{"id":3841,"date":"2019-02-05T11:00:21","date_gmt":"2019-02-05T09:00:21","guid":{"rendered":"https:\/\/sbunker.org\/?p=3841"},"modified":"2025-01-15T11:25:15","modified_gmt":"2025-01-15T09:25:15","slug":"recension-gardhi-nga-lendita-zeqiraj","status":"publish","type":"post","link":"https:\/\/sbunker.org\/sr\/kritike\/recension-gardhi-nga-lendita-zeqiraj\/","title":{"rendered":"Recension: “Gardhi” nga Lendita Zeqiraj"},"content":{"rendered":"
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*shkrimi p\u00ebrmban spoilers<\/p>\n

Nj\u00eb mbledhje e pasdites, e grave t\u00eb tre gjeneratave, p\u00ebr 15 minuta na p\u00ebrplas vazhdimisht n\u00eb m\u00ebnyr\u00eb t\u00eb ashp\u00ebr me realitetin e jet\u00ebs s\u00eb grave, \u00a0n\u00eb baz\u00eb t\u00eb nj\u00eb elementi \u2013 krahasimi me mashkullin e vet\u00ebm n\u00eb film, i cili \u00ebsht\u00eb jo m\u00eb shum\u00eb se 10 vje\u00e7.<\/p>\n

N\u00eb film paraqiten 3 gjenerata grash, dhe t\u00eb tria i kan\u00eb preokupimet e tyre. M\u00eb t\u00eb vjetrat dhe vajzat e tyre kan\u00eb familjen dhe nderin si preokupim, kurse vajzat e reja e kan\u00eb eksplorimin e vetvetes dhe lirit\u00eb bazike. Kurse djali i vog\u00ebl e ka preokupimin e marrjes p\u00ebr adoptim t\u00eb nj\u00eb qeni.<\/p>\n

Edhe pse prezenca e Gentit n\u00eb film lexohet edhe n\u00eb kontekst tjet\u00ebr, ashtu si p\u00ebrfaq\u00ebsimi i gjenerat\u00ebs m\u00eb t\u00eb re n\u00eb familje dhe dallimi me at\u00eb parapraken (Genti dallon duksh\u00ebm n\u00eb mosh\u00eb me kush\u00ebrir\u00ebn e tij Rozin e cila \u00ebsht\u00eb nj\u00eb grua e re), prezenca e tij ia shtyn filmit tem\u00ebn e dallimit gjinor m\u00eb shum\u00eb p\u00ebrpara. Por filmi gjat\u00eb gjith\u00eb koh\u00ebs shfaq polaritet, mashkulli ndaj vajz\u00ebs, moralja ndaj amorales, i bardhi ndaj t\u00eb ziut, e vjetra ndaj t\u00eb res\u00eb, dhe t\u00eb dy an\u00ebt e gardhit \u2013 liria dhe rob\u00ebria, me nj\u00eb long-take mjesht\u00ebror q\u00eb zgjat gjat\u00eb gjith\u00eb filmit dhe e bart shikuesin simbolikisht disa her\u00eb n\u00eb t\u00eb dy an\u00ebt e gardhit t\u00eb oborrit. Ky polaritet i vazhduesh\u00ebm nuk lejon q\u00eb t\u00eb ndalesh dhe t\u00eb thellohesh n\u00eb nj\u00ebrin nga k\u00ebto probleme, sepse menj\u00ebher\u00eb t\u00eb godet me polaritetin e radh\u00ebs, q\u00eb n\u00eb fakt kjo vazhdim\u00ebsi e polaritetit \u00ebsht\u00eb paraqitje e kompleksitetit real t\u00eb pritshm\u00ebrive t\u00eb shoq\u00ebris\u00eb.<\/p>\n

Gjithsesi n\u00eb m\u00ebnyr\u00eb m\u00eb brutale theksohet \u00e7\u00ebshtja e marr\u00ebdh\u00ebnieve t\u00eb k\u00ebtyre grave n\u00eb kund\u00ebrshtim me burrat dhe me shoq\u00ebrin\u00eb, dhe thelb\u00ebsisht edhe me nj\u00ebra tjetr\u00ebn si personazhe. Fillimisht me aktrimin shum\u00eb t\u00eb fuqish\u00ebm dhe emocional t\u00eb Ilire Vinc\u00ebs dhe Rozafa \u00c7el\u00ebs, mes skenave t\u00eb p\u00ebrleshjeve t\u00eb sh\u00ebmtuara e t\u00eb r\u00ebnda mes nan\u00ebs e vajz\u00ebs rreth asaj \u00e7far\u00eb \u00ebsht\u00eb amorale n\u00eb syrin e shoq\u00ebris\u00eb, dhe pastaj mes humorit p\u00ebr dhun\u00ebn q\u00eb burrat i shkaktojn\u00eb disa prej k\u00ebtyre grave dhe normalizimit t\u00eb k\u00ebsaj, sepse \u2018\u2019Burrat qashtu prej natyr\u00ebs jan\u00eb ma t\u00eb eg\u00ebr.\u2019\u2019 Do t\u00eb thot\u00eb q\u00eb personazhet e filmit ve\u00e7se jan\u00eb n\u00ebnshtruar ndaj roleve t\u00eb p\u00ebrcaktuara nga shoq\u00ebria, por q\u00eb nuk tentojn\u00eb ta ndryshojn\u00eb m\u00eb k\u00ebt\u00eb fakt; thjesht e kan\u00eb pranuar si t\u00eb qen\u00eb.<\/p>\n

Por Genti edhe Rozi jan\u00eb n\u00eb k\u00ebrkim t\u00eb liris\u00eb, Genti n\u00ebp\u00ebrmjet tranzicionit prej f\u00ebmis\u00eb n\u00eb m\u00eb t\u00eb rritur, duke dasht\u00eb t\u00eb marr\u00eb nj\u00eb qen n\u00eb sht\u00ebpi, duke e provuar nj\u00eb instrument t\u00eb ri, duke e b\u00ebr\u00eb nj\u00eb shok t\u00eb ri rom, dhe n\u00eb fund duke sha \u2013 t\u00eb gjitha k\u00ebto t\u00eb ndaluara prej nan\u00ebs s\u00eb tij. Rozi n\u00eb an\u00ebn tjet\u00ebr, lirin\u00eb e merr n\u00ebp\u00ebrmjet vall\u00ebzimit me k\u00ebng\u00ebn e Adelin\u00ebs q\u00eb e fuqizon at\u00eb, dhe duke e pas\u00eb t\u00eb dashur nj\u00eb person t\u00eb zi. N\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb but\u00eb shfaqet dallimi i k\u00ebrkesave t\u00eb dy f\u00ebmij\u00ebve, nj\u00ebri p\u00ebr nga d\u00ebshira e \u00e7ilt\u00ebr, e tjetra p\u00ebr integritet dhe liri personale.<\/p>\n

Simbolikisht, n\u00eb fund Genti a kap\u00ebrcen gardhin, dhe shkon drejt d\u00ebshirave t\u00eb tij, kurse Rozi mbetet duke shiku prej dritares. \u00c7el\u00ebsin e gardhit ende e mbante nana.<\/p>\n

Ndoshta perceptimet shoq\u00ebrore dhe polaritetet q\u00eb shfaqen n\u00eb film mund t\u00eb p\u00ebrmir\u00ebsohen me gjenerata t\u00eb reja, por, a e kap\u00ebrceu Genti gardhin p\u00ebr shkak q\u00eb \u00ebsht\u00eb m\u00eb i riu nga t\u00eb dy, apo p\u00ebr shkak q\u00eb \u00ebsht\u00eb mashkull? A \u00ebsht\u00eb dallimi tek djali e vajza, arritja dhe d\u00ebshtimi i k\u00ebrkesave, n\u00eb baz\u00eb t\u00eb gjenerat\u00ebs apo gjinis\u00eb? A do ta pranoj\u00eb edhe Rozi fatin e saj si grat\u00eb e tjera t\u00eb familjes, apo do t\u2019vazhdoj\u00eb me thy tabu dhe me marr\u00eb at\u00eb \u00e7ka d\u00ebshiron?<\/p>\n

Skenari i filmit sigurisht q\u00eb \u00ebsht\u00eb shum\u00eb i thell\u00eb dramatikisht n\u00eb aplikimin e k\u00ebtyre \u00e7\u00ebshtjeve n\u00eb personazhet e veta. N\u00eb t\u00eb shumt\u00ebn e koh\u00ebs, k\u00ebto probleme jan\u00eb krejt\u00ebsisht personale dhe zhvillohen mes rrethit familjar, bisedat dhe p\u00ebrleshjet p\u00ebr to nuk kan\u00eb q\u00ebllime revolucionare q\u00eb ta ndryshojn\u00eb shoq\u00ebrin\u00eb, dhe p\u00ebrshtatshm\u00ebria e t\u00eb gjith\u00eb kast\u00ebs dhe rrjedhshm\u00ebria mes tyre e futur n\u00eb skenar mjesht\u00ebrisht, t\u00eb b\u00ebn q\u00eb si shikues automatikisht ta aplikosh gjendjen e k\u00ebtyre grave dhe pyetjeve t\u00eb filmit n\u00eb nivele m\u00eb t\u00eb gjera.<\/p>\n

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*shkrimi p\u00ebrmban spoilers Nj\u00eb mbledhje e pasdites, e grave t\u00eb tre gjeneratave, p\u00ebr 15 minuta na p\u00ebrplas vazhdimisht n\u00eb m\u00ebnyr\u00eb t\u00eb ashp\u00ebr me realitetin e jet\u00ebs s\u00eb grave, \u00a0n\u00eb baz\u00eb t\u00eb nj\u00eb elementi \u2013 krahasimi me mashkullin e vet\u00ebm n\u00eb film, i cili \u00ebsht\u00eb jo m\u00eb shum\u00eb se 10 vje\u00e7. N\u00eb film paraqiten 3 gjenerata […]<\/p>","protected":false},"author":178,"featured_media":11976,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[2306,1322,2233],"ppma_author":[207],"class_list":["post-3841","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-filmi-gardhi","tag-kritike","tag-recension"],"authors":[{"term_id":207,"user_id":178,"is_guest":0,"slug":"rozafa-imami","display_name":"Rozafa Imami","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/7016269800af4ffc40e759d847e42f85aba82c0aa52af990b26716a7f01c1de8?s=96&d=mm&r=g","user_url":"","last_name":"Imami","first_name":"Rozafa","description":""}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/3841","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/users\/178"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/comments?post=3841"}],"version-history":[{"count":3,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/3841\/revisions"}],"predecessor-version":[{"id":11977,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/3841\/revisions\/11977"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media\/11976"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media?parent=3841"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/categories?post=3841"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/tags?post=3841"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/ppma_author?post=3841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}