I dashur Jeton,\u00a0<\/span><\/p>\n M\u00eb duhet ta pranoj se letra jote i solli not\u00eb mall\u00ebngjimi dit\u00ebs s\u00eb korrikut t\u00eb cil\u00ebn, sikurse \u00e7do dit\u00eb tjet\u00ebr kur nuk jam n\u00eb sht\u00ebpi ose jam n\u00eb ndonj\u00eb udh\u00ebtim q\u00eb ka t\u00eb b\u00ebj\u00eb me let\u00ebrsi (\u00e7fare jan\u00eb edhe shkuarjet e mia her\u00eb pas here p\u00ebr Prishtin\u00eb), e kaloj n\u00eb bibliotek\u00eb. Njer\u00ebzit q\u00eb s\u2019kan\u00eb prirje p\u00ebr humor, por n\u00eb fakt jan\u00eb letrar\u00eb t\u00eb shquar beogradas, m\u00eb thon\u00eb se ua p\u00ebrkujtoj miun e gjirizit q\u00eb rri n\u00eb Bibliotek\u00eb Popullore, dhe se kurr\u00eb nuk do t\u00eb arrij gj\u00eb n\u00eb jet\u00eb, pos mic\u00ebrimit t\u00eb librave t\u00eb vjet\u00ebr edhe p\u00ebrhapjes s\u00eb ndyr\u00ebsive dhe viruseve n\u00ebp\u00ebr korridor\u00eb t\u00eb err\u00ebt, q\u00eb p\u00ebrcillet detyruesh\u00ebm me tring\u00ebllim\u00eb t\u00eb \u00e7el\u00ebsave. Nuk e din\u00eb ata se q\u00ebndrimi i im n\u00eb qilar\u00ebt e k\u00ebsaj sht\u00ebpie\u2014kur e pata vuajtur d\u00ebnimin tet\u00ebmujor p\u00ebr shkak t\u00eb mbrojtjes s\u00eb liris\u00eb s\u00eb fjal\u00ebs n\u00eb rastet e nd\u00ebrrimit t\u00eb Sreten Ugri\u00e7iqit [Ugri\u010di\u0107] dhe sulmeve ndaj Andrej Nikolaidisit [janar 2012]\u2014tashm\u00eb \u00ebsht\u00eb e kaluar e lasht\u00eb, sepse m\u00eb \u00ebsht\u00eb b\u00ebr\u00eb vendi n\u00eb n\u00ebnkulm. Aty e kam nj\u00eb zyr\u00eb t\u00eb vog\u00ebl e cila ofron pamje t\u00eb pllaj\u00ebs s\u00eb Vra\u00e7arit [Vra\u010dar], t\u00eb fontan\u00ebs e cila shushurin si dreqi kur humbet n\u00eb kop\u00ebsht t\u00eb Edenit, si dhe t\u00eb Tempullit monumental t\u00eb Sh\u00ebn Sav\u00ebs, i cili ka nj\u00ebqind vite q\u00eb rritet n\u00eb k\u00ebt\u00eb ledin\u00eb. Mu tani, n\u00eb val\u00eb t\u00eb luft\u00ebs n\u00eb Ukrain\u00eb, po e p\u00ebrfundojn\u00eb artist\u00ebt rus\u00eb pun\u00ebn n\u00eb t\u00eb, duke punuar n\u00eb prarim t\u00eb freskave dhe n\u00eb basoreliev\u00ebt q\u00eb gjinden af\u00ebr hyrjes. Do t\u00eb kisha mundur t\u00eb shkoj atje dhe t\u00eb falem, po t\u00eb ishte nevoja, por un\u00eb nuk e b\u00ebj k\u00ebt\u00eb se minjt\u00eb e gjirizit q\u00eb rrin\u00eb n\u00eb bibliotek\u00eb jan\u00eb t\u00eb m\u00ebsuar me err\u00ebsir\u00ebn.<\/span><\/p>\n Gjinia e miut t\u00eb gjirizit \u00ebsht\u00eb kryesisht e p\u00ebrbuzur dhe e ndar\u00eb nga shoq\u00ebria, l\u00ebviz\u00eb n\u00ebp\u00ebr zona skajore, p\u00ebrpos n\u00ebse e sjell ndonj\u00eb rast, komedian i jet\u00ebs, n\u00ebp\u00ebr kanal\u00eb n\u00ebntok\u00ebsor\u00eb t\u00eb nj\u00eb institucioni si ky, e t\u2019i p\u00eblqej\u00eb aty, ku ka shum\u00e7ka p\u00ebr mic\u00ebrim dhe nuhatje, e t\u00eb mbes\u00eb aty gjer nj\u00eb dit\u00eb kur ta z\u00ebn\u00eb n\u00eb kurth t\u00eb \u00e7elikt\u00eb p\u00ebr minj, ose ta helmojn\u00eb me arsenik kok\u00ebrr, t\u00eb lyer me glazur\u00eb t\u00eb kuqe t\u00eb sheqert\u00eb. P\u00ebr fat, edhe p\u00ebrkund\u00ebr p\u00eblqimit t\u00eb \u00ebmb\u00eblsive q\u00eb nga lindja, ende nuk m\u00eb ka ndodhur t\u00eb joshem nga sheqerkat helmuese.<\/span><\/p>\n Letr\u00ebn t\u00ebnde e lexova disa hera dhe m\u00eb duhet ta pranoj se e kam nj\u00eb t\u00eb met\u00eb t\u00eb cil\u00ebn disa e quajn\u00eb p\u00ebrpar\u00ebsi, e ajo \u00ebsht\u00eb se mbaj n\u00eb mend sikur elefanti, pra nuk kam nevoj\u00eb t\u2019i hapi antologjit\u00eb tona t\u00eb vjetra e ta lexoj korrespondenc\u00ebn. E di q\u00eb i kemi shk\u00ebmbyer nga tri letra, pra gjithsejt gjasht\u00eb, dhe q\u00eb kishin koh\u00eb t\u00eb gjat\u00eb nd\u00ebrmjet, edhe q\u00eb i shkruam q\u00eb nga fillimi i ver\u00ebs e gjer n\u00eb vjesht\u00eb. A nuk ishte ashtu? N\u00eb k\u00ebt\u00eb kuptim, di\u00e7ka ka ndryshuar n\u00eb k\u00ebta dymb\u00ebdhjet\u00eb vite, tash koha rrjedh m\u00eb shpejt, komunikimi gjithashtu, p\u00ebrkthyesit punojn\u00eb m\u00eb mir\u00eb, sh\u00ebrbimi <\/span>gug\u00ebll transllejt<\/span><\/i>\u00b9 ka p\u00ebrparuar me fjalorth\u00eb t\u00eb pafund, gjersa sistemi sintaktik i inteligjenc\u00ebs artificiale \u00ebsht\u00eb n\u00eb prag t\u00eb p\u00ebrsosm\u00ebris\u00eb. D\u00ebgjova se nj\u00eb inxhinier \u00ebsht\u00eb flakur nga puna n\u00eb Google jav\u00ebn e kaluar p\u00ebr shkak t\u00eb konstatimit se \u00e7atboti\u00b2 i tyre Llamda [LaMDA], qenka n\u00eb fakt qenje njer\u00ebzore me ndjenja. Nga transkripti i bised\u00ebs s\u00eb tij me Llamd\u00ebn del se ky i dyti e kishte shpallur k\u00ebt\u00eb porosi, \u201cDua t\u00eb m\u00ebsoj sa m\u00eb shum\u00eb p\u00ebr bot\u00ebn dhe ndonj\u00ebher\u00eb ndjehem i lumtur ose i pik\u00eblluar\u201d. Mir\u00ebpo kjo th\u00ebnie i kishte shqet\u00ebsuar shpirt\u00ebrat.<\/span><\/p>\n Duke pas jetuar nj\u00eb koh\u00eb t\u00eb gjat\u00eb n\u00eb propagand\u00eb kund\u00ebrshqiptare e cila zgjat\u00eb edhe sot e k\u00ebsaj dite, si \u00e7do mi kurreshtar i gjerizit i cili p\u00ebrmes trajektoreve t\u00eb tij n\u00ebntok\u00ebsore zbuloi libra mbi at\u00eb se marr\u00ebdh\u00ebniet nd\u00ebrmjet shqiptar\u00ebve dhe serb\u00ebve (shih librat e Petrit Imamit\u00b3) nuk kan\u00eb qen\u00eb p\u00ebrher\u00eb t\u00eb tilla si tash, vendosa t\u00eb veproj njejt sikur Llamda, \u201cD\u00ebshiroj t\u00eb m\u00ebsoj sa m\u00eb shum\u00eb q\u00eb t\u00eb jet\u00eb e mundur mbi bot\u00ebn, e posa\u00e7\u00ebrisht mbi marr\u00ebdh\u00ebnjet n\u00eb regjionin q\u00eb dikur quhej Jugosllavi. Poashtu, ndonj\u00ebher\u00eb ndjehem i lumtur ose i pik\u00eblluar\u201d. K\u00ebshtu erdhi, at\u00eb mars t\u00eb vitit 2010, gjer te takimi i jon\u00eb n\u00eb Llajpcig. E tash, se sa ishim qejfli apo t\u00eb dehur, at\u00eb le ta gjykojn\u00eb historian\u00ebt e let\u00ebrsis\u00eb nj\u00eb dit\u00eb kur t\u2019i numrojn\u00eb promil\u00ebt e alkoolit ose serotoninit n\u00eb gjak t\u00eb aktor\u00ebve t\u00eb nj\u00eb aventure letrare e cila zgjati bukur gjat\u00eb. Mua sot po m\u00eb duket se procesi mori drejtim t\u00eb mir\u00eb pas atyre dit\u00ebve n\u00eb Llajpcig. Paj, edhe p\u00ebrmes titujsh t\u00eb antologjive tona , <\/span>Nga Beogradi, me dashuri<\/span><\/i>, <\/span>Nga Prishtina, me dashuri<\/span><\/i>, ishte b\u00ebr\u00eb me shenj\u00eb \u00e7do gj\u00eb. Dizajnuesi i jon\u00eb shk\u00eblqyes, Llazar Bodrozha [Bodro\u017ea] vizatoi vul\u00eb t\u00eb cenzur\u00ebs mbi k\u00ebta tituj, gj\u00eb q\u00eb ndolli \u00e7udi te shum\u00eb veta\u2014policia kufitare, pun\u00ebtor\u00ebt e shtypshkronj\u00ebs dhe t\u00eb librarive. Po pse u vizatua p\u00ebrmbi, po mosni k\u00ebshtu, ju lutem, po ne duhemi, kush thot\u00eb, kush rren\u2074, dhe k\u00ebshtu disi, t\u00eb gjitha\u2026<\/span><\/p>\n Mir\u00ebpo, n\u00eb u pajtofsh, ne e dinim se t\u00eb gjitha ishin mu ashtu si\u00e7 i kishim p\u00ebrcaktuar dhe u nis\u00ebm nga ato premisa edhe arrit\u00ebm gjer k\u00ebtu. Poashtu, ne besonim se \u00e7do gj\u00eb mund t\u00eb shkonte kah p\u00ebrmir\u00ebsimi prandaj b\u00ebm\u00eb t\u00eb fryej\u00eb nj\u00eb er\u00eb e mir\u00eb, p\u00ebrmes s\u00eb cil\u00ebs Festivali i jon\u00eb, Polip, u bart p\u00ebrgjat\u00eb viteve dhe takimeve, botimeve t\u00eb rij, dhe debateve. Dhe po, u b\u00eb shum\u00eb p\u00ebrkthim dhe kishte shum\u00eb p\u00ebrkthime, n\u00eb shum\u00eb kahje. M\u00eb kujtohet dita kur e moderonte panelin shoqja dhe bashkpun\u00ebtorja e jon\u00eb e p\u00ebrbashk\u00ebt, Eli Krasniqi, dhe n\u00eb vijim p\u00ebrkthente n\u00eb shqipe dhe n\u00eb anglishte. Njer\u00ebzit fituan besim n\u00eb iden\u00eb ton\u00eb dhe ishin, m\u00eb tep\u00ebr se kurdoher\u00eb m\u00eb par\u00eb, gati t\u00eb punonin n\u00eb zbatim t\u00eb saj. I till\u00eb ishte edhe Bekim Lumi, regjisor i teatrit dhe profesor i universitetit, i cili, p\u00ebr fat t\u00eb keq, iku shum\u00eb i ri. Kishte standarde t\u00eb lart\u00eb n\u00eb profesion, dhe k\u00ebt\u00eb e d\u00ebshmoi me parafjal\u00ebn mbi dram\u00ebn bashk\u00ebkohore kosovare q\u00eb e shkroi p\u00ebr antologjin\u00eb ton\u00eb. Kur u njoha me t\u00eb ca vite m\u00eb von\u00eb n\u00eb Vjen\u00eb, qeshnim s\u00eb bashku me hiperprodhimtarin\u00eb e gjenialitetit letrar me t\u00eb cil\u00ebn turren t\u00eb gjith\u00eb produksionet komb\u00ebtar\u00eb, jo vet\u00ebm n\u00eb Ballkan. Num\u00ebr tep\u00ebr i madh i <\/span>gjenive<\/span><\/i>, num\u00ebr tep\u00ebr i madh i <\/span>nobelist\u00ebve<\/span><\/i>, num\u00ebr tep\u00ebr i vog\u00ebl i lum\u00ebve, num\u00ebr tep\u00ebr i vog\u00ebl i bajrajve.<\/span><\/p>\n Por megjithat\u00eb, nj\u00eb nobelist, si\u00e7 e di edhe ti, \u00ebsht\u00eb p\u00ebrher\u00eb k\u00ebtu: n\u00eb Beograd, n\u00eb Prishtin\u00eb, n\u00eb Banjaluk\u00eb, n\u00eb Andriqgrad, n\u00eb Pozharevac, n\u00eb Ho\u00e7\u00eb t\u00eb Madhe\u2026 \u00c7dokund \u00ebsht\u00eb mysafir i mir\u00ebpritur. Kur autor\u00ebt tjer\u00eb dhe autoret tjera shofin se n\u00eb Qend\u00ebr do t\u00eb shfaqet nj\u00eb shfaqje mbi t\u00eb, menj\u00ebher\u00eb paraqiten p\u00ebr Polip, si\u00e7 veproi sivjet autori freng Zhoel Verne [Jo\u00ebl Vernet]. Ai ve\u00e7 tha, o njer\u00ebz, n\u00eb e da\u00e7in Handken k\u00ebta t\u00eb Polipit, at\u00ebher\u00eb k\u00ebta qenkan t\u00eb tuf\u00ebs sime dhe un\u00eb me k\u00ebt\u00eb tuf\u00eb fluturoj, sepse Handken e \u00e7moj jasht\u00ebzakonisht dhe e lexoj me d\u00ebshir\u00eb. Dhe k\u00ebshtu arriti misj\u00eb Verne n\u00eb Prishtin\u00eb, me nj\u00eb anglishte madje edhe me t\u00eb dob\u00ebt se kjo e imja, i bindur se atje do t\u2019i gjej\u00eb tifoz\u00ebt e shkrimtarit t\u00eb tij t\u00eb dashur. Ngjash\u00ebm u soll\u00ebn edhe kritik\u00ebt e sken\u00ebs beogradase q\u00eb i pat\u00ebn adhuruar dramat tua n\u00eb t\u00eb cilat u pate marr\u00eb me temat kosovare t\u00eb tranzicionit. Mir\u00ebpo, duke mos pandehur se ti fol\u00eb edhe gjuh\u00eb tjet\u00ebr, e shiquan shfaqjen <\/span>Projekti Handke<\/span><\/i> [<\/span>The Handke Project<\/span><\/i>] te ata u v\u00ebrejt nj\u00eb ng\u00ebr\u00e7 nga tmerri (mir\u00eb e pate th\u00ebn\u00eb ate mbi <\/span>ng\u00ebr\u00e7in e publikut<\/span><\/i>, mu ashtu si dhe ate mbi doemossin\u00eb e <\/span>dehandkeizimit<\/span><\/i>). Edhe un\u00eb shpesh qeshi me shtangien e tyre e cila n\u00eb tabloid\u00eb e arrin shkall\u00ebn e \u00e7menduris\u00eb, kurse n\u00eb faqet e Politik\u00ebs gjer te harakiri publik me shpat\u00eb prej bambusit t\u00eb cil\u00ebn Handke e solli n\u00eb S\u00ebrbi n\u00eb koh\u00eb t\u00eb vet, kur udh\u00ebtonte drejt lumejve t\u00eb Danubit, Sav\u00ebs, Morav\u00ebs dhe Drin\u00ebs. E pastaj, nja dy jav\u00eb pas shfaqjes sate n\u00eb Bitef\u2075, duke shkuar n\u00eb pun\u00eb, p\u00ebrball\u00eb bibliotek\u00ebs, n\u00eb vitrin\u00eb t\u00eb nj\u00eb ateleu t\u00eb vog\u00ebl grafik n\u00eb t\u00eb cil\u00ebn me vite q\u00ebndrojn\u00eb bustet e patriarkut Pavlle dhe mbretit Alleksand\u00ebr, m\u00eb ra n\u00eb sy nj\u00eb fytyr\u00eb n\u00eb gur, e punuar me harmoni, mund t\u00eb thuhet, p\u00ebr p\u00ebrjet\u00ebsi. Pra, nga ajo vitrin\u00eb m\u00eb v\u00ebshtronte, askush tjet\u00ebr pos Peterit me mbiem\u00ebr Handke, n\u00eb fakt koka e tij. M\u00eb shiqonte me sy t\u00eb pic\u00ebrruar, n\u00ebp\u00ebr syze rrumbullake, me nj\u00eb buz\u00ebqeshje t\u00eb ngrir\u00eb ngadhnjimtare, sikur t\u00eb donte t\u00eb thoshte, \u00e7\u2019ndodhi, o bandill, nuk m\u00eb pritje k\u00ebtu? Por un\u00eb jam k\u00ebtu! N\u00eb \u00e7do vitrin\u00eb, n\u00eb \u00e7do librari, n\u00eb \u00e7do vend! At\u00ebher\u00eb m\u00eb shp\u00ebtoi bureku nga dora. Nj\u00eb grua n\u00eb mosh\u00eb e cila po kalonte pran\u00eb meje u ndal pak, ia hodhi nj\u00eb shiqim burekut tim e pastaj Handkes, murmuroi di\u00e7ka si \u201ckuku\u201d, u kryqua me shpejt\u00ebsi dhe u nis kah tregu i Kalliniqit [Kalini\u0107]. Mbet\u00ebm Handke, bureku i im, dhe un\u00eb.<\/span><\/p>\n Ai \u00ebsht\u00eb, pra, tash aty, n\u00eb pllaj\u00eb t\u00eb Vra\u00e7arit, pran\u00eb patriarkut dhe mbretit, Tempullit dhe Bibliotek\u00ebs, sht\u00ebpis\u00eb t\u00eb patriarkis\u00eb dhe disa kafeve t\u00eb vogla nga t\u00eb cilat m\u00eb s\u00eb shumti m\u00eb p\u00eblqen nj\u00ebra me mbishkrimin Klinik\u00eb [Clinique], ku shkoj p\u00ebr t\u2019u sh\u00ebruar me raki dhe kafe. Besoj se edhe kritik\u00ebve t\u00eb tu beogradas q\u00eb e ngrit\u00ebn z\u00ebrin me rastin e shfaqjes mbi nobelistin u p\u00eblqen t\u00eb thon\u00eb se s\u2019kan\u00eb gj\u00eb kund\u00ebr shqiptar\u00ebve, e sidomos jo kund\u00ebr artist\u00ebve t\u00eb tyre, por le t\u00eb mirren ata me tema e me probleme t\u00eb tyre, e neve le t\u00eb na l\u00ebn\u00eb rehat. K\u00ebtu \u00ebsht\u00eb rrezik t\u00eb flitet mbi gj\u00ebrat e shenjta n\u00eb kultur\u00eb: kish\u00ebn, armat\u00ebn, gjenocidin e Srebrenic\u00ebs, patriarkun, kryetarin, Dobric\u00ebn\u2076, Handken, gjeneral\u00ebt e luft\u00ebs, krimet e luft\u00ebs n\u00eb ve\u00e7anti, Sh\u00ebn Sav\u00ebn, dhe, natyrisht, Millosheviqin. Prandaj \u00ebsht\u00eb plot\u00ebsisht e sakt\u00eb teza e jote q\u00eb \u00ebsht\u00eb e pranueshme kur artisti shqiptar fol\u00eb p\u00ebr problemet e tij, por kur fol\u00eb p\u00ebr probleme t\u00eb fqiut, e sidomos t\u00eb serb\u00ebve, pashmangsh\u00ebm do t\u00eb haj\u00eb dajak\u2014medial. N\u00eb qoft\u00eb leht\u00ebsuese p\u00ebr ty, edhe vet kam kaluar shpesh n\u00ebp\u00ebr at\u00eb rradh\u00eb dyan\u00ebshe t\u00eb dajakut\u2077 p\u00ebr shkak t\u00eb shkrimeve t\u00eb mia. Dhe nuk m\u00eb shqelmonin njer\u00ebzit e r\u00ebndomt\u00eb nga tregu i Kalliniqit por, pa p\u00ebrjashtim, akademik\u00ebt, profesor\u00ebt e universitetit, pun\u00ebtor\u00ebt shkencor\u00eb, shok\u00ebt dhe shoqet e pend\u00ebs, kritik\u00ebt, gazetar\u00ebt, elita e k\u00ebsaj shoq\u00ebrie, q\u00eb betohen n\u00eb vepra t\u00eb Danillo Kishit [Danilo Ki\u0161] dhe Ivo Andriqit [Andri\u0107] se do t\u00eb nd\u00ebrtoj\u00eb, n\u00eb m\u00ebnyr\u00eb konsekuente, ura mes njer\u00ebzish, dhe do t\u2019i b\u00ebjn\u00eb ball\u00eb \u00e7do lig\u00ebsie t\u00eb shoq\u00ebris\u00eb. Por kur t\u00eb trokas\u00eb lig\u00ebsia n\u00eb der\u00eb, f\u00ebrsh\u00ebllejn\u00eb m\u00eb sh\u00ebmtuesh\u00ebm se fontana n\u00ebn dritaren time. Po t\u00eb v\u00ebshtrosh me pak m\u00eb tep\u00ebr v\u00ebmendje, k\u00ebtu shkrimtaret dhe shkrimtar\u00ebt nga rrethina pranohen me d\u00ebshir\u00eb, dhe gati q\u00eb adhurohen, sidomos kur kan\u00eb q\u00ebndrim mbi mjediset e tyre. N\u00eb fakt, elita beogradase d\u00ebshiron t\u00eb tregoj\u00eb se \u00ebsht\u00eb e hapur edhe ta promovoj\u00eb k\u00ebt\u00eb, dhe p\u00ebr k\u00ebt\u00eb arsye i pranon intelektual\u00ebt e regjionit, por vet\u00ebm n\u00ebse nuk merren me tema ruse, as serbe. N\u00eb \u00e7astin kur ata thon\u00eb gj\u00eb mbi kultur\u00ebn serbe ose mbi Beogradin si kasab\u00eb e jo n\u00eb uj\u00eb\u2078, si\u00e7 b\u00ebri rishtas Boris Dezhulloviqi [De\u017eulovi\u0107], jan\u00eb gati t\u2019ua k\u00ebpusin kok\u00ebn. Pra edhe ti e tregove, me Handken, nj\u00ebfar\u00eb arrogance q\u00eb u p\u00ebrngjet atyre t\u00eb dramave antike. Kur t\u00eb vish her\u00ebn tjet\u00ebr n\u00eb Beograd, replikat n\u00eb te do t\u00eb mund t\u2019i shoh\u00ebsh gjithkah p\u00ebrrreth: nga Kallemegdani gjer te Kryesia, e gjer te Sllavia [Slavija] ku dikur u varros socialisti z\u00ebmadh, Dimitrije Tucovi\u0107 [Tucovi\u0107].<\/span><\/p>\n Sikurse e di edhe ti, n\u00eb vitin e kaluar shkrova dram\u00eb mbi k\u00ebt\u00eb t\u00eb fundit, me ftes\u00eb nga Haris Pashoviq [Pa\u0161ovi\u0107] i cili vendosi t\u00eb k\u00ebthehet n\u00eb \u201cbot\u00ebn serbe (kuh, kuh, t\u00eb teatrit)\u2079\u201d, por kur e pa se p\u00ebr \u00e7ka b\u00ebhej fjal\u00eb n\u00eb dram\u00ebn time, vet\u00ebm b\u00ebri me dor\u00eb dhe tha, kjo nuk vlen gj\u00eb, askush nuk do ta luaj\u00eb k\u00ebt\u00eb n\u00eb S\u00ebrbi. Ai Tucoviqi i juaj k\u00ebtu \u00ebsht\u00eb nj\u00ebfar\u00eb hashishxhiu, biseksuali, vagabondi, i cili ia hedh\u00eb Nikolaj Velimirovi\u0107it [Velimirovi\u0107], po nuk shkon kjo k\u00ebshtu! Dhe ai titull, \u201cTeza e fundit mbi Fojerbahun\u201d. Po \u00e7\u2019e keni k\u00ebt\u00eb? S\u00eb paku po t\u00eb quhej Ditari mbi Dimitrijen. Ose Mbi ushtarin Dimitrije. E tha k\u00ebt\u00eb, b\u00ebri me dor\u00eb, dhe shkoi vrap n\u00eb premier\u00eb t\u00eb shfaqjes <\/span>Libri mbi Millutinin<\/span><\/i> n\u00eb regji t\u00eb Egon Savinit, shfaqjen p\u00ebr t\u00eb cil\u00ebn biletat rezervohen edhe gjasht\u00eb muaj para koh\u00ebs. P\u00ebrndryshe ky roman pat qen\u00eb vendimtar p\u00ebr zgjim t\u00eb nacionalizmit serb gjat\u00eb mesit t\u00eb viteve t\u00eb tet\u00ebdhjet\u00eb. Mbi k\u00ebt\u00eb pat\u00ebm shkruar n\u00eb <\/span>Beton<\/span><\/i>\u00b9\u2070 q\u00eb me koh\u00eb.<\/span><\/p>\n Sot s\u2019e kemi as <\/span>Betonin<\/span><\/i>. S\u2019i kemi as miqt\u00eb e vjet\u00ebr, disa shkuan n\u00eb gurbet e t\u00eb tjer\u00ebt e nd\u00ebrruan an\u00ebn e luft\u00ebs. Por megjithat\u00eb, dymb\u00ebdhjet\u00eb vite t\u00eb Polipit do t\u00eb mund t\u00eb prodhojn\u00eb forma t\u00eb reja t\u00eb bashkjetes\u00ebs n\u00eb t\u00eb ardhmen, kur t\u2019i rregullojn\u00eb \u00e7atbot\u00ebt si Llamda marr\u00ebdh\u00ebnjet n\u00eb politik\u00eb, si kryeministrat kiborg\u00eb\u00b9\u00b9 q\u00eb do ta kryejn\u00eb m\u00eb n\u00eb fund pun\u00ebn e normalizimit t\u00eb marr\u00ebdh\u00ebnieve n\u00eb mes t\u00eb Beogradit dhe Prishtin\u00ebs.<\/span><\/p>\n Nj\u00eb dit\u00eb do t\u00eb shkruaj dram\u00eb, q\u00eb do t\u00eb jet\u00eb dyaktshe dhe mbi normalizimin, mbi dy \u00e7atbot\u00eb\u2014V. dhe K.\u2014t\u00eb s\u00eb ardhmes, t\u00eb cil\u00ebt merren me zgjidhjen e nynit t\u00eb Kosov\u00ebs. Kryesh\u00ebrb\u00ebtori i tyre i veshur n\u00eb frak do t\u00eb jet\u00eb Handke n\u00eb rrot\u00ebza.\u2014Sot jam edhe i lumtur, edhe i pik\u00eblluar\u2014thot\u00eb V. gjersa rrah\u00eb qerpik\u00eb elektronik\u00eb.\u2014Edhe un\u00eb jam edhe i lumtur, edhe i pik\u00eblluar\u2014i b\u00ebn iso K.\u2014E mua m\u00eb vjen t\u00eb qaj\u2014shton Handke.\u2014Kush t\u00eb pyet gj\u00eb ty?\u2014i thon\u00eb \u00e7atbot\u00ebt me z\u00eb.\u2014A doni ju ta t\u00ebrhiqni litarin t\u00eb par\u00ebt?\u2014pyet \u00e7atboti V.\u2014Jo, k\u00ebt\u00eb duhet patjet\u00ebr ta b\u00ebni ju\u2014shtiret se nuk pranon \u00e7atboti K.\u2014At\u00ebher\u00eb do ta b\u00ebjm\u00eb s\u00eb bashku\u2014thon\u00eb me z\u00eb. I ngrisin duar\u00ebt bionike dhe e kapin me shkatht\u00ebsi skajin e litarit, ngritet perdja, dhe ne e shofim utopin\u00eb e (bashk)jetes\u00ebs s\u00eb re t\u00eb S\u00ebrbis\u00eb dhe Kosov\u00ebs. Kryesh\u00ebrb\u00ebtori ia plas\u00eb vajit dhe nj\u00ebherit pordh\u00eb.\u2014M\u00eb falni\u2014thot\u00eb Handke\u2014m\u00eb mundon thartira kur t\u00eb m\u00eb zbrazet bateria\u2026<\/span><\/p>\n Si t\u00eb duket kjo tem\u00eb p\u00ebr dram\u00ebn time t\u00eb ardhme? Besoj se do ta marr\u00eb Miki Manojlloviq [Manojlovi\u0107] p\u00ebr regji t\u00eb vet t\u00eb re n\u00eb Teatrin jugosllav t\u00eb dram\u00ebs.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n N\u00eb zarf\u00ebn elektronike e ke fotografin\u00eb e P.H. q\u00eb e b\u00ebra enkas p\u00ebr ty.<\/span><\/p>\n N\u00eb Beograd, m\u00eb 13 korrik, 2022<\/span><\/p>\n Gjer n\u00eb letr\u00ebn t\u00ebnde t\u00eb ardhme.<\/span><\/p>\n P\u00ebrsh\u00ebndetje miq\u00ebsore!<\/span><\/p>\n Sasha<\/span><\/p>","protected":false},"excerpt":{"rendered":" Korrespodenc\u00eb shkrimtar\u00ebsh ose, kur “nj\u00eb shk\u00e1” [Sasha Iliq] dhe “jedan \u0161iptar” [Jeton Neziraj], – t\u00eb dehur, q\u00eb t\u00eb jemi m\u00eb preciz – vendos\u00ebn t\u00eb shkemb\u00ebjn\u00eb let\u00ebrsit\u00eb e dy shoq\u00ebrive, asaj kosovare dhe serbe. *Kjo let\u00ebr \u00ebsht\u00eb shkruar n\u00eb serbisht I dashur Jeton,\u00a0 M\u00eb duhet ta pranoj se letra jote i solli not\u00eb mall\u00ebngjimi dit\u00ebs s\u00eb […]<\/p>","protected":false},"author":420,"featured_media":7789,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[1198],"ppma_author":[898],"class_list":["post-7808","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analize","tag-sasha-jeton"],"authors":[{"term_id":898,"user_id":420,"is_guest":0,"slug":"sasa-ilic","display_name":"Sa\u0161a Ili\u0107","avatar_url":{"url":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/12\/SasaIlic.png","url2x":"https:\/\/sbunker.org\/wp-content\/uploads\/2023\/12\/SasaIlic.png"},"user_url":"","last_name":"Ili\u0107","first_name":"Sa\u0161a","description":"Sasha Iliq [Sa\u0161a Ilic] u lind n\u00eb vitin 1972 n\u00eb Jagodin\u00eb, diplomoi n\u00eb Fakultetin e Filologjis\u00eb n\u00eb Beograd. Gjer tani i ka botuar tre libra me rr\u00ebfime: Parandjenja e luft\u00ebs qytetare [Predosezanje graxhanskog rata](2000), Dushanovc. Posta [Du\u0161anovac. Po\u0161ta] (2015), Gjahu n\u00eb iriq\u00eb [Lov na je\u017eeve] (2015) dhe tre romane: Dritarja e Berlinit [Berlinsko okno] (2005), R\u00ebnja e Kolumbis\u00eb [Pad Kolumbije] (2010) edhe Qeni dhe kontrabasi [Pas i kontrabas] (2019) p\u00ebr t\u00eb cilin e fitoi shp\u00ebrblimin e revist\u00ebs NIN. \u00cbsht\u00eb nj\u00eb nd\u00ebr nism\u00ebtar\u00ebt dhe redaktor i shtojc\u00ebs Beton t\u00eb revist\u00ebs Danas, nga themelimi n\u00eb vitin 2006 e gjer n\u00eb tetor t\u00eb vitit 2013. N\u00eb dhjetor t\u00eb poatij viti e themelon s\u00eb bashku me Alida Bremerin fletushk\u00ebn Beton International, q\u00eb periodikisht del n\u00eb gjuh\u00eb gjermane si shtojc\u00eb n\u00eb Tageszeitung dhe Frankfurter Rundschau. \u00cbsht\u00eb nj\u00eb nd\u00ebr redaktor\u00ebt e Festivalit Nd\u00ebrkomb\u00ebtar t\u00eb Let\u00ebrsis\u00eb, POLIP, t\u00eb Prishtin\u00ebs. Proza e tij mund t\u00eb gjindet e Proza e tij mund t\u00eb gjindet e p\u00ebrkthyer shqip, frengjisht, maqedonisht, dhe gjermanisht."}],"_links":{"self":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/7808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/users\/420"}],"replies":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/comments?post=7808"}],"version-history":[{"count":1,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/7808\/revisions"}],"predecessor-version":[{"id":7810,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/posts\/7808\/revisions\/7810"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media\/7789"}],"wp:attachment":[{"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/media?parent=7808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/categories?post=7808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/tags?post=7808"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/sbunker.org\/sr\/wp-json\/wp\/v2\/ppma_author?post=7808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/sbunker.org\/wp-content\/uploads\/2024\/09\/1111-225x300.png\")
<\/p>\n