{"id":4191,"date":"2018-03-23T15:06:47","date_gmt":"2018-03-23T13:06:47","guid":{"rendered":"https:\/\/sbunker.org\/?p=4191"},"modified":"2025-01-09T15:13:18","modified_gmt":"2025-01-09T13:13:18","slug":"bisede-me-poeten-natasha-lako","status":"publish","type":"post","link":"https:\/\/sbunker.org\/sr\/kritike\/bisede-me-poeten-natasha-lako\/","title":{"rendered":"Bised\u00eb me poeten Natasha Lako"},"content":{"rendered":"
<\/div>\n
\n
<\/div>\n
\n

N\u00eb nj\u00eb v\u00ebshtrim t\u00eb par\u00eb do t\u00eb dukej sikur gjith\u00e7ka ka ecur fjoll\u00eb n\u00eb jet\u00ebn e Natasha Lakos, por mjaftojn\u00eb disa pyetje si vijojn\u00eb, p\u00ebr t\u00eb zbuluar nj\u00eb sfond jo edhe aq idilik t\u00eb rrug\u00ebtimit t\u00eb saj letrar. (politik edhe)<\/p>\n

<\/div>\n

Ajo rr\u00ebfen midis t\u00eb tjerash se si i spostoheshin q\u00ebllimisht fjalimet gjat\u00eb koh\u00ebs q\u00eb ishte deputete n\u00eb mjedisin maskilist t\u00eb Parlamentit Shqiptar, nd\u00ebrsa thekson se \u201cNj\u00eb poezi tregon \u00e7far\u00eb mund t\u00eb ndodh\u00eb brenda nj\u00eb sekonde. Dhe kjo e ndihmon shum\u00eb poezin\u00eb t\u00eb jap\u00eb interpretime t\u00eb lira. Se nj\u00eb sekond\u00eb e vetme \u00ebsht\u00eb pothuajse e pakomandueshme, n\u00eb mos vet\u00ebm n\u00eb rrahjet e zemr\u00ebs.<\/em>\u201d<\/p>\n

N\u00eb k\u00ebt\u00eb cik\u00ebl bisedash do t\u00eb doja t\u00eb p\u00ebrfshija sa m\u00eb shum\u00eb gra, q\u00eb rr\u00ebfejn\u00eb n\u00eb m\u00ebnyr\u00ebn m\u00eb jo politikisht korrekte t\u00eb mundshme, pengesat dhe v\u00ebshtir\u00ebsit\u00eb e t\u00eb jetuarit apo krijuarit n\u00eb nj\u00eb bot\u00eb t\u00eb nd\u00ebrtuar n\u00eb funksion t\u00eb burrave.<\/p>\n

Me Lakon kjo funksionoi.<\/p>\n

___<\/p>\n

Natasha Lako \u00ebsht\u00eb autore e v\u00ebllimeve me poezi; \u201cMarsi brenda nesh\u201d- 1972, \u201cE para fjal\u00eb e bot\u00ebs\u201d- 1979, \u201cK\u00ebmisha e pranver\u00ebs\u201d – 1984, \u201cYll\u00ebsia e fjal\u00ebve\u201d – 1986, \u201cNatyr\u00eb e qet\u00eb\u201d- 1990, \u201cThesi me p\u00ebllumba\u201d – 1995, \u201cK\u00ebmb\u00eb dhe duar\u201d- 1998, \u201cL\u00ebkura e ujit\u201d -2004, \u201cKund\u00ebrp\u00ebrfytyrimi\u201d- 2016;<\/p>\n

E romanit \u201cStin\u00ebt e jet\u00ebs\u201d – 1977;<\/p>\n

E p\u00ebrmbledhjes me es\u00e9 \u201cEnergjia filmike\u201d- 2005;<\/p>\n

Dhe e nj\u00eb s\u00ebr\u00eb skenareve filmash artistik\u00eb si; \u201cM\u00ebsonj\u00ebtorja\u201d- 1980, \u201cPartizani i vog\u00ebl Velo\u201d-1980, \u201cPlumba perandorit\u201d- 1981, \u201cRruga e liris\u00eb\u201d- 1983, \u201cNj\u00eb em\u00ebr midis njer\u00ebzve\u201d- 1983, \u201cKoha nuk pret\u201d- 1984, \u201cFjal\u00eb pa fund\u201d- 1986, \u201cNj\u00eb vit i gjat\u00eb\u201d- 1987, \u201cMuri i gjall\u00eb\u201d- 1989, \u201cFlet\u00eb t\u00eb bardha\u201d- 1990, \u201cLule t\u00eb kuqe, lule t\u00eb zeza\u201d- 2003<\/p>\n

Bisedoi Arlinda Guma<\/p>\n

A.G.<\/strong>\u00a0– Kur recitohej n\u00eb filmin \u201cN\u00eb \u00e7do stin\u00eb\u201d nj\u00eb prej poezive tuaja (nj\u00ebzet qindarka p\u00ebr t\u00eb folur me ty, etj.), antenat e mia prej f\u00ebmije \u00e7orientoheshin fare. Aty nuk kishte as vrull revolucionar, as parti dhe as luft\u00eb me shpata apo me traktor\u00eb. Dhe si nj\u00eb f\u00ebmij\u00eb q\u00eb \u00e7do gj\u00eb e lidhte me imazhin, e kisha nj\u00eb film n\u00eb kok\u00eb p\u00ebr k\u00ebt\u00eb poezi; n\u00eb vargjet e para s\u2019di pse p\u00ebrfytyroja nj\u00eb tregtar t\u00eb pak\u00ebnaqur, me syzet varur mbi hund\u00eb, duke b\u00ebr\u00eb llogarit\u00eb e dit\u00ebs pran\u00eb nj\u00eb llambe me vajguri, pastaj n\u00eb vargun e fundit tregtari befas hiqte syzet, p\u00ebrmbyste llamb\u00ebn, dilte fare nga dritarja dhe fluturonte n\u00ebp\u00ebr qiell si \u201cLiza ne bot\u00ebn e \u00e7udirave\u201d. Si do t\u2019i dukej poezia juaj dashurive t\u00eb sotme materialiste? \u00c7far\u00eb filmi do t\u00eb kishin ato n\u00eb kok\u00eb?<\/p>\n

N.L.<\/strong>\u00a0– P\u00ebr t\u00eb p\u00ebrshkruar sadopak atmosfer\u00ebn letrare n\u00eb t\u00eb cil\u00ebn un\u00eb sapo hyja, po kujtoj se vargun \u201cpes\u00ebdhjet\u00eb qindarka p\u00ebr t\u00eb b\u00ebr\u00eb dashuri.\u201d ju nuk e keni d\u00ebgjur n\u00eb filmin q\u00eb p\u00ebrmend\u00ebt, sepse u hoq q\u00eb n\u00eb botimin e par\u00eb. Por kjo u b\u00eb p\u00ebr t\u00eb mbrojtur vargjet e tjer\u00eb\u2026 Sepse n\u00ebse ka ndonj\u00eb merit\u00eb brenda tyre, e para \u00ebsht\u00eb se dallohen q\u00eb nj\u00eb or\u00eb larg q\u00eb jan\u00eb vargje fem\u00ebrore. Se nuk mund t\u00eb p\u00ebrfytyrohet as sot, q\u00eb nj\u00eb djalosh (pale nj\u00eb burr\u00eb) t\u00eb merret me nja dy a tre qindarka apo t\u00eb flas\u00eb me tep\u00ebr, jo p\u00ebr premtime, por p\u00ebr k\u00ebt\u00eb shpengim t\u00eb Tiran\u00ebs. Sot ne jetojm\u00eb n\u00eb periudh\u00ebn e inflacionit n\u00eb dashuri, ashtu si edhe n\u00eb ato qindarka t\u00eb vogla, megjith\u00ebse \u00e7mimi i biletave urbane nuk \u00ebsht\u00eb rritur shum\u00eb p\u00ebr shkak t\u00eb presionit t\u00eb varf\u00ebris\u00eb. Dhe un\u00eb n\u00eb vend t\u00eb atyre qindarkave, gati t\u00eb padukshme sot, n\u00eb v\u00ebllimin tim t\u00eb ri \u201cKund\u00ebrp\u00ebrfytyrimi\u201d, kam nj\u00eb poezi me tre mjellma q\u00eb fluturojn\u00eb, q\u00eb m\u00eb duket sikur vet\u00ebm un\u00eb i kam par\u00eb n\u00eb mes t\u00eb k\u00ebsaj bote. Dhe q\u00eb at\u00ebher\u00eb kur kam botuar vargjet e par\u00eb, deri sot, m\u00eb \u00ebsht\u00eb mbushur mendja se q\u00eb t\u00eb pranohet nj\u00eb burr\u00eb n\u00eb sfer\u00ebn e dashuris\u00eb, femr\u00ebn, t\u00eb pakt\u00ebn brenda vetes, lipset ta ket\u00eb ngritur nga toka n\u00eb qiell… Dhe q\u00eb t\u00eb hyj\u00eb nj\u00eb grua n\u00eb sfer\u00ebn e dashuris\u00eb, lipset si kusht, mashkullin ta zbres\u00eb nga qielli n\u00eb tok\u00eb, me q\u00ebllim q\u00eb t\u00eb mos e b\u00ebj\u00eb per\u00ebndin\u00eb e vet… Sepse ndryshe mund ta kthej\u00eb veten n\u00eb zero. Dhe ne sot po d\u00ebgjojm\u00eb se si edhe shum\u00eb femra t\u00eb roleve t\u00eb famshme t\u00eb Hollivudit, dashur pa dashur i jan\u00eb n\u00ebnshtruar tregut artistik, n\u00ebp\u00ebrmjet abuzimeve t\u00eb atyre q\u00eb i kan\u00eb pranuar si zot\u00ebr. Plus mallit p\u00ebr t\u00eb kaluar\u00ebn, q\u00eb p\u00ebrmban edhe fabrikimin e eg\u00ebrsis\u00eb, plus mallit njer\u00ebzor p\u00ebr gjith\u00e7ka t\u00eb ikur, madje edhe p\u00ebr njer\u00ebz q\u00eb nuk i ka par\u00eb kurr\u00eb, plus p\u00ebr d\u00ebshir\u00eb arsyetimesh t\u00eb ngurt\u00ebsuara n\u00eb shekuj, prap\u00eb se prap\u00eb dashuria materialiste jeton qoft\u00eb si nj\u00eb form\u00eb e nj\u00eb takse super t\u00eb fshehur, sa her\u00eb q\u00eb vet\u00eb shoq\u00ebrit\u00eb nuk din\u00eb t\u2019i b\u00ebjn\u00eb pun\u00ebt mir\u00eb. Aq sa duket sikur ne, p\u00ebr \u00e7udi jemi gati t\u00eb pranojm\u00eb dal\u00ebngadal\u00eb vdekjen e gj\u00ebrave t\u00eb bukura. Kur u shkruan k\u00ebto vargje un\u00eb isha nj\u00eb nj\u00ebzetvje\u00e7are dhe sigurisht kisha d\u00ebshir\u00eb t\u00eb pohoja veten time. Ndoshta p\u00ebr t\u2019i hapur vetes vend mes dhjetra e dhjetra vargjeve t\u00eb shkruar, mendova se si mund t\u00eb shkruaja un\u00eb p\u00ebr dashurin\u00eb. Dhe po t\u00eb ndjekim historit\u00eb rreth trupit\u00a0 fem\u00ebror, q\u00eb kur prej tij u krijua tregu i par\u00eb i marr\u00ebveshjeve njer\u00ebzore, mund t\u00eb arrijm\u00eb n\u00eb p\u00ebrfundimin se respekti p\u00ebr lirin\u00eb fem\u00ebrore ka ndryshuar m\u00eb ngadal\u00eb se sa realiteti letrar, i cili me hapa shekullor\u00eb ka kap\u00ebrcyer nga egzametri i shoq\u00ebris\u00eb antike dhe vendeve m\u00eb t\u00eb civilizuara, te dititrabi dhe divani p\u00ebr perandor\u00ebt dhe sulltanatet, tercinat e ting\u00ebllimave t\u00eb koh\u00ebs fetare, apo sonetet q\u00eb klasicizmin e ndillnin te jeta e njeriut, deri te vargjet e bardh\u00eb ose t\u00eb lir\u00eb\u2026 T\u00eb mos flasim p\u00ebr k\u00ebng\u00ebn popullore, aty ku \u00ebsht\u00eb strehuar dashuria si utopi. Sigurisht njer\u00ebzit kan\u00eb pritur q\u00eb trupi i vajz\u00ebs dhe gruas shqiptare, shpirt\u00ebrisht t\u00eb ringjallet, s\u00eb pari n\u00ebp\u00ebrmjet k\u00ebsaj let\u00ebrsie. Dhe nuk ka si t\u00eb mos shkaktoj\u00eb \u00e7udi, q\u00eb nj\u00eb shkrimtari si Kas\u00ebm Trebeshina, i cili u b\u00eb nj\u00eb shembull i shprehjes estetike edhe p\u00ebr ata q\u00eb kan\u00eb quajtur veten promotor\u00eb t\u00eb modernizmit dhe postmodernizmit, n\u00eb ditarin e tij t\u00eb botuar tani von\u00eb, i gjenden fraza t\u00eb shkruara plot sinqeritet, jo vet\u00ebm p\u00ebr zgjedhjet e tij personale tradicionale, por edhe p\u00ebr krenarin\u00eb p\u00ebr nusen q\u00eb e ka l\u00ebn\u00eb t\u2019ia gjej\u00eb n\u00ebneja, p\u00ebr t\u00eb cil\u00ebn duket t\u00eb ket\u00eb qen\u00eb me fat. Por edhe m\u00eb t\u00eb \u00e7uditshme ting\u00ebllojn\u00eb frazat e k\u00ebtij ditari t\u00eb nj\u00eb shpirti t\u00eb gjall\u00eb, por tep\u00ebr t\u00eb rrept\u00eb, t\u00eb mbushura me shp\u00ebrthime konfliktuale dhe pak\u00ebnaq\u00ebsi, q\u00eb kalojn\u00eb n\u00eb fyerje p\u00ebr dashurit\u00eb dhe martesat e partizan\u00ebve dhe partizaneve pas Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore, dashuri t\u00eb rinjsh, gj\u00eb q\u00eb \u00ebsht\u00eb m\u00eb e natyrshmja e bot\u00ebs. Dhe m\u00eb keq se ajo macja e Liz\u00ebs n\u00eb bot\u00ebn e \u00e7udirave, q\u00eb duket t\u00eb qesh\u00eb gjithmon\u00eb, n\u00ebnqeshja q\u00eb ka filluar t\u00eb shkohet si fill peri n\u00ebp\u00ebr gjith\u00eb shoq\u00ebrin\u00eb shqiptare p\u00ebr k\u00ebto vajza t\u00eb reja q\u00eb thyen tabut\u00eb, \u00ebsht\u00eb \u201ckryevepra\u201d m\u00eb e madhe e dit\u00ebs. Kjo tregon se \u00e7far\u00eb digresionesh operacionale po b\u00ebn mendja jon\u00eb e sotme ekonomike ideologjike e re, n\u00eb nj\u00eb shoq\u00ebri gati t\u00eb trallisur, ku nj\u00eb vajz\u00eb e martojn\u00eb ende me nj\u00eb plak t\u00eb nj\u00eb fshati p\u00ebrtej kufirit, vet\u00ebm e vet\u00ebm se atje ka m\u00eb tep\u00ebr pula. Sigurisht n\u00ebn ambalazhimet propogandistike, realiteti shqiptar n\u00eb periudhat e kap\u00ebrcyera e ka pasur t\u00eb pamundur t\u00eb zbulohej thell\u00eb, n\u00eb krahasim me shpalljen e nj\u00eb brutaliteti t\u00eb hapur t\u00eb sot\u00ebm, si p\u00ebr lirin\u00eb seksuale, ashtu edhe p\u00ebr arsyetimet materialiste t\u00eb rregullator\u00ebve t\u00eb jet\u00ebs. Se \u00e7far\u00eb imazhi mund t\u00eb krijohet p\u00ebr dashurin\u00eb q\u00eb nuk \u00ebsht\u00eb dashuri, v\u00ebshtir\u00eb t\u00eb p\u00ebrcaktohet sot, sado q\u00eb dinozaur\u00ebt e djesh\u00ebm jan\u00eb konvertuar me reklamat e jahteve n\u00eb mes t\u00eb shkret\u00ebtirave. Por meq\u00eb edhe brenda k\u00ebtij rregullacioni t\u00eb ri thuren plane dhe narracione t\u00eb paramenduara, jam e sigurt se q\u00eb nga streh\u00ebt e pulave ballkanike, deri \u00a0n\u00eb studiot e Hollivudit, do t\u00eb dalin libra t\u00eb mir\u00eb, edhe nga vajzat e dashurive materialiste t\u00eb sotme. Ashtu si jam edhe m\u00eb e sigurt se sot vajzat jan\u00eb m\u00eb t\u00eb vet\u00ebdijshme se dje p\u00ebr p\u00ebrgjegj\u00ebsit\u00eb q\u00eb i v\u00ebn\u00eb vetes. Por e paqarta jon\u00eb m\u00eb e madhe mbetet p\u00ebr fatin e gruas n\u00ebn n\u00ebnshtrimin familjar, ku jeta e saj ndahet n\u00eb periudh\u00ebn para er\u00ebs s\u00eb re dhe pas er\u00ebs s\u00eb re. Dhe jeta e gruas fillon t\u00eb b\u00ebhet gjithnj\u00eb e m\u00eb anonime dhe e pap\u00ebrfillshme.<\/p>\n

Dhe ja, nga ca flet\u00eb llogarish, q\u00eb m\u00eb kujtojn\u00eb edhe mua ca flet\u00eb bakalli, q\u00eb u shp\u00ebrndan\u00eb sa andej-k\u00ebndej n\u00eb p\u00ebrfytyrimet tuaja f\u00ebminore, doli edhe ky koment i gjat\u00eb p\u00ebr nj\u00eb poezi kaq t\u00eb vog\u00ebl. Prandaj nuk mund t\u00eb rrim\u00eb pa iu kthyer her\u00eb pas here asaj past\u00ebrtie t\u00eb rrall\u00eb rinore, t\u00eb cil\u00ebn e ndjeva m\u00eb shum\u00eb se kurr\u00eb n\u00eb nj\u00eb 8 Mars t\u00eb rrall\u00eb prishtinas, kur, si n\u00eb nj\u00eb ceremonial t\u00eb papar\u00eb diku tjet\u00ebr, \u00e7ifte t\u00eb ulur karshi-karshi, t\u00eb mrekulluar nga nj\u00ebri-tjetri, i kam pasur para syve. Nuk m\u00eb shqitet nga mendja ajo trullosje e bukur e t\u00eb rinjve t\u00eb dashuruar, q\u00eb e b\u00ebjn\u00eb bot\u00ebn m\u00eb t\u00eb sigurt. Por meq\u00eb po flasim p\u00ebr nj\u00eb poezi t\u00eb thjesht\u00eb t\u00eb jet\u00ebs urbane, dhe nj\u00eb ting\u00ebllim\u00eb telefoni q\u00eb fton p\u00ebr dashuri, m\u00eb duket se duhet t\u00eb kujtoj patjet\u00ebr edhe nj\u00eb varg t\u00eb poetes prishtinase, Hida Halimit, q\u00eb \u00ebsht\u00eb ndar\u00eb nga jeta para kohe:<\/p>\n

\u00c7far\u00eb telefoni idiot\/askush nuk p\u00ebrgjigjet n\u2019t\u00eb.<\/p>\n

Sepse vargjet e poet\u00ebve plot\u00ebsojn\u00eb nj\u00ebri-tjetrin.<\/p>\n

A.G<\/strong>. – A \u00ebsht\u00eb e v\u00ebshtir\u00eb bashk\u00ebjetesa e nj\u00eb gruaje t\u00eb letrave me nj\u00eb burr\u00eb nga bota e kinemas\u00eb? Ka patur her\u00eb kur e keni kaluar n\u00eb plan t\u00eb dyt\u00eb krijimtarin\u00eb tuaj dhe keni konsideruar primare krijimtarin\u00eb e bashk\u00ebshortit tuaj? Ju ka dhembur kjo?<\/p>\n

N.L.<\/strong>\u00a0– Q\u00eb t\u00eb kap\u00ebrcesh nga orbita e nj\u00eb poezie dashurie, n\u00eb nj\u00eb orbit\u00eb familjare, un\u00eb mendoj se duhet t\u00eb kalosh n\u00ebp\u00ebr purgatorin e poezis\u00eb. Kam shkruar dikur edhe nj\u00eb poezi q\u00eb quhet \u201cFam\u00eb-hilja\u201d. Dhe nuk \u00ebsht\u00eb keq q\u00eb nga orbita e nj\u00eb poezie dashurie, t\u00eb zbresim edhe te hilet q\u00eb mbulon jeta familjare. Sepse e di q\u00eb nuk ka burr\u00eb q\u00eb t\u00eb mos p\u00ebrpiqet t\u00eb mbaj\u00eb p\u00ebr vet\u00eb monopolin e shpenzimit t\u00eb koh\u00ebs, jo t\u00eb pareve m\u00eb. Po t\u00eb bazoheshim edhe n\u00eb fuqin\u00eb e sotme t\u00eb imazhit, n\u00eb krahasim me shp\u00ebrndarjen e bot\u00ebs poetike, me siguri un\u00eb do t\u00eb dilja p\u00ebrs\u00ebri e mundur. Osip Mandelstam, poet i madh desident rus, n\u00eb nj\u00eb es\u00e9 mbi Danten, pasi flet p\u00ebr avancimin e teknikave shpreh\u00ebse t\u00eb gjuh\u00ebs filmike q\u00eb\u00a0 ndryshuan kinematografin\u00eb e koh\u00ebs s\u00eb tij, prap\u00eb se prap\u00eb p\u00ebrqendrohet te teknika gjuh\u00ebsore poetike, teknik\u00eb q\u00eb e krahason me rrymat m\u00eb t\u00eb brendshme t\u00eb oqeaneve dhe lumenjve, ku ndjesit\u00eb mendore l\u00ebvizin krejt si nj\u00eb bark\u00eb. Filmi mund t\u00eb arrij\u00eb t\u00eb sjell\u00eb n\u00eb sht\u00ebpi nj\u00eb kontinent t\u00eb t\u00ebr\u00eb, por prap\u00eb se prap\u00eb ato rryma t\u00eb brendshme, gati t\u00eb n\u00ebnvet\u00ebdijes, nuk i arrin dot, t\u00eb pakt\u00ebn p\u00ebr mendimin tim. K\u00ebshtu ne do t\u00eb kishim mbetur rival\u00eb t\u00eb pashpirt po t\u00eb mos kishim pasur bashk\u00ebpunime. Nga ana tjet\u00ebr, jemi dy njer\u00ebz q\u00eb nuk dim\u00eb t\u2019i l\u00ebshojm\u00eb shum\u00eb pe njeri-tjetrit, dhe kjo na ka mbajtur gjall\u00eb. Por mua m\u00eb duhet, t\u00eb pakt\u00ebn nj\u00eb her\u00eb, t\u00eb them gjithashtu se kam jetuar me nj\u00eb bashk\u00ebshort q\u00eb nuk ka pasur biografi t\u00eb keqe, nj\u00eb \u201ckryevep\u00ebr\u201d tjet\u00ebr e vazhdueshme kjo, q\u00eb m\u00eb takon mua, si at\u00ebher\u00eb edhe sot, nj\u00eb her\u00eb p\u00ebr keq, apo nj\u00eb her\u00eb p\u00ebr mir\u00eb, dhe p\u00ebrs\u00ebri p\u00ebr keq. Sepse u hoq\u00ebn edhe shp\u00ebrblimet p\u00ebr trash\u00ebgimtar\u00ebt e t\u00eb gjith\u00eb atyre q\u00eb kan\u00eb pasur trauma, si m\u00eb ka ndodhur edhe mua q\u00eb jav\u00ebn e par\u00eb t\u00eb jet\u00ebs. Shkurt, politikisht, pa qen\u00eb asnj\u00eb dit\u00eb an\u00ebtar partie dhe me plot probleme t\u00eb shprehjes kinematografike, kam pasur nj\u00eb partner q\u00eb n\u00eb disa raste m\u00eb ka mbrojtur direkt me hijen e tij, sipas tradit\u00ebs shqiptare.<\/p>\n

A.G.<\/strong>\u00a0– \u00cbsht\u00eb nj\u00eb poezi juaja, t\u00eb cil\u00ebn kam p\u00ebr zem\u00ebr ta ve\u00e7oj. Titullohet \u201cE para…\u201d \u201cT\u00eb gjitha e para i ndien gruaja…\u201d Dhe aty ka nj\u00eb paraleliz\u00ebm interesant midis \u00e7orapeve t\u00eb grisura q\u00eb ajo duhet t\u00eb arnoj\u00eb… me ndjesin\u00eb e fikjes s\u00eb dashuris\u00eb. A mund t\u00eb arnohen dashurit\u00eb, Natasha? \u00c7iftet e dit\u00ebve t\u00eb sotme nxitojn\u00eb t\u00eb blejn\u00eb \u00e7orape t\u00eb reja sapo v\u00ebn\u00eb re q\u00eb di\u00e7ka nuk shkon, nd\u00ebrkoh\u00eb q\u00eb ato t\u00eb djeshmet kan\u00eb qen\u00eb m\u00eb t\u00eb fiksuara me meremetimet. E megjithat\u00eb duket se nuk ka asnj\u00eb happy-end te t\u00eb dyja k\u00ebto kategori… por p\u00ebrtej k\u00ebsaj, dua t\u2019ju pyes edhe p\u00ebr di\u00e7ka tjet\u00ebr; nuk ju shkuli veshin ndonje sekretar partie p\u00ebr k\u00ebt\u00eb fikjen e dashuris\u00eb?A nuk ju tha ai se dashurit\u00eb socialiste rrin\u00eb t\u00eb ndezura 365 dit\u00eb t\u00eb vitit?<\/p>\n

N.L.\u00a0<\/strong>– Kjo poezi, \u00ebsht\u00eb botuar n\u00eb revist\u00ebn N\u00ebntori, t\u00eb Marsit t\u00eb vitit 1988, koh\u00eb kur un\u00eb shkruaja edhe skenarin e filmit \u201cFlet\u00eb t\u00eb bardha\u201d, ku flisja p\u00ebr skleroart. Po ta konsideroj vepr\u00ebn time t\u00eb shtrir\u00eb n\u00eb koh\u00eb, si nj\u00eb vep\u00ebr t\u00eb vetme letrare, i bie, si n\u00eb gjith\u00eb veprat e tjera, q\u00eb k\u00ebto \u00a0vargje t\u00eb krijojn\u00eb premis\u00ebn. Nj\u00eb premis\u00eb q\u00eb ka mbijetuar n\u00ebn nj\u00eb diktatur\u00eb, t\u00eb cil\u00ebn gjith\u00eb brezi im e gjeti t\u00eb p\u00ebrgatitur. Sepse dihet se regjimet nuk i krijojn\u00eb foshnjat. Por kolapsi i regjimit erdhi m\u00eb ngadal\u00eb se u nd\u00ebrtua. Dhe k\u00ebshtu po krijohej nj\u00eb akt i dyt\u00eb i st\u00ebrgjatur. Dhe gruaja, un\u00eb mendoj se u b\u00eb \u00a0mbret\u00ebresha e ndjeshm\u00ebris\u00eb m\u00eb t\u00eb lart\u00eb. Them se kjo ndjeshm\u00ebri e saj fark\u00ebtohet n\u00ebp\u00ebrmjet ndjeshm\u00ebris\u00eb ndaj dashuris\u00eb. \u00cbsht\u00eb kjo ndjeshm\u00ebri delikate dhe e holl\u00eb, q\u00eb e b\u00ebn edhe at\u00eb dal\u00ebngadal\u00eb t\u00eb ndiej\u00eb rreth saj edhe nj\u00eb kriz\u00eb t\u00eb thell\u00eb shoq\u00ebrore, q\u00eb jeton s\u00eb bashku me \u00e7orapet e grisura q\u00eb duhen arnuar. Dhe k\u00ebsaj here, duket se k\u00ebt\u00eb poezi e mbron e vetmja sekretare partie, gjyshja ime, q\u00eb gjithnj\u00eb m\u00eb ka porositur t\u00eb m\u00ebsoj arnimin e \u00e7orapeve nd\u00ebr t\u00eb parat. Dhe me sa duket, kjo ka q\u00ebn\u00eb nj\u00eb porosi e dh\u00ebn\u00eb brez pas brezi, por q\u00eb duket se e mbron edhe k\u00ebt\u00eb poezi me nj\u00eb thjesht\u00ebsi shqiptare. Mua do t\u00eb m\u00eb vinte mir\u00eb q\u00eb n\u00eb k\u00ebt\u00eb poezi t\u00eb ndihej ballafaqimi \u00a0q\u00eb b\u00ebn fjala \u201ce para\u201d q\u00eb domosdo \u00ebsht\u00eb gruaja, me k\u00ebt\u00eb fjal\u00ebn \u201ct\u00eb gjitha ose gjith\u00e7ka\u201d, n\u00eb nj\u00eb l\u00ebvizshm\u00ebri nga nj\u00ebra te tjetra, si nga batica te zbatica ose anasjelltas. Po le ta l\u00ebm\u00eb k\u00ebt\u00eb analiz\u00eb \u201ct\u00eb pun\u00ebve t\u00eb brendshme\u201d. Le t\u00eb komentojm\u00eb pak \u00a0krizat dashurore q\u00eb u rrin\u00eb t\u00eb gjith\u00ebve mbi kok\u00eb dhe ekspert\u00eb t\u00eb thekur b\u00ebhen gjith\u00eb shkrimtar\u00ebt. Le t\u00eb kap\u00ebrcejm\u00eb larg, te sonetet e\u00a0 Shekspirit, ku instikti i dashuris\u00eb, si\u00e7 v\u00eb n\u00eb dukje Vedat Kokona, nj\u00eb prej p\u00ebrkthyesve t\u00eb par\u00eb t\u00eb tyre, lidhet me synimin p\u00ebr t\u00eb riprodhuar jet\u00ebn. Dhe ja, Shekspiri me ndihm\u00ebn e Kokon\u00ebs na ndihmon t\u00eb themi se edhe erozionet e dashuris\u00eb midis nj\u00eb mashkulli dhe nj\u00eb femre, ashtu holl\u00eb-holl\u00eb vijn\u00eb nga ky ndryshim i madh mes dy cikleve\u00a0 prodhuese, edhe m\u00eb nj\u00eb egoiz\u00ebm pa fre, por shum\u00eb t\u00eb fshehur, q\u00eb lidhet me p\u00eblqime apo mosp\u00eblqime t\u00eb tjera. A arnohen erozionet? Mund t\u00eb arnohen vet\u00ebm k\u00ebndv\u00ebshtrimet e k\u00ebsaj bote. Por fjal\u00ebn burr\u00eb dhe grua nuk e arnojm\u00eb dot. Jan\u00eb dy fjal\u00eb q\u00eb n\u00eb gjuh\u00ebn shqipe p\u00ebrmbajn\u00eb vet\u00eb g\u00ebrryerrjen e p\u00ebrbashk\u00ebt \u00a0ting\u00eblluese, q\u00eb nuk besoj se e ka ndonj\u00eb gjuh\u00eb tjet\u00ebr.<\/p>\n

A.G.<\/strong>\u00a0– Disa prej poezive tuaja dallohen prej nj\u00eb lloj antikonformizmi fare t\u00eb qasht\u00ebr. Mua m\u00eb duket se ju keni qen\u00eb disi e pand\u00ebrgjegjshme p\u00ebr k\u00ebt\u00eb, dhe mundet q\u00eb ky pand\u00ebrgjegj\u00ebsim ju ka mbrojtur paksa prej pasojave. Dmth., duket sikur keni jetuar n\u00eb nj\u00eb planet tjet\u00ebr… dhe her\u00eb pas here gjuanit k\u00ebtej ndonj\u00eb poezi si t\u2019ju vinte, pastaj ktheheshit s\u00ebrish n\u00eb planetin tuaj, pa u kok\u00eb\u00e7ar\u00eb se kujt mund t\u2019i binte ajo n\u00eb \u00e7ati e t\u2018i thyente tjegullat…<\/p>\n

N.L.<\/strong>\u00a0– Ndoshta ju vini re nj\u00eb lloj antikomformizmi fem\u00ebror, si pun\u00eb e dor\u00ebs se dyt\u00eb. Ju at\u00ebher\u00eb keni t\u00eb drejt\u00eb t\u00eb thoni se un\u00eb e paskam menduar veten t\u00eb lir\u00eb. Dhe un\u00eb mund t\u00eb them. Po, e kam menduar veten time t\u00eb lir\u00eb, aq sa mund ta mendoj\u00eb nj\u00eb njeri q\u00eb beson se brenda nj\u00eb realiteti, egziston gjithnj\u00eb nj\u00eb realitet tjet\u00ebr. Dhe poezia e ndan realitetin n\u00eb \u00e7aste t\u00eb pafund\u00eb, nd\u00ebrsa dozat tregimtare i kan\u00eb marr\u00eb p\u00ebrsip\u00ebr gjini t\u00eb tjera. Nipi im gjasht\u00ebvje\u00e7ar, i cili ka filluar t\u00eb lexoj\u00eb tregime ose story, ku p\u00ebrfshihen edhe p\u00ebrrallat, kur pa v\u00ebllimin tim t\u00eb fundit, \u201cKund\u00ebrp\u00ebrfytyrimi\u201d, m\u00eb pyeti se \u00e7far\u00eb tregoja un\u00eb me ato\u00a0 poezi, q\u00eb ndoshta atij po i shfaqeshin n\u00eb forma t\u00eb \u00e7uditshme cop\u00eb-cop\u00eb… Dhe un\u00eb i thash\u00eb se nj\u00eb poezi tregon \u00e7far\u00eb mund t\u00eb ndodh\u00eb brenda nj\u00eb sekonde. Dhe kjo e ndihmon shum\u00eb poezin\u00eb t\u00eb jap\u00eb interpretime t\u00eb lira. Se nj\u00eb sekond\u00eb e vetme \u00ebsht\u00eb pothuajse e pakomandueshme, n\u00eb mos vet\u00ebm n\u00eb rrahjet e zemr\u00ebs.<\/p>\n

A.G.<\/strong>\u00a0– N\u00eb kopertin\u00ebn e librit tuaj t\u00eb fundit me poezi, titulluar \u201cKund\u00ebrp\u00ebrfytyrimi\u201d, ju keni cituar nj\u00eb vler\u00ebsim q\u00eb ka b\u00ebr\u00eb p\u00ebr ju Martin Camaj. Kur e keni ndeshur p\u00ebr her\u00eb t\u00eb par\u00eb k\u00ebt\u00eb poet?<\/p>\n

\"Image\"<\/div>\n

N.L.<\/strong>\u00a0– Ka histori interesante shqiptare. Martin Camaj m\u00eb ka njohur gjith\u00e7ka kisha botuar, si e kam m\u00ebsuar tep\u00ebr von\u00eb, madje romanin tim t\u00eb vitit 1977 e ka mir\u00ebpritur. Kurse un\u00eb vargjet e tij i kam hasur pak nga pak dhe her\u00eb pas here n\u00ebp\u00ebrmjet shtypit kosovar. Ndoshta ai \u00ebsht\u00eb g\u00ebzuar q\u00eb po shkruante nj\u00eb vajz\u00eb shqiptare. Kurse un\u00eb jam tronditur nga fryma europiane dhe nj\u00ebkoh\u00ebsisht, thell\u00ebsisht shqiptare e poezis\u00eb s\u00eb tij.<\/p>\n

A.G.<\/strong>\u00a0– Si nj\u00eb individ q\u00eb prej pak koh\u00ebsh b\u00ebj pjes\u00eb n\u00eb bot\u00ebn e letrave, ajo q\u00eb m\u00eb indinjon m\u00eb shum\u00eb n\u00eb k\u00ebt\u00eb mjedis \u00ebsht\u00eb fakti se kur b\u00ebhet fjal\u00eb p\u00ebr nj\u00eb autore, gjinia tjet\u00ebr ka ca lloj pritshm\u00ebrish t\u00eb \u00e7uditshme p\u00ebr llojin e artit q\u00eb ti l\u00ebvron, duket sikur presin medoemos t\u00eb lexojn\u00eb prej teje nj\u00eb lloj let\u00ebrsie, disi t\u00eb koketizuar, dhe kur nuk e gjejn\u00eb k\u00ebt\u00eb n\u00eb artin t\u00ebnd, fillojn\u00eb e t\u00eb japin mend se \u00e7far\u00eb temash i shkojn\u00eb m\u00eb shum\u00eb p\u00ebr shtat nj\u00eb gruaje, dmth., t\u00eb k\u00ebshillojn\u00eb tema t\u00eb lehta, a thua se let\u00ebrsia \u00ebsht\u00eb nj\u00eb fustan apo nj\u00eb buzkuq… Ka ndodhur edhe me ju kjo?<\/p>\n

N.L.\u00a0<\/strong>– Nuk ka ndodhur se nuk ka pasur ende modele t\u00eb tilla p\u00ebr faz\u00ebn e par\u00eb t\u00eb krijimtaris\u00eb sime. Nuk them se m\u00eb pas v\u00ebllimet e mia; \u201cThesi me pellumba\u201d dhe \u201cK\u00ebmb\u00eb e duar\u201d nuk u botuan mes krizave q\u00eb p\u00ebrdorin si kopertin\u00eb sa m\u00eb shum\u00eb performanca me bukuri koketash. Dhe n\u00eb mes t\u00eb \u00e7oroditjeve t\u00eb sotme t\u00eb leximit, kjo pun\u00eb koketash mund t\u00eb jet\u00eb \u00a0k\u00ebrkuar edhe n\u00eb poezin\u00eb time, por tep\u00ebr von\u00eb. Por edhe dje, edhe sot, edhe motmot, \u00ebsht\u00eb e pakuptimt\u00eb t\u00eb d\u00ebgjosh t\u00eb tjer\u00ebt… Sikur un\u00eb t\u00eb pyesja p\u00ebr shijet e t\u00eb tjer\u00ebve nuk do ta kisha botuar sot p\u00ebr sot as \u201cKund\u00ebrp\u00ebrfytyrimin\u201d. Jan\u00eb tjet\u00ebr betejat p\u00ebr territore letrare, q\u00eb mbeten gjithnj\u00eb t\u00eb hapura, kur edhe politikat kulturore jan\u00eb p\u00ebr\u00e7a dhe sundo.<\/p>\n

A.G.<\/strong>\u00a0– A kan\u00eb qen\u00eb v\u00ebrtet aq t\u00eb konsoliduara \u00e7iftet e koh\u00ebs suaj apo e gjitha ka qen\u00eb nj\u00eb korac\u00eb? Dmth., vet\u00eb kornizat e sistemit nuk i evidentonin problemet, nuk ju lejonin t\u00eb dilnit prej atij destinacionit fatal t\u00eb fundit t\u00eb lumtur, dhe m\u00eb pas, ju edhe vet\u00eb sugjestionoheshit prej k\u00ebsaj, e n\u00eb fund p\u00ebrfundonit duke e besuar me t\u00eb v\u00ebrtet\u00eb?<\/p>\n

N.L.\u00a0<\/strong>– Kjo pyetje q\u00eb shtroni ju mbetet nj\u00eb nga temat m\u00eb t\u00eb rrahura t\u00eb let\u00ebrsis\u00eb bot\u00ebrore, q\u00eb nga shekulli i XIX e deri sot. N\u00eb kultur\u00ebn per\u00ebndimore ky n\u00ebnshtrim pseudomoral u prish, si diskutohet, andej nga viti 1961, kur p\u00ebrfundimisht u legalizua nj\u00eb roman deri at\u00ebhere skandaloz si \u00c7aterlej. N\u00eb Shqip\u00ebri divorce ka pasur gjithmon\u00eb. Por dihet se pas 90-\u00ebs shp\u00ebrthyen. Apo t\u00eb gjith\u00eb k\u00ebrkonin statuse te reja shoq\u00ebrore? Nuk e di. Nuk di se sa mund t\u2019i mbante lidhur korniza e sistemit, apo rutina e jet\u00ebs q\u00eb t\u00eb p\u00ebrpin \u00e7do \u00e7ast. Por nuk mendoj q\u00eb korniza e sistemit t\u00eb ishte kaq e fort\u00eb p\u00ebr lidhjet personale, kur rezistuan shum\u00eb fejesat n\u00eb djep, madje u mbyll\u00ebn syt\u00eb dhe u kategorizuan si shprehje t\u00eb reja t\u00eb liris\u00eb edhe martesat e vajzave t\u00eb mitura. Madje u legalizuan si sht\u00ebpit\u00eb e sapond\u00ebrtuara.<\/p>\n

A.G.<\/strong>\u00a0– Mendoni se gruaja n\u00eb koh\u00ebn e diktatur\u00ebs ka qen\u00eb m\u00eb e socializuar, pavar\u00ebsisht ideologjis\u00eb? Sot peizazhi n\u00eb t\u00eb cilin ajo \u00ebsht\u00eb vendosur duket shum\u00eb i zymt\u00eb; e mbyllur brenda kat\u00ebr mureve, duke par\u00eb telenovela turke… apo nj\u00eb aksesor i vog\u00ebl dhe i par\u00ebnd\u00ebsish\u00ebm n\u00eb sediljen e nj\u00eb makine luksoze…<\/p>\n

N.L. –<\/strong>\u00a0Nuk mendoj se mund t\u00eb ket\u00eb nj\u00eb p\u00ebrgjigje n\u00eb p\u00ebrgjith\u00ebsi. Shqiptar\u00ebt kan\u00eb pasur karakteristika krahinore dhe kulturore aq t\u00eb diferencuara sa duhet t\u00eb trokas\u00ebsh der\u00eb m\u00eb der\u00eb. Me e keqja do t\u00eb ishte q\u00eb m\u00eb t\u00eb socializuar te b\u00ebhen ata q\u00eb integrohen n\u00eb kultur\u00ebn e vendeve t\u00eb tjera, nj\u00eb arsye kjo m\u00eb shum\u00eb zgjedhjeje dhe n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb kur brenda Shqip\u00ebrie t\u2019i g\u00ebzohesh nj\u00eb papun\u00ebsie te madhe. P\u00ebr k\u00ebt\u00eb duhen par\u00eb statistikat, por jo rezultatet e nj\u00eb censusi q\u00eb ka mbetur qesharak. Sidoqoft\u00eb, ashtu si\u00e7 i nevojiten shtrojet p\u00ebr t\u00eb fjetur, njeriut i nevojiten edhe shtrojet e nj\u00eb p\u00ebrvoje jete sociale. Dhe v\u00eb bast, se pa n\u00ebna t\u00eb nj\u00eb jete sociale aktive, nuk do t\u00eb dilnin t\u00eb famshme as vajzat e tyre n\u00eb t\u00eb gjith\u00eb\u00a0 bot\u00ebn. Sa per telenovelat turke, q\u00eb t\u00eb pakt\u00ebn p\u00ebr kortezi diplomatike duhet t\u2019i shohin t\u00eb parat edhe parlamentar\u00ebt tan\u00eb, kam zgjatur edhe un\u00eb kok\u00ebn t\u00eb shoh se \u00e7far\u00eb ishte ose \u00ebsht\u00eb nj\u00eb harrem.<\/p>\n

A.G.<\/strong>\u00a0– Sa ju ka penguar maskilizmi n\u00eb rrug\u00ebn tuaj? N\u00eb dit\u00ebt e sotme edhe m\u00eb t\u00eb frikshme duken grat\u00eb maskiliste…<\/p>\n

N.L.<\/strong>\u00a0– Po, maskilizmi… Mendoj se q\u00eb nga koha e Af\u00ebrdit\u00ebs \u2018s\u00eb par\u00eb t\u00eb Sterjo Spases, dhe disa veprave t\u00eb tjera letrare t\u00eb viteve 30-t\u00eb, kur u b\u00ebn\u00eb shkriftimet e para t\u00eb gjendjes s\u00eb femr\u00ebs, e deri m\u00eb sot kur proz\u00ebn po e l\u00ebvrojn\u00eb shkrimtare si ju, me ndonj\u00eb p\u00ebrjashtim t\u00eb vog\u00ebl, let\u00ebrsia shqipe nuk ka pasur n\u00eb qend\u00ebr t\u00eb veprave t\u00eb mir\u00ebfillta figura t\u00eb plota dhe t\u00eb spikatura grash. Madje edhe n\u00eb vepra t\u00eb mira, ka raste t\u00eb shumta ku femra trajtohet si objekt, n\u00eb mos nga shkrimtari, nga personazhet e tij. Edhe m\u00eb maskiliste, madje deri n\u00eb perversitet, \u00ebsht\u00eb kur mendohet se nga nj\u00eb shkrimtare a poete shoq\u00ebria pret vet\u00ebm tema dashurie. E di q\u00eb p\u00ebr arsye maskilizmi, m\u00eb tep\u00ebr se sa p\u00ebr thithje numeratike t\u00eb votuesve, me q\u00ebllim q\u00eb asnj\u00eb vot\u00eb mos shkoj\u00eb bosh, \u00ebsht\u00eb realizuar sistemi proporcional, q\u00eb favorizon n\u00eb parlament nj\u00eb pjes\u00ebmarrje m\u00eb t\u00eb mir\u00eb fem\u00ebrore. E di q\u00eb ju prisni\u00a0 t\u00eb them di\u00e7ka edhe p\u00ebr maskilizmin e jet\u00ebs son\u00eb politike, eksperienc\u00eb q\u00eb un\u00eb e kam provuar sado pak, por q\u00eb shpesh, p\u00ebr munges\u00eb kujtese shoq\u00ebrore konsiderohet si e harruar. Dhe un\u00eb do t\u00eb p\u00ebrmend at\u00eb maskilizmin m\u00eb qesharak, q\u00eb paraprin edhe k\u00ebt\u00eb kujtes\u00eb t\u00eb humbur. Se si gjat\u00eb jet\u00ebs sime t\u00eb shkurt\u00ebr parlamentare, m\u00eb ndodhte t\u00eb m\u00eb spostonin radh\u00ebn, sa her\u00eb k\u00ebrkoja t\u00eb flisja. \u00c7far\u00eb nuk provoja p\u00ebr t\u00eb bindur veten se ky seleksionim nuk ishte i q\u00ebllimsh\u00ebm. Tentoja t\u00eb sh\u00ebnoja emrin e para, madje me vrap, nga frika se mos ma zinte radh\u00ebn ndonj\u00eb tjet\u00ebr, por m\u00eb kot. Kishte raste q\u00eb mbarohej fare koha e diskutimeve. Dhe tani mezi pres q\u00eb kjo intervist\u00eb t\u00eb gjendet ndonj\u00eb dit\u00eb online q\u00eb un\u00eb t\u00eb lexoj komente si \u201cMir\u00eb ta b\u00ebn\u00eb ty moj shkrimtare e p\u00ebrkedhelur!\u201d, se \u201cshkrimtare e p\u00ebrk\u00ebdhelur\u201d mund t\u00eb t\u00eb thon\u00eb edhe kur gjendesh n\u00ebp\u00ebr lista t\u00eb krijuara nga persekutor\u00ebt. Pasi referenca e vetme \u00ebsht\u00eb varja n\u00eb litar. Dhe \u00e7far\u00eb nuk mund t\u00eb d\u00ebgjosh n\u00eb k\u00ebt\u00eb bot\u00eb t\u00eb \u00e7artur, n\u00eb saj\u00eb t\u00eb liris\u00eb q\u00eb secili e mendon p\u00ebr gjykimet e tij. Oriana Fallaci ka shkruar nj\u00eb lib\u00ebr mbi jet\u00ebn sociale t\u00eb gruas n\u00eb t\u00eb gjith\u00eb bot\u00ebn, t\u00eb cilin p\u00ebr fat e ka p\u00ebrkthyer Drita Siliqi, profesore imja e let\u00ebrsis\u00eb n\u00eb universitet, q\u00eb nuk e ka zgjedhur kot, se ka qen\u00eb e men\u00e7ur. Nuk di \u00e7far\u00eb do t\u00eb kishte th\u00ebn\u00eb Oriana Fallaci po t\u00eb kishte par\u00eb edhe Shqip\u00ebrin\u00eb e gjendjeve sociale. Por n\u00eb librin e saj ajo p\u00ebrshkruan shum\u00eb gra t\u00eb tribunave politike, ose t\u00eb pjes\u00ebmarrjeve t\u00eb tjera aktive, q\u00eb vet\u00ebm shpalosin edhe nevoj\u00ebn e shoq\u00ebrive p\u00ebr superficialitet t\u00eb lart\u00eb, madje fals, ve\u00e7an\u00ebrisht n\u00eb ato vende ku shumica jeton deri n\u00eb shkall\u00ebt e posht\u00ebrimit.T\u00eb shfaqet nj\u00eb fytyr\u00eb e bot\u00ebs fem\u00ebrore n\u00eb ato q\u00eb shkruan, \u00ebsht\u00eb nj\u00eb m\u00ebnyr\u00eb tjet\u00ebr, gati zbavit\u00ebse, sot kund\u00ebr maskilizmit. Dhe n\u00eb nj\u00eb m\u00ebnyr\u00eb loje t\u00eb re shpengimi, shpjegoj edhe ato vajza q\u00eb diku, larg trysnive tona, promovojn\u00eb t\u00eb shkruajn\u00eb n\u00eb fytyr\u00ebn e tyre n\u00ebp\u00ebrmjet\u00a0 operacioneve plastike, Barbie-n e p\u00ebrrallave t\u00eb vjetra, por t\u00eb filmave t\u00eb sot\u00ebm. Se nj\u00eb\u00a0 l\u00ebvizje e re \u00a0e vog\u00ebl\u00a0 sociale e nj\u00eb shoq\u00ebrie ose grupi \u00ebsht\u00eb edhe kjo.<\/p>\n

A.G.<\/strong>\u00a0– Cila \u00ebsht\u00eb atmosfera n\u00eb t\u00eb cil\u00ebn krijoni? Muzika, moti, zhurmat, drita, ngjyrat?<\/p>\n

N.L.<\/strong>\u00a0– Qet\u00ebsia. Vet\u00ebm t\u00eb jem me veten. N\u00eb periudh\u00eb korrigjimesh ose rishikimesh mund t\u00eb kontrolloj \u00e7far\u00eb kam shkruar edhe n\u00eb ndonj\u00eb kafene lagjeje. Sepse atje duket se sa i shkon bot\u00ebs rreth e qark edhe fustani q\u00eb ke veshur. Por me asnj\u00eb njeri tjet\u00ebr nuk kam mundur t\u00eb shkruaj po ta kem pasur pran\u00eb,\u00a0 p\u00ebrve\u00e7 n\u00ebn\u00ebs sime.<\/p>\n

A.G<\/strong>. – Ju fal\u00ebnderoj p\u00ebr bised\u00ebn!<\/p>\n

N.L<\/strong>. – Edhe ju duhet t\u00eb m\u00eb ndjeni q\u00eb iu referova disa nga njer\u00ebzve m\u00eb t\u00eb m\u00ebdhenj t\u00eb letrave bot\u00ebrore ose shqiptare dhe e zgjata bised\u00ebn, por pa ata nuk do t\u00eb dinim ku t\u00eb fusnim kok\u00ebn.<\/p>\n

 <\/p>\n<\/div>\n

\n
\n

\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

N\u00eb nj\u00eb v\u00ebshtrim t\u00eb par\u00eb do t\u00eb dukej sikur gjith\u00e7ka ka ecur fjoll\u00eb n\u00eb jet\u00ebn e Natasha Lakos, por mjaftojn\u00eb disa pyetje si vijojn\u00eb, p\u00ebr t\u00eb zbuluar nj\u00eb sfond jo edhe aq idilik t\u00eb rrug\u00ebtimit t\u00eb saj letrar. (politik edhe) Ajo rr\u00ebfen midis t\u00eb tjerash se si i spostoheshin q\u00ebllimisht fjalimet gjat\u00eb koh\u00ebs q\u00eb ishte […]<\/p>","protected":false},"author":590,"featured_media":11842,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[2256],"ppma_author":[2255],"class_list":["post-4191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-natasha-lako"],"authors":[{"term_id":2255,"user_id":590,"is_guest":0,"slug":"arlinda-guma","display_name":"Arlinda Guma","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2025\/01\/arlinda.guma_.jpg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2025\/01\/arlinda.guma_.jpg"},"user_url":"","last_name":"Guma","first_name":"Arlinda","description":"Arlinda Guma \u00ebsht\u00eb autore e romaneve:\"Bulevardi i Yjeve\", 2014, \"Terma humanitar\u00eb si fjala bombardim\", 2016, \"Bob Legjenda\", 2021."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/4191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/users\/590"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/comments?post=4191"}],"version-history":[{"count":3,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/4191\/revisions"}],"predecessor-version":[{"id":11843,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/4191\/revisions\/11843"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media\/11842"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media?parent=4191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/categories?post=4191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/tags?post=4191"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/ppma_author?post=4191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}