{"id":4723,"date":"2021-05-14T09:24:18","date_gmt":"2021-05-14T07:24:18","guid":{"rendered":"https:\/\/sbunker.org\/?p=4723"},"modified":"2024-10-14T10:53:21","modified_gmt":"2024-10-14T08:53:21","slug":"mbi-njollat-dhe-zogjte","status":"publish","type":"post","link":"https:\/\/sbunker.org\/sr\/opinion\/mbi-njollat-dhe-zogjte\/","title":{"rendered":"Mbi njollat dhe zogjt\u00eb"},"content":{"rendered":"<div class=\"news-up\">\n<h3>Mbi njollat dhe zogjt\u00eb<\/h3>\n<\/div>\n<div class=\"news-down\">\n<div class=\"news-left\">\n<div dir=\"auto\">Kur e pastrojm\u00eb nj\u00eb objekt nga patina, (ajo shtresa e holl\u00eb q\u00eb formohet n\u00eb sip\u00ebrfaqe t\u00eb bakrit, bronzit, ose gur\u00ebve t\u00eb caktuar, dhe mobiljeve prej druri, nga mosha dhe oksidimi,) e i themi restaurim, ose kur e z\u00ebvend\u00ebsojm\u00eb me nj\u00eb l\u00ebnd\u00eb t\u00eb re nj\u00eb tra t\u00eb nxir\u00eb nga polimerizimi, e i themi investim, ose kur vrimat e krimbave t\u00eb drurit i lexojm\u00eb si problem strukturor, e jo si bukurshkrim, t\u00eb gjitha k\u00ebto ma kujtojn\u00eb dijetarin, John Ruskin, q\u00eb \u201cpisll\u00ebkun\u201d e nd\u00ebrtesave historike t\u00eb Anglis\u00eb e quante, \u201cnjoll\u00eb t\u00eb koh\u00ebs\u201d, nd\u00ebrsa pastrimin e tyre, \u201cfshirje blasfemike dhe shkat\u00ebrruese.\u201d<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Premisa q\u00eb heqja e njollave \u00ebsht\u00eb e barabart\u00eb me shkat\u00ebrrim bazohet n\u00eb iden\u00eb q\u00eb vet\u00eb objekti \u00ebsht\u00eb kjo njollosje kohore. Q\u00eb koha rrjedh nga objekti, si\u00e7 rrjedh uji nga gurra, dhe q\u00eb objektet nuk jan\u00eb n\u00eb luft\u00eb me koh\u00ebn. (Kujto perl\u00ebn moderniste, Rilindjen, q\u00eb nuk u la e qet\u00eb n\u00eb harmoni me kontinuitetin kohor dhe sot duket si Hotel Baci.) Ose stel\u00ebn e gruas n\u00eb nekropolin verior t\u00eb Ulpian\u00ebs antike, e cila duket si suvenir i lir\u00eb all\u00e7ie, tash q\u00eb i jane hequr pa m\u00ebshir\u00eb, likenet mij\u00ebvje\u00e7are q\u00eb rriten nga 0,5 mm n\u00eb vit.<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Koh\u00ebt e fundit u fol shum\u00eb p\u00ebr objektin e G\u00ebrmis\u00eb, ish-sht\u00ebpin\u00eb e mallrave nga koha e ish-Jugosllavis\u00eb, e asnj\u00eb fjal\u00eb p\u00ebr zogjt\u00eb q\u00eb jetojn\u00eb n\u00eb fasad\u00ebn e tij. Debati plastik, \u201cmuze arti bashk\u00ebkohor vs. sall\u00eb koncertale,\u201d i t\u00ebri u zhvillua n\u00eb trinin\u00eb: investim kapital, ekspertiz\u00eb vler\u00ebsuese, industri e nd\u00ebrtimtaris\u00eb. Rrjedhimisht, rezistenca e komunitetit kund\u00ebr neoliberalizmit postkolonial t\u00eb AKP-s\u00eb, u sos n\u00eb nj\u00eb vetk\u00ebnaq\u00ebsi t\u00eb hegjemonis\u00eb mbi status quo-n\u00eb.<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Hap\u00ebsira publike nuk \u00ebsht\u00eb hap\u00ebsir\u00eb fizike, por marr\u00ebdh\u00ebnie intime me t\u00eb p\u00ebrbashk\u00ebt\u00ebn. E p\u00ebrbashk\u00ebta nuk \u00ebsht\u00eb superioritet i subjekteve njer\u00ebzore mbi objektet jo-njer\u00ebzore, por nd\u00ebrlidhje ekologjike. Prona e shtetit nuk mund t\u00eb jet\u00eb p\u00ebrnjemend pron\u00eb publike p\u00ebr faktin q\u00eb \u00ebsht\u00eb pron\u00eb. E p\u00ebrbashkta humbet n\u00eb momentin q\u00eb b\u00ebhet pron\u00eb. Pra, fraza \u201cpron\u00eb publike\u201d \u00ebsht\u00eb nj\u00eb kontradikt\u00eb termash, ndersa G\u00ebrmia, nj\u00eb pron\u00eb private e nj\u00eb komune anakronike ku zogjt\u00eb nuk mund t\u00eb pron\u00ebsojn\u00eb.<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Fluturimet lozonjare dhe cic\u00ebrrimat territoriale, zgjatin e z\u00ebrojn\u00eb nga gushat romboide t\u00eb fasad\u00ebs ikonike. E p\u00ebrb\u00ebjn\u00eb nj\u00eb teatralitet natyror q\u00eb s\u2019mund t\u00eb ndahet nga teatri njer\u00ebzor. Nj\u00eb eksplozivitet magjeps\u00ebs q\u00eb \u00ebsht\u00eb shprehja e gjeneve t\u00eb dizajnit arkitekturor. Poashtu, nj\u00eb baromet\u00ebr t\u00eb antropocentrizmit ton\u00eb, sepse \u00e7ka b\u00ebjm\u00eb me zogjt\u00eb &#8211; gjat\u00eb adaptimit japonez &#8211; e p\u00ebrcakton kultur\u00ebn ton\u00eb.<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">N\u00ebse hap\u00ebsirat publike nuk jan\u00eb realisht hap\u00ebsira, por materie lidh\u00ebse midis eksperiencave (njer\u00ebzore dhe jonjer\u00ebzore,) t\u00eb shtrira n\u00eb koh\u00eb, fjala hap\u00ebsir\u00eb b\u00ebhet e padobish\u00ebme p\u00ebr ta menduar t\u00eb p\u00ebrbashkt\u00ebn. N\u00ebse publike jan\u00eb vet\u00ebm ngat\u00ebrresat private, njollat e koh\u00ebs dhe ekosistemet simbiotike, publikja dhe privatja duhet t\u00eb rimendohen.<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Ashtu si njollat e koh\u00ebs q\u00eb jan\u00eb vet\u00eb objekti, zogjt\u00eb e fasad\u00ebs jan\u00eb vet\u00eb fasada. T\u2019i mbrosh k\u00ebta zogj \u00ebsht\u00eb t\u2019i lexosh si p\u00ebrb\u00ebr\u00ebs formalist t\u00eb arkitektur\u00ebs s\u00eb objektit t\u00eb G\u00ebrmis\u00eb. Dhe pastaj, jo vet\u00ebm t\u00eb ofrosh precedent ekologjik, por edhe nj\u00eb shembull aktual si duhet mbrojtur trash\u00ebgimia e kryeqytetit ton\u00eb.<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Mbi njollat dhe zogjt\u00eb Kur e pastrojm\u00eb nj\u00eb objekt nga patina, (ajo shtresa e holl\u00eb q\u00eb formohet n\u00eb sip\u00ebrfaqe t\u00eb bakrit, bronzit, ose gur\u00ebve t\u00eb caktuar, dhe mobiljeve prej druri, nga mosha dhe oksidimi,) e i themi restaurim, ose kur e z\u00ebvend\u00ebsojm\u00eb me nj\u00eb l\u00ebnd\u00eb t\u00eb re nj\u00eb tra t\u00eb nxir\u00eb nga polimerizimi, e i [&hellip;]<\/p>","protected":false},"author":187,"featured_media":7966,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"ppma_author":[216],"class_list":["post-4723","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinion"],"authors":[{"term_id":216,"user_id":187,"is_guest":0,"slug":"genc-kadriu","display_name":"Genc Kadriu","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/11\/genc-kadriu-e1731595854541.png","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/11\/genc-kadriu-e1731595854541.png"},"user_url":"","last_name":"Kadriu","first_name":"Genc","description":""}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/4723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/users\/187"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/comments?post=4723"}],"version-history":[{"count":2,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/4723\/revisions"}],"predecessor-version":[{"id":8269,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/4723\/revisions\/8269"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media\/7966"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media?parent=4723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/categories?post=4723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/tags?post=4723"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/ppma_author?post=4723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}