{"id":5038,"date":"2016-02-12T12:09:02","date_gmt":"2016-02-12T10:09:02","guid":{"rendered":"https:\/\/sbunker.org\/?p=5038"},"modified":"2024-11-05T12:11:15","modified_gmt":"2024-11-05T10:11:15","slug":"shok","status":"publish","type":"post","link":"https:\/\/sbunker.org\/sr\/kritike\/shok\/","title":{"rendered":"Shok"},"content":{"rendered":"<div class=\"news-up\"><\/div>\n<div class=\"news-down\">\n<div class=\"news-left\">\n<p>Filmi i metrazhit t\u00eb shkurt\u00ebr ,,Shok,, ma sjell\u00eb n\u00eb mendje novel\u00ebn drith\u00ebruese ,,Fati i Njeriut,, t\u00eb autorit t\u00eb madh rus Mikhail Sholokhov, i cili fitoi Nobelin n\u00eb vitin 1965, me arsyetimin e fuqis\u00eb artistike dhe integritetit p\u00ebrmes s\u00eb cil\u00ebs i kishte dh\u00ebn\u00eb shprehje, nj\u00eb fraze historike n\u00eb jet\u00ebn e rus\u00ebve. Novela e Sholokhovit \u00ebsht\u00eb nj\u00eb himn mbi shpirtin e njeriut t\u00eb thjesht\u00eb. Himn mbi dhimbjen e paan\u00eb t\u00eb fytyr\u00ebs s\u00eb p\u00ebrgjakur t\u00eb njeriut, si metafizik\u00eb e luft\u00ebs. N\u00ebse kemi t\u00eb drejt\u00eb ta themi k\u00ebt\u00eb gj\u00eb. Por si gjithmon\u00eb t\u2019i biem n\u00eb t\u00eb. N\u00ebse mundemi. Sa m\u00eb shpejt\u00eb q\u00eb t\u00eb jet\u00eb e mundur. Andrei Sokolov \u00ebsht\u00eb nj\u00eb shofer kamioni, i cili sh\u00ebrben n\u00eb radh\u00ebt e ushtris\u00eb ruse p\u00ebrgjat\u00eb Luft\u00ebs s\u00eb Dyt\u00eb Bot\u00ebrore. Dhe sikurse tek filmi ,,Shok,, edhe tek novela, i gjith\u00eb rr\u00ebfimi \u00ebsht\u00eb di\u00e7ka q\u00eb ka l\u00ebn\u00eb shenj\u00eb t\u00eb pashlyeshme tek kujtesa jon\u00eb e p\u00ebrbashk\u00ebt. Ngase n\u00eb t\u00eb dyja rastet, kujtesa \u00ebsht\u00eb d\u00ebshmi. Kujtesa \u00ebsht\u00eb dokument i \u00e7muesh\u00ebm moral. N\u00eb t\u00eb dyja rastet, kujtesa sh\u00ebrben si nj\u00ebsi mat\u00ebse e dhimbjes. T\u00eb mos d\u00ebrd\u00ebllisim shum\u00eb. Gjat\u00eb luftimeve t\u00eb ashpra me forcat gjermane i vuajturi Sokolov, bie rob. Dhe nj\u00ebjt\u00eb sikurse tek filmi, ai shp\u00ebton \u00e7udit\u00ebrisht nga ekzekutimi, si pasoj\u00eb e nj\u00eb hirearkie ushtarake. Megjith\u00ebse tek ,,Shok,, ka di\u00e7ka pak m\u00eb ndryshe. Hakmarrja e s\u00ebmur\u00eb del t\u00eb jet\u00eb mbi \u00e7do forc\u00eb autoritare dhe mbi \u00e7do form\u00eb t\u00eb \u00e7far\u00ebdo lloj rendi. Pa \u00e7ka se rendi ashtu k\u00ebshtu ishte katandisur si mos m\u00eb keq. N\u00eb ato rrethana ku jeta ishte b\u00ebr\u00eb b\u00ebr\u00eb nj\u00eb udh\u00ebtim i pad\u00ebshiruesh\u00ebm, mizoria ishte pushtet dhe trishtimi ishte l\u00ebkur\u00eb. Sidoqoft\u00eb t\u00eb flasim edhe p\u00ebr nj\u00eb element tjet\u00ebr. Gjat\u00eb koh\u00ebs sa heqakeqi i madh, Sokolov merret peng, ka n\u00eb pron\u00ebsi di\u00e7ka q\u00eb vras\u00ebsi nuk ka. Di\u00e7ka q\u00eb vras\u00ebsit i mungojn\u00eb. Nj\u00eb pal\u00eb \u00e7izme t\u00eb thjeshta e t\u00eb bukura, q\u00eb forcojn\u00eb absurdin e lakmis\u00eb, fyerjes apo ku dreqin ta di. Dhe k\u00ebshtu \u00e7izmet e Sokolovit sakaq b\u00ebhen \u00e7izmet e ushtarit zeshkan, q\u00eb largohet nga ai me automatik n\u00eb duar. P\u00ebrderisa tek,,Shok,, kemi bi\u00e7iklet\u00ebn. Si d\u00ebshmi e ides\u00eb p\u00ebr ta grabitur t\u00eb ardhmen e nj\u00eb populli t\u00eb t\u00ebr\u00eb. N\u00eb \u00e7far\u00ebdo kohe dhe kudo, lufta ka t\u00eb nj\u00ebjtat duar. Fatkeq\u00ebsia shpesh shoq\u00ebron njer\u00ebzit q\u00eb ndon\u00ebse nuk jan\u00eb fare fajtor.<\/p>\n<p>***<\/p>\n<p>,,Shok,, p\u00ebrve\u00e7 shpalosjes s\u00eb rr\u00ebfimit mbi luft\u00ebn, \u00ebsht\u00eb m\u00eb shum\u00eb se kaq. Ai n\u00eb m\u00ebnyr\u00eb t\u00eb dukshme flet mbi miq\u00ebsin\u00eb. Besimin e humbur dhe rikthimin e tij. Ndon\u00ebse n\u00eb kushte t\u00eb mjerueshme p\u00ebr jet\u00eb, vyrtytet jan\u00eb m\u00ebse t\u00eb domosdoshme dhe dashuria m\u00ebse e nevojshme. Dor\u00ebn n\u00eb zem\u00ebr. Filmi \u00ebsht\u00eb nj\u00eb k\u00ebng\u00eb e bukur n\u00eb fush\u00eb e padinjitetshme t\u00eb dhun\u00ebs. N\u00eb fush\u00ebn \u00e7\u2019njer\u00ebzore t\u00eb llahtarit. Dhe shpres\u00ebs p\u00ebr jet\u00eb, q\u00eb zvarritet n\u00ebp\u00ebr rrug\u00ebt e qullta t\u00eb vdekjes. Ai n\u00eb m\u00ebnyr\u00eb t\u00eb \u00e7ilt\u00ebrt\u00eb, i b\u00ebn homazhe guximit t\u00eb pamjaftuesh\u00ebm. Dhe brisht\u00ebsis\u00eb s\u00eb shpirtit. Mbi t\u00eb gjitha ai b\u00ebn p\u00ebrgjegj\u00ebs nj\u00eb bot\u00eb t\u00eb t\u00ebr\u00eb. Ngase pamund\u00ebsia p\u00ebr ta kthyer kok\u00ebn dhe p\u00ebr ta demaskuar nj\u00eb akt barbar, n\u00eb thelb duhet t\u00eb jet\u00eb p\u00ebrgjegjesi e t\u00eb gjith\u00eb njer\u00ebzimit.<\/p>\n<p>Dhe nd\u00ebrgjegje sakate e saj. Prandaj duket se para syve tan\u00eb t\u00eb err\u00ebt gjithmon\u00eb kemi nj\u00eb bi\u00e7iklet\u00eb t\u00eb rr\u00ebzuar. Si fanitje e s\u00eb kaluar\u00ebs. Dhe si v\u00ebrejtje e s\u00eb tashmes.<\/p>\n<p>***<\/p>\n<p>Pak a shum\u00eb. Di\u00e7ka t\u00eb till\u00eb kam p\u00ebrjetuar edhe vet\u00eb. N\u00eb prillin e vitit nj\u00ebmij\u00eb e n\u00ebnqind e n\u00ebnt\u00ebdhjet\u00eb e n\u00ebnt\u00eb. Dhe e di fare mir\u00eb shij\u00ebn e idh\u00ebt t\u00eb nj\u00eb krisme. Qoft\u00eb edhe drejt qiellit q\u00eb nuk kapet dot. Dhe mir\u00eb q\u00eb nuk kapet. Ndryshe nuk do t\u00eb mbetej k\u00ebshtu si\u00e7 \u00ebsht\u00eb.<\/p>\n<\/div>\n<div class=\"news-right\">\n<div class=\"post\">\n<p class=\"author\">\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Filmi i metrazhit t\u00eb shkurt\u00ebr ,,Shok,, ma sjell\u00eb n\u00eb mendje novel\u00ebn drith\u00ebruese ,,Fati i Njeriut,, t\u00eb autorit t\u00eb madh rus Mikhail Sholokhov, i cili fitoi Nobelin n\u00eb vitin 1965, me arsyetimin e fuqis\u00eb artistike dhe integritetit p\u00ebrmes s\u00eb cil\u00ebs i kishte dh\u00ebn\u00eb shprehje, nj\u00eb fraze historike n\u00eb jet\u00ebn e rus\u00ebve. Novela e Sholokhovit \u00ebsht\u00eb nj\u00eb [&hellip;]<\/p>","protected":false},"author":511,"featured_media":9603,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[1644,1322],"ppma_author":[1403],"class_list":["post-5038","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kritike","tag-filmi-shok","tag-kritike"],"authors":[{"term_id":1403,"user_id":511,"is_guest":0,"slug":"shpetim-selmani","display_name":"Shp\u00ebtim Selmani","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/12\/shpetim-selmani.jpg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/12\/shpetim-selmani.jpg"},"user_url":"","last_name":"Selmani","first_name":"Shp\u00ebtim","description":"Shp\u00ebtim Selmani \u00ebsht\u00eb nj\u00eb shkrimtar dhe aktor kosovar. Ka studiuar n\u00eb Universitetin e Prishtin\u00ebs. Ai ka luajtur n\u00eb sken\u00eb brenda dhe jasht\u00eb vendit."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/5038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/users\/511"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/comments?post=5038"}],"version-history":[{"count":3,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/5038\/revisions"}],"predecessor-version":[{"id":9604,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/5038\/revisions\/9604"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media\/9603"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media?parent=5038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/categories?post=5038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/tags?post=5038"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/ppma_author?post=5038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}