{"id":4233,"date":"2018-07-23T11:32:38","date_gmt":"2018-07-23T09:32:38","guid":{"rendered":"https:\/\/sbunker.org\/?p=4233"},"modified":"2024-12-20T11:37:20","modified_gmt":"2024-12-20T09:37:20","slug":"une-daniel-blake-pjesa-i","status":"publish","type":"post","link":"https:\/\/sbunker.org\/sr\/kritike\/une-daniel-blake-pjesa-i\/","title":{"rendered":"“Un\u00eb, Daniel Blake” – Pjesa I"},"content":{"rendered":"
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\u201cFilmat mund t\u00eb b\u00ebjn\u00eb shum\u00eb gj\u00ebra. Mund t\u00eb na d\u00ebfrejn\u00eb, t\u00eb na tmerrojn\u00eb, t\u00eb na shpien n\u00eb bot\u00ebt e imagjinat\u00ebs, t\u00eb na b\u00ebjn\u00eb t\u00eb qeshim, apo t\u00eb na tregojn\u00eb di\u00e7ka rreth bot\u00ebs reale n\u00eb t\u00eb cil\u00ebn jetojm\u00eb.\u201d K\u00ebshtu shprehej regjisori i famsh\u00ebm britanik, Ken Loach, me rastin e pranimit t\u00eb \u00c7mimit BAFTA p\u00ebr Filmin m\u00eb t\u00eb Mir\u00eb p\u00ebr vitin 2017, \u201cI, Daniel Blake.\u201d Nuk do mend, t\u00eb gjith\u00eb filmat e Loach \u2013 duke filluar nga \u201cCathy Come Home,\u201d \u201cPoor Cow\u201d dhe \u201cKes,\u201d e deri tek \u201cBread and Roses,\u201d \u201cThe Wind that Shakes the Barley,\u201d \u201cRoute Irish,\u201d \u201cJimmy\u2019s Hall,\u201d dhe \u201cI, Daniel Blake\u201d \u2013 na shpalosin di\u00e7ka rreth \u201cbot\u00ebs reale n\u00eb t\u00eb cil\u00ebn jetojm\u00eb.\u201d N\u00eb fakt, si\u00e7 argumenton dhe Tony Garnett, nj\u00eb nga bashk\u00ebpun\u00ebtor\u00ebt m\u00eb t\u00eb ngusht\u00eb t\u00eb Loach tek dokumentari mbi jet\u00ebn dhe krijimtarin\u00eb e k\u00ebtij t\u00eb fundit (\u201cVersus: The life and films of Ken Loach\u201d), \u201cKen d\u00ebshiron t\u00eb b\u00ebj\u00eb filma se si bota funksionon n\u00eb t\u00eb v\u00ebrtet\u00eb.\u201d<\/p>\n<\/div>\n

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Meqen\u00ebse k\u00ebtu nuk \u00ebsht\u00eb vendi adekuat p\u00ebr t\u00eb analizuar si\u00e7 duhet gjith\u00eb krijimtarin\u00eb e Loach, sidoqoft\u00eb, dua q\u00eb n\u00eb k\u00ebt\u00eb shkrim modest t\u2019i ndaj thjesht disa p\u00ebrshtypje personale rreth filmit t\u00eb tij t\u00eb fundit, \u201cI, Daniel Blake\u201d \u2013 i cili, n\u00eb gjykimin tim estetik, \u00ebsht\u00eb filmi m\u00eb i arrir\u00eb i Loach, pas filmit \u201cJimmy\u2019s Hall.\u201d Dhe nj\u00ebkoh\u00ebsisht, t\u00eb krahasoj me t\u00eb nj\u00eb film t\u00eb ngjash\u00ebm nga St\u00e9phane Briz\u00e9, i cili quhet \u201cLa loi du march\u00e9,\u201d (\u201cLigji i tregut\u201d), pa\u00e7ka n\u00eb anglisht mund t\u00eb gjendet n\u00ebn tiullin \u201cThe Measure of a Man.\u201d P\u00ebr ata q\u00eb nuk e din\u00eb, Briz\u00e9 \u00ebsht\u00eb nj\u00eb nga regjisor\u00ebt m\u00eb t\u00eb mir\u00eb bashk\u00ebkohor\u00eb francez\u00eb. Disa nga filmat e tij m\u00eb t\u00eb njohur p\u00ebrfshijn\u00eb, por jo vet\u00ebm: \u201cA woman\u2019s life,\u201d \u201cMademoiselle Chambon,\u201d \u201cNot here to be loved,\u201d dhe natyrisht, \u201cThe Measure of a Man.\u201d S\u00eb fundmi, Briz\u00e9 ka realizuar edhe nj\u00eb film t\u00eb mrekulluesh\u00ebm, me titull \u201cAt War,\u201d t\u00eb cilin do t\u2019ua rekomandoja t\u00eb gjith\u00ebve forc\u00ebrisht.<\/p>\n

Meq\u00eb shkrimi \u00ebsht\u00eb paksa i gjat\u00eb, sidoqoft\u00eb, kam menduar q\u00eb ta ndaj n\u00eb tri pjes\u00eb: n\u00eb pjes\u00ebn e par\u00eb dhe t\u00eb dyt\u00eb, t\u00eb ofroj nj\u00eb p\u00ebrmbledhje t\u00eb shkurt\u00ebr rreth asaj se \u00e7far\u00eb b\u00ebhet fjal\u00eb n\u00eb k\u00ebta dy filma; kurse, n\u00eb pjes\u00ebn tret\u00eb dhe t\u00eb fundit, t\u00eb flas m\u00eb shum\u00eb rreth ngjashm\u00ebrive dhe dallimeve nd\u00ebrmjet tyre (gjithnj\u00eb n\u00eb kontekst t\u00eb problematikave q\u00eb trajtojn\u00eb).<\/p>\n

\u201cUn\u00eb, Daniel Blake\u201d<\/p>\n

N\u00eb k\u00ebt\u00eb film, si\u00e7 dhe mund t\u00eb kuptohet nga vet\u00eb titulli, b\u00ebhet fjal\u00eb p\u00ebr Daniel Blake (Dave Johns), nj\u00eb zdrukth\u00ebtar af\u00ebr t\u00eb gjasht\u00ebdhjetave nga qyteti Newcastle i Anglis\u00eb. P\u00ebr fat t\u00eb keq, derisa Daniel \u00ebsht\u00eb duke punuar, p\u00ebson papritmas sulm n\u00eb zem\u00ebr. Megjith\u00ebq\u00eb i mbijeton k\u00ebtij sulmi, doktori i tij i zemr\u00ebs i thot\u00eb se ai nuk mund t\u00eb punoj\u00eb m\u00eb, meq\u00eb ka rrezik t\u00eb p\u00ebsoj\u00eb s\u00ebrish ndonj\u00eb sulm. K\u00ebshtu, megjithat\u00eb, nuk mendon Departamenti i Pun\u00ebs dhe Pensioneve. I cili, p\u00ebrkundra udh\u00ebzimit t\u00eb mjekut personal t\u00eb Daniel-it, konstaton se ky i fundit, n\u00eb fakt, \u00ebsht\u00eb i aft\u00eb p\u00ebr pun\u00eb, meq\u00eb mund t\u00eb ec\u00eb 50 metra pa ndihm\u00ebn e askujt, t\u00eb l\u00ebviz\u00eb duart lart e posht\u00eb, t\u00eb shtyp pull\u00ebn e telefonit, t\u00eb komunikoj\u00eb me njer\u00ebzit pa problem, t\u00eb caktoj\u00eb alarmin, dhe detyra t\u00eb tjera q\u00eb nuk kan\u00eb ndonj\u00eb lidhje me problemet e tij t\u00eb zemres. Si rrjedhim, p\u00ebr t\u00eb p\u00ebrfituar nga programi i t\u00eb papun\u00ebve, Daniel-t i thuhet t\u00eb k\u00ebrkoj\u00eb pun\u00eb aktivisht. P\u00ebrndryshe, nuk do t\u00eb p\u00ebrfitoj\u00eb as nj\u00eb qindark\u00eb.<\/p>\n

I revoltuar me k\u00ebt\u00eb vendim t\u00eb DPP-s\u00eb, Daniel natyrisht d\u00ebshiron t\u00eb ankohet. Sidoqoft\u00eb, p\u00ebr shkak se procesi i apelimit ishte i t\u00ebri online, dhe duke qen\u00eb se nuk merrte vesh nga teknologjia, ai nuk arrin ta b\u00ebj\u00eb nj\u00eb gj\u00eb t\u00eb till\u00eb personalisht. N\u00eb nd\u00ebrkoh\u00eb, derisa \u00ebsht\u00eb duke pritur n\u00eb zyr\u00ebn e pun\u00ebsimit, Daniel e takon Katie (Hayle Squires) dhe dy f\u00ebmij\u00ebt e saj, t\u00eb cil\u00ebt ishin detyruar t\u00eb l\u00ebviznin nga qyteti i Londr\u00ebs (ku kishin q\u00ebndruar p\u00ebr dy vjet n\u00eb nj\u00eb dhom\u00eb moteli p\u00ebr njer\u00ebzit e pastreh\u00eb), pasi u ishte premtuar nj\u00eb apartament m\u00eb i madh n\u00eb Newcastle.<\/p>\n

P\u00ebrkund\u00ebr ymytit t\u00eb Katie q\u00eb jeta n\u00eb Newcastle do t\u00eb ishte m\u00eb e leht\u00eb p\u00ebr t\u00eb dhe dy f\u00ebmij\u00ebt e saj, k\u00ebshtu nuk ndodh, sidoqoft\u00eb. Asaj i mohohet padrejt\u00ebsisht p\u00ebrkrahja financiare \u2013 ve\u00e7 pse kish mb\u00ebrritur me vones\u00eb n\u00eb zyren e pun\u00ebsimit (nga mosnjohja e qytetit) dhe, si rrjedhoj\u00eb, nuk arrin t\u00eb siguroj\u00eb buk\u00ebn e goj\u00ebs p\u00ebr dy f\u00ebmij\u00ebt e saj. N\u00eb nj\u00eb situat\u00eb t\u00eb till\u00eb, pa pasur asnj\u00eb grosh n\u00eb xhep, ajo detyrohet q\u00eb, fillimisht, t\u00eb \u201cvjedh\u201d ca gj\u00ebsende personale n\u00eb nj\u00eb dyqan dhe, m\u00eb pas, t\u00eb pranoj\u00eb dhe ushtrimin e profesionit t\u00eb \u201cprostitut\u00ebs s\u00eb respektueshme,\u201d q\u00eb t\u00eb huazoj titullin e nj\u00eb drame t\u00eb famshme t\u00eb Jean-Paul Sartre, p\u00ebr t\u2019u kujdesur p\u00ebr dy f\u00ebmij\u00ebt e saj. Me t\u00eb kuptuar p\u00ebr k\u00ebt\u00eb gj\u00eb, sidoqoft\u00eb, Daniel shkon p\u00ebrnj\u00ebher\u00eb tek Katie, t\u00eb cil\u00ebn e bind\u00eb t\u00eb heq dor\u00eb nga ky \u201cprofesion\u201d (me premtimin se gjith\u00e7ka do t\u00eb rregullohej). Mir\u00ebpo, p\u00ebrkund\u00ebr optimizmit t\u00eb Daniel, situata ve\u00e7 sa shkon e b\u00ebhet m\u00eb e mundimshme: Katie mezi arrin t\u00eb siguroj\u00eb buk\u00ebn e goj\u00ebs p\u00ebr dy f\u00ebmij\u00ebt e saj, kurse Daniel-t i mohohet edhe ajo pak ndihm\u00eb financiare q\u00eb merrte nga shteti.<\/p>\n

Rrjedhin si rrjedhin gj\u00ebrat (q\u00eb t\u00eb mos shpalosim t\u00eb gjitha detajet nga filmi n\u00eb fjal\u00eb). N\u00eb fund, apeli e th\u00ebrret Daniel, duke i th\u00ebn\u00eb se, sipas t\u00eb gjitha gjasave, ai do t\u00eb p\u00ebrfitoj\u00eb financiarisht nga shteti. Megjithat\u00eb, p\u00ebr shkak t\u00eb stresit t\u00eb madh, Daniel-in e l\u00ebshon zemra. Dhe vdes. N\u00eb fund, p\u00ebr hir t\u00eb tij, mbahet nj\u00eb ceremoni e thjesht\u00eb mortore, n\u00eb t\u00eb cil\u00ebn Katie e lexon dhe letr\u00ebn e shkurt\u00ebr q\u00eb Daniel kish p\u00ebrgatitur p\u00ebr ta lexuar para apelit, ku n\u00eb m\u00ebnyr\u00eb mjaft prek\u00ebse kishte shkruar: \u201cUn\u00eb nuk jam klient, konsumator, apo p\u00ebrdorues sh\u00ebrbimi. Nuk jam as dembel, parazit, lyp\u00ebsar, apo hajdut. Nuk jam num\u00ebr komb\u00ebtar i sigurimeve, apo nj\u00eb blip n\u00eb ekran. I kam paguar t\u00eb gjitha detyrimet e mia, pa shmangur kurr\u00eb nj\u00eb metelik, dhe jam ball\u00eblart p\u00ebr k\u00ebt\u00eb. Nuk e p\u00ebrbuz kurr\u00eb komshiun tim, por e shoh n\u00eb sy dhe e ndihmoj n\u00ebse mundem. Nuk pranoj apo k\u00ebrkoj bamir\u00ebsi. Emri im \u00ebsht\u00eb Daniel Blake. Jam njeri, jo qen. Si i till\u00eb, k\u00ebrkoj t\u00eb drejtat e mia. K\u00ebrkoj t\u00eb m\u00eb trajtoni me respekt. Un\u00eb, Daniel Blake, jam qytetar. Asgj\u00eb m\u00eb shum\u00eb, asgj\u00eb m\u00eb pak.\u201d<\/p>\n

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