum\u00ebpal\u00ebshe dhe si prodhuese e instrumenteve qytetare p\u00ebr t\u00eb stimuluar qytetar\u00ebt q\u00eb t\u00eb rimarrin qytetin e tyre. Me prezentimin e nj\u00eb studimi urban para bienal\u00ebs q\u00eb sh\u00ebrben si plan p\u00ebr ekipin e kurator\u00ebve q\u00eb t\u00eb kuptoj\u00eb kontekstin n\u00eb Manifesta 12, Ippolito Pestellini Laparelli dhe ekpi i tij nga zyra e arkitektur\u00ebs\u00a0OMA<\/a>\u00a0me seli n\u00eb Roterdam u angazhuan p\u00ebr t\u00eb kryer identifikimin shm\u00ebdisiplinor t\u00eb aspekteve kryesore urbane t\u00eb Palermos, q\u00eb rezultoi n\u00eb publikimin\u00a0Palermo Atlas<\/em><\/a>.\u00a0<\/em>Prezentimi i nj\u00eb studimi urban kishte disa motive. Ai qe p\u00ebrgjigje e drejtp\u00ebrdrejt\u00eb ndaj transformimit ton\u00eb prej nj\u00eb maqine ekspozitash n\u00eb platform\u00eb me p\u00ebrqendrim urban, duke marr\u00eb pjes\u00eb n\u00eb diskutimet m\u00eb t\u00eb gj\u00ebra p\u00ebr neoliberalizmin dhe zot\u00ebrimin e qyteteve. Ai qe gjithashtu p\u00ebrgjigje ndaj sfid\u00ebs q\u00eb paraqiti ftesa e Orlandos, q\u00eb kishte t\u00eb b\u00ebnte me Manifest\u00ebn 12 si instrument t\u00eb drejtp\u00ebrdrejt\u00eb p\u00ebr t\u00eb ndihmuar qytetar\u00ebt e Palermos q\u00eb t\u00eb rimarrin n\u00eb zot\u00ebrim qytetin e tyre pas 50 vitesh okupim nga organizatat kriminale.<\/p>\n

Me shkrirjen e specializimeve t\u00eb ndryshme n\u00eb nj\u00eb ekip shum\u00ebdisiplinor t\u00eb nd\u00ebrmjet\u00ebsuesve kreativ\u00eb, p\u00ebrfshi k\u00ebtu gazetar\u00eb, kineast\u00eb, arkitekt\u00eb dhe teoricien\u00eb kritik\u00eb, dhe duke rr\u00ebnjosur p\u00ebrpjekjet kuratoriale n\u00eb k\u00ebrkime gjithp\u00ebrfshir\u00ebse urbane, Manifesta 12 u p\u00ebrpoq t\u00eb zgjeronte ndikimin e saj p\u00ebrtej p\u00ebrfshirjes s\u00eb audiencave me artin bashk\u00ebkohor, duke u ofruar qytetar\u00ebve t\u00eb Palermos mund\u00ebsi p\u00ebr t\u00eb p\u00ebrfytyruar t\u00eb ardhmen e qytetit t\u00eb tyre. Fal\u00eb k\u00ebtij suksesi, Manifesta 13 paraqiti nj\u00eb studim p\u00ebr Marsej\u00ebn, qytetin e dyt\u00eb francez p\u00ebr nga madh\u00ebsia:\u00a0Le Grand Puzzle<\/em><\/a>.\u00a0<\/em>Hulumtimi u porosit nga Manifesta dhe u realizua nga Winy Maas, arkitekt kryesor i\u00a0MVRDV<\/a>-s\u00eb, dhe ekipi i tij nga\u00a0The Why Factory<\/a>, n\u00eb bashk\u00ebpunim me Shkoll\u00ebn e Lart\u00eb Komb\u00ebtare t\u00eb\u00a0Arkitektur\u00ebs<\/a>\u00a0n\u00eb Marsej\u00eb,\u00a0Kolegjin e Artit<\/a>\u00a0dhe Dizajnit e Marsej\u00ebs dhe Universitetin e Teknologjis\u00eb e\u00a0Delftit<\/a>. Ky studim i Marsej\u00ebs kishte p\u00ebr q\u00ebllim t\u00eb krijonte lidhje m\u00eb t\u00eb forta dhe m\u00eb t\u00eb af\u00ebrta me komunitetet shpesh t\u00eb padukshme, si dhe t\u00eb nd\u00ebrmjet\u00ebsonte tregimet e tyre t\u00eb pad\u00ebgjuara dhe historit\u00eb e nd\u00ebrlikuara t\u00eb Marsej\u00ebs. Studimi ofroi nj\u00eb pasqyr\u00eb t\u00eb k\u00ebtij qyteti port francez, kryesisht i klas\u00ebs pun\u00ebtore, dhe nxori n\u00eb shesh mund\u00ebsit\u00eb, \u00ebndrrat, domosdoshm\u00ebrit\u00eb dhe kompleksitetet e qytetit, gj\u00eb q\u00eb rezultoi n\u00eb nj\u00eb \u2018puzzle\u2019 t\u00eb madh q\u00eb i ngjan mozaikut. Prej k\u00ebtyre t\u00eb gjeturave, u propozuan disa nd\u00ebrhyrje hap\u00ebsinore, q\u00eb shtruan rrug\u00ebn p\u00ebr nj\u00eb m\u00ebnyr\u00eb t\u00eb re sociokulturore dhe gjeografike t\u00eb qeverisjes s\u00eb qytetit. P\u00ebrfundimisht,\u00a0Le Grand Puzzle<\/em>\u00a0qe veg\u00ebl p\u00ebr qytetar\u00ebt q\u00eb t\u00eb rimendojn\u00eb potencialin e qytetit t\u00eb tyre dhe zon\u00ebs p\u00ebrreth pa k\u00ebrkuar nj\u00eb zgjidhje absolute apo nj\u00eb pik\u00ebpamje t\u00eb vetme p\u00ebr k\u00ebt\u00eb qytet t\u00eb nd\u00ebrlikuar.<\/p>\n

P\u00ebr t\u00eb realizuar Manifesta 14 Prishtina, jemi bazuar n\u00eb p\u00ebrvojat tona t\u00eb fundit t\u00eb pun\u00ebs n\u00eb Palermo dhe Marsej. Duke u mb\u00ebshtetur n\u00eb m\u00ebsimet q\u00eb kemi nxjerr\u00eb prej atyre edicioneve, nd\u00ebrkoh\u00eb q\u00eb jemi zhytur n\u00eb situatat e Prishtin\u00ebs, kemi p\u00ebrfituar vizionin urban, nd\u00ebrhyrjet simbolike, transformimet artistike participuese dhe afatgjate, dhe sondazhet publike me fokus n\u00eb r\u00ebnd\u00ebsin\u00eb e kultur\u00ebs p\u00ebr mir\u00ebqenien e bashk\u00ebsive. Motivacioni i qytetit t\u00eb Prishtin\u00ebs p\u00ebr t\u00eb transformuar dhe ringjallur hap\u00ebsir\u00ebn publike magjepsi ekipin ton\u00eb, duke i dh\u00ebn\u00eb trajt\u00eb narrativ\u00ebve dhe praktikave tona, ashtu edhe p\u00ebrpjekjeve tona p\u00ebr nd\u00ebrtim kapacitetesh, ve\u00e7an\u00ebrisht n\u00eb arsim dhe nd\u00ebrmjet\u00ebsim. P\u00ebr pjes\u00ebn urbane dhe arkitektonike, Manifesta 14 u frym\u00ebzua nga zyra e arkitektur\u00ebs\u00a0CRA<\/a>-Carlo Ratti Associates, me seli n\u00eb Torino, q\u00eb \u00ebsht\u00eb Nd\u00ebrmjet\u00ebsuesi Kreativ i par\u00eb i joni. Ratti dhe ekipi i tij krijuan nj\u00eb vizion urban bashke me MIT\u00a0Senseable<\/a>\u00a0City Lab, t\u00eb bazuar n\u00eb hulumtimin n\u00eb terren. Vizioni kulmoi me shtyll\u00ebn programore\u00a0Commons Sense<\/em><\/a>\u00a0[Sensi i t\u00eb P\u00ebrbashk\u00ebtave]<\/em>, q\u00eb p\u00ebrqendrohet n\u00eb urbanizmin participues p\u00ebr t\u00eb krijuar zgjidhje urbane t\u00eb q\u00ebndrueshme. Duke marr\u00eb parasysh munges\u00ebn e hap\u00ebsirave publike t\u00eb qasshme n\u00eb Prishtin\u00eb, Manifesta 14 i kushtohet krijimit jo vet\u00ebm t\u00eb hap\u00ebsirave t\u00eb reja publike, por gjithashtu rimarrjes s\u00eb atyre ekzistuese dhe t\u00eb privatizuara, p\u00ebr t\u00eb funksionuar si pik\u00ebtakime dhe inkubator\u00eb t\u00eb ndryshimit.<\/p>\n

Manifesta 14 \u00ebsht\u00eb zhvilluar p\u00ebrmes nj\u00eb morie nd\u00ebrhyrjesh urbane, q\u00eb sillen rreth disa vendndodhjeve n\u00ebp\u00ebr Prishtin\u00eb t\u00eb bazuara n\u00eb k\u00ebt\u00eb vizion urban, p\u00ebrfshi Hotelin Grand dhe ish Fabrik\u00ebn e Tullave. Manifesta ftoi qytetar\u00ebt e Prishtin\u00ebs n\u00eb ver\u00ebn e vitit 2020 q\u00eb t\u00eb vizitojn\u00eb dhe nd\u00ebrveprojn\u00eb me k\u00ebt\u00eb nd\u00ebrhyrje urbane n\u00eb zona t\u00eb ndryshme t\u00eb qytetit. Nd\u00ebrhyrja e par\u00eb u b\u00eb n\u00eb hap\u00ebsir\u00ebn e braktisur t\u00eb Fabrik\u00ebs s\u00eb Tullave, nd\u00ebrtes\u00ebn m\u00eb t\u00eb r\u00ebnd\u00ebsishme postindustriale t\u00eb Prishtin\u00ebs. Duke krijuar nje \u201cdhom\u00eb ndeje urbane\u201d, nd\u00ebrhyrja nxiti debat lidhur me at\u00eb se si mund t\u00eb p\u00ebrdoret hap\u00ebsira, si mund t\u00eb jet\u00eb e qasshme p\u00ebr komunitetin, dhe si mund t\u00eb b\u00ebhet pjes\u00eb e infrastruktur\u00ebs s\u00eb qytetit.<\/p>\n

\u00c7far\u00eb tregohet n\u00eb\u00a0Palermo Atlas, Le Grand Puzzle\u00a0<\/em>dhe\u00a0Commons Sense<\/em>, \u00ebsht\u00eb se si analizat e \u00e7rregullta horizontale t\u00eb (hi)storive t\u00eb zbuluara, fakteve t\u00eb mbushura me t\u00eb dh\u00ebna, miteve dhe fiksioneve mund t\u00eb b\u00ebhen horizont p\u00ebr t\u00eb parafytyruar nj\u00eb t\u00eb ardhme tjet\u00ebr p\u00ebr qytetin. K\u00ebto studime mb\u00ebshtesin pohimin se qytetet bashk\u00ebkohore p\u00ebrreth Mesdheut dhe Ballkanit Per\u00ebndimor ballafaqohen me kriza ekologjike, por gjithashtu tregojn\u00eb se ekologjit\u00eb jan\u00eb gjithnj\u00eb e m\u00eb shum\u00eb t\u00eb g\u00ebrshetuara me historit\u00eb e gjata t\u00eb konfliktit shoq\u00ebror dhe njer\u00ebzor, ose mund\u00ebsisht krizave demokratike. Si burim t\u00eb dh\u00ebnash, imazhesh, gjenealogjish dhe tregimesh p\u00ebr qytetet, hulumtimi krijon \u201cnj\u00eb mozaik fragmentesh dhe identitetesh q\u00eb rrjedhin prej shekujve p\u00ebrplasjesh dhe shk\u00ebmbimesh,\u201d shkruan Ippolito Pestellini Laparelly n\u00eb\u00a0Palermo Atlas.\u00a0<\/em>Studimet tregojn\u00eb se si e ardhmja e qytetit mund t\u00eb krijohet me imagjinat\u00eb dhe guxim qytetar. Jam e bindur se studimet tona urbane prodhojn\u00eb nj\u00eb estetik\u00eb t\u00eb reales dhe k\u00ebshtu mund t\u00eb konsiderohen si form\u00eb e komonizmit [t\u00eb p\u00ebrbashk\u00ebt\u00ebs], si\u00e7 shtjellohet nga Nico Dockx dhe Pascal Gielen n\u00eb hyrje t\u00eb\u00a0Commonism<\/em><\/a>:\u00a0 A New Aesthetics of the Real<\/em>. T\u00eb prodhuarit e nj\u00eb shum\u00ebsie narrativ\u00ebsh dhe nj\u00eb fragmentimi metodik pik\u00ebpamjesh mbi Palermon, Marsej\u00ebn dhe Prishtin\u00ebn \u00ebsht\u00eb \u201cm\u00ebnyr\u00eb e t\u00eb menduarit t\u00eb nj\u00eb bote m\u00eb t\u00eb mir\u00eb e m\u00eb t\u00eb bukur q\u00eb shp\u00ebrfaqet n\u00eb kufirin mes fiksionit dhe joletrares, imagjinat\u00ebs dhe realitetit, utopizmit dhe realizmit,\u2019 q\u00eb tregon se si \u201cfiksioni mund t\u00eb b\u00ebhet realitet dhe se si nd\u00ebrtohet realiteti n\u00eb hijet e imagjinatave njer\u00ebzore.[2]<\/a>\u201d<\/p>\n

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Reale p\u00ebr k\u00eb?<\/strong><\/p>\n

P\u00ebrve\u00e7\u00a0Le Grand Puzzle,\u00a0<\/em>kemi paraqitur nj\u00eb projekt tjet\u00ebr k\u00ebrkimi n\u00eb Manifesta 13 p\u00ebr t\u00eb shoq\u00ebruar nj\u00eb studim p\u00ebrfshir\u00ebs dhe t\u00eb thell\u00eb t\u00eb Marsej\u00ebs.\u00a0Le Tour<\/em><\/a>\u00a0de Tous les Possibles\u00a0<\/em>bashkoi qytetar\u00ebt n\u00eb eksplorimin e mjeteve alternative t\u00eb p\u00ebrcaktimit t\u00eb ekzistenc\u00ebs s\u00eb tyre n\u00eb qytet dhe fitimit t\u00eb terreneve t\u00eb reja p\u00ebr solidaritet, ose ndryshe aleancave t\u00eb papritura. Jan\u00eb p\u00ebrfytyruar dhe formuar mund\u00ebsi t\u00eb reja p\u00ebr jet\u00eb n\u00eb qytet n\u00eb m\u00eb shum\u00eb se 22 Konsulta me Qytetar\u00eb, duke bashkuar njer\u00ebzit e Marsej\u00ebs t\u00eb t\u00eb gjith\u00eb profesioneve. Rreth 500 njer\u00ebz nga Marseja mor\u00ebn pjs\u00eb n\u00eb shk\u00ebmbimin dhe prodhimin e narrativ\u00ebve alternativ\u00eb dhe projekteve e ideve jo t\u00eb zakonshme, si n\u00eb takime t\u00eb drejtp\u00ebrdrejta dhe online. P\u00ebr t\u00eb nxitur diskutimin, takimet u bazuan n\u00eb pjes\u00eb nga\u00a0Le Grand Puzzle<\/em>, duke ftuar qytetar\u00ebt t\u00eb diskutojn\u00eb rolin q\u00eb ata si individ\u00eb s\u00eb bashku me qytetin dhe Europ\u00ebn do t\u00eb mund t\u00eb luanin n\u00eb transormimin e qytetit t\u00eb tyre.<\/p>\n

T\u00eb zhvilluarit e k\u00ebtyre pun\u00ebtorive me qytetar\u00eb p\u00ebr Manifesta 13 Marsej\u00eb, si form\u00eb e demokracis\u00eb s\u00eb drejtp\u00ebrdrejt\u00eb, qe p\u00ebrgjigje ndaj nj\u00eb varg ngjarjesh n\u00eb qytet. K\u00ebto ngjarje kishin t\u00eb b\u00ebnin me infrastruktur\u00ebn e nd\u00ebrlikuar t\u00eb Marsej\u00ebs dhe me raste, kushtet e dob\u00ebta t\u00eb jetes\u00ebs, ndotjen dhe \u00e7\u00ebshtjet e mobilitetit q\u00eb ndihen n\u00eb shumic\u00ebn e qyteteve t\u00eb m\u00ebdha t\u00eb Europ\u00ebs. N\u00eb tetor 2018, gjat\u00eb p\u00ebrgatitjeve p\u00ebr Manifesta 13, u formua l\u00ebvizja organike Jelek\u00ebt e Verdh\u00eb. Nd\u00ebrsa n\u00eb Marsej\u00eb nj\u00eb tragjedi sh\u00ebnoi lindjen e nj\u00eb solidariteti t\u00eb pashoq mes qytetar\u00ebve. N\u00eb n\u00ebntor 2018, dy pallate n\u00eb gjendje t\u00eb keqe u shemben n\u00eb rue d\u2019Aubagne, n\u00eb zem\u00ebr t\u00eb qytetit, duke vrar\u00eb tet\u00eb banor\u00eb.[3]<\/a>\u00a0Menj\u00ebher\u00eb pas k\u00ebsaj ngjarjeje tragjike, qytetar\u00ebt u bashkuan n\u00eb bashk\u00ebsi t\u00eb ndryshme. Pun\u00ebtorit\u00eb tona me qytetar\u00eb p\u00ebrb\u00ebnin at\u00eb q\u00eb Zhak Ransier [Jacques Ranci\u00e8re] e ka p\u00ebrkshkruar si sistem estetik, retorik dhe t\u00eb arsyesh\u00ebm \u201ct\u00eb fakteve t\u00eb vet\u00ebkuptueshme t\u00eb perceptimit shqisor q\u00eb n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb nxjerrin n\u00eb shesh ekzistenc\u00ebn e di\u00e7kaje t\u00eb p\u00ebrbashk\u00ebt dhe p\u00ebrvij\u00ebzimet q\u00eb p\u00ebrkufizojn\u00eb pjes\u00ebt dhe pozicionet p\u00ebrgjegj\u00ebse [n\u00eb t\u00eb p\u00ebrbashk\u00ebt\u00ebn]\u2019.[4]<\/a>\u00a0Pati takime n\u00eb burgje, shkolla, dyqane dhe hap\u00ebsira publike, t\u00eb cilat e b\u00ebn\u00eb politiken t\u2019i bashkohet sociales, q\u00eb sipas Antonio Negrit \u00ebsht\u00eb koncept themelor i nj\u00eb tubimi: Tash, sot, e kemi mund\u00ebsin\u00eb t\u00eb transformojm\u00eb tubimin n\u00eb forc\u00eb. Ngase ajo \u00ebsht\u00eb politika: dh\u00ebnia e forc\u00ebs. Ose, ajo \u00ebsht\u00eb estetika, n\u00ebse duam t\u00eb p\u00ebrdorim at\u00eb term: t\u00eb jap\u00ebsh form\u00eb dhe forc\u00eb.[5]<\/a><\/p>\n

P\u00ebr edicionin Manifesta 14 Prishtina kemi krijuar\u00a0Konsultime<\/a>\u00a0nd\u00ebrsektoriale me qytetar\u00eb n\u00eb zona urbane dhe rurale, p\u00ebr t\u00eb kuptuar \u00e7far\u00eb n\u00ebnkuptojn\u00eb njer\u00ebzit me kultur\u00ebn e tyre dhe relevanc\u00ebn e kultur\u00ebs s\u00eb tyre. I kemi p\u00ebrkthyer k\u00ebto t\u00eb gjetura n\u00eb programet tona t\u00eb edukimit, artistike dhe t\u00eb tjera, por gjithashtu n\u00eb p\u00ebrb\u00ebrjen e ekipit, hap\u00ebsirat dhe caktimin e projekteve afatgjate. E ardhmja e qytetit mund t\u00eb krijohet me imagjinat\u00eb, transofrmim dhe guxim qytetar. Kjo perspektiv\u00eb funksionon vet\u00ebm duke p\u00ebrfshir\u00eb komunitete t\u00eb ndryshme dhe publikun p\u00ebrmes nj\u00eb morie aktivitetesh, si n\u00eb fokus grupe ashtu edhe n\u00eb studime kuantitative. Forumi i Hapur, t\u00eb cilin e kemi organizuar n\u00eb shkurt 2022 p\u00ebr t\u00eb nd\u00ebrvepruar me sektorin e kultur\u00ebs, ofroi mund\u00ebsi p\u00ebr t\u00eb eksploruar dhe reflektuar bashkarisht me qytetar\u00ebt mbi kompleksitetin e peizazhit kulturor t\u00eb Prishtin\u00ebs.<\/p>\n

Pik\u00ebrisht n\u00eb k\u00ebt\u00eb l\u00ebkundje si lavjerr\u00ebs mes form\u00ebs dhe forces t\u00eb p\u00ebrshkruar nga Negri, propozoj q\u00eb t\u00eb vendosim modelin e riformatuar t\u00eb Manifest\u00ebs, q\u00eb merr n\u00eb gji l\u00ebvizjet sociopolitike dhe mosmarr\u00ebveshjet q\u00eb hasen (p\u00ebrs\u00ebri) sot n\u00eb qytetet tona nikoqire n\u00eb Europ\u00eb, t\u00eb cilat nga ana e tyre frym\u00ebzojn\u00eb metodologjit\u00eb e Manifest\u00ebs q\u00eb luhaten mes artit dhe sociologjis\u00eb. T\u00eb analizosh gj\u00ebr\u00ebsisht kufijt konceptual dhe dallimet mes artit dhe strukturave sociopolitike sipas meje \u00ebsht\u00eb e pavend, meq\u00eb t\u00eb dyja jan\u00eb praktika estetike-konstituive. P\u00ebrkundrazi, Manifesta \u00ebsht\u00eb e interesuar n\u00eb sintez\u00ebn dhe bashk\u00ebpunimin mes Manifest\u00ebs dhe institucioneve publike t\u00eb nikoqirit dhe qytetar\u00ebve t\u00eb tij, duke gjetur m\u00ebnyra p\u00ebr t\u00eb b\u00ebr\u00eb t\u00eb mundur prodhimtarin\u00eb e praktikave artistike dhe politike, q\u00eb jan\u00eb b\u00ebr\u00eb nj\u00ebkoh\u00ebsisht nj\u00eb dhe shum\u00eb, duke demonstruar m\u00ebnyra t\u00eb p\u00ebrbashk\u00ebta t\u00eb pun\u00ebs, kujdesit, jetes\u00ebs dhe vdekj\u00ebs n\u00eb qytet.<\/p>\n

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Programimi i Aleancave<\/strong><\/p>\n

N\u00eb Marsej\u00eb, bashk\u00ebpunimi i hersh\u00ebm i Manifest\u00ebs me partner\u00eb dhe qytetar\u00eb vendor\u00eb ktheu v\u00ebmendjen te nj\u00eb tjet\u00ebr audienc\u00eb. N\u00eb vend t\u00eb audiencave nd\u00ebrkomb\u00ebtare q\u00eb kan\u00eb vizituar tradicionalisht bienalen, Manifesta filloi t\u00eb prioritizoj\u00eb marr\u00ebdh\u00ebniet m\u00eb t\u00eb ngadalshme dhe m\u00eb pak spektakolare q\u00eb jan\u00eb formuar mes bashk\u00ebsive vendore nga metropoli. Kjo audienc\u00eb e re k\u00ebrkon forma alternative t\u00eb nd\u00ebrmjet\u00ebsimit dhe lyp bashk\u00ebprodhime dhe struktura m\u00eb intime mes Manifest\u00ebs dhe qytetit. Ky ndryshim zgjeron edhe m\u00eb tej struktur\u00ebn n\u00eb t\u00eb cil\u00ebn disa modele t\u00eb programimit dhe angazhimit artistik funskionojn\u00eb pran\u00eb nj\u00ebra tjetr\u00ebs, duke kund\u00ebrshtuar \u00e7do form\u00eb t\u00eb hierarkis\u00eb.<\/p>\n

N\u00eb Prishtin\u00eb kemi braktisur hierarkin\u00eb duke u b\u00ebr\u00eb radikalisht m\u00eb lokal\u00eb, duke m\u00ebsuar dhe duke p\u00ebr\u00e7uar z\u00ebrin e prishtinasve. Nuk do t\u00eb ket\u00eb program kryesor apo paralel, por thjesht tregime q\u00eb shtjellojn\u00eb vendndodhjet, hap\u00ebsirat dhe historit\u00eb e ndryshme t\u00eb qytetit. Prandaj, p\u00ebr her\u00eb t\u00eb par\u00eb, Manifesta ka stimuluar p\u00ebrfshirjen e aktivist\u00ebve joinstiticional\u00eb dhe subkulturor\u00eb, si dhe l\u00ebvizjet e aktivist\u00ebve t\u00eb artit q\u00eb p\u00ebrfaq\u00ebsojn\u00eb shumic\u00ebn d\u00ebrrmuese t\u00eb talentit kosovar brenda bienal\u00ebs, krahas nj\u00eb s\u00ebr\u00eb institucionesh me ndikim q\u00eb p\u00ebrkufizojn\u00eb ekosistemin kulturor t\u00eb pasur dhe dinamik t\u00eb Prishtin\u00ebs. Kjo do t\u00eb thot\u00eb se pjes\u00ebmarr\u00ebsit kosovar\u00eb jan\u00eb t\u00eb ekuilibruar, barabar me t\u00eb gjith\u00eb partner\u00ebt dhe pjes\u00ebmarr\u00ebsit nd\u00ebrkomb\u00ebtar\u00eb n\u00eb bienale, duke na ftuar t\u00eb zhvillojm\u00eb modalitete t\u00eb ndryshme t\u00eb pun\u00ebs transdisiplinore n\u00eb nj\u00eb perspektiv\u00eb bienaleje. Manifesta 14 ka krijuar gjithashtu nj\u00eb shteg rajonal q\u00eb lidh programin e Prishtin\u00ebs me partner\u00ebt kulturor\u00eb t\u00eb rajonit p\u00ebrmes\u00a0Projektit<\/a>\u00a0Ballkani Per\u00ebndimor dhe q\u00eb themelon rrjet t\u00eb q\u00ebndruesh\u00ebm.<\/p>\n

N\u00eb nj\u00eb bot\u00eb q\u00eb ndryshon, Manifesta \u00ebsht\u00eb gjithashtu duke eksperimentuar me modele t\u00eb reja demokratike t\u00eb kurimit. N\u00eb Marsej\u00eb, programi i trefisht\u00eb i Manifesta 13 p\u00ebrfshinte: nj\u00eb program t\u00eb jasht\u00ebm t\u00eb kuruar me nj\u00eb ekip specialist\u00ebsh nd\u00ebrkomb\u00ebtar\u00eb; nj\u00eb program q\u00eb lidh institucionet, galerit\u00eb, artist\u00ebt dhe kurator\u00ebt e vendit; si dhe nj\u00eb program t\u00eb edukimit dhe t\u00eb nd\u00ebrmjet\u00ebsimit. P\u00ebrgjat\u00eb dy viteve t\u00eb fundit, p\u00ebr t\u00eb krijuar nj\u00eb trash\u00ebgimi m\u00eb t\u00eb prekshme p\u00ebr Prishtin\u00ebn, kemi punuar bashkarisht dhe p\u00ebr s\u00eb af\u00ebrmi me urbanist\u00eb, profesionist\u00eb t\u00eb kultur\u00ebs, artist\u00eb dhe mendimtar\u00eb nga Prishtina. Duke u p\u00ebrqendruar n\u00eb k\u00ebrkim dhe prodhim t\u00eb dijes, Manifesta ka zbatuar strategji t\u00eb bazuara n\u00eb nevojat dhe interesat e bashk\u00ebsive lokale me nj\u00eb ambicie p\u00ebr t\u00eb eksploruar praktika t\u00eb reja dhe m\u00ebnyra t\u00eb reja t\u00eb t\u00eb m\u00ebsuarit dhe \u00e7m\u00ebsuarit.<\/p>\n

Ndryshimi i madh q\u00eb paralajm\u00ebrova ka t\u00eb b\u00ebj\u00eb me zhvillimin e projekteve institucionale m\u00eb afatgjate, ku Manifesta \u00ebsht\u00eb nism\u00ebtare dhe s\u00eb bashku me ekipin vendor vendos\u00eb parametrat dhe transferon projektin atyre q\u00eb pastaj mund ta mir\u00ebmbajn\u00eb. K\u00ebshtu pra, ne ende prodhojm\u00eb projekte artistike, por gjithashtu vendosim modele t\u00eb reja t\u00eb institucioneve t\u00eb artit dhe t\u00eb m\u00ebsimit, modele alternative t\u00eb nd\u00ebrmjet\u00ebsimit, dhe alternativa p\u00ebr \u00e7\u00ebshtje t\u00eb mobilitetit dhe ambientit. P\u00ebr \u00e7do edicion dhe \u00e7do \u00e7\u00ebshtje, po ftoj praktikuesit m\u00eb t\u00eb mir\u00eb p\u00ebr t\u00eb krijuar \u00ebndrra imagjinare s\u00eb bashku. N\u00eb t\u00eb gjitha k\u00ebto qytete t\u00eb Manifest\u00ebs, bashk\u00ebsit\u00eb dhe qytetar\u00ebt jan\u00eb t\u00eb ndar\u00eb prej komuniteteve artistike. Nj\u00eb pjes\u00eb e madhe e pun\u00ebs ton\u00eb \u00ebsht\u00eb q\u00eb t\u2019i bashkojm\u00eb polet dhe t\u2019i stimulojm\u00eb q\u00eb t\u00eb gjenj\u00eb m\u00ebnyra t\u00eb reja p\u00ebr bashk\u00ebpunim. Nj\u00eb projekt i suksessh\u00ebm n\u00eb Marsej\u00eb ka qen\u00eb themelimi i nj\u00eb qendre arti n\u00eb komunitet n\u00eb nj\u00eb lagje t\u00eb l\u00ebn\u00eb anash ku bashk\u00ebsit\u00eb dhe pun\u00ebtor\u00ebt e kultur\u00ebs i japin z\u00eb tregimeve t\u00eb pad\u00ebgjuara, e cila qend\u00ebr tash \u00ebsht\u00eb kthyer n\u00eb nj\u00eb institucion t\u00eb p\u00ebrhersh\u00ebm.<\/p>\n

Gjat\u00eb p\u00ebrgatitjes p\u00ebr k\u00ebt\u00eb edicion n\u00eb Prishtin\u00eb, kam ndjer\u00eb nj\u00eb q\u00ebllim t\u00eb urgjent p\u00ebr pranin\u00eb e Manifest\u00ebs n\u00eb k\u00ebt\u00eb pjes\u00eb t\u00eb Europ\u00ebs, ku mund t\u00eb bashk\u00ebkrijojm\u00eb projekte t\u00eb q\u00ebndrueshme n\u00eb zona si urbanizmi dhe ekologjia, ashtu si edhe t\u00eb rrisim pranin\u00eb e institucioneve shum\u00ebdisiplinore dhe nismave t\u00eb edukimit. N\u00eb k\u00ebt\u00eb kuptim, Manifesta vazhdon t\u00eb jet\u00eb platform\u00eb p\u00ebr ekperimentim q\u00eb prej edicionit ton\u00eb t\u00eb par\u00eb n\u00eb Roterdam m\u00eb 1996. N\u00eb Kosov\u00eb jan\u00eb nisur nj\u00eb varg projektesh afatgjate. Kjo \u00ebsht\u00eb ambicia jon\u00eb: t\u00eb jemi inkubator dhe t\u00eb krijojm\u00eb korniz\u00ebn konceptuale, nd\u00ebrkoh\u00eb q\u00eb bashk\u00ebsia lokale merr pron\u00ebsi t\u00eb p\u00ebrbashk\u00ebt dhe vazhdon pasi q\u00eb Manifesta 14 t\u00eb ket\u00eb p\u00ebrfunduar. Nj\u00eb shembull i nj\u00eb projekti t\u00eb till\u00eb \u00ebsht\u00eb Korridori i Gjelb\u00ebrt, i cili transformon nj\u00eb pjes\u00eb t\u00eb Prishtin\u00ebs t\u00eb nxjerr\u00eb nga p\u00ebrdorimi \u2013 hekurudh\u00ebn e Beogradit n\u00eb nj\u00eb hap\u00ebsir\u00eb t\u00eb gjelb\u00ebr dhe nj\u00eb udh\u00eb p\u00ebr kalimtar\u00eb q\u00eb lidh Fabrik\u00ebn e Tullave me Pallatin e Rinis\u00eb dhe Sporteve n\u00eb zem\u00ebr t\u00eb qytetit. Komuniteti do t\u00eb p\u00ebrfshihet n\u00eb mbjelljen, dizajnimin dhe mir\u00ebmbajtjen e k\u00ebtij korridori. N\u00eb bashk\u00ebpunim t\u00eb ngusht\u00eb me administrat\u00ebn publike, ky projekt do t\u00eb ndihmoj\u00eb n\u00eb ndryshimin ambiental afatgjat\u00eb t\u00eb qytetit.<\/p>\n

N\u00eb nj\u00eb bot\u00eb q\u00eb ndryshon vazhdimisht, Manifesta ka rimenduar dhe do t\u00eb vazhdoj\u00eb t\u00eb rimendoj\u00eb n\u00eb disa nivele modelin e bienal\u00ebs, q\u00eb lidhet me zanafill\u00ebn e struktur\u00ebs son\u00eb, pra nomade, sh\u00ebtit\u00ebse dhe q\u00eb sh\u00ebrben si inkubator. N\u00eb Prishtin\u00eb, kjo do t\u00eb thot\u00eb t\u00eb ndryshohet prodhimi yn\u00eb i dijes n\u00eb nj\u00eb form\u00eb t\u00eb praktik\u00ebs participatore, krahas krijimit t\u00eb nj\u00eb trash\u00ebgimie m\u00eb t\u00eb prekshme p\u00ebr qytetin dhe bashk\u00ebsit\u00eb e tij, n\u00eb form\u00ebn e institucioneve t\u00eb p\u00ebrhershme shum\u00ebdisiplinore, t\u00eb cilat mund t\u00eb jen\u00eb shembull i zhvillimit t\u00eb ekosistemit kulturor t\u00eb Prishtin\u00ebs. E skicuar nga artist\u00ebt, praktikuesit e kultur\u00ebs dhe arkitekt\u00ebt e Manifest\u00ebs n\u00eb shum\u00eb e shum\u00eb tregime e ngjarje, mund t\u00eb them se shoh nj\u00eb horizont t\u00eb p\u00ebrbashk\u00ebt, me Manifest\u00ebn si akrobat n\u00eb litar dhe qytetar\u00ebt si pronar\u00ebt dhe kujdestar\u00ebt e v\u00ebrtet\u00eb t\u00eb hap\u00ebsir\u00ebs s\u00eb tyre publike, institucioneve dhe qyteteve. Ngjash\u00ebm me k\u00ebt\u00eb akrobatin q\u00eb ec\u00eb mbi litar, Manifesta paraqet alternativa n\u00eb detyr\u00ebn e r\u00ebnd\u00ebsishme, por shpesh t\u00eb v\u00ebshtir\u00eb, t\u00eb nd\u00ebrtimit t\u00eb aleancave t\u00eb llojllojshme, ku t\u00eb jetuarit s\u00eb bashku me ambientin \u00ebsht\u00eb nj\u00eb marr\u00ebdh\u00ebnie q\u00eb ka baz\u00eb n\u00eb solidaritet dhe bashk\u00ebpunime produktive, krahas nxjerrjes n\u00eb pah t\u00eb m\u00ebnyrave p\u00ebr t\u00eb promovuar bashk\u00ebjetes\u00ebn. Jo vet\u00ebm q\u00eb \u00ebsht\u00eb thelb\u00ebsore t\u00eb pyesim se i kujt \u00ebsht\u00eb qyteti; duhet gjithashtu t\u00eb p\u00ebrfytyrojm\u00eb se si t\u00eb kujtojm\u00eb, aktivizojm\u00eb dhe t\u00eb p\u00ebrkrahim nj\u00ebri tjetrin n\u00eb qytetet tona.<\/p>\n

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[1]<\/a>\u00a0Shtetet an\u00ebtare t\u00eb Bashkimit Europian dhe zon\u00ebs Shengen q\u00eb prej t\u00eb n\u00ebnt\u00ebdhjetave kan\u00eb ngritur mure me gjat\u00ebsi af\u00ebr 1000 km, barasvlersh\u00ebm me m\u00eb shum\u00eb se gjasht\u00eb her\u00eb se t\u00ebr\u00eb gjat\u00ebsia e Murit t\u00eb Berlinit, p\u00ebr t\u00eb parandaluar t\u00eb shp\u00ebrngulurit q\u00eb t\u00eb migrojn\u00eb n\u00eb Europ\u00eb. Burimi: Ainhoa Ruiz Benedicto and Pere Brunet. \u2018Building Walls: Fear and Securitization in the European Union\u2019 in Centre Del.s d\u2019Estudis per la Pau (2018).<\/p>\n<\/div>\n

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[2]<\/a>\u00a0Dockx, Nico & Gielen, Pascal. \u2018Introduction: Ideology & Aesthetics of the Real\u2019 in Commonism: A New Aesthetics of the Real. Amsterdam: Valiz (2018). f.58-59.<\/p>\n<\/div>\n

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[3]<\/a>\u00a0\u201cNi oubli ni pardon\u201d. Marseille, un an apr.s le drame de la rue d\u2019Aubagne\u2019 in Le Monde (2019).<\/p>\n<\/div>\n

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[4]<\/a>\u00a0Ranci\u00e8re, Jacques. The Politics of Aesthetics. London: Continuum (2006), f.12.<\/p>\n<\/div>\n

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[5]<\/a>\u00a0Negri, Antonio. \u2018The Salt of the Earth: On Commonism. An Interview with Antonio Negri\u2019 in Commonism: A New Aesthetics of the Real. Gielen, Pascal & Lavaert, Sonja (eds.). Amsterdam: Valiz (2018). f.98.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Rimarrja e hap\u00ebsir\u00ebs publike n\u00eb Palermo, Marsej\u00eb dhe Prishtin\u00eb Jeta sot duket gjithnj\u00eb e m\u00eb e paparashikueshme dhe diskursi medial i koh\u00ebs tregon p\u00ebr nj\u00eb t\u00eb ardhme t\u00eb kanosur nga polarizimi, kaosi klimatik, rritja e pabarazis\u00eb ekonomike, si dhe impakti i pandemis\u00eb dhe luft\u00ebs n\u00eb Ukrain\u00eb. Po e shkruaj k\u00ebt\u00eb ese n\u00eb koh\u00eb vendimtare, p\u00ebr […]<\/p>","protected":false},"author":3,"featured_media":1317,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[672,707,673],"ppma_author":[289],"class_list":["post-1316","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analize","tag-eu","tag-manifesta-biennial","tag-western-balkans"],"authors":[{"term_id":289,"user_id":0,"is_guest":1,"slug":"hedwig-fijen","display_name":"Hedwig Fijen","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/FIJEN.jpeg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/FIJEN.jpeg"},"user_url":"","last_name":"","first_name":"","description":"Hedwig Fijen studied History and History of Art at the University of Amsterdam. She is founding director of Manifesta, the nomadic European biennial, since its origin in Rotterdam in 1993. Under Fijen\u2019s direction Manifesta has developed into the fourth most influential biennial in the world. Over this period, Fijen has transformed the biennial from a contemporary art platform into an interdisciplinary platform for social cultural change. For her work in the field of European cultural developments she has recently been appointed as an Officer in the Order Oranje-Nassau by the the King of the Netherlands.\r\n\r\nFijen oversees all aspects of the Manifesta organization including the selection of Host cities and thematic content. The final execution of the concept of the cultural mediator is her responsibility. Fijen has worked in the international field of contemporary culture, art and urbanism for 30 years in a variety of countries. Before Manifesta, she worked as a curator at the Netherlands Office for Fine Arts and has worked in Eastern Europe, the Soviet Union, Cuba and many other countries. She has lectured extensively and wrote many articles in the context of Manifesta as a biennial.\r\n\r\nFijen is currently working on concurrent editions of the Manifesta biennial: Manifesta 14, currently hosted by the city of Prishtina; Manifesta 15, to be hosted by the city of Barcelona in 2024; and Manifesta 16, in the Ruhr area in 2026."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/1316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/comments?post=1316"}],"version-history":[{"count":2,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/1316\/revisions"}],"predecessor-version":[{"id":1324,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/1316\/revisions\/1324"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media\/1317"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media?parent=1316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/categories?post=1316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/tags?post=1316"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/ppma_author?post=1316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}