{"id":5172,"date":"2016-06-06T18:53:35","date_gmt":"2016-06-06T16:53:35","guid":{"rendered":"https:\/\/sbunker.org\/?p=5172"},"modified":"2024-10-10T16:14:05","modified_gmt":"2024-10-10T14:14:05","slug":"a-e-duan-laviret-atdheun-me-shume","status":"publish","type":"post","link":"https:\/\/sbunker.org\/sr\/opinion\/a-e-duan-laviret-atdheun-me-shume\/","title":{"rendered":"A e duan laviret atdheun m\u00eb shum\u00eb?!"},"content":{"rendered":"<div class=\"news-up\"><\/div>\n<div class=\"news-down\">\n<div class=\"img-wrapper\"><img decoding=\"async\" src=\"https:\/\/sbunker.net\/uploads\/sbunker.net\/images\/2016\/July\/27\/auto_51469590871.jpg\" \/><\/div>\n<div class=\"news-left\">\n<p>Sh\u00ebnime p\u00ebr libra<\/p>\n<p>Libri \u201cLaviret e duan atdheun m\u00eb shum\u00eb\u201d i shkrimtarit Bardh Frangu, patjet\u00ebr, duhet t\u00eb filloj\u00eb me nj\u00eb poezi mbi m\u00ebkatin, e cila, ndon\u00ebse e vetme, duhet t\u00eb p\u00ebrb\u00ebj\u00eb nj\u00eb cik\u00ebl t\u00eb t\u00ebr\u00eb q\u00eb quhet \u201cN\u00eb vend t\u00eb prologut\u201d. N\u00eb fund t\u00eb fundit, vet\u00eb njer\u00ebzimi \u00ebsht\u00eb ngjizur n\u00eb m\u00ebkat dhe prej at\u00ebher\u00eb vazhdojm\u00eb luft\u00ebn (utopike) p\u00ebr t\u2019u kthyer n\u00eb dit\u00ebt kur ishim t\u00eb pakorruptuesh\u00ebm dhe t\u00eb pafajsh\u00ebm.<\/p>\n<p>Q\u00eb n\u00eb titull Frangu ka treguar aft\u00ebsin\u00eb e tij t\u00eb zbatoj\u00eb me shkatht\u00ebsi figurativitetin e nj\u00eb martese t\u00eb ve\u00e7ant\u00eb mes ironis\u00eb dhe alegoris\u00eb. Por mjesht\u00ebria poetike frangiane vet\u00ebm sa ka nis\u00eb me \u00e7el\u00eb t\u2019 bukurit e saj.<\/p>\n<p>Niveli i shum\u00eb prej vjershave t\u00eb ciklit t\u00eb dyt\u00eb \u201cN\u00ebn streh\u00ebt e m\u00ebrzis\u00eb\u201d, si p.sh. \u201cVog\u00eblushet e mia\u201d, \u201cPamje e shkrumbt\u00eb\u201d, \u201cJam ai q\u00eb s\u2019 jam\u201d, \u201cNjeriu im\u201d, \u201cSyri i Sarand\u00ebs\u201d dhe sidomos portreti simpatik p\u00ebr t\u00eb pap\u00ebrs\u00ebritshmin poet t\u00eb poet\u00ebve Mirko Gashi\u2014 \u201cTri pamje p\u00ebr Mirkon\u201d jan\u00eb prov\u00eb konkrete q\u00eb gufimi i bukuris\u00eb \u00ebsht\u00eb n\u00eb zhvillim e sip\u00ebr. N\u00eb k\u00ebto faqe ritmi poetik realizohet efektivisht n\u00eb aspektet e muzikalitetit dhe vizualitetit estetik her\u00eb duke p\u00ebrdorur tre\u2014, her\u00eb kat\u00ebr\u2014, e her\u00eb pes\u00eb\u2014 e aty-k\u00ebtu m\u00eb shum\u00eb\u2014varg\u00ebshin n\u00eb strofa. Krijohet p\u00ebrshtypja q\u00eb krahasimet p\u00ebrgjat\u00eb ciklit jan\u00eb (q\u00ebllimisht) t\u00eb rralla dhe ekonomike, sepse rolin kryesor n\u00eb k\u00ebt\u00eb episod duhet ta luaj sh\u00ebmb\u00eblltyra e tematik\u00ebs s\u00eb poezive, e cila n\u00eb prapavij\u00eb, kur e nevojshme, p\u00ebrcillet nga aluzione personalitetesh historiko-aktuale, por edhe mitologjike si Aga Ymeri.<\/p>\n<p>Cikli i tret\u00eb mban t\u00eb nj\u00ebjtin em\u00ebr si libri. N\u00eb k\u00ebt\u00eb cik\u00ebl metri b\u00ebhet dominues mbi strof\u00ebn nd\u00ebrsa gjuha b\u00ebhet momente-momente e pist\u00eb. Krejt kjo n\u00eb funksion t\u00eb \u00ebnd\u00ebrrimit, pse jo, dhe k\u00ebrkimit t\u00eb pastrimit t\u00eb koh\u00ebs dhe realitetit jet\u00ebsor, q\u00eb \u201cthyerja e pasqyrave nga liria\u201d ua ka qitur sakatll\u00ebkun p\u00ebr l\u00ebndin\u00eb. Subjekti dhe toni jan\u00eb kryesisht agresive. Poeti godet pa m\u00ebshir\u00eb duke e rritur tensionin, mir\u00ebpo, fatkeq\u00ebsisht me kosto p\u00ebr poetiken, p\u00ebrkund\u00ebr tentimit t\u00eb p\u00ebrdoren mjete teknike si rima dhe klisheja. Si rezultat lexuesit, n\u00eb nj\u00ebr\u00ebn an\u00eb, mund t\u00eb k\u00ebnaqen me fjala vjen vjershat \u201cLaviret e duan atdheun m\u00eb shum\u00eb\u201d, \u201cBabai im ilegal\u201d apo \u201cLiria theu pasqyrat\u201d, nd\u00ebrkaq, q\u00eb, n\u00eb tjetr\u00ebn, mund t\u00eb zhg\u00ebnjehen me poezit\u00eb \u201cT\u00eb mos kesh siklet\u201d apo \u201cMe Bukowskin n\u00eb Prishtin\u00eb\u201d.<\/p>\n<p>Cikli i parafundit \u201cLutje t\u00eb p\u00ebrlotura\u201d e kthen nivelin n\u00eb maje p\u00ebrs\u00ebri. Me ve\u00e7 gjasht\u00eb poezi dashurie arrihet klimaksi i vepr\u00ebs. K\u00ebng\u00ebt monologje, t\u00eb shkruara nganj\u00ebher\u00eb edhe si silolike nga nj\u00eb dramaturg me p\u00ebrvoj\u00eb, jan\u00eb nj\u00eb buqet\u00eb me lule t\u00eb shum\u00ebngjyrshme\u00a0 p\u00ebr personazhin e quajtur Mara. Kjo pjes\u00eb e librit \u00ebsht\u00eb nj\u00eb lloj epifanie e poetit se n\u00eb jet\u00eb megjithat\u00eb ka shp\u00ebtuese t\u00eb shpirtit dhe ajo e ka emrin dashuri, qoft\u00eb edhe e humbur apo e parealizuar.<\/p>\n<p>Si \u00e7do gj\u00eb q\u00eb ka prolog dhe epilog, ashtu dhe libri i Bardh Frangut mbyllet me ciklin e fundit q\u00eb i \u00ebsht\u00eb v\u00ebn\u00eb emri (i pritur) \u201cN\u00eb vend t\u00eb epilogut\u201d. Si fillimi i librit, edhe fundi i tij p\u00ebrb\u00ebhet nga vet\u00ebm nj\u00eb vjersh\u00eb, e cila e ka titullin \u201cN\u00ebn hije qiriri\u201d. Poezia e fundit mshef n\u00eb vete sasi patosi dhe paradoksi interesant, por \u00e7udit\u00ebrisht ajo ja del t\u00eb jet\u00eb nj\u00eb sinopsis i p\u00ebrshtatsh\u00ebm dhe kompetent dhe k\u00ebshtu me sukses mbyll nj\u00eb rreth poetik fitimtar.<\/p>\n<p>Frangu n\u00eb hyrje t\u00eb librit deklaron q\u00eb p\u00ebrmbledhja u kushtohet \u201c\u2026 atyre q\u00eb u dogj\u00ebn dhe u shkrumbuan p\u00ebr \u00ebndrr\u00ebn ton\u00eb t\u00eb madhe.\u201d Kushtimi, pavar\u00ebsisht a e duan atdheun laviret m\u00eb shum\u00eb apo m\u00eb pak, ka dal\u00eb nj\u00eb shtjerrje krijuese ngash\u00ebnjyese dhe e hirshme\u2014 nj\u00eb d\u00ebshmi e pasur letrare p\u00ebr koh\u00ebn dhe kund\u00ebr koh\u00ebs son\u00eb. Nj\u00eb arritje p\u00ebr lavdat\u00eb e autorit Bardh Frangu dhe poezis\u00eb shqiptare.<\/p>\n<p>&nbsp;<\/p>\n<p>Libri: \u201cLaviret e duan atdheun m\u00eb shum\u00eb\u201d (poezi), t\u00eb autorit Bardh Frangu.<\/p>\n<p>ISBN: 978-9951-632-05-8;\u00a0Botues: SHB \u201cOM\u201d, Prishtin\u00eb, 2013<\/p>\n<\/div>\n<div class=\"news-right\">\n<div class=\"post\">\n<p class=\"author\">\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Sh\u00ebnime p\u00ebr libra Libri \u201cLaviret e duan atdheun m\u00eb shum\u00eb\u201d i shkrimtarit Bardh Frangu, patjet\u00ebr, duhet t\u00eb filloj\u00eb me nj\u00eb poezi mbi m\u00ebkatin, e cila, ndon\u00ebse e vetme, duhet t\u00eb p\u00ebrb\u00ebj\u00eb nj\u00eb cik\u00ebl t\u00eb t\u00ebr\u00eb q\u00eb quhet \u201cN\u00eb vend t\u00eb prologut\u201d. N\u00eb fund t\u00eb fundit, vet\u00eb njer\u00ebzimi \u00ebsht\u00eb ngjizur n\u00eb m\u00ebkat dhe prej at\u00ebher\u00eb vazhdojm\u00eb [&hellip;]<\/p>","protected":false},"author":83,"featured_media":7966,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[664],"ppma_author":[94],"class_list":["post-5172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinion","tag-kosovo"],"authors":[{"term_id":94,"user_id":83,"is_guest":0,"slug":"uk-lushi","display_name":"Uk Lushi","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/download-13.jpg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/download-13.jpg"},"user_url":"","last_name":"Lushi","first_name":"Uk","description":"Lushi \u00ebsht\u00eb ekonomist dhe autor shqiptar q\u00eb vepron n\u00eb ShBA. I diplomuar n\u00eb Columbia University t\u00eb Nju Jorkut, ai ka botuar librin \"Shqiptaro-amerikan\u00ebt e U\u00c7K-s\u00eb - Kronik\u00eb e Batalionit Adriatiku\""}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/5172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/users\/83"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/comments?post=5172"}],"version-history":[{"count":3,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/5172\/revisions"}],"predecessor-version":[{"id":8205,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/5172\/revisions\/8205"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media\/7966"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media?parent=5172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/categories?post=5172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/tags?post=5172"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/ppma_author?post=5172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}