{"id":4683,"date":"2015-11-14T15:27:09","date_gmt":"2015-11-14T13:27:09","guid":{"rendered":"https:\/\/sbunker.org\/?p=4683"},"modified":"2024-10-14T14:01:09","modified_gmt":"2024-10-14T12:01:09","slug":"soji-i-saj","status":"publish","type":"post","link":"https:\/\/sbunker.org\/sr\/opinion\/soji-i-saj\/","title":{"rendered":"Soji i saj"},"content":{"rendered":"<div class=\"news-up\"><\/div>\n<div class=\"news-down\">\n<div class=\"img-wrapper\"><img decoding=\"async\" src=\"https:\/\/sbunker.net\/uploads\/sbunker.net\/images\/2016\/August\/02\/auto_Anne-Sexton1470144607.jpg\" \/><\/div>\n<div class=\"news-left\">\n<p>Poezia \u201cSoji i saj\u201d e Anne Sexton \u00ebsht\u00eb shembull q\u00eb ilustron llojin e poezis\u00eb q\u00eb poetja mjesht\u00ebronte: poezin\u00eb rr\u00ebfyese me elemente atipike e shpesh edhe kontroverse. Tema qendrore n\u00eb \u00a0k\u00ebt\u00eb poezi t\u00eb Anne \u00ebsht\u00eb ajo vet\u00eb: pra soji i nj\u00eb gruaje si ajo, k\u00ebtu e paraqitur nga tri pik\u00ebv\u00ebshtrime t\u00eb ndryshme, dhe p\u00ebrvojat e saj p\u00ebrkat\u00ebse n\u00eb raport me t\u00eb ashtu-quajturat norma s\u00eb t\u00eb qenurit grua. Poetja k\u00ebtu ilustron nj\u00eb grua jo t\u00eb r\u00ebndomt\u00eb, sjell nj\u00eb grua ndryshe, dhe v\u00ebshtir\u00ebsit\u00eb q\u00eb ajo has teksa jeton n\u00eb l\u00ebkur\u00ebn e sojit t\u00eb saj. Fillimisht, v\u00ebrehet q\u00eb secili varg hyr\u00ebs i t\u00eb tri strofave t\u00eb poezis\u00eb fillon (apo mbaron) me fjal\u00ebn \u201cun\u00eb.\u201d Ky \u00ebsht\u00eb nj\u00eb element i fuqish\u00ebm i poezis\u00eb rr\u00ebfyese, ngaq\u00eb fundja, Anne Sexton k\u00ebtu s\u2019b\u00ebn gj\u00eb tjet\u00ebr pos q\u00eb ilustron jet\u00ebn e saj zhveshur nga zbukurimet. N\u00eb vijim, n\u00eb secil\u00ebn strof\u00eb poetja flet nga nj\u00eb perspektiv\u00eb ndryshe, mir\u00ebpo q\u00eb t\u00eb gjitha t\u00eb nd\u00ebrtuara p\u00ebrbrenda p\u00ebrvoj\u00ebs t\u00eb saj si grua n\u00eb k\u00ebt\u00eb bot\u00eb, ku ajo mbetet nj\u00eb e p\u00ebrjashtuar nga shoq\u00ebria, nj\u00eb grua ndryshe, e pra e lin\u00e7uar si pasoj\u00eb e mosp\u00ebrshtatjes me rolin q\u00eb ajo kushtimisht do duhej t\u00eb kishte. Pra, n\u00eb secil\u00ebn nga strofat, Anne Sexton \u00ebsht\u00eb nj\u00eb pjes\u00eb e unit t\u00eb saj, dhe identifikohet jo me gruan, por me nj\u00eb imazh si\u00e7 i jep shoq\u00ebria asaj.<\/p>\n<p>N\u00eb strof\u00ebn e par\u00eb, poetja identifikohet me shtrig\u00ebn. Ajo i falet nat\u00ebs, \u00ebnd\u00ebrron lig\u00ebsin\u00eb, endet sht\u00ebpi mbi sht\u00ebpi, e si e till\u00eb ajo s\u2019para ngjason me nj\u00eb \u201cgrua t\u00eb denj\u00eb,\u201d ngaq\u00eb kjo e fundit pritet t\u00eb jet\u00eb e but\u00eb, e \u00e7ilt\u00ebr, e d\u00ebgjueshme. Soji i saj, n\u00eb mosp\u00ebrputhje me k\u00ebto tipare, \u00ebsht\u00eb pra nj\u00eb shtrig\u00eb. N\u00eb strof\u00ebn e dyt\u00eb, poetja shp\u00ebrfaq d\u00ebshtimin p\u00ebr tu identifikuar me rolin e saj si n\u00ebn\u00eb dhe bashk\u00ebshorte, si sht\u00ebpiake. Ajo paraqet tentimet e saj p\u00ebr t\u00eb krijuar nj\u00eb sht\u00ebpi p\u00ebr familjen e saj, t\u00eb cil\u00ebt i identifikon figurativisht me krimba e karanxholl\u00eb, ashtu si\u00e7 e identifikon sht\u00ebpin\u00eb me shpell\u00eb. Ajo mundohet, por nuk ia del, ngaq\u00eb soji i saj \u00ebsht\u00eb asgj\u00eb ve\u00e7se nj\u00eb e keqkuptuar rr\u00ebnj\u00ebsisht. Ajo mbetet nj\u00eb e \u201cd\u00ebshtuar\u201d n\u00eb rolin q\u00eb sipas shoq\u00ebris\u00eb, i takon ta ket\u00eb.<\/p>\n<p>N\u00eb strof\u00ebn e fundit, poetja identifikohet me nj\u00eb lavire, kur me duar t\u00eb zhveshura p\u00ebrsh\u00ebndet fshatrat teksa \u00ebsht\u00eb duke u d\u00ebrguar n\u00eb \u00e7mendin\u00eb, ngaq\u00eb soji i saj ashtu d\u00ebnohet (k\u00ebtu ajo na jep nj\u00eb kuptim t\u00eb dyfisht\u00eb; n\u00eb nj\u00eb an\u00eb identifikohet me s\u00ebmundjen e saj, por poashtu tregon edhe paragjykimet ndaj saj si pasoj\u00eb e k\u00ebsaj t\u00eb par\u00ebs). Mbi t\u00eb gjitha, n\u00eb strof\u00ebn e fundit, Anne Sexton fuqish\u00ebm ilustron se si nj\u00eb grua si ajo digjet p\u00ebr s\u00eb gjalli si\u00e7 digjeshin ato q\u00eb merreshin p\u00ebr shtriga moti koh\u00eb, kur \u201czjarret e [shoq\u00ebris\u00eb] kofsh\u00ebt [ia] kafshojn\u00eb\u201d dhe torturohet p\u00ebr vdekje nga mjete torturuese duke e detyruar q\u00eb t\u00eb rr\u00ebfehet, teksa \u201cbrinj\u00ebt e [saja] thyhen ku rrot\u00ebt [e tyre] ngecin, pra.\u201d Kjo ngaq\u00eb soji i saj \u00ebsht\u00eb i papranuesh\u00ebm n\u00eb k\u00ebt\u00eb bot\u00eb, e n\u00eb fund, soji i saj mbetet me asgj\u00eb tjet\u00ebr p\u00ebrpos dinjitetit q\u00eb merr nga vdekja. Soji i saj \u00ebsht\u00eb jo konform gruas s\u00eb r\u00ebndomt\u00eb, \u00ebsht\u00eb e \u201cpanatyrshme\u201d por me nj\u00eb aft\u00ebsi poaq t\u00eb panatyrshme p\u00ebr t\u2019i q\u00ebndruar pas t\u00eb v\u00ebrtet\u00ebs brenda saj, dhe p\u00ebr ta rr\u00ebfyer at\u00eb. P\u00ebrfundimisht, ajo vdes me dinjitetin e mbrojtjes t\u00eb gruas si soji i saj.<br \/>\n<em>Soji i saj<\/em><\/p>\n<p><em>Un\u00eb kam dalur, shtrig\u00eb e xhindosur<br \/>\ne pashqitur ajrit t\u00eb zez\u00eb, trim\u00ebresh\u00eb n\u00eb nat\u00eb;<br \/>\nduke \u00ebnd\u00ebrruar lig\u00ebsin\u00eb, jam endur e plandosur<br \/>\nmbi sht\u00ebpi t\u00eb r\u00ebndomta, dit\u00eb m\u00eb dit\u00eb nga lart:<br \/>\ne vetmuar, dymb\u00ebdhjet\u00eb gisht\u00ebrore, e luajtur m\u00ebnd\u00ebsh.<br \/>\nNj\u00eb grua e till\u00eb s\u2019\u00ebsht\u00eb gjithaq grua rendesh.<br \/>\nUn\u00eb kam qen\u00eb soji i saj.<\/em><\/p>\n<p><em>Shpella t\u00eb ngrohta n\u00ebp\u00ebr pyje kam gjetur un\u00eb,<br \/>\nmbushur i kam me tigan\u00eb, skalitje, rafte boll,<br \/>\ndollap\u00eb, m\u00ebndafshe, t\u00eb tjera gj\u00ebra shum\u00eb,<br \/>\nkam shtruar darka p\u00ebr krimba e karanxholl\u00eb:<br \/>\nduke r\u00ebnkuar, \u00e7rregullimet duke v\u00ebn\u00eb n\u00eb rend.<br \/>\nNj\u00eb grua e till\u00eb \u00ebsht\u00eb p\u00ebrhera e keqkuptuar,<br \/>\nUn\u00eb kam qen\u00eb soji i saj.<\/em><\/p>\n<p><em>Un\u00eb jam vozitur n\u00eb karroc\u00ebn t\u00ebnde, drejtues,<br \/>\nme duar t\u00eb zhveshura kam p\u00ebrsh\u00ebndetur fshatrat tek kalojn\u00eb,<br \/>\nduke m\u00ebsuar udh\u00ebt e fundit t\u00eb ndritshme, mbijetues<br \/>\nku zjarret e tua akoma kofsh\u00ebt mi kafshojn\u00eb<br \/>\ndhe brinj\u00ebt e mija thyhen ky rrot\u00ebt tua ngecin, pra<br \/>\nnj\u00eb grua e till\u00eb t\u00eb vdes turp nuk ka.<br \/>\nUn\u00eb kam qen\u00eb soji i saj.<\/em><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Poezia \u201cSoji i saj\u201d e Anne Sexton \u00ebsht\u00eb shembull q\u00eb ilustron llojin e poezis\u00eb q\u00eb poetja mjesht\u00ebronte: poezin\u00eb rr\u00ebfyese me elemente atipike e shpesh edhe kontroverse. Tema qendrore n\u00eb \u00a0k\u00ebt\u00eb poezi t\u00eb Anne \u00ebsht\u00eb ajo vet\u00eb: pra soji i nj\u00eb gruaje si ajo, k\u00ebtu e paraqitur nga tri pik\u00ebv\u00ebshtrime t\u00eb ndryshme, dhe p\u00ebrvojat e saj [&hellip;]<\/p>","protected":false},"author":3,"featured_media":7966,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"ppma_author":[283],"class_list":["post-4683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinion"],"authors":[{"term_id":283,"user_id":0,"is_guest":1,"slug":"hana-limani","display_name":"Hana Limani","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/hana.jpeg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/hana.jpeg"},"user_url":"","last_name":"","first_name":"","description":"Hana \u00ebsht\u00eb e angazhuar me studime ne rrafshin socio-kulturor e letrar."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/4683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/comments?post=4683"}],"version-history":[{"count":2,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/4683\/revisions"}],"predecessor-version":[{"id":8279,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/4683\/revisions\/8279"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media\/7966"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media?parent=4683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/categories?post=4683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/tags?post=4683"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/ppma_author?post=4683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}