{"id":1433,"date":"2021-12-08T11:38:07","date_gmt":"2021-12-08T10:38:07","guid":{"rendered":"https:\/\/sbunker.org\/?p=1433"},"modified":"2023-12-11T15:07:04","modified_gmt":"2023-12-11T14:07:04","slug":"ne-mes-dy-boteve","status":"publish","type":"post","link":"https:\/\/sbunker.org\/sr\/analize\/ne-mes-dy-boteve\/","title":{"rendered":"N\u00eb mes dy bot\u00ebve"},"content":{"rendered":"

Imazhi i ballin\u00ebs:\u00a0Atdhe Mulla<\/span><\/p>\n

Secili vizitor mund ta ket\u00eb p\u00ebrjetuar ose edhe mund ta p\u00ebrjetoj\u00eb ndryshimin drastik mes dy bot\u00ebve pothuajse n\u00eb nj\u00eb \u00e7ast t\u00eb vet\u00ebm. Nj\u00ebra bot\u00eb \u00ebsht\u00eb ajo n\u00eb t\u00eb cil\u00ebn jetojm\u00eb, e q\u00eb dikton dinamik\u00ebn e saj t\u00eb pam\u00ebshirshme; q\u00eb vazhdimisht na t\u00ebrheq n\u00ebp\u00ebr rrug\u00ebt e p\u00ebrditshm\u00ebris\u00eb s\u00eb\u00a0absurdit, dhe nj\u00eb realitet ose bot\u00eb tjet\u00ebr, pothuajse paralele,\u00a0bota e s\u00eb djeshmes<\/em>. N\u00eb rrethana normale k\u00ebto dy bot\u00eb\/ndjesi edhe mund t\u00eb mos takohen asnj\u00ebher\u00eb, sepse edhe mund t\u00eb mos ken\u00eb ndonj\u00eb arsye q\u00eb ta ken\u00eb referenc\u00eb nj\u00ebra tjetr\u00ebn. Mir\u00ebpo, n\u00eb rrethanat e Kosov\u00ebs paradoksalisht k\u00ebto dy bot\u00eb bashk\u00ebjetojn\u00eb me nj\u00ebra tjetr\u00ebn. Madje, ato ushqehen mes vete. Kjo ndodh sepse e sotmja e Kosov\u00ebs \u00ebsht\u00eb zgjatim i s\u00eb djeshmes. Jo vet\u00ebm zgjatim si inercion, por edhe si determinuese p\u00ebr shum\u00eb aspekte. Lufta e ndodhur dje na determinon shum\u00eb veprime dhe sjellje sot. E djeshmja n\u00eb form\u00ebn m\u00eb vulgare t\u00eb saj insiston ta sundoj\u00eb t\u00eb sotmen. Kurse e sotmja \u00ebsht\u00eb e prirur t\u00eb ik\u00eb nga vetvetja, sepse pesha e s\u00eb djeshmes \u00ebsht\u00eb barr\u00eb e r\u00ebnd\u00eb q\u00eb duhet mbajtur mbi supe. Plag\u00ebt e s\u00eb djeshmes p\u00ebr dik\u00eb jan\u00eb ankthi i t\u00eb sotmes, kurse p\u00ebr disa t\u00eb tjer\u00eb mund\u00ebsi dhe afirmim. I vrari i djesh\u00ebm p\u00ebr dik\u00eb \u00ebsht\u00eb vuajtje e m\u00ebrzi, kurse p\u00ebr dik\u00eb lavdi e pasuri (sic!). K\u00ebshtu ka qen\u00eb \u00e7doher\u00eb e \u00e7dokund. K\u00ebshtu \u00ebsht\u00eb sot, edhe tek ne gjithashtu.<\/p>\n

P\u00ebrmes rrug\u00ebve me pluhur dhe zhurm\u00ebs s\u00eb automjeteve q\u00eb vijn\u00eb e shkojn\u00eb pafund\u00ebsisht, n\u00ebn presionin e er\u00ebs s\u00eb mbeturinave t\u00eb p\u00ebrzier me er\u00ebn e gjell\u00ebtoreve, p\u00ebr nj\u00eb \u00e7ast futesh n\u00eb nj\u00eb korridor t\u00eb ngusht\u00eb, t\u00eb past\u00ebr dhe tep\u00ebr t\u00eb ndritsh\u00ebm. Bardh\u00ebsia q\u00eb mbret\u00ebron aty, e q\u00eb duket e pazakont\u00eb, \u00ebsht\u00eb nj\u00eb bardh\u00ebsi e ftoht\u00eb si akulli. Kur futesh n\u00eb k\u00ebt\u00eb korridor 32 metra t\u00eb gjat\u00eb, e ndien pesh\u00ebn e ballafaqimit t\u00eb dy bot\u00ebve (t\u00eb djeshmes dhe t\u00eb sotmes). Aty, n\u00eb at\u00eb bardh\u00ebsi v\u00ebrbuese, 1622 emra njer\u00ebzish krijojn\u00eb nj\u00eb ndjesi vetmie deri n\u00eb palc\u00eb. Vetmia aty shp\u00ebrfaqet me t\u00ebr\u00eb fuqin\u00eb shteruese t\u00eb saj. Qenia \u00e7kuptim\u00ebsohet si vler\u00eb kulturore, sepse kuptimi i saj vjen si rezultat i tmerrit.<\/p>\n

Mir\u00ebpo, gjith\u00ebprania e k\u00ebsaj vetmie deri n\u00eb ankth, shtohet edhe m\u00eb shum\u00eb kur futesh n\u00eb hap\u00ebsir\u00ebn tjet\u00ebr, sepse aty papritur gjendesh para disa gur\u00ebve masiv\u00eb, q\u00eb duken her\u00eb si arkivole, e her\u00eb si varre q\u00eb q\u00ebndrojn\u00eb pezull, dhe disa or\u00ebve digjitale numrat t\u00eb cil\u00ebve l\u00ebvizin me nj\u00eb arroganc\u00eb t\u00eb jasht\u00ebzakonshme. K\u00ebto or\u00eb digjitale q\u00eb njehsojn\u00eb vendin, dit\u00ebn, koh\u00ebn kur \u00ebsht\u00eb rr\u00ebmbyer secili \u00a0nga ata 1622 civil\u00eb kosovar\u00eb, ato or\u00eb nj\u00ebkoh\u00ebsisht sikur na b\u00ebjn\u00eb me dije pam\u00ebshir\u00ebn q\u00eb koha ka ndaj nesh. \u00cbsht\u00eb interesant, sepse kur futesh n\u00eb k\u00ebt\u00eb hap\u00ebsir\u00eb, koha nuk ndalet. Jo. Aty fillon koha t\u00eb kthehet mbrapsht deri tek momenti fillestar kur secili nga 1622 t\u00eb zhdukurit ishte par\u00eb p\u00ebr her\u00eb t\u00eb fundit. Pra, momenti i zhdukjes s\u00eb tyre \u00ebsht\u00eb fillimi i tregimit, sepse edhe k\u00ebrkimi p\u00ebr t\u2019i zbuluar fillon me fundin e tyre.<\/p>\n

Dhjet\u00eb gur\u00ebt masiv\u00eb, p\u00ebrve\u00e7 q\u00eb jan\u00eb t\u00eb vendosur n\u00eb m\u00ebnyr\u00eb t\u00eb \u00e7rregullt, sikurse edhe varret masive q\u00eb jan\u00eb zbuluar deri m\u00eb tani, jan\u00eb edhe t\u00eb ndrysh\u00ebm dhe kjo sikur insiston t\u00eb na vet\u00ebdij\u00ebsoj\u00eb se secili nga k\u00ebta 1622 t\u00eb zhdukur \u00ebsht\u00eb i ve\u00e7ant\u00eb n\u00eb m\u00ebnyr\u00ebn e vet. Madje, edhe rr\u00ebfimi p\u00ebr rr\u00ebmbimin e secilit \u00ebsht\u00eb i ndrysh\u00ebm. Mir\u00ebpo, e p\u00ebrbashk\u00ebta e k\u00ebtyre 1622 njer\u00ebzve \u00ebsht\u00eb se ata jan\u00eb t\u00eb zhdukur. Fati \u00ebsht\u00eb e p\u00ebrbashk\u00ebta e tyre. P\u00ebrve\u00e7 q\u00eb e ndien munges\u00ebn dhe nj\u00eb boshll\u00ebk t\u00eb paartikuluesh\u00ebm, n\u00eb at\u00eb hap\u00ebsir\u00eb fillon ta ndjesh edhe presionin q\u00eb kan\u00eb t\u00eb gjall\u00ebt q\u00eb presin t\u00eb din\u00eb p\u00ebr fatin e t\u00eb af\u00ebrmve t\u00eb tyre.<\/p>\n

Ndoshta, kjo vep\u00ebr artistike ka edhe k\u00ebt\u00eb synim ose s\u00eb paku k\u00ebt\u00eb ndjesi ta krijon, q\u00eb ne t\u00eb fillojm\u00eb t\u00eb mendojm\u00eb duke e ndjer\u00eb aty pesh\u00ebn e t\u00eb mospasurit p\u00ebr kaq shum\u00eb vite asnj\u00eb informat\u00eb p\u00ebr m\u00eb t\u00eb dashurit e tyre. Aty njeriu e kupton pesh\u00ebn e padurueshme t\u00eb munges\u00ebs s\u00eb nj\u00eb varri. D\u00ebshira dhe shpresa q\u00eb m\u00eb i dashuri yn\u00eb t\u00eb ket\u00eb nj\u00eb varr duket disi bizare, por aty e kupton se p\u00ebrve\u00e7 q\u00eb \u00ebsht\u00eb njer\u00ebzore, \u00ebsht\u00eb nj\u00ebkoh\u00ebsisht edhe \u00e7liruese p\u00ebr t\u00eb gjall\u00ebt. Pesha e atyre gur\u00ebve q\u00eb rrin\u00eb pezull n\u00eb at\u00eb hap\u00ebsir\u00eb, duket sikur \u00ebsht\u00eb e vendosur te t\u00eb gjall\u00ebt, t\u00eb cil\u00ebt nga ajo pesh\u00eb e till\u00eb do t\u00eb \u00e7lirohen dhe do t\u00eb ndjejn\u00eb leht\u00ebsim kur p\u00ebr m\u00eb t\u00eb dashurit e tyre do t\u00eb hiqet sh\u00ebnimi \u201ci zhdukur\u201d.<\/p>\n

Edhe si shoq\u00ebri (si n\u00eb Serbi, ashtu edhe ne Kosov\u00eb) duhet ta kuptojm\u00eb, se nuk do t\u00eb \u00e7lirohemi asnj\u00ebher\u00eb p\u00ebrderisa do t\u00eb jen\u00eb kaq t\u00eb pranish\u00ebm\u00a0t\u00eb zhdukurit tan\u00eb<\/em>. T\u00eb pranish\u00ebm, sepse jan\u00eb t\u00eb zhdukur. T\u00eb mos pasurit e nj\u00eb vendi prehjeje, nj\u00eb varri t\u00eb dinjitetsh\u00ebm p\u00ebr ta, qet\u00ebsia jon\u00eb do t\u00eb jet\u00eb e pamundur. T\u00eb pasurit e nj\u00eb varri p\u00ebr secilin nga ta \u00ebsht\u00eb kushti i heqjes s\u00eb pesh\u00ebs dhe ankthit q\u00eb familjar\u00ebt kan\u00eb p\u00ebr ta, por nj\u00ebkoh\u00ebsisht \u00ebsht\u00eb edhe kushti i nj\u00eb \u00e7lirimi shoq\u00ebror. K\u00ebshtu, si\u00e7 jan\u00eb tani k\u00ebta 1622\u00a0t\u00eb zhdukur<\/em>, p\u00ebrve\u00e7 tjerash, \u00ebsht\u00eb e padinjitetshme nga ana e t\u00eb gjall\u00ebve. Detyra e t\u00eb gjallit \u00ebsht\u00eb q\u00eb me t\u00eb vdekurin (bile s\u2019paku si t\u00eb vdekur) t\u00eb sillet m\u00eb njer\u00ebzish\u00ebm, sepse p\u00ebr nj\u00eb individ apo shoq\u00ebri niveli edukativ, kulturor dhe mbi t\u00eb gjitha human shp\u00ebrfaqet edhe se si i trajtojm\u00eb t\u00eb vdekurit.<\/p>\n

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Foto nga: Atdhe Mulla<\/span><\/div>\n

Prandaj, vepra artistike\u00a0M\u00eb i mir\u00eb ish varri sesa mos me dit\u00eb<\/em>* e artistit Driton Selmani \u00ebsht\u00eb m\u00eb shum\u00eb se aq. \u00cbsht\u00eb histori, \u00ebsht\u00eb dhimbje, \u00ebsht\u00eb kujtes\u00eb…, \u00ebsht\u00eb muze dhe si e till\u00eb kjo vep\u00ebr artistike duhet t\u00eb p\u00ebrfundoj\u00eb n\u00eb nj\u00eb muze, sepse aty \u00ebsht\u00eb kujtesa dhe trash\u00ebgimia e hidhur e nj\u00eb individi, e nj\u00eb shoq\u00ebrie dhe e nj\u00eb epoke. Aty banojn\u00eb d\u00ebshp\u00ebrimi dhe shpresa, e q\u00eb sht\u00ebpi e tyre \u00e7doher\u00eb ka qen\u00eb nj\u00ebfar\u00eb muzeu. Arkivimi i k\u00ebsaj trash\u00ebgimie \u00ebsht\u00eb hapi i par\u00eb q\u00eb ne t\u00eb vet\u00ebdijesohemi, p\u00ebr vete dhe p\u00ebr nj\u00ebri-tjetrin. Deri at\u00ebher\u00eb ne do t\u00eb jetojm\u00eb n\u00ebn diktatin e \u2018gjakut p\u00ebr liri\u2019.<\/p>\n

*M\u00eb i mir\u00eb ish varri sesa mos me dit\u00eb<\/em>, \u00ebsht\u00eb vep\u00ebr artistike\/instalcion i artistit Driton Selmani, me kuratore Blerta Ho\u00e7ia. Kjo vep\u00ebr artistike q\u00ebndron e hapur p\u00ebr publikun nga 18.11.2021-31.01.2022, n\u00eb \u201cSalla e Ateles\u00eb\u201d, Pallati i Rinis\u00eb dhe Sporteve, n\u00eb Prishtin\u00eb.<\/p>","protected":false},"excerpt":{"rendered":"

Imazhi i ballin\u00ebs:\u00a0Atdhe Mulla Secili vizitor mund ta ket\u00eb p\u00ebrjetuar ose edhe mund ta p\u00ebrjetoj\u00eb ndryshimin drastik mes dy bot\u00ebve pothuajse n\u00eb nj\u00eb \u00e7ast t\u00eb vet\u00ebm. Nj\u00ebra bot\u00eb \u00ebsht\u00eb ajo n\u00eb t\u00eb cil\u00ebn jetojm\u00eb, e q\u00eb dikton dinamik\u00ebn e saj t\u00eb pam\u00ebshirshme; q\u00eb vazhdimisht na t\u00ebrheq n\u00ebp\u00ebr rrug\u00ebt e p\u00ebrditshm\u00ebris\u00eb s\u00eb\u00a0absurdit, dhe nj\u00eb realitet ose […]<\/p>","protected":false},"author":266,"featured_media":1434,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[736,664,714],"ppma_author":[733],"class_list":["post-1433","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analize","tag-art","tag-kosovo","tag-war"],"authors":[{"term_id":733,"user_id":266,"is_guest":0,"slug":"dritan-dragusha","display_name":"Dritan Dragusha","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/10\/dritan.webp","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/10\/dritan.webp"},"user_url":"","last_name":"Dragusha","first_name":"Dritan","description":"Dritan Dragusha \u00ebsht\u00eb i diplomuar n\u00eb filozofi, n\u00eb Universitetin e Prishtin\u00ebs. Dritani \u00ebsht\u00eb i fokusuar n\u00eb teori t\u00eb kultur\u00ebs dhe gjithashtu n\u00eb let\u00ebrsi, kinema dhe muzik\u00eb. Po ashtu, merret edhe me gazetari. \u00cbsht\u00eb kolumnist i rregullt n\u00eb platform\u00ebn online \"sbunker.net\". Ka qen\u00eb edhe m\u00ebsimdh\u00ebn\u00ebs i filozofis\u00eb dhe etik\u00ebs n\u00eb \"The British School Kosova\". Bashkautor n\u00eb projektin kulturor televiziv \"Filozofema\", n\u00eb Radio Televizionin e Kosov\u00ebs. Aktualisht Dritani \u00ebsht\u00eb autor dhe moderator i emisionit \"Prizma\", n\u00eb televizionin T7."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/1433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/users\/266"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/comments?post=1433"}],"version-history":[{"count":2,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/1433\/revisions"}],"predecessor-version":[{"id":1437,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/1433\/revisions\/1437"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media\/1434"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media?parent=1433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/categories?post=1433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/tags?post=1433"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/ppma_author?post=1433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}