{"id":5403,"date":"2019-11-19T09:13:13","date_gmt":"2019-11-19T07:13:13","guid":{"rendered":"https:\/\/sbunker.org\/?p=5403"},"modified":"2024-10-08T11:34:43","modified_gmt":"2024-10-08T09:34:43","slug":"per-migjenin-e-hajrullahut","status":"publish","type":"post","link":"https:\/\/sbunker.org\/sr\/opinion\/per-migjenin-e-hajrullahut\/","title":{"rendered":"P\u00ebr Migjenin e Hajrullahut"},"content":{"rendered":"
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P\u00ebr Migjenin e Hajrullahut<\/h3>\n<\/div>\n
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Foto:\u00a0Artan Hajrullahu<\/a><\/p>\n

Arti nuk \u00ebsht\u00eb nj\u00eb veg\u00ebl apo nj\u00eb zbukurim, por nj\u00eb shfaqje: nj\u00eb trajt\u00ebzim shqisor i marr\u00ebdh\u00ebnieve q\u00eb ne kemi me veten, tjetrin, bot\u00ebn dhe t\u00eb hyjnishmen. Let\u00ebrsia i trajt\u00ebzon k\u00ebto marr\u00ebdh\u00ebnie n\u00ebp\u00ebrmjet gjuh\u00ebs, muzika n\u00ebp\u00ebrmjet tingujve, skulptura n\u00ebp\u00ebrmjet gdhendjes, vall\u00ebzimi n\u00ebp\u00ebrmjet l\u00ebvizjes dhe piktura n\u00ebp\u00ebrmjet ngjyrave. Nd\u00ebrkoh\u00eb filmi dhe teatri jan\u00eb nj\u00eb nd\u00ebrveprim i formave parake t\u00eb artit t\u00eb lartp\u00ebrmendura.<\/p>\n

Shfaqjet mund t\u00eb ndahen n\u00eb dy lloje: shfaqje q\u00eb mbulojn\u00eb dhe shfaqje q\u00eb zbulojn\u00eb. P\u00ebr ta sqaruar k\u00ebt\u00eb ndarje dua t\u2019i rikthehem\u00a0Elegjive Duine<\/em>\u00a0t\u00eb Rilkes, – m\u00eb sakt\u00eb elegjis\u00eb s\u00eb kat\u00ebrt. Aty Rilke b\u00ebn nj\u00eb ndarje midis shfaqjes s\u00eb njer\u00ebzve t\u00eb maskuar dhe shfaqjes s\u00eb kukullave. Shfaqja e aktor\u00ebve me maska e mbulon shfaqjen me shtirje, dykuptim\u00ebsi, dyshime dhe ndarje. Nd\u00ebrkoh\u00eb, shfaqja e kukullave \u00ebsht\u00eb nj\u00eb shfaqje q\u00eb shpreh vullnetin e vet\u00eb Qenies dhe zbulon asgj\u00eb p\u00ebrve\u00e7 vetvetes. Edhe shfaqjet e veprave t\u00eb artit mund t\u00eb ndahen n\u00eb m\u00ebnyr\u00eb t\u00eb till\u00eb: n\u00eb shfaqje q\u00eb mbulojn\u00eb gjith\u00ebsin\u00eb me trille dhe ideologjira t\u00eb mbivendosura dhe shfaqje q\u00eb zbulojn\u00eb vullnetin dhe frym\u00ebn e Qenies.<\/p>\n

Ky dallim midis shfaqjes si nj\u00eb mbulim apo zbulim, m\u00eb duket m\u00ebnyra m\u00eb e mir\u00eb p\u00ebr t\u2019u qasur nj\u00eb vepre t\u00eb patitulluar t\u00eb Artan Hajrullahut t\u00eb vitit 2016 ku shfaqet Migjeni. Si shum\u00eb punime t\u00eb Hajrullahut, vizatimi \u00ebsht\u00eb mbi nj\u00eb karton t\u00eb thjesht\u00eb q\u00eb dikush mund ta kishte hedhur n\u00eb plehra.<\/p>\n

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Dua t\u00eb shtroj disa pyetje: si do ishte kjo vep\u00ebr, n\u00ebse para nesh do shfaqej nj\u00eb Migjen i vrenjtur dhe i zhytur thell\u00eb n\u00eb mendime? Po n\u00ebse do ishte i pispillosur me kostum dhe kollare? Apo i mbushur me nj\u00eb d\u00ebshir\u00eb p\u00ebr t\u00eb ndryshuar realitetin? I shtroj k\u00ebto pyetje pasi mendoj se n\u00ebse Migjeni do t\u00eb shfaqej i till\u00eb, at\u00ebher\u00eb nuk do t\u00eb rr\u00ebfente asgj\u00eb: do ishte nj\u00eb p\u00ebrs\u00ebritje e m\u00ebrzitshme. Nj\u00eb shfaqje e till\u00eb e Migjenit do ishte, pra, nj\u00eb shfaqje mbuluese: nj\u00eb p\u00eblhur\u00eb q\u00eb nuk do na lejonte t\u00eb kundronim at\u00eb q\u00eb \u00ebsht\u00eb p\u00ebrball\u00eb.<\/p>\n

Rrjedhimisht ajo q\u00eb duhet t\u00eb kuptojm\u00eb tani \u00ebsht\u00eb: \u00e7far\u00eb na zbulon kjo shfaqje e Migjenit n\u00eb k\u00ebt\u00eb vep\u00ebr t\u00eb Hajrullahut? P\u00ebrgjigja ime e shkurt\u00ebr hegeliane \u00ebsht\u00eb se ky punim shfaq vet\u00eb nj\u00ebmend\u00ebsin\u00eb e pakusht\u00ebzueshme: ballafaqimin e pand\u00ebrprer\u00eb t\u00eb t\u00eb kund\u00ebrtave. N\u00eb k\u00ebt\u00eb punim kemi pik\u00ebrisht Migjenin, poetin e guximit, kryengritjes dhe kund\u00ebrshtimit, por q\u00eb nuk shfaqet aspak i till\u00eb. Migjeni na shfaqet t\u00ebr\u00ebsisht i zhveshur, i vetmuar, i ftohur, i s\u00ebmur\u00eb, me sy t\u00eb mbushur me dhimbje.<\/p>\n

Vet\u00ebkund\u00ebrshtia q\u00eb Migjeni mbart n\u00eb k\u00ebt\u00eb punim shfaqet n\u00eb t\u00ebr\u00eb trupin e tij. Migjeni nuk q\u00ebndron dot drejt: supin e majt\u00eb e ka t\u00eb ngritur mbi supin e djatht\u00eb. Edhe syt\u00eb plot vuajtje duken sikur jan\u00eb n\u00eb mosp\u00ebrputhje: syri i tij i djatht\u00eb duket m\u00eb i hapur, nd\u00ebrkoh\u00eb q\u00eb syri i tij i majt\u00eb m\u00eb i err\u00ebt.<\/p>\n

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Trupi i Migjenit duket m\u00eb i brisht\u00eb se sa nj\u00eb deg\u00ebz e thar\u00eb: po ta prek\u00ebsh, duket sikur do thyhet. Kjo brisht\u00ebsi shfaqet n\u00eb ve\u00e7anti tek krah\u00ebt dhe duart e tij.<\/p>\n

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Duket sikur krah\u00ebt nuk mbajn\u00eb dot as veten, prandaj dhe mb\u00ebshteten tek nj\u00ebri-tjetri. Dora e majt\u00eb e skuqur ngjan si e vdekur, nd\u00ebrkoh\u00eb q\u00eb dora e djatht\u00eb e shtr\u00ebngon fort pjes\u00ebn e poshtme t\u00eb krahut t\u00eb majt\u00eb. S\u00ebrish vet\u00eb trupi i Migjenit shnd\u00ebrrohet n\u00eb nj\u00eb dialektik\u00eb t\u00eb vazhdueshme midis vetvetes: gj\u00eb q\u00eb na kujton edhe p\u00ebrplasjen shpirt\u00ebrore t\u00eb Migjenit brenda vepr\u00ebs s\u00eb tij letrare.<\/p>\n

Af\u00ebr Migjenit, shohim nj\u00eb kov\u00eb me uj\u00eb t\u00eb ngroht\u00eb q\u00eb nxjerr avull. Ngroht\u00ebsia e avullit vihet menj\u00ebher\u00eb n\u00eb kontrast me ftohtin dhe lakuriq\u00ebsin\u00eb e Migjenit. \u00c7far\u00eb e mban gjall\u00eb Migjenin? Jo vet\u00ebm Migjenin, por edhe gjith\u00eb poet\u00ebt e ve\u00e7uar, t\u00eb vetmuar, t\u00eb t\u00ebhuajsuar nga pjesa tjet\u00ebr e shoq\u00ebris\u00eb? T\u00eb dob\u00ebt, t\u00eb s\u00ebmur\u00eb, t\u00eb ftohur, t\u00eb pafuqish\u00ebm, e shtyjn\u00eb jet\u00ebn me pasqyrimin prej tyre t\u00eb vetvetes. Gjithkund t\u00eb rrethuar nga hi\u00e7i dhe heshtja. M\u00eb t\u00eb par\u00ebnd\u00ebsish\u00ebm se klloun\u00ebt e cirqeve, i p\u00ebshp\u00ebrisin poezit\u00eb e tyre mureve dhe zbraz\u00ebtis\u00eb. Andej tutje, p\u00ebrjashta, zbraz\u00ebtia \u00ebsht\u00eb edhe m\u00eb e thell\u00eb, edhe m\u00eb e dhimbshme. Vet\u00ebm avulli, q\u00eb k\u00ebtu qartazi shfaqet si nj\u00eb simbol i shpres\u00ebs dhe frym\u00ebzimit, e mban ende gjall\u00eb Migjenin dhe t\u00ebr\u00eb poet\u00ebt e mir\u00ebfillt\u00eb sot. Pa at\u00eb avull hyjnor, poeti do kishte vrar\u00eb veten.<\/p>\n

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Edhe n\u00eb marrdh\u00ebnien me vetmin\u00eb, Migjeni shfaqet si nj\u00eb paradoks: ai shfaqet edhe i vetmuar, edhe jo i vetmuar n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb. Ai \u00ebsht\u00eb i vetmuar, n\u00eb kuptimin q\u00eb ai \u00ebsht\u00eb i ndar\u00eb nga \u00e7do marrdh\u00ebnie shoq\u00ebrore. Marr\u00ebdh\u00ebnie e vetme e tij n\u00eb hap\u00ebsir\u00eb \u00ebsht\u00eb me dhom\u00ebn e ftoht\u00eb, kov\u00ebn me uj\u00eb t\u00eb ngroht\u00eb dhe pasqyr\u00ebn. Por vetmia e tij nuk \u00ebsht\u00eb e rrokakrejtshme: mbrapa tij ai mban nj\u00eb marr\u00ebdh\u00ebnie me vetveten. Kjo marr\u00ebdh\u00ebnie e tij me vetveten rr\u00ebfehet n\u00ebp\u00ebrmjet pasqyrimit t\u00eb pjes\u00ebs s\u00eb mbrame t\u00eb kok\u00ebs s\u00eb tij n\u00eb pasqyr\u00eb. Shum\u00eb pak e ndan at\u00eb nga marr\u00ebzia e plot\u00eb, nga nj\u00eb ikje e pakthyeshme nga njer\u00ebzimi.<\/p>\n

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Ky punim i Artan Hajrullahut m\u00eb kujton nj\u00eb nga besimet m\u00eb thelb\u00ebsore t\u00eb Rilkes: udh\u00ebtimi i nj\u00ebmendt\u00eb \u00ebsht\u00eb udh\u00ebtimi i p\u00ebrbrendsh\u00ebm. P\u00ebrjetimet e v\u00ebzhguesit bashkohen n\u00eb rrjedh\u00ebn e koh\u00ebs s\u00eb p\u00ebrbrendshme, – e jo e anasjelltas. P\u00ebrplasja e Migjeni me bot\u00ebn e jashtme \u00ebsht\u00eb nj\u00eb zgjatim i p\u00ebrplasjes s\u00eb tij brenda vetes.<\/p>\n<\/div>\n

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P\u00ebr Migjenin e Hajrullahut Foto:\u00a0Artan Hajrullahu Arti nuk \u00ebsht\u00eb nj\u00eb veg\u00ebl apo nj\u00eb zbukurim, por nj\u00eb shfaqje: nj\u00eb trajt\u00ebzim shqisor i marr\u00ebdh\u00ebnieve q\u00eb ne kemi me veten, tjetrin, bot\u00ebn dhe t\u00eb hyjnishmen. Let\u00ebrsia i trajt\u00ebzon k\u00ebto marr\u00ebdh\u00ebnie n\u00ebp\u00ebrmjet gjuh\u00ebs, muzika n\u00ebp\u00ebrmjet tingujve, skulptura n\u00ebp\u00ebrmjet gdhendjes, vall\u00ebzimi n\u00ebp\u00ebrmjet l\u00ebvizjes dhe piktura n\u00ebp\u00ebrmjet ngjyrave. Nd\u00ebrkoh\u00eb filmi dhe […]<\/p>","protected":false},"author":3,"featured_media":7966,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"ppma_author":[263],"class_list":["post-5403","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinion"],"authors":[{"term_id":263,"user_id":0,"is_guest":1,"slug":"erlind-sulko","display_name":"Erlind Sulko","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/sulko.jpeg","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/10\/sulko.jpeg"},"user_url":"","last_name":"","first_name":"","description":"Erlind Sulko ka lindur n\u00eb Tiran\u00eb, Shqip\u00ebri. Ka mbaruar studimet ba\u00e7elor p\u00ebr filozofi n\u00eb Universitetin e Otav\u00ebs, Kanada. Tani merret kryesisht me poezi, hulumtime letrare dhe mbledhje librash t\u00eb vjet\u00ebr e t\u00eb rrall\u00eb."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/5403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/comments?post=5403"}],"version-history":[{"count":2,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/5403\/revisions"}],"predecessor-version":[{"id":8081,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/5403\/revisions\/8081"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media\/7966"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media?parent=5403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/categories?post=5403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/tags?post=5403"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/ppma_author?post=5403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}