{"id":7804,"date":"2022-08-31T11:25:22","date_gmt":"2022-08-31T09:25:22","guid":{"rendered":"https:\/\/sbunker.org\/?p=7804"},"modified":"2024-09-20T11:27:33","modified_gmt":"2024-09-20T09:27:33","slug":"sasha-jeton-letra-iv","status":"publish","type":"post","link":"https:\/\/sbunker.org\/sr\/analize\/sasha-jeton-letra-iv\/","title":{"rendered":"Sasha &#038; Jeton: Letra IV"},"content":{"rendered":"<p><i><span style=\"font-weight: 400;\">Kjo let\u00ebr \u00ebsht\u00eb shkruar n\u00eb <\/span><\/i><a href=\"https:\/\/sbunker.net\/sasha-amp-jeton-bllogje-tematike\/91477\/sasha-amp-jeton-pismo-iv\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">serbisht<\/span><\/i><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Shok i dashur, Jeton,<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Letra jote m\u00eb gjeti n\u00eb lart\u00ebsi mbidetare prej 782 metrash, n\u00eb nj\u00eb pallat t\u00eb vendosur n\u00eb bjeshk\u00ebt e Gorskikotarit [Gorski Kotar] n\u00eb Kroaci. Aty jam duke e udh\u00ebhequr, si mysafir, nj\u00eb program t\u00eb t\u00eb shkruarit krijues, ku i kam nja dhjet\u00eb vijuese dhe vijues me t\u00eb cil\u00ebt me dit\u00eb t\u00eb t\u00ebra i zhvilloj konceptet e romaneve t\u00eb tyre, i ushtrojm\u00eb dialogjet, p\u00ebrshkrimet, thurjet, dhe stilet e ndrysh\u00ebm. Nj\u00ebri nd\u00ebr ta, nj\u00eb vijues i ri nga Beogradi dhe i dashuruar n\u00eb let\u00ebrsi distopike, u paraqit me tem\u00eb interesante t\u00eb romanit i cili do t\u00eb filloj\u00eb me fjalin\u00eb <\/span><i><span style=\"font-weight: 400;\">\u201cSakt\u00ebsisht para shtat\u00eb vitesh u suprimua shteti i S\u00ebrbis\u00eb\u201d<\/span><\/i><span style=\"font-weight: 400;\">. Pas k\u00ebsaj, personazhi kryesor fillon t\u00eb vet\u00ebdijesohet mbi nj\u00eb bot\u00eb t\u00eb privatizuar globalisht e cila i takon nj\u00eb kompanie fuqiplote nd\u00ebrkomb\u00ebtare q\u00eb i p\u00ebrngjet kompanis\u00eb Google dhe e cila e inkorporon pushtetin n\u00eb struktur\u00eb t\u00eb ekonomis\u00eb: n\u00eb t\u00eb manaxhuesit afarist\u00eb jan\u00eb edhe funksionar\u00eb administrativ\u00eb, pun\u00ebdh\u00ebn\u00ebsit edhe mbikqyr\u00ebs, bankier\u00ebt jan\u00eb pjestar\u00eb t\u00eb armat\u00ebs, pronar\u00ebt e kompanive pak m\u00eb t\u00eb vogla jan\u00eb pjes\u00eb t\u00eb udh\u00ebheq\u00ebsis\u00eb globale e cila ka hierarki t\u00eb plot\u00eb. Njeriu i asaj bote i paguan t\u00eb gjitha me koh\u00ebn q\u00eb e kalon n\u00eb pun\u00eb, gjegj\u00ebsisht, n\u00ebse blen atlete, ajo koh\u00eb i zbritet nga kartela plastike kohore, si num\u00ebr i or\u00ebve t\u00eb pun\u00ebs. Po t\u00eb mos ket\u00eb mjaft or\u00eb t\u00eb deponuara n\u00eb kartel\u00eb, at\u00ebher\u00eb hyn n\u00eb gjendje negative, ose n\u00eb zon\u00eb t\u00eb kuqe, p\u00ebr t\u00eb cil\u00ebn \u00ebsht\u00eb i detyruar t\u00eb punoj\u00eb, ose t\u2019ua p\u00ebrcjell\u00eb borxhin f\u00ebmij\u00ebve t\u00eb tij. Metafora \u00ebsht\u00eb shk\u00eblqyese, e sidomos pjesa e cila fol\u00eb mbi privatizimin e kish\u00ebs dhe fes\u00eb nga korporata, kur, n\u00eb vend t\u00eb kryqit ose gjys\u00ebmh\u00ebn\u00ebs, n\u00eb kulme t\u00eb faltoreve vehet logotipi sh\u00ebndrit\u00ebs i nj\u00eb kompanie fuqiplote, n\u00eb pron\u00ebsi t\u00eb s\u00eb cil\u00ebs \u00ebsht\u00eb bota e t\u00ebr\u00eb. I b\u00ebra pyetje se \u00e7far\u00eb do t\u00eb jet\u00eb ideologjia e l\u00ebvizjes s\u00eb rezistenc\u00ebs por ai me t\u00eb nuk u gjet aq lehtas. Tha se mbetet t\u2019u jipet kuptimi atyre element\u00ebve t\u00eb romanit. Tani p\u00ebr tani e di vet\u00ebm se kjo l\u00ebvizje e rezistenc\u00ebs ka t\u00eb b\u00ebj\u00eb me libra, muzik\u00eb, dhe art n\u00eb p\u00ebrgjith\u00ebsi. N\u00eb at\u00eb bot\u00eb nuk ekzistojn\u00eb shtetet, por vet\u00ebm nd\u00ebrmarrjet dhe \u00e7do shtet q\u00eb ka ekzistuar dikur e ka vet\u00ebm numrin e vet: S\u00ebrbia dhe Kosova jan\u00eb firmat me num\u00ebr 191 dhe 192.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Festivali Polip ishte pjes\u00eb e nj\u00eb l\u00ebvizjeje urbane dhe artistike n\u00eb t\u00ebr\u00ebsin\u00eb e rezistenc\u00ebs bot\u00ebrore, e cila n\u00eb kulme t\u00eb institucioneve t\u00eb saja politike, kulturore, dhe ekonomike, si dhe t\u00eb faltoreve, p\u00ebr logotipe t\u00eb kombeve vendosi flamuj. Sikurse q\u00eb thua ti, edhe bjeshk\u00ebtar\u00ebt e shkatht\u00eb i merrnin me vete k\u00ebta flamuj t\u00eb njejt\u00eb n\u00eb majat Mont Everest dhe Popokatepet\u00ebll [Popocatepetl], p\u00ebr t\u2019u fotografuar atje me ta. Rrjeti i k\u00ebtyre flamujve po p\u00ebrhapej dhe, sa m\u00eb shum\u00eb q\u00eb p\u00ebrhapej, ashtu p\u00ebrhapej edhe p\u00ebrshtypja e cila kinse fitohej mbi gjithmb\u00ebrritjen e shtetit komb\u00ebtar i cili tashm\u00eb fitoi r\u00ebnd\u00ebsi mbi \u00e7do gj\u00eb tjet\u00ebr, e sidomos mbi vet qytetar\u00ebt. Mu ashtu vendos\u00ebn ta zgj\u00ebronin frontin e \u201c\u00e7\u00ebshtjes s\u00ebrbe\u201d edhe tipat e veshur n\u00eb bluza t\u00eb Shesheljit dhe Mlladiqit, duke bartur marrina t\u00eb atilla n\u00eb gjoks kur shkonin p\u00ebr udh\u00ebtime zyrtar\u00eb p\u00ebr Kongo ose Suedi. Katastrofa e plot\u00eb ndodhi kur kultura filloi t\u00eb p\u00ebrkufizohet p\u00ebrmes logotip\u00ebve t\u00eb till\u00eb, meq\u00eb i mor\u00ebn t\u00eb dashuruarit n\u00eb Sheshelin, Karaxhiqin, dhe Millosheviqin, n\u00eb duar t\u00eb veta manifestimet e kultur\u00ebs dhe produksionin kulturor n\u00eb S\u00ebrbi. Pastaj kaluan vitet e millosheviqizmave dhe shesheljizmave t\u00eb ngurt\u00eb q\u00eb u manifestuan me trendin e mod\u00ebs n\u00eb Skupshtin\u00eb, kur Vu\u00e7iqi me Nikolliqin, bashk\u00eb me t\u00eb gjith\u00eb radikal\u00ebt tjer\u00eb, bartnin parreshtur distinktiv\u00eb dhe bluza me \u00e7ehre t\u00eb kriminelit t\u00eb luft\u00ebs, prijsit t\u00eb tyre, asokohe n\u00eb burg t\u00eb Hagut. Ashtu si\u00e7 nd\u00ebrronte moda e radikal\u00ebve, nd\u00ebrronte edhe politika e kultur\u00ebs n\u00eb S\u00ebrbi, k\u00ebshtu q\u00eb ish-radikal\u00ebt, n\u00eb krye me Vu\u00e7iqin, ia beh\u00ebn n\u00eb kostume t\u00eb Versaqes, i hodh\u00ebn shesheljdistinktiv\u00ebt edhe filluan t\u00eb deklarohen si eurofanatik\u00eb dhe vijues t\u00eb rrug\u00ebs s\u00eb Zoran Gjingjiqit. Megjithat\u00eb, t\u00eb gjith\u00ebve u mbeti, p\u00ebrfundi Versaqes, bluza me \u00e7ehre t\u00eb Shesheljit, sikurse q\u00eb e pranuan k\u00ebt\u00eb mimikri edhe shum\u00eb prej tyre q\u00eb gjer dje ishin pun\u00ebtor\u00eb t\u00eb pavarrur kulturor\u00eb, dhe filluan t\u00eb bashkpunojn\u00eb me k\u00ebt\u00eb elit\u00eb \u201ct\u00eb re t\u00eb vjet\u00ebr\u201d politike.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Duke vendosur t\u00eb marrin pjes\u00eb n\u00eb programin ton\u00eb, autoret dhe autor\u00ebt q\u00eb kaluan n\u00ebp\u00ebr Festivalin Polip i dhan\u00eb kontribut p\u00ebrhapjes s\u00eb \u201cl\u00ebvizjes s\u00eb padukshme t\u00eb rezistenc\u00ebs\u201d, p\u00ebrkthimit t\u00eb sa m\u00eb shum\u00eb teksteve letrar\u00eb, udh\u00ebtimit p\u00ebrtej Merdares, ardhjes n\u00eb t\u00eb paharrueshmin Hotel Begolli i cili u b\u00eb pjes\u00eb e programit p\u00ebrcjell\u00ebs t\u00eb festivalit, kurse recesionist\u00ebt e tij shk\u00eblqyes\u2014pjes\u00eb e personelit t\u00eb gj\u00ebr\u00eb t\u00eb programit. M\u00eb \u00ebsht\u00eb b\u00ebr\u00eb shum\u00eb i dashur momenti n\u00eb t\u00eb cilin dal nga furgoni, jolarg nga stacioni, dhe dal\u00eb-ngadal\u00eb, duke e t\u00ebrhequr zvarr\u00eb valixhen n\u00ebp\u00ebr k\u00ebmb\u00ebsore shkoj s\u00eb pari gjer te Qendra e vjet\u00ebr, e pastaj te Hoteli Begolli, ku gjithmon\u00eb m\u00eb pritte nj\u00eb fytyr\u00eb e buz\u00ebqeshur te recepsioni, nj\u00eb dor\u00eb e shtrir\u00eb, dhe nj\u00eb muhabet mbi sezon\u00ebn turistike t\u00eb sapokaluar. N\u00eb holl t\u00eb Hotelit Begolli zhvilloheshin programe t\u00eb Polipit q\u00eb kishin poaq r\u00ebnd\u00ebsi, sepse aty njer\u00ebzit takoheshin pa formalitete, njoftoheshin nd\u00ebrmjet vete, dhe i planifikonin disa gj\u00ebra q\u00eb do t\u2019i b\u00ebnin s\u00eb bashku n\u00eb let\u00ebrsi. Dhe as q\u00eb kishte kush vet\u00ebdije mbi nj\u00eb efekt t\u00eb till\u00eb, n\u00eb koh\u00ebn kur po ndodhte, por rezultatet do t\u2019ia shohim n\u00eb t\u00eb ardhmen. Disa nd\u00ebr ta i shohim qysh tash, sepse njer\u00ebzit po komunikojn\u00eb, po shkruajn\u00eb mbi udh\u00ebtimet dhe dashurit\u00eb e tyre. Gjithsesi kishte edhe \u00e7aste t\u00eb till\u00eb, disa njer\u00ebz mbet\u00ebn p\u00ebrgjithmon\u00eb n\u00eb kontakte t\u00eb cil\u00ebt nuk ishin vet\u00ebm t\u00eb natyr\u00ebs letrare. Ata nj\u00eb dit\u00eb do t\u2019na dor\u00ebzojn\u00eb libra mbi ato pika t\u00eb takimit q\u00eb pashmangsh\u00ebm do t\u00eb ken\u00eb lidhje me Polip, Hotelin Begolli, ose edhe Hotelin Grand, n\u00eb t\u00eb cilin ishim t\u00eb vendosur nj\u00ebher\u00eb gjat\u00eb festivalit. Njer\u00ebzit e till\u00eb jan\u00eb t\u00eb lir\u00eb, veprojn\u00eb jasht logotipit komb\u00ebtar, ata nuk do ta p\u00ebrfillin politik\u00ebn e Vu\u00e7iqit, Tha\u00e7it, Kurtit. Do t\u2019i shkruajn\u00eb librat e vet\u00eb dhe do ta vijojn\u00eb rrug\u00ebn e cila pa nd\u00ebrprerje i shpje jasht firmave 191 dhe 192.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Natyrisht, sikurse edhe q\u00eb pata shkruar, kishte artista q\u00eb e kund\u00ebrshtonin k\u00ebt\u00eb lloj t\u00eb shk\u00ebmbimit letrar polipor. N\u00eb S\u00ebrbi shum\u00eb m\u00eb tep\u00ebr se n\u00eb Kosov\u00eb. Ishte n\u00eb secilin vit hall i v\u00ebrtet\u00eb t\u00eb vendosej se kush t\u00eb ftohej p\u00ebr Prishtin\u00eb. Disa e kishin kalendarin t\u00eb mbushur plot, t\u00eb dyt\u00ebt p\u00ebr arsye t\u00eb ndryshme nuk udh\u00ebtonin dot, t\u00eb tret\u00ebt \u201c<\/span><i><span style=\"font-weight: 400;\">duheshin t\u2019ia siguronin tezes barnat\u201d<\/span><\/i><span style=\"font-weight: 400;\"> prandaj nuk kishin koh\u00eb. Nd\u00ebr t\u00eb rinj kishte m\u00eb s\u00eb shumti t\u00eb atill\u00eb q\u00eb ishin haptas p\u00ebr k\u00ebt\u00eb lloj t\u00eb kontakteve, gj\u00eb q\u00eb ishte m\u00eb e bukura, sepse e ardhmja mu atyre u takon. Pleqt\u00eb mbetnin n\u00eb logoret e tyre q\u00eb i kishin hapur n\u00eb Shoqat\u00ebn e Shkrimtar\u00ebve t\u00eb S\u00ebrbis\u00eb, ku ishin tubuar n\u00eb tabor qysh n\u00eb mesin e viteve t\u00eb tet\u00ebdhjet\u00eb kur u shpartallua organizata e kulmit q\u00eb kishte dukje t\u00eb Shoqat\u00ebs s\u00eb Shkrimtar\u00ebve t\u00eb Jugosllavis\u00eb.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Rr\u00ebfimet mbi dashurit\u00eb dhe takimet, ndonj\u00eb poezi t\u00eb lexuar apo t\u00eb shkruar, sikurse q\u00eb ishin veprat e Arben Idrizit dhe Millosh Zhivanoviqit [Milo\u0161 \u017divanovi\u0107], Dragana Mlladenoviqit [Mladenovi\u0107] dhe Ervina Halilit, mbesin p\u00ebrgjithmon\u00eb. Nj\u00eb dit\u00eb n\u00ebnat do t\u2019ua recitojn\u00eb t\u00eb bijave, e bijt t\u00eb et\u00ebrve, kur t\u00eb kujtohen n\u00eb nj\u00eb bot\u00eb totalisht t\u00eb privatizuar se ekziston edhe di\u00e7ka tjet\u00ebr pos kulet\u00ebs dhe kombit. Tani p\u00ebr tani jetohet n\u00eb nj\u00eb harres\u00eb kronike, megjithse inflacioni \u00ebsht\u00eb n\u00eb rritje rapide, \u00e7mimet k\u00ebrcejn\u00eb mbrenda dit\u00ebs, sa vjen e ulet edhe m\u00eb shum\u00eb \u00e7mimi i pun\u00ebs, sidomos i asaj <\/span><i><span style=\"font-weight: 400;\">intelektuale<\/span><\/i><span style=\"font-weight: 400;\">, e cila n\u00eb k\u00ebto hap\u00ebsira as q\u00eb ka patur vler\u00eb ndonj\u00ebher\u00eb, pos gjat\u00eb \u00e7lodhjeve t\u00eb shkurt\u00ebra n\u00ebdrmjet konflikteve, kur duhej b\u00ebr\u00eb di\u00e7ka humane dhe q\u00eb kishte r\u00ebnd\u00ebsi.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">K\u00ebtu n\u00eb pallat t\u00eb vjet\u00ebr, ku po zhvillohen programe t\u00eb pun\u00ebtoris\u00eb s\u00eb t\u00eb shkruarit krijues, nj\u00ebra nd\u00ebr vijueset \u00ebsht\u00eb edhe Branka Smoje, artiste rilindase nga Spliti, e cila shkruan proz\u00eb dhe poezi, k\u00ebndon dhe pikturon. Mbr\u00ebm\u00eb e pat nj\u00eb ekspozit\u00eb n\u00eb ngjyra uji t\u00eb cil\u00ebn e hapi me lexim t\u00eb teksteve t\u00eb saj letrar\u00eb. Nd\u00ebr ta ishte edhe nj\u00eb rr\u00ebfim udh\u00ebp\u00ebrshkrues mbi qytetet dhe dashurit\u00eb: Meksiko Sitin, Zanzibarin, Njudelhin, Parisin\u2026 Megjithat\u00eb, fragmenti i fundit prozaik e kishte titullin \u201cKosova\u201d. Ishte fjala, n\u00eb fakt, mbi takimin e k\u00ebsaj autoreje me nj\u00eb kosovar t\u00eb mosh\u00ebs s\u00eb re n\u00eb nj\u00eb firm\u00eb t\u00eb Splitit, ku Abdullahu, i cili ishte nga rrethina e Prizrenit, kishte mb\u00ebrritur duke k\u00ebrkuar pun\u00eb. Ai e lypi p\u00ebr fejes\u00eb, por jo p\u00ebr vete, po p\u00ebr t\u00eb birin, duke i premtuar q\u00eb do ta \u201cmb\u00ebshtillte me ar\u201d.\u00a0 Natyrisht, aty ishte edhe nj\u00eb kusht\u2014vet\u00ebm ta linte duhanin, prej t\u00eb cilit Branka nuk mund t\u00eb hiqte dor\u00eb. Por nuk mundi ta harronte Abudllahun, i cili iu kujtua shum\u00eb vite m\u00eb von\u00eb, gjersa po e shkruante let\u00ebrsin\u00eb e saj mbi dashurit\u00eb marro\u00e7e.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Megjithat\u00eb doli se n\u00eb Polip nuk kishin ardhur me d\u00ebshir\u00eb t\u00eb gjith\u00eb. Disa ishin aty vet\u00ebm p\u00ebr honorar, ose p\u00ebr referenca n\u00eb biografi t\u00eb tyre letrare. M\u00eb kujtohen disa q\u00eb b\u00ebnin negociata mbi t\u00eb hollat e, kur t\u00eb vinin n\u00eb festival, me dit\u00eb t\u00eb t\u00ebra nuk dilnin nga dhoma, p\u00ebrpos n\u00eb koh\u00eb t\u00eb shujtave ose gjat\u00eb atyre pes\u00ebmb\u00ebdhjet\u00eb minutave t\u00eb prezentimit q\u00eb e jepnin n\u00eb Qend\u00ebr. Nuk kishin interesim p\u00ebr askend tjet\u00ebr, as q\u00eb tregonin mir\u00ebkuptim p\u00ebr t\u00eb tjer\u00ebt, p\u00ebr let\u00ebrsin\u00eb dhe kultur\u00ebn fqinje, p\u00ebr at\u00eb q\u00eb ishte q\u00ebllimi kryesor i nism\u00ebs dhe ekzistenc\u00ebs s\u00eb Polipit nd\u00ebr gjith\u00eb k\u00ebta vite. Kishte edhe t\u00eb atill\u00eb q\u00eb e anulonin paraqitjen si mysafir\u00eb t\u00eb festivalit n\u00eb vet dit\u00ebn e hapjes s\u00eb tij.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">T\u00eb till\u00eb, besoj, kishte m\u00eb s\u00eb paku.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Kishte shum\u00eb m\u00eb tep\u00ebr t\u00eb atill\u00eb q\u00eb besonin se n\u00eb let\u00ebrsi megjithat\u00eb ekziston bashk\u00ebsia e <\/span><i><span style=\"font-weight: 400;\">kryengrit\u00ebsve<\/span><\/i><span style=\"font-weight: 400;\">. N\u00eb saj\u00eb t\u00eb tyre, ky rr\u00ebfim do t\u00eb vazhdoj\u00eb edhe n\u00eb t\u00eb ardhmen n\u00eb shum\u00eb m\u00ebnyra t\u00eb ndryshme.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Me shpres\u00eb q\u00eb t\u00eb gjen kjo let\u00ebr n\u00eb disponim t\u00eb mir\u00eb n\u00eb fund t\u00eb ver\u00ebs.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">P\u00ebrsh\u00ebndetje miq\u00ebsore,<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sasha<\/span><\/p>\n<p><span style=\"font-weight: 400;\">P.S. K\u00ebt\u00eb let\u00ebr do t\u00eb ta nis p\u00ebr Prishtin\u00eb posa t\u00eb rr\u00ebmbej pak internet n\u00eb k\u00ebt\u00eb pejzazh t\u00eb pyllit jolarg qendr\u00ebs Bishat e M\u00ebdha [Centar Velike Zvjeri] p\u00ebr bishat q\u00eb k\u00ebtu n\u00eb Sushic\u00eb t\u00eb Vjet\u00ebr [Stara Su\u0161ica] jan\u00eb me shumic\u00eb, para s\u00eb gjithash arinjt, ujqit, dhe rr\u00ebqebujt (mu sikur edhe n\u00eb jet\u00ebn letrare). Shpresoj se t\u00eb arrin me koh\u00eb.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">P\u00ebrktheu nga serbishtja: Florent Rizvanolli<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Kjo let\u00ebr \u00ebsht\u00eb shkruar n\u00eb serbisht Shok i dashur, Jeton, Letra jote m\u00eb gjeti n\u00eb lart\u00ebsi mbidetare prej 782 metrash, n\u00eb nj\u00eb pallat t\u00eb vendosur n\u00eb bjeshk\u00ebt e Gorskikotarit [Gorski Kotar] n\u00eb Kroaci. Aty jam duke e udh\u00ebhequr, si mysafir, nj\u00eb program t\u00eb t\u00eb shkruarit krijues, ku i kam nja dhjet\u00eb vijuese dhe vijues me [&hellip;]<\/p>","protected":false},"author":420,"featured_media":7789,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[1198],"ppma_author":[898],"class_list":["post-7804","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analize","tag-sasha-jeton"],"authors":[{"term_id":898,"user_id":420,"is_guest":0,"slug":"sasa-ilic","display_name":"Sa\u0161a Ili\u0107","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/12\/SasaIlic.png","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/12\/SasaIlic.png"},"user_url":"","last_name":"Ili\u0107","first_name":"Sa\u0161a","description":"Sasha Iliq [Sa\u0161a Ilic] u lind n\u00eb vitin 1972 n\u00eb Jagodin\u00eb, diplomoi n\u00eb Fakultetin e Filologjis\u00eb n\u00eb Beograd. Gjer tani i ka botuar tre libra me rr\u00ebfime: Parandjenja e luft\u00ebs qytetare [Predosezanje graxhanskog rata](2000), Dushanovc. Posta [Du\u0161anovac. Po\u0161ta] (2015), Gjahu n\u00eb iriq\u00eb [Lov na je\u017eeve] (2015) dhe tre  romane: Dritarja e Berlinit [Berlinsko okno] (2005), R\u00ebnja e Kolumbis\u00eb [Pad Kolumbije] (2010) edhe Qeni dhe kontrabasi [Pas i kontrabas] (2019) p\u00ebr t\u00eb cilin e fitoi shp\u00ebrblimin e revist\u00ebs NIN. \u00cbsht\u00eb nj\u00eb nd\u00ebr nism\u00ebtar\u00ebt dhe redaktor i shtojc\u00ebs Beton t\u00eb revist\u00ebs Danas, nga themelimi n\u00eb vitin 2006 e gjer n\u00eb tetor t\u00eb vitit 2013.  N\u00eb dhjetor t\u00eb poatij viti e themelon s\u00eb bashku me Alida Bremerin fletushk\u00ebn Beton International, q\u00eb periodikisht del n\u00eb gjuh\u00eb gjermane si shtojc\u00eb n\u00eb Tageszeitung dhe Frankfurter Rundschau. \u00cbsht\u00eb nj\u00eb nd\u00ebr redaktor\u00ebt e Festivalit Nd\u00ebrkomb\u00ebtar t\u00eb Let\u00ebrsis\u00eb, POLIP, t\u00eb Prishtin\u00ebs. Proza e tij mund t\u00eb gjindet e Proza e tij mund t\u00eb gjindet e p\u00ebrkthyer shqip, frengjisht, maqedonisht, dhe gjermanisht."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/7804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/users\/420"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/comments?post=7804"}],"version-history":[{"count":1,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/7804\/revisions"}],"predecessor-version":[{"id":7805,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/7804\/revisions\/7805"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media\/7789"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media?parent=7804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/categories?post=7804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/tags?post=7804"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/ppma_author?post=7804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}